Breughel Collection (#2)

Concert of Cats, after the painting in the collection of the Duc de Choiseul, before 1771. After Jan Brueghel the Elder. After Crispijn de Passe the Elder

Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul, 1771. After Jan Brueghel the Elder

Mountainous Landscape with a Group of Gypsies, 1586-1629. Creator: Aegidius Sadeler II
Mountainous Landscape with a Group of Gypsies, 1586-1629

Landscape with Christ Tempted by the Devil. n. d. Creator: Aegidius Sadeler II
Landscape with Christ Tempted by the Devil.n.d

Mountainous Landscape with the Rest on the Flight into Egypt. n. d
Mountainous Landscape with the Rest on the Flight into Egypt.n.d

Coast Scene with a Windmill. n. d. Creator: Aegidius Sadeler II
Coast Scene with a Windmill.n.d

Rocky Landscape with the Stigmatisation of Saint Francis. n. d
Rocky Landscape with the Stigmatisation of Saint Francis.n.d

Harbor Scene. Creator: Aegidius Sadeler II
Harbor Scene

Landscape with Tobias and the Angel and Gypsies. Creator: Aegidius Sadeler II
Landscape with Tobias and the Angel and Gypsies

Landscape with Gypsy Camp, n. d. Creator: Aegidius Sadeler II
Landscape with Gypsy Camp, n.d

Rocky Landscape with St. Jerome. Creator: Aegidius Sadeler II
Rocky Landscape with St. Jerome

Path Through a Village. Creator: Aegidius Sadeler II
Path Through a Village

Self-portrait with Family, c. 1645. Artist: Teniers, David, the Younger (1610-1690)
Self-portrait with Family, c. 1645. Found in the collection of Staatliche Museen, Berlin

Noli me tangere ( Do Not Touch Me ), 17th century. Artist: Jan Breughel the Younger
Noli me tangere ( Do Not Touch Me ), 17th century. Mary Magdalene, the first to see the risen Christ in the Garden of Gethsemane. From a Private collection

Portrait of the artist Jan Brueghel the Younger (1601-1678), first third of 17th century. Artist: Anthony van Dyck
Portrait of the artist Jan Brueghel the Younger, (1601-1678), first third of 17th century. Dyck, Sir Anthonis, van (1599-1641). Found in the collection of the State Hermitage, St. Petersburg

Procession of the League (la Ligue), Paris, 24 May 1590. Typical soldiers and civic guards armed with pikes and harquebuses leaving Notre Dame

Landscape with the Fall of Icarus, detail of a man ploughing, c. 1555 (oil on canvas)
XIR230103 Landscape with the Fall of Icarus, detail of a man ploughing, c.1555 (oil on canvas) by Bruegel, Pieter the Elder (c.1525-69); Musees Royaux des Beaux-Arts de Belgique, Brussels

French Religious Wars: Paris during the League (La Ligue). Procession of the League 24 May 1590 leaving Notre Dame, Paris showing typical soldiers and civic guards armed with pikes and arquebuses

Bouquet of Flowers in a Wooden Vase Still Life. Jan Breughel the Younger (1601-1678) Flemish artist. Oil on panel

Noli me tangere Oil on wood. Private collection. Mary Magdalene, the first to see the risen Christ in the Garden of Gethsemane

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Breughel, a name that resonates with artistic brilliance and timeless masterpieces. From the enchanting "Winter Landscape with skaters" to the captivating "Landscape with the Fall of Icarus, " Pieter Brueghel II, The Younger, has left an indelible mark on art history. In his mesmerizing "Flower Piece, " Brueghel's delicate brushstrokes breathe life into vibrant blooms, transporting viewers to a world of beauty and tranquility. Meanwhile, his pen and brown ink masterpiece, "Landscape with pilgrims, " invites us to embark on a spiritual journey through its intricate details. But it is in his powerful depiction of human suffering that Brueghel truly shines. In the haunting detail from "Massacre of the Innocents, " he captures both horror and despair in every stroke, forcing us to confront our darkest impulses. Similarly, in his wood engraving titled "Ira, " he delves into the depths of human anger and exposes its destructive consequences. Bruegel's exploration of morality is evident in his copper engraving titled "Justitia (Justice). " With meticulous precision, he portrays Lady Justice as she weighs her scales against a backdrop of societal turmoil—a reminder that fairness should prevail even amidst chaos. Religious themes also find their place within Breughel's oeuvre. In "Le Christ chassant les marchands du Temple" (Christ Driving the Money Lender from the Temple), scenes from Christ's Passion unfold before our eyes against a panoramic cityscape—an evocative portrayal of faith tested by worldly temptations. And in Hieronymus Cock's engraved piece titled "Faith, " we witness devotion personified through delicate lines etched onto paper. Yet amidst these profound explorations lie glimpses into Bruegel himself—his self-portrait revealing an introspective artist who sought truth through paintbrush and printmaking tools.