British Artist Collection (#9)

Ophelia, (pencil, pen and black ink and brown wash, on paper)
1199574 Ophelia, (pencil, pen and black ink and brown wash, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22.3x17.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Mrs. W. K. D Arcy, 1902 (oil on canvas)
1199555 Portrait of Mrs. W. K. D Arcy, 1902 (oil on canvas) by Dicksee, Frank (1853-1928); 137.2x156.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Fisher Boy, 1870 (oil on canvas)
1199525 The Fisher Boy, 1870 (oil on canvas) by McTaggart, William (1835-1910); 45.2x32.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Study of a Rhododendron, 1915 (pencil and w / c on paper)
1199519 Study of a Rhododendron, 1915 (pencil and w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh

Girl in a Large Hat, 1892 (oil on canvas)
1199511 Girl in a Large Hat, 1892 (oil on canvas) by Steer, Philip Wilson (1860-1942); 61x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Christ Church, Oxford (pencil and w / c on paper)
1199497 Christ Church, Oxford (pencil and w/c on paper) by Rayner, Louise Ingram (1832-1924); 53.3x76.2 cm; Private Collection; (add.info.: Rayner)

The House Builders, 1880 (oil on canvas)
1199486 The House Builders, 1880 (oil on canvas) by Dicksee, Frank (1853-1928); 138.4x156.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Encore! (Girl, bottle and harp), c. 1938 (lithograph in colours)
1194964 Encore! (Girl, bottle and harp), c.1938 (lithograph in colours) by English School, (20th century); 76x51 cm; Private Collection; Photo eChristies Images; English, out of copyright

What the situation demands (wheel and mask), 1942 (lithograph in colours)
1194959 What the situation demands (wheel and mask), 1942 (lithograph in colours) by Harrison, F.C. (fl.1920s); 152x102 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Magnus, a Liberty & Co, 1902 (silver, enameled in shades of yellow, blue
1194923 The Magnus, a Liberty & Co, 1902 (silver, enameled in shades of yellow, blue, green and purple) by Knox, Archibald (1864-1933); 13 (height)

A Liberty Tudric pewter bowl with James Couper & Sons Clutha glass lining, c
1194903 A Liberty Tudric pewter bowl with James Couper & Sons Clutha glass lining, c.1902-05 (pewter, glass) by Knox, Archibald (1864-1933); 17

Girl in a shawl, (oil on canvas)
1197324 Girl in a shawl, (oil on canvas) by Hunter, George Leslie (1877-1931); 64.8x52 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

A Sailing Ship, (pencil and oil on paper)
1197320 A Sailing Ship, (pencil and oil on paper) by Wallis, Alfred (1855-1942); 21.5x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Interior with a Chair, (oil on panel)
1197262 Interior with a Chair, (oil on panel) by Cadell, Francis Campbell Boileau (1883-1937); 33x24.1 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Woman Sewing, c. 1908 (oil on canvas)
1197232 Woman Sewing, c. 1908 (oil on canvas) by Gilman, Harold (1876-1919); 40.7x30.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Mrs Whelan, c. 1912-3 (oil on board)
1197170 Portrait of Mrs Whelan, c. 1912-3 (oil on board) by Gilman, Harold (1876-1919); 38x32 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from
1197060 Portrait of Richard James Streatfeild (1844-1931), Esq. on his Retirement from the Mastership of the South Down Foxhounds, 1881 (oil on canvas) by Earl

The Interior of the Great Cave, Elephanta, Bombay, 19th century (pencil, w / c)
1196936 The Interior of the Great Cave, Elephanta, Bombay, 19th century (pencil, w/c) by Rawlins, Thomas J. (fl.1820-40); 46.1x63.2 cm; Private Collection; (add.info.: Rawlins, Thomas J)

The Purana Qila, Delhi, (pencil and w / c)
1196906 The Purana Qila, Delhi, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 44.2x62.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Mausoleum of Prince Khusrau, Allahabad, Uttar Pradesh, (pencil and w / c)
1196902 The Mausoleum of Prince Khusrau, Allahabad, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

The South East View of Bijaigarh, Uttar Pradesh, c. 1790 (pencil and w / c)
1196897 The South East View of Bijaigarh, Uttar Pradesh, c. 1790 (pencil and w/c) by Daniell, William (1769-1837); 47.3x60 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Golden Temple, Benares, 1862 (pencil and w / c, with touches of white and gum arabic)
1196748 The Golden Temple, Benares, 1862 (pencil and w/c, with touches of white and gum arabic) by Simpson, William Crimea (1823-99)

Shipping on the Hooghly River, Calcutta, 1852 (oil on canvas)
1196746 Shipping on the Hooghly River, Calcutta, 1852 (oil on canvas) by Martin, C.J. (fl.1810-60); 39.4x62.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Letter from an Absent One, 1871 (black lead, pen and black ink
989654 The Letter from an Absent One, 1871 (black lead, pen and black ink, watercolour on white paper) by Alma-Tadema, Lawrence (1836-1912); 39x26.4 cm; Private Collection; (add.info)

The Lesson, (oil on canvas)
989636 The Lesson, (oil on canvas) by Skipworth, Frank Markham (1854-1929); 65.4x87.3 cm; Private Collection; (add.info.: The Lesson. Frank Markham Skipworth (1854-1929). Oil on canvas

Gathering Flowers, (watercolour and gouache heightened with white and gum arabic on)
989635 Gathering Flowers, (watercolour and gouache heightened with white and gum arabic on) by Morgan, Frederick (1856-1927); 57.2x38.1 cm; Private Collection; (add.info.: Gathering Flowers)

The Genius of the Village, (watercolour on paper)
989634 The Genius of the Village, (watercolour on paper) by Hopkins, Arthur (1848-1930); 58.5x81.3 cm; Private Collection; (add.info.: The Genius of the Village. Arthur Hopkins (1848-1930)

Sea Shells, 1875 (oil on canvas)
989569 Sea Shells, 1875 (oil on canvas) by Moore, Albert Joseph (1841-93); 79.5x36 cm; Private Collection; (add.info.: Sea Shells. Albert Joseph Moore (1841-1893). Oil on canvas. Painted in 1875

The Oracle, (oil on canvas)
989553 The Oracle, (oil on canvas) by Robertson, George Edward (1864-1926); 145.5x250.2 cm; Private Collection; (add.info.: The Oracle. George Edward Robertson (1864-1926). Oil on canvas

St Cecilia (watercolour with bodycolour on paper)
989550 St Cecilia (watercolour with bodycolour on paper) by Murray, Charles Fairfax (1849-1919); 163.2x57.8 cm; Private Collection; (add.info.: St Cecilia)

The Run-away Knock, (watercolour over traces of pencil on paper)
989432 The Run-away Knock, (watercolour over traces of pencil on paper) by Cruikshank, George (1792-1878); 57.7x47.6 cm; Private Collection; (add.info.: The Run-away Knock)

The Garland, (oil on canvas)
989351 The Garland, (oil on canvas) by Leslie, George Dunlop (1835-1921); 109.9x109.9 cm; Private Collection; (add.info.: The Garland. George Dunlop Leslie (1835-1921). Oil on canvas

The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family
989314 The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family, 1854 (oil on canvas) by Bridges, John (fl.1818-54); 90.9x137.2 cm; Private Collection; (add.info)

For the King, (oil on canvas)
989282 For the King, (oil on canvas) by Hillingford, Robert Alexander (1825-1904); 43.2x66 cm; Private Collection; (add.info.: For the King. Robert Alexander Hillingford (1825-1904). Oil on canvas

El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph)
986405 El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 60.5x43.5 cm; Private Collection; (add.info.: El Kasne (Treasury), Petra

Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint)
986398 Rouen, seen from Bon-Secours, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Rouen, seen from Bon-Secours; Rouen)

The Hippopotamus, 1804 (hand-coloured aquatint)
986395 The Hippopotamus, 1804 (hand-coloured aquatint) by Daniell, Samuel (1775-1811); 43.5x57.5 cm; Private Collection; (add.info.: The Hippopotamus, plate 12)

Arabs on Horseback, 1892 (oil on canvas)
826993 Arabs on Horseback, 1892 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 47x61.6 cm; Private Collection; (add.info.: Arabs on Horseback. Frederick Arthur Bridgman (1847-1928)

Square in Rome, 1925 (oil on board)
826944 Square in Rome, 1925 (oil on board) by Wood, Christopher (1901-30); 62.3x51.4 cm; Private Collection; (add.info.: Square in Rome. Christopher Wood (1901-1930). Oil on board. Dated 1925

Daisies in a Lustre Jug, St. Ives, 1928 (oil on canvas)
826939 Daisies in a Lustre Jug, St. Ives, 1928 (oil on canvas) by Wood, Christopher (1901-30); 30.5x30.5 cm; Private Collection; (add.info.: Daisies in a Lustre Jug, St. Ives)

Houses and Ships, (pencil and gouache on board)
826905 Houses and Ships, (pencil and gouache on board) by Wallis, Alfred (1855-1942); 30.5x63.5 cm; Private Collection; (add.info.: Houses and Ships. Alfred Wallis (1855-1942)

Study for The Spanish Fan, 1938 (oil on paper laid down on board)
826857 Study for The Spanish Fan, 1938 (oil on paper laid down on board) by Gertler, Mark (1891-1939); 38x49.5 cm; Private Collection; (add.info.: Study for The Spanish Fan. Mark Gertler (1891-1939)

Ellen Sickert, 1920s (oil on canvas)
826843 Ellen Sickert, 1920s (oil on canvas) by Sickert, Walter Richard (1860-1942); 40.6x30.5 cm; Private Collection; (add.info.: Ellen Sickert. Walter Richard Sickert (1860-1942). Oil on canvas

Sunday Afternoon, c. 1915 (oil on canvas)
826842 Sunday Afternoon, c.1915 (oil on canvas) by Sickert, Walter Richard (1860-1942); 38x31 cm; Private Collection; (add.info.: Sunday Afternoon. Walter Richard Sickert (1860-1942). Oil on canvas

The Fair Conchologist, (pencil and watercolour with gum arabic)
991386 The Fair Conchologist, (pencil and watercolour with gum arabic) by Bayes, Alfred Walter (1858-1903); 37.5x27.3 cm; Private Collection; (add.info.: The Fair Conchologist)

A Grecian Idyll, 1907 (oil on canvas)
991264 A Grecian Idyll, 1907 (oil on canvas) by Godward, John William (1861-1922); 152.4x76.2 cm; Private Collection; (add.info.: A Grecian Idyll. John William Godward (1861-1922). Oil on canvas

A Classical Beauty, (watercolour on paper)
987324 A Classical Beauty, (watercolour on paper) by Ryland, Henry (1856-1924); 43.2x52.1 cm; Private Collection; (add.info.: A Classical Beauty. Henry Ryland (1856-1924). Watercolour on paper

Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed
986379 Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed plate) by Blake, William (1757-1827); 19x13.5 cm; Private Collection; (add.info.: Title page)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

British Artist: Capturing the Essence of Time and Place From the picturesque landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster, British artists have long been celebrated for their ability to transport us to different worlds through their art. In 1939, a Southern Railway poster advertising Ramsgate showcased the artist's mastery of color lithography, enticing viewers with its vivid depiction of sun-kissed beaches and inviting waters. Meanwhile, Children on the Beach, St. Ives painted in 1886 captures the innocence and joy of youth against a backdrop of crashing waves and golden sands. Not limited to capturing idyllic scenes, British artists also excelled at portraying powerful subjects such as Eclipse - a Dark Chestnut Racehorse held by a Groom with a Jockey astride. This masterpiece showcases both strength and elegance while highlighting the bond between man and animal. Moving from grandeur to intimacy, A Lady Walking in a Garden portrays tenderness as she stands full length holding her small child's hand. The artist skillfully captures this fleeting moment that encapsulates love and protection. The Milkmaid created in 1902 using pencil and watercolor demonstrates an artist's attention to detail as they bring everyday life into focus. Similarly, The Wappenshaw: A Shooting Match immerses us in an oil-on-paper scene where we can almost hear gunshots echoing across fields. Delving further into history is Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom from 1815 which showcases not only artistic talent but also serves as documentation for equine enthusiasts seeking insight into past bloodlines. Artists throughout history have also found inspiration in nature itself; April from Twelve Months of Flowers transports us back to 1730 with its delicate yet vibrant colors engraved onto paper. Likewise, Laurel Tree hand-coloured etching invites us into lush gardens, evoking a sense of tranquility and beauty.