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Bull Collection (page 100)

"Bulls: From Ancient Art to Modern Symbolism" From the iconic Lascaux II cave painting replica to the intricate Roman fresco of Mithras Killing the Bull

Background imageBull Collection: A pod of killer whales swim along a reef looking for fish prey

A pod of killer whales swim along a reef looking for fish prey

Background imageBull Collection: Several seals try to escape from a pod of killer whales

Several seals try to escape from a pod of killer whales that are hunting them in shallow ocean waters

Background imageBull Collection: A pod of beluga whales swim together near the surface

A pod of beluga whales swim together near the surface
A pod of beluga whales light up the ocean as they swim together near the surface

Background imageBull Collection: Whales burst from the ocean in a great splash of water

Whales burst from the ocean in a great splash of water
A female Orca whale traveling with a bull whale bursts from the ocean in a great splash of water

Background imageBull Collection: A school of Redtail Butterflyfish watch a group of humpback whales

A school of Redtail Butterflyfish watch a group of humpback whales
A school of Redtail Butterflyfish watch as a herd of Humpback whales dive from the ocean surface

Background imageBull Collection: Two rockfish watch cautiously as a pod of pilot whales swim past a coral reef

Two rockfish watch cautiously as a pod of pilot whales swim past a coral reef and a Crown of Thorns starfish

Background imageBull Collection: A female bowhead whale swims with her calf through ocean waters

A female bowhead whale swims with her calf through ocean waters
A female bowhead whale swims with her calf on their migration route through ocean waters

Background imageBull Collection: A female humpback whale swims with her calf through ocean waters

A female humpback whale swims with her calf through ocean waters
A female humpback whale swims with her calf on their migration route through ocean waters

Background imageBull Collection: Carnotaurus running in the early morning light on desert terrain

Carnotaurus running in the early morning light on desert terrain
A bull Carnotaurus runs after his prey in the early morning light in a desert terrain

Background imageBull Collection: A Yangchuanosaurus chasing two Massospondylus dinosaurs

A Yangchuanosaurus chasing two Massospondylus dinosaurs

Background imageBull Collection: A Carnotaurus dinosaur approaches two Brachiosaurus for a battle

A Carnotaurus dinosaur approaches two Brachiosaurus for a battle
A Carnotaurus dinosaur approaches two huge Brachiosaurus for a battle while two Pterodactyls watch

Background imageBull Collection: Deinocheirus dinosaurs watch a group of Argentinosaurus walk through shallow waters

Deinocheirus dinosaurs watch a group of Argentinosaurus walk through shallow waters
A mother Deinocheirus dinosaur and two Anhanguera pterosaurs watch as Argentinosaurus make their way through swallow lake waters

Background imageBull Collection: An Argentinosaurus and juvenile

An Argentinosaurus and juvenile. Argentinosaurus was a titanosaur sauropod dinosaur from the Cretaceous epoch in Argentina

Background imageBull Collection: The Rolls House and Public Record Office: 1

The Rolls House and Public Record Office: 1
THE ROLLS HOUSE AND PUBLIC RECORD OFFICE: 1. The New Record Office; 2. Interior of the Rolls Chapel, with Ancient Monuments to the Masters of the Rolls; 3. Monument to Dr

Background imageBull Collection: A JOURNEY BY THE OVERLAND ROUTE: 1. A Cool Way of going through the Desert; 2

A JOURNEY BY THE OVERLAND ROUTE: 1. A Cool Way of going through the Desert; 2. Writing Home; 3. The Lottery: Selling the Tickets; 4. The Noble Game of Bull

Background imageBull Collection: Source Size = 3783 x 4971

Source Size = 3783 x 4971
THE " GALUMBO, " A POPULAR SPORT IN SPAIN; And the sport is started in the principal square, a long rope attached to the Bulls horns, to which men tail

Background imageBull Collection: Source Size = 2585 x 3812

Source Size = 2585 x 3812
Head of the Chillingham Wild Bull, Shot by H.R.H. the Prince of Wales

Background imageBull Collection: Source Size = 3766 x 3342

Source Size = 3766 x 3342
Notes at the Zoological Gardens, Brahmin Bull, Gayal Cow, and Hybrid Heifer and Calf

Background imageBull Collection: Cambyses Kills the Apis, the Sacred Bull of the Egyptians

Cambyses Kills the Apis, the Sacred Bull of the Egyptians

Background imageBull Collection: The Dog in the Manger; the Frog and the Bull

The Dog in the Manger; the Frog and the Bull

Background imageBull Collection: The Frightened Lion

The Frightened Lion
THE FRIGHTENED LION

Background imageBull Collection: Source Size = 3927 x 1637

Source Size = 3927 x 1637
Left: Bull from Prato, Centre: Tuscan Maremme, or Herdsman, Right: Mountain Race (Dark Grey Bull), Animals at the Florence Exhibition

Background imageBull Collection: Source Size = 3850 x 2248

Source Size = 3850 x 2248
Scotch Polled, Class 1, First Prize, 10; Pure Italian Bull; Prize Cattle Show at the Royal Agricultural Societys Show, at Windsor

Background imageBull Collection: Source Size = 2101 x 2378

Source Size = 2101 x 2378
Taskmaster and Captives Dragging Colossal Bull

Background imageBull Collection: Source Size = 3830 x 2327

Source Size = 3830 x 2327
Meeting of the Royal Agricultural Society at Salisbury: Herefords, No. 111, First Prize Bull, 30, Mr. Edward Williams (Left), No. 136, First Prize Cow, 20, Lord Berwick (Right)

Background imageBull Collection: Source Size = 3756 x 2241

Source Size = 3756 x 2241
Meeting of the Royal Agricultural Society at Salisbury: Devons, No. 176, First Prize Bull, 30, Mr. James Davy (Left), No. 201. First Prize Heifer, 15, Mr. Edward Pope (Right)

Background imageBull Collection: John Bull, the leviathan of the ocean or the French fleet sailing into the mouth

John Bull, the leviathan of the ocean or the French fleet sailing into the mouth of the Nile!, engraving 1798, John Bull eating French sailing ships

Background imageBull Collection: Comfort of a Bed of Roses, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey

Comfort of a Bed of Roses, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1806, Charles Fox, in bed with his wife, having a nightmare

Background imageBull Collection: Treason, Newton, Richard, 1777 1798, artist, London, R

Treason, Newton, Richard, 1777 1798, artist, London, R. Newton, 1798, A stout, smiling John Bull directs a blast from his rear-end toward a poster of King George III tacked to a wall

Background imageBull Collection: Consular coachmanship!!, Holland, William, active 1782-1817, publisher, London, engraving

Consular coachmanship!!, Holland, William, active 1782-1817, publisher, London, engraving 1803, Josephine standing in a carriage on the left which is drawn by four unruly horses

Background imageBull Collection: The last large bull train on its way from the railroad to the Black Hills, John C

The last large bull train on its way from the railroad to the Black Hills, John C. H. Grabill was an american photographer. In 1886 he opened his first photographic studio

Background imageBull Collection: Indian chiefs who counciled with Gen. Miles and setteled [sic] the Indian War

Indian chiefs who counciled with Gen. Miles and setteled [sic] the Indian War -- Standing Bull, Bear Who Looks Back Running [Stands and Looks Back], Has the Big White Horse, White Tail

Background imageBull Collection: The Bullfight (detail of the foreground) (oil on canvas)

The Bullfight (detail of the foreground) (oil on canvas)
XIR902430 The Bullfight (detail of the foreground) (oil on canvas) by Goya y Lucientes, Francisco (1746-1828) (after); Private Collection; (add.info.: Course de taureaux)

Background imageBull Collection: The Agility and Audacity of Juanito Apinani at the Madrid Arena (oil on canvas)

The Agility and Audacity of Juanito Apinani at the Madrid Arena (oil on canvas)
XIR902436 The Agility and Audacity of Juanito Apinani at the Madrid Arena (oil on canvas) by Goya y Lucientes, Francisco (1746-1828) (after); Private Collection; (add.info)

Background imageBull Collection: The Fall of a Picador from his Horse under a Bull (oil on canvas)

The Fall of a Picador from his Horse under a Bull (oil on canvas)
XIR902437 The Fall of a Picador from his Horse under a Bull (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828) (after); Private Collection; (add.info)

Background imageBull Collection: The Bullfight (detail of the foreground)

The Bullfight (detail of the foreground)
XIR902429 The Bullfight (detail of the foreground) by Goya y Lucientes, Francisco Jose de (1746-1828) (after); Private Collection; (add.info.: Course de taureaux)

Background imageBull Collection: Europa, 1897 (pencil & w / c on paper)

Europa, 1897 (pencil & w / c on paper)
XIR82372 Europa, 1897 (pencil & w/c on paper) by Moreau, Gustave (1826-98); 17.3x11.2 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

Background imageBull Collection: Floreal (April / May), eighth month of the Republican Calendar, engraved by Tresca, c

Floreal (April / May), eighth month of the Republican Calendar, engraved by Tresca, c
XIR82278 Floreal (April/May), eighth month of the Republican Calendar, engraved by Tresca, c.1794 (coloured engraving) by Lafitte, Louis (1770-1828) (after); Musee de la Ville de Paris

Background imageBull Collection: Mahantango Valley Farm, late 19th century (oil on window shade)

Mahantango Valley Farm, late 19th century (oil on window shade)
XOS744926 Mahantango Valley Farm, late 19th century (oil on window shade) by American School, (19th century); 71.1x92.2 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

Background imageBull Collection: H. Call, Prize Bull, American, active 1876, 1876, oil on canvas

H. Call, Prize Bull, American, active 1876, 1876, oil on canvas

Background imageBull Collection: Francisco de Goya, Bull Attacked by Dogs, Spanish, 1746 - 1828, c. 1825, lithograph

Francisco de Goya, Bull Attacked by Dogs, Spanish, 1746 - 1828, c. 1825, lithograph

Background imageBull Collection: Francisco de Goya, Pedro Romero matando a toro parado (Pedro Romero Killing the Halted

Francisco de Goya, Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), Spanish, 1746 - 1828, in or before 1816, etching, aquatint, drypoint and burin [first edition impression]

Background imageBull Collection: Francisco de Goya, Mariano Ceballos, alias el Indio, mata el toro desde su caballo

Francisco de Goya, Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), Spanish, 1746 - 1828, in or before 1816

Background imageBull Collection: Francisco de Goya, Palenque de los moros hecho con burros para defenderse del toro

Francisco de Goya, Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with)

Background imageBull Collection: Landscape with a Shepherd, 1826

Landscape with a Shepherd, 1826
XAM66451 Landscape with a Shepherd, 1826 by Gauermann, Friedrich (1807-62); 57.8x78.6 cm; Private Collection; German, out of copyright

Background imageBull Collection: The Fortress of Konigstein, 18th century

The Fortress of Konigstein, 18th century
BAL56202 The Fortress of Konigstein, 18th century by Bellotto, Bernardo (1720-80); Private Collection; Italian, out of copyright

Background imageBull Collection: The arrow shot to kill a bull that had escaped from the herd on Mount Gargano returns

The arrow shot to kill a bull that had escaped from the herd on Mount Gargano returns
XIR498160 The arrow shot to kill a bull that had escaped from the herd on Mount Gargano returns to smite the shooter on the order of Saint Michael (oil on panel) by LlussA




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"Bulls: From Ancient Art to Modern Symbolism" From the iconic Lascaux II cave painting replica to the intricate Roman fresco of Mithras Killing the Bull, bulls have captivated human imagination for centuries. These majestic creatures have been depicted in various forms of art, representing power, strength, and even financial markets. In William H. Beard's allegorical painting "Wall Street: Bears & Bulls, " we witness the eternal struggle between these two market forces. The poster for England's Glory Matches showcases a fiery bull as a symbol of explosive energy and determination. But they are not limited to paintings alone; they also make appearances in popular culture. Lara Croft's Land Rover Defender is an epitome of adventure and resilience, just like these magnificent animals themselves. Meanwhile, Highland cows with their impressive horns embody the rugged beauty of Scotland's landscapes. The Hereford Bull & Cow from 1912 remind us of our agricultural roots and the importance of livestock in sustaining communities. And let's not forget about humor - Gillray's Anglo-French caricature adds a touch of satire to our perception of these powerful beasts. Whether it be ancient cave paintings or modern-day posters, bulls continue to inspire awe and fascination across different cultures throughout history. Their presence reminds us that there is something inherently captivating about their raw power and unwavering spirit that transcends time itself.