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Byron Collection (page 3)

Byron, a name that echoes through history and conjures images of brilliance and scandal

Background imageByron Collection: Most of them on horseback (engraving)

Most of them on horseback (engraving)
2781475 Most of them on horseback (engraving) by French School, (19th century); Private Collection; (add.info.: Most of them on horseback)

Background imageByron Collection: Henley in the Coronation Year (litho)

Henley in the Coronation Year (litho)
1600755 Henley in the Coronation Year (litho) by Cleaver, Ralph (fl.1902); Private Collection; (add.info.: Henley in the Coronation Year, the Poetry of the Regatta)

Background imageByron Collection: Dr Glennies Academy

Dr Glennies Academy
View of Dr. William Glennies Academy, Dulwich Grove, south London, in 1820. The school attended by British poet Lord Byron between 1799 and 1801. Date: 1875

Background imageByron Collection: The Vale of Health

The Vale of Health
View of the Vale of Health, Hampstead, London. Those who wished to attract visitors or new residents invented and promoted the Vale of Health name, which was first recorded in 1801

Background imageByron Collection: Samuel Rogers house

Samuel Rogers house facing Green Park. Samuel Rogers (1763-1855), an English poet, during his lifetime one of the most celebrated

Background imageByron Collection: Samuel Rogers

Samuel Rogers (1763-1855), an English poet, during his lifetime one of the most celebrated, although his fame has long since been eclipsed by his Romantic colleagues and friends Wordsworth

Background imageByron Collection: 10th Carriage of the Royal Household in Queen Victoria s

10th Carriage of the Royal Household in Queen Victoria s
10th Carriage of the Royal Household in Queen Victorias coronation parade. Two Bedchamber Ladies, Lady Sarah Lyttleton and Countess of Mulgrave, Two Lords in Waiting, George Byng

Background imageByron Collection: Sketch for The Shipwreck of Don Juan, 1839 (see also 182426)

Sketch for The Shipwreck of Don Juan, 1839 (see also 182426)
SC14443 Sketch for The Shipwreck of Don Juan, 1839 (see also 182426) by Delacroix, Ferdinand Victor Eugene (1798-1863); Victoria & Albert Museum, London

Background imageByron Collection: Portrait of the poet Lord George Noel Byron, 1830 (oil on canvas)

Portrait of the poet Lord George Noel Byron, 1830 (oil on canvas)
3515869 Portrait of the poet Lord George Noel Byron, 1830 (oil on canvas) by Unknown Artist, (19th century); 97x74.5 cm; Benaki Museum, Athens

Background imageByron Collection: Spooners Protean Views: Poets Corner, Westminster Abbey, London

Spooners Protean Views: Poets Corner, Westminster Abbey, London, Changing to The Shades of Shakespeare
586464 Spooners Protean Views: Poets Corner, Westminster Abbey, London, Changing to The Shades of Shakespeare, Scott and Byron (coloured engraving) by English School

Background imageByron Collection: Orson Byron Lowell

Orson Byron Lowell (1871-1956). American artist and illustrator Date: circa 1928

Background imageByron Collection: Illustration, Selim and Zuleika, The Bride of Abydos

Illustration, Selim and Zuleika, The Bride of Abydos
Illustration, Selim and Zuleika, in The Bride of Abydos, a poem by Lord Byron (1813). 1844

Background imageByron Collection: Byron meets the Gigantic Patagonians

Byron meets the Gigantic Patagonians
Commodore John Byron meets with the indigenous people of Patagonia, on the Chilean coast. Byron stands with some of the people of Patagonia, who are depicted as dwarfing the man

Background imageByron Collection: Commodore Byron with the Patagonians

Commodore Byron with the Patagonians
Depiction of Commodore John Byron and his men rowing ashore to meet with the native people of Patagonia, on the coast of Chile, most likely to be the Selk nam people

Background imageByron Collection: Countess Robilants Baby Party, Venice, 1926

Countess Robilants Baby Party, Venice, 1926
One of the most discussed social events of the Venetian season - the " Baby Party" given by Count and Countess Robilant in their home, the Mocenigo Palace, where Byron once lived

Background imageByron Collection: Byron, Southey, Scott, Coleridge, Keats, Montgomery (engraving)

Byron, Southey, Scott, Coleridge, Keats, Montgomery (engraving)
969779 Byron, Southey, Scott, Coleridge, Keats, Montgomery (engraving) by English School, (19th century); Private Collection; (add.info.: Byron, Southey, Scott, Coleridge, Keats, Montgomery)

Background imageByron Collection: Byrons Early Love

Byrons Early Love by E M Ward. 19th century

Background imageByron Collection: A joyous Christmas-tide! - Christmas card (chromolitho)

A joyous Christmas-tide! - Christmas card (chromolitho)
731686 A joyous Christmas-tide! - Christmas card (chromolitho) by English School, (19th century); Private Collection; (add.info.: A joyous Christmas-tide! - Christmas card)

Background imageByron Collection: The Home of Byron, Newstead Abbey (b / w photo)

The Home of Byron, Newstead Abbey (b / w photo)
5989048 The Home of Byron, Newstead Abbey (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Home of Byron, Newstead Abbey)

Background imageByron Collection: The Giaour, c. 1822-23 (w / c on paper)

The Giaour, c. 1822-23 (w / c on paper)
CH23311 The Giaour, c.1822-23 (w/c on paper) by Gericault, Theodore (1791-1824); 13.5x23.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageByron Collection: Shakespeare and Byron (chromolitho)

Shakespeare and Byron (chromolitho)
734970 Shakespeare and Byron (chromolitho) by European School, (19th century); Private Collection; (add.info.: Shakespeare and Byron)

Background imageByron Collection: The Castle of Chillon (colour litho)

The Castle of Chillon (colour litho)
2794496 The Castle of Chillon (colour litho) by Hasseldine, Ernest (1875-1944); Private Collection; (add.info.: The Castle of Chillon)

Background imageByron Collection: The Seeds and Fruit of English Poetry, 1845 (oil on canvas)

The Seeds and Fruit of English Poetry, 1845 (oil on canvas)
AMO98733 The Seeds and Fruit of English Poetry, 1845 (oil on canvas) by Brown, Ford Madox (1821-93); 34x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageByron Collection: Byrons Monument at Missolonghi, Greece, 1923 (oil on board)

Byrons Monument at Missolonghi, Greece, 1923 (oil on board)
3744087 Byrons Monument at Missolonghi, Greece, 1923 (oil on board) by Himona, Nicholas (1865-1929); 29.2x33 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageByron Collection: The House in Broad Street where Byron lived when a Boy (engraving)

The House in Broad Street where Byron lived when a Boy (engraving)
1041102 The House in Broad Street where Byron lived when a Boy (engraving) by English School, (19th century); Private Collection; (add.info.: The House in Broad Street where Byron lived when a Boy)

Background imageByron Collection: The house in Broad Street where Byron lived when a boy (engraving)

The house in Broad Street where Byron lived when a boy (engraving)
967075 The house in Broad Street where Byron lived when a boy (engraving) by English School, (19th century); Private Collection; (add.info.: The house in Broad Street where Byron lived when a boy)

Background imageByron Collection: Portrait of Augusta Ada King (1815 - 1852), Countess of Lovelace (engraving)

Portrait of Augusta Ada King (1815 - 1852), Countess of Lovelace (engraving)
875068 Portrait of Augusta Ada King (1815 - 1852), Countess of Lovelace (engraving). by Chalon, Alfred-Edward (1780-1860); Private Collection; (add.info.: Augusta Ada King)

Background imageByron Collection: Self portrait, 1810 (oil on canvas)

Self portrait, 1810 (oil on canvas)
XEE3515870 Self portrait, 1810 (oil on canvas) by Camuccini, Vincenzo (1773-1844); 61x74 cm; Accademia di San Luca, Rome, Italy; Stefano Bianchetti; Italian, out of copyright

Background imageByron Collection: The Vampire Seduces Jenny, illustration from The Vampyre

The Vampire Seduces Jenny, illustration from The Vampyre
GIA3515864 The Vampire Seduces Jenny, illustration from The Vampyre by John William Polidori (engraving) by Italian School, (19th century); Private Collection; eGiancarlo Costa; Italian

Background imageByron Collection: One of them tore the carrion with his teeth (engraving)

One of them tore the carrion with his teeth (engraving)
2781474 One of them tore the carrion with his teeth (engraving) by French School, (19th century); Private Collection; (add.info.: One of them tore the carrion with his teeth)

Background imageByron Collection: Two pictures, Ballade (The Moon Like the dot on a I)

Two pictures, Ballade (The Moon Like the dot on a I)
BLT164267 Two pictures, Ballade (The Moon Like the dot on a I): Alfred de Musset (1810-57) from the back (right), Don Juan

Background imageByron Collection: Elijah and the Widows Son, 1864 (oil on canvas)

Elijah and the Widows Son, 1864 (oil on canvas)
BIR100705 Elijah and the Widows Son, 1864 (oil on canvas) by Brown, Ford Madox (1821-93); 52.7x34.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageByron Collection: The Finding of Don Juan by Haidee, 1873 (oil on canvas)

The Finding of Don Juan by Haidee, 1873 (oil on canvas)
BIR100704 The Finding of Don Juan by Haidee, 1873 (oil on canvas) by Brown, Ford Madox (1821-93); 171x213 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageByron Collection: The Great Schools of England, Harrow (engraving)

The Great Schools of England, Harrow (engraving)
1596521 The Great Schools of England, Harrow (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Schools of England, Harrow)

Background imageByron Collection: Lord Byron

Lord Byron
3835784 Lord Byron by West, William Edward (1788-1857); (add.info.: Lord Byron, oil painting by William Edward West, 1822)

Background imageByron Collection: Edward John Trelawny, the Companion of Byron and Shelley (engraving)

Edward John Trelawny, the Companion of Byron and Shelley (engraving)
1054581 Edward John Trelawny, the Companion of Byron and Shelley (engraving) by English School, (19th century); Private Collection; (add.info.: Edward John Trelawny)

Background imageByron Collection: The Spot where Shelleys Body was found by Byron and Trelawny on the Beach near Spezzia, Italy

The Spot where Shelleys Body was found by Byron and Trelawny on the Beach near Spezzia, Italy, July 1822 (engraving)
1044138 The Spot where Shelleys Body was found by Byron and Trelawny on the Beach near Spezzia, Italy, July 1822 (engraving) by English School

Background imageByron Collection: Mazeppa on the Dying Horse, 1824. Creator: Delacroix, Eugene (1798-1863)

Mazeppa on the Dying Horse, 1824. Creator: Delacroix, Eugene (1798-1863)
Mazeppa on the Dying Horse, 1824. Found in the collection of Ateneum, Helsinki

Background imageByron Collection: Finding of Don Juan by Haidee, c1870. Creator: Ford Madox Brown

Finding of Don Juan by Haidee, c1870. Creator: Ford Madox Brown
Finding of Don Juan by Haidee, c1870

Background imageByron Collection: Thorwaldsens statue of Lord Byron, 1845. Creator: W. J. Linton

Thorwaldsens statue of Lord Byron, 1845. Creator: W. J. Linton
Thorwaldsens statue of Lord Byron, 1845. Sculpture of Byron by Danish sculptor Bertel Thorwaldsen: This picturesque work of art

Background imageByron Collection: Mademoiselle Dumilatre, in the new ballet of 'The Corsair'

Mademoiselle Dumilatre, in the new ballet of "The Corsair"
Mademoiselle Dumilatre, in the new ballet of " The Corsair", at Drury Lane Theatre, 1844. French ballerina Adele Dumilatre starred in a London stage production of a ballet based on a tale

Background imageByron Collection: Arrival of Lord Byron in Mesolongi Date: 1861

Arrival of Lord Byron in Mesolongi Date: 1861

Background imageByron Collection: Royal Italian Opera - Foscari

Royal Italian Opera - Foscari
The first English production of this opera set in Venice, staged at the Royal Italian Opera House, London : it is based on a play by Byron. Date: first performed 1844

Background imageByron Collection: NEWSTEAD ABBEY / WEBSTER

NEWSTEAD ABBEY / WEBSTER
The seat of the late Lord Byron Date: 1835

Background imageByron Collection: Zoe, Maid of Athens, 1866. Creator: Julia Margaret Cameron

Zoe, Maid of Athens, 1866. Creator: Julia Margaret Cameron
Zoe, Maid of Athens, 1866

Background imageByron Collection: The Maid of Athens (May Prinsep), 1866. Creator: Julia Margaret Cameron

The Maid of Athens (May Prinsep), 1866. Creator: Julia Margaret Cameron
The Maid of Athens (May Prinsep), 1866. May Prinsep was Camerons sisters adopted daughter and the portrait was inspired by a poem by Lord Byron in 1810




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Byron, a name that echoes through history and conjures images of brilliance and scandal. Augusta Ada Byron, the brilliant mathematician and daughter of Lord Byron, whose contributions to science paved the way for modern computing. The Bright Young People, a group of socialites in 1920s London who reveled in their extravagant lifestyles and scandalous parties, reminiscent of the mock Rayner-Ponsonby wedding. Joseph Byron's lens capturing the bustling energy of Delmonicos Restaurant's kitchen in New York City in 1902. Lord Byron himself, known for his poetic genius and infamous love affairs, donning Greek costume as he embraced his passion for Greece. Scenes from Mozart's opera "The Marriage of Figaro" bringing laughter and joy to audiences worldwide. In 1826, Lord Byron immortalized by an image that captures his enigmatic charm. Manfred on the Jungfrau in 1837 showcasing his adventurous spirit amidst breathtaking landscapes. Anne, Lady Byron - her identity shrouded in anonymity but forever entwined with Lord Byron's legacy. George Lord Byron - a man whose words continue to inspire generations with their depth and emotion. Newstead Abbey stands proudly as the home where Lord Byron once roamed its halls, leaving behind whispers of creativity and rebellion. Cologny/Villa Diodati 6 - a place where literary greats like Mary Shelley gathered to share ideas that would shape literature forever. And let us not forget Claire Clairmont - her presence intertwined with both Percy Bysshe Shelley and Lord Byron's lives; she too leaving her mark on history. Byron: A name steeped in intrigue, passion, artistry – forever etched into our collective memory as we unravel the layers behind this captivating figure who continues to fascinate us centuries later.