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Bystander Collection (#6)

"Bystander: A Glimpse into the Quirky and Whimsical World of Art and Satire" Step into the enchanting world of "Bystander, " where art meets satire in a delightful blend

Background imageBystander Collection: Queue of women for shoefitting xray machine, at Messrs Babers, Oxford Street, London

Queue of women for shoefitting xray machine, at Messrs Babers, Oxford Street, London. Captioned, Our twenty first birthday Gifts and Recipients and A Symphony in Shoes'

Background imageBystander Collection: Two actors reading a wartime ??The Bystander?? between sho

Two actors reading a wartime ??The Bystander?? between sho
Two actors in First World War costumes, reading a wartime issue of The Bystander between shows, theatrical portrait. Captioned, A Quiet Decko'

Background imageBystander Collection: Giant sawfish, hung up by a mast, Florida, United States. Captioned, A Leviathan of the Deep

Giant sawfish, hung up by a mast, Florida, United States. Captioned, A Leviathan of the Deep: The Largest Fish Ever Caught On Light Tackle'

Background imageBystander Collection: Photograph of a large group of armed men, captioned, Irregular fighters for the Persian

Photograph of a large group of armed men, captioned, Irregular fighters for the Persian Constitution'. With description, Under the new Regency, Persian affairs are comparatively peaceful

Background imageBystander Collection: Photograph of the Hardanger Glacier, with two men on skis viewing the scene

Photograph of the Hardanger Glacier, with two men on skis viewing the scene. Captioned, A Chain of Ice-Hills: A Future Haunt of the Winter Sports Enthusiast'

Background imageBystander Collection: Photograph of the New King of Siam (Thailand), formal studio portrait. Captioned

Photograph of the New King of Siam (Thailand), formal studio portrait. Captioned, An English Influence in the East: The New King of Siam; He is only twenty-nine years of age, and is a cultured

Background imageBystander Collection: Photograph of the first meeting of the new Portuguese Ministry. With description

Photograph of the first meeting of the new Portuguese Ministry. With description, The First Meeting of the New Portuguese Ministry; On the extreme left is Dr Alfonso Costa

Background imageBystander Collection: The Ghost of Dead Pig Farm - 19 ?, by Bairnsfather

The Ghost of Dead Pig Farm - 19 ?, by Bairnsfather
The Ghost of Dead Pig Farm - 19..? At midnight, an indignant, husky voice is heard to say: "B----- these blinkin sandbags" A cartoon by Captain Bruce Bairnsfather in an issue of The

Background imageBystander Collection: Shadows in Whitehall, by Bruce Bairnsfather

Shadows in Whitehall, by Bruce Bairnsfather
Shadows in Whitehall An unusually serious subject for Captain Bruce Bairnsfather, known for his Old Bill cartoons in The Bystander magazine; ghostly soldiers guard the cenotaph in Whitehall, London

Background imageBystander Collection: Front cover from the Bystander

Front cover from the Bystander
The Butterfly by Barribal showing a young woman in a butterfly costume. Date: 1930

Background imageBystander Collection: Santa Maria della Salute, Venice, (pencil, pen and brown ink and watercolour)

Santa Maria della Salute, Venice, (pencil, pen and brown ink and watercolour)
658718 Santa Maria della Salute, Venice, (pencil, pen and brown ink and watercolour) by Prosdocini or Prosdocimi, Alberto (1852-1925); 56.5x40 cm; Private Collection; (add.info)

Background imageBystander Collection: Un Village au Bord de la Mer, 1896-1897 (oil on burlap)

Un Village au Bord de la Mer, 1896-1897 (oil on burlap)
652264 Un Village au Bord de la Mer, 1896-1897 (oil on burlap) by Valtat, Louis (1869-1952); 54.6x65.4 cm; Private Collection; (add.info.: Un Village au Bord de la Mer. Louis Valtat (1869-1952)

Background imageBystander Collection: The Harbour, (oil on canvas)

The Harbour, (oil on canvas)
657089 The Harbour, (oil on canvas) by Hankey, William Lee (1869-1952); 59.1x89.5 cm; Private Collection; (add.info.: The Harbour. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: The Inner Harbour, Dieppe, (oil on canvas)

The Inner Harbour, Dieppe, (oil on canvas)
656957 The Inner Harbour, Dieppe, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Inner Harbour, Dieppe. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: Cafe Parisien (Bal Tabarin), (oil on canvas)

Cafe Parisien (Bal Tabarin), (oil on canvas)
1196569 Cafe Parisien (Bal Tabarin), (oil on canvas) by Pissarro, Ludovic-Rodolphe (1878-1952); 46.2x55.2 cm; Private Collection; Photo © Christie's Images

Background imageBystander Collection: The Harbour, Honfleur, (oil on canvas)

The Harbour, Honfleur, (oil on canvas)
826732 The Harbour, Honfleur, (oil on canvas) by Hankey, William Lee (1869-1952); 51x61 cm; Private Collection; (add.info.: The Harbour, Honfleur. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: Old Houses, Bath, 1927 (oil on canvas)

Old Houses, Bath, 1927 (oil on canvas)
1197169 Old Houses, Bath, 1927 (oil on canvas) by Ginner, Charles (1878-1952); 50.8x61 cm; Private Collection; Photo © Christie's Images

Background imageBystander Collection: Plymouth Pier from the Hoe, 1923 (oil on canvas)

Plymouth Pier from the Hoe, 1923 (oil on canvas)
826678 Plymouth Pier from the Hoe, 1923 (oil on canvas) by Ginner, Charles (1878-1952); 30x24in cm; Private Collection; (add.info.: Plymouth Pier from the Hoe. Charles Ginner (1878-1952)

Background imageBystander Collection: The Bridge, 1919 (oil on canvas)

The Bridge, 1919 (oil on canvas)
826676 The Bridge, 1919 (oil on canvas) by Jackson, Albert Edward (1873-1952); 121.9x137.2 cm; Private Collection; (add.info.: The Bridge. Albert Edward Jackson (1873-1952). Oil on canvas

Background imageBystander Collection: Bateau de Peche, La Rochelle, (oil on canvas)

Bateau de Peche, La Rochelle, (oil on canvas)
657452 Bateau de Peche, La Rochelle, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Bateau de Peche, La Rochelle. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: The Strike at Llanca, Spain; La Greve de Llanca, Espagna, c. 1896 (oil on canvas)

The Strike at Llanca, Spain; La Greve de Llanca, Espagna, c. 1896 (oil on canvas)
824572 The Strike at Llanca, Spain; La Greve de Llanca, Espagna, c.1896 (oil on canvas) by Valtat, Louis (1869-1952); 65.1x81 cm; Private Collection; (add.info.: The Strike at Llanca)

Background imageBystander Collection: Spring Flowers, (oil on canvas)

Spring Flowers, (oil on canvas)
657449 Spring Flowers, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Spring Flowers. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas)

The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas)
826729 The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas) by Ginner, Charles (1878-1952); 51x61 cm; Private Collection; (add.info.: The Landing Stage, Stratford-Upon-Avon)

Background imageBystander Collection: A Corner in Chelsea, 1910 (oil on canvas)

A Corner in Chelsea, 1910 (oil on canvas)
1197128 A Corner in Chelsea, 1910 (oil on canvas) by Ginner, Charles (1878-1952); 94x133 cm; Private Collection; Photo © Christie's Images

Background imageBystander Collection: Homeward, 1898 (orotone)

Homeward, 1898 (orotone)
1766834 Homeward, 1898 (orotone) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Homeward. Edward S. Curtis (1868-1952). Orotone, 1898.); Photo © Christie's Images

Background imageBystander Collection: A Corner in the Taos Plaza, c. 1925 (oil on canvas)

A Corner in the Taos Plaza, c. 1925 (oil on canvas)
1767636 A Corner in the Taos Plaza, c.1925 (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 88.9x101.6 cm; Private Collection; (add.info.: A Corner in the Taos Plaza)

Background imageBystander Collection: Spring-Boulevard St, (oil on canvas)

Spring-Boulevard St, (oil on canvas)
989989 Spring-Boulevard St, (oil on canvas) by Hankey, William Lee (1869-1952); 63.5x76.2 cm; Private Collection; (add.info.: Spring-Boulevard St. Michel, Paris; Printemps-Boulevard St)

Background imageBystander Collection: Notre Dame, Paris, (oil on canvas)

Notre Dame, Paris, (oil on canvas)
657219 Notre Dame, Paris, (oil on canvas) by Hankey, William Lee (1869-1952); 28x36in cm; Private Collection; (add.info.: Notre Dame, Paris. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: The Quai, Dieppe, (oil on canvas)

The Quai, Dieppe, (oil on canvas)
657450 The Quai, Dieppe, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Quai, Dieppe. William Lee Hankey (1869-1952). Oil on canvas

Background imageBystander Collection: Home Again, (oil on canvas)

Home Again, (oil on canvas)
991397 Home Again, (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x71 cm; Private Collection; (add.info.: Home Again. Arthur John Elsley (1861-1952). Oil on canvas

Background imageBystander Collection: Casual Meeting, 1928 (oil on canvas)

Casual Meeting, 1928 (oil on canvas)
1767764 Casual Meeting, 1928 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 51.4x61.6 cm; Private Collection; (add.info.: Casual Meeting. Kenneth Hayes Miller (1876-1952). Oil on canvas

Background imageBystander Collection: Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij)

Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij)
990413 Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij) by Salm, Adriaen or Abraham (c.1660-1720); 47x63.5 cm; Private Collection; (add.info.: Men-of-War Breaking Fishermens Nets)

Background imageBystander Collection: Men pause a moment to watch, and then pass on, Salvation Army, San Francisco, California, 1939

Men pause a moment to watch, and then pass on, Salvation Army, San Francisco, California, 1939. Creator: Dorothea Lange
Salvation Army, San Francisco, California. Men pause a moment to watch, and then pass on

Background imageBystander Collection: General view of army and crowds, Salvation Army, San Francisco, California, 1939

General view of army and crowds, Salvation Army, San Francisco, California, 1939. Creator: Dorothea Lange
Salvation Army, San Francisco, California. General view of army and crowds. [Signs: Danger - Street Closed; Pause...Drink Coca-Cola; Steam Welcome Here; Okanes Imported Whiskies - Bourbon

Background imageBystander Collection: Preaching to the crowd, Salvation Army, San Francisco, California, 1939. Creator: Dorothea Lange

Preaching to the crowd, Salvation Army, San Francisco, California, 1939. Creator: Dorothea Lange
Preaching to the crowd. Salvation Army, San Francisco, California. [Signs: Headquarters for Union Men - We Sell Everything That Men Wear; Can t Bust Em Work Clothing; Maxs Shop For Men ]

Background imageBystander Collection: Bystanders, Bethlehem, Pennsylvania, 1936. Creator: Walker Evans

Bystanders, Bethlehem, Pennsylvania, 1936. Creator: Walker Evans
Bystanders, Bethlehem, Pennsylvania

Background imageBystander Collection: Possibly: Bystanders, Bethlehem, Pennsylvania, 1936. Creator: Walker Evans

Possibly: Bystanders, Bethlehem, Pennsylvania, 1936. Creator: Walker Evans
[Untitled photo, possibly related to: Bystanders, Bethlehem, Pennsylvania]

Background imageBystander Collection: Paris at Twilight, 1887 (oil on canvas)

Paris at Twilight, 1887 (oil on canvas)
822709 Paris at Twilight, 1887 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 65.2x54.4 cm; Private Collection; (add.info.: Paris at Twilight. Frederick Childe Hassam (1859-1935)

Background imageBystander Collection: Skaters on a Frozen Pond, 1905 (oil on canvas)

Skaters on a Frozen Pond, 1905 (oil on canvas)
827210 Skaters on a Frozen Pond, 1905 (oil on canvas) by Hansen, Sigvard (1859-1938); 49.5x67.4 cm; Private Collection; (add.info.: Skaters on a Frozen Pond. Sigvard Hansen (b.1859). Oil on canvas

Background imageBystander Collection: Flags, Columbus Circle, 1918 (watercolour and charcoal on paper)

Flags, Columbus Circle, 1918 (watercolour and charcoal on paper)
823048 Flags, Columbus Circle, 1918 (watercolour and charcoal on paper) by Hassam, Childe Frederick (1859-1935); 22.3x17.2 cm; Private Collection; (add.info.: Flags, Columbus Circle)

Background imageBystander Collection: The Milk Maid, (oil on canvas)

The Milk Maid, (oil on canvas)
658447 The Milk Maid, (oil on canvas) by Salinas Tervel, Juan Pablo (1871-1946); 66x120.6 cm; Private Collection; (add.info.: The Milk Maid. Juan Pablo Salinas (1871-1946). Oil on canvas

Background imageBystander Collection: Powder Play, (oil on canvas)

Powder Play, (oil on canvas)
989715 Powder Play, (oil on canvas) by Armour, George Denholm (1864-1949); 97.2x141 cm; Private Collection; (add.info.: Powder Play. George Denholm Armour (1864-1949). Oil on canvas

Background imageBystander Collection: The Farm, (oil on board)

The Farm, (oil on board)
1195797 The Farm, (oil on board) by Sudeikin, Sergei Yurevich (1882-1946); 29.8x32.4 cm; Private Collection; Photo © Christies Images

Background imageBystander Collection: Outward Bound (oil on panel)

Outward Bound (oil on panel)
1767670 Outward Bound (oil on panel) by Wiles, Irving Ramsay (1861-1948); 24.8x35.6 cm; Private Collection; (add.info.: Outward Bound. Irving Ramsey Wiles (1861-1948). Oil on panel

Background imageBystander Collection: Canyon Drive, Santa Fe, c. 1914 (oil on canvas)

Canyon Drive, Santa Fe, c. 1914 (oil on canvas)
1767635 Canyon Drive, Santa Fe, c.1914 (oil on canvas) by Higgins, William Victor (1884-1949); 61.6x69.9 cm; Private Collection; (add.info.: Canyon Drive, Santa Fe. Victor Higgins (1884-1949)

Background imageBystander Collection: Bending Sail on the Old Mill, 1920 (oil on canvas)

Bending Sail on the Old Mill, 1920 (oil on canvas)
985426 Bending Sail on the Old Mill, 1920 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 61x50.8 cm; Private Collection; (add.info.: Bending Sail on the Old Mill)

Background imageBystander Collection: Annapolis, 1924 (oil on canvas)

Annapolis, 1924 (oil on canvas)
985305 Annapolis, 1924 (oil on canvas) by Beal, Reynolds (1867-1951); 46x61.1 cm; Private Collection; (add.info.: Annapolis. Reynolds Beal (1867-1951). Oil on canvas. Painted in 1924

Background imageBystander Collection: Map of Africa, c. 1696 (hand-coloured engraving)

Map of Africa, c. 1696 (hand-coloured engraving)
986318 Map of Africa, c.1696 (hand-coloured engraving) by Danckerts, Cornelis III (1664-1717); 59x96 cm; Private Collection; (add.info.: Map of Africa. Cornelis Danckerts III (1664-1717)




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"Bystander: A Glimpse into the Quirky and Whimsical World of Art and Satire" Step into the enchanting world of "Bystander, " where art meets satire in a delightful blend. From the imaginative mind of William Heath Robinson, we are introduced to his whimsical creations such as "The Kinecar" - a fantastical contraption that defies all logic, or his comical depiction of a gardener attempting to extract a weed from a perfectly manicured lawn in "A Garden Guide. " But it doesn't stop there; on the cover of Bystander's 1929 edition, we witness an unexpected sight - a boxing woman in training. This captivating image challenges societal norms and showcases women breaking barriers even during those times. In another masterpiece by William Heath Robinson, titled "Playtime at Wimbledon, " we find ourselves immersed in the playful spirit of tennis enthusiasts who take their game to extraordinary heights with ingenious contraptions. And what about celebrations? The Wedding Feast depicted by Robinson is nothing short of extravagant hilarity. It reminds us that even amidst formalities, laughter can be found. Bruce Bairnsfather adds his touch with six postcards that capture moments both humorous and poignant. His work reflects the resilience and camaraderie among soldiers during challenging times like war. The front cover design itself speaks volumes about Bystander's essence - bold yet elegant, inviting readers into its pages filled with artistic marvels. Moving beyond illustrations, it also brings forth significant historical milestones like Snow White & the Seven Dwarfs' release in the UK back in 1938. This iconic Disney film forever changed animation history. Advertisements for The Graphic showcase how Bystander was not just limited to its own realm but embraced collaborations within its industry. These ads highlight other publications while still maintaining their unique charm. Even masthead designs were given careful thought.