C14th Collection (#58)

Charlemagne (747-814) Receiving the Oath of Fidelity and Honour from one of his great
KW260536 Charlemagne (747-814) Receiving the Oath of Fidelity and Honour from one of his great Feudatories or High Barons, facsimile of a 14th century miniature in the Chronicles of Saint Denis

Decorated letter T, from Le Moyen Age et La Renaissance by Paul Lacroix
KW260529 Decorated letter T, from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School, (19th century); Private Collection; Ken Welsh; French

Noble Lady and Maid of Honour and Two Burgesses, after a miniature in Merveilles du Monde
KW260521 Noble Lady and Maid of Honour and Two Burgesses, after a miniature in Merveilles du Monde, from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho)

Dress of Noble Ladies and Children in the 14th century, after a miniature in Merveilles
KW260520 Dress of Noble Ladies and Children in the 14th century, after a miniature in Merveilles du Monde, from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho)

John Wycliffe (c. 1330-84) on his sickbed assailed by the friars at Oxford, 1378
KW259449 John Wycliffe (c.1330-84) on his sickbed assailed by the friars at Oxford, 1378, from Illustrations of English and Scottish History Volume I (engraving) by Thomas

Italian Dress, c. 1300, from Trachten der Voelker, 1864 (coloured lithograph)
BAL246807 Italian Dress, c.1300, from Trachten der Voelker, 1864 (coloured lithograph) by Kretschmer, Albert (1825-91); Private Collection; (add.info)

The Virgin Eleousa, from Nessebar, Bulgaria, 13th-14th century (tempera on panel)
XIR238707 The Virgin Eleousa, from Nessebar, Bulgaria, 13th-14th century (tempera on panel) by Byzantine; 119x97 cm; National Art Gallery, Sofia, Bulgaria; out of copyright

Dante Alighieri (1265-1321) (engraving)
KW229700 Dante Alighieri (1265-1321) (engraving) by English School, (19th century); Private Collection; (add.info.: writer of The Divine Comedy ; ); Ken Welsh; English, out of copyright

View of the Charles Bridge over the River Vltava (photo)
XIR221314 View of the Charles Bridge over the River Vltava (photo) by French Photographer, (20th century); Prague, Czech Republic; French, out of copyright

The Defence of the Trinity Sergius Cloister in Zagorsk, 1892 (oil on canvas)
BAL198748 The Defence of the Trinity Sergius Cloister in Zagorsk, 1892 (oil on canvas) by Miloradovich, Sergei Dmitrievich (1851/2-1943); 44x73 cm; K

Sacred path to the tomb of the Ming Emperor Hongwu (1327-98) at Nanjing, China (b / w
XIR213167 Sacred path to the tomb of the Ming Emperor Hongwu (1327-98) at Nanjing, China (b/w photo) by French Photographer

Scenes from the Life of a Saint, detail (see also 217743) (pen & ink & brown wash on paper)
XIR217744 Scenes from the Life of a Saint, detail (see also 217743) (pen & ink & brown wash on paper) (b/w photo) by Spinello or Spinelli

Scenes from the Life of a Saint (pen & ink & brown wash on paper) (b / w photo)
XIR217743 Scenes from the Life of a Saint (pen & ink & brown wash on paper) (b/w photo) by Spinello or Spinelli, Aretino Luca (c.1340-1410); Ecole Nationale Superieure des Beaux-Arts, Paris

Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from Science
XJF208340 Perseus and Andromeda, from Liber de Stellis Fixarum, illustration from Science and Literature in the Middle Ages and Renaissance, written and engraved by Paul Lacroix

The College of Navarre in 1440 (litho) (b / w photo)
XIR242823 The College of Navarre in 1440 (litho) (b/w photo) by Pernot, Francois Alexandre (1793-1865) (after); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: founded by Johanna)

Giovanni Boccaccio (1313-75) from The Gallery of Portraits, published 1833
KW200784 Giovanni Boccaccio (1313-75) from The Gallery of Portraits, published 1833 (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Francesco Petrarch (1304-74) from The Gallery of Portraits, published 1833
KW200746 Francesco Petrarch (1304-74) from The Gallery of Portraits, published 1833 (engraving) by English School, (19th century); Private Collection; (add.info)

Naval Battle of Imbre in 1346, 1842 (oil on canvas)
XIR200599 Naval Battle of Imbre in 1346, 1842 (oil on canvas) by Lepoittevin, Eugene Modeste Edmond (1806-70); 121x135 cm; ChAteau de Versailles, France; (add.info.: Order of St)

Naval Battle of Episkopi in 1323, 1841 (oil on canvas)
XIR200598 Naval Battle of Episkopi in 1323, 1841 (oil on canvas) by Mayer, Auguste Etienne Francois (1805-90); 111x149 cm; ChAteau de Versailles, France; (add.info.: Order of St)

Knights of the Order of St. John of Jerusalem restoring religion in Armenia in 1347
XIR200561 Knights of the Order of St. John of Jerusalem restoring religion in Armenia in 1347, 1844 (oil on canvas) by Delaborde, Henri (1811-99); 70x79 cm; ChAteau de Versailles

Andrea Dandolo (c. 1307-54) (engraving) (b / w photo)
XIR200378 Andrea Dandolo (c.1307-54) (engraving) (b/w photo) by French School, (16th century); Bibliotheque Nationale, Paris, France; (add.info.: doge of the Republic of Venice (1343-54); ); French

Ms. 266 fol. 271 v Petrarch (1304-74), from Recueil d Arras (red chalk
XIR194144 Ms.266 fol.271 v Petrarch (1304-74), from Recueil d Arras (red chalk on paper) by Le Boucq, Jacques (d.1573); Bibliotheque Municipale, Arras, France; Flemish, out of copyright

John de Mandeville taking leave of King Edward III (1312-77) before his departure
XJF193887 John de Mandeville taking leave of King Edward III (1312-77) before his departure, from Merveilles du Monde, illustration from Science and Literature in the Middle Ages and Renaissance

John Wycliffe (c. 1330-84) (engraving)
KW188558 John Wycliffe (c.1330-84) (engraving) by English School, (19th century); Private Collection; (add.info.: forerunner of the Protestant Reformation; initiated translation of Bible into)

The Louvre during the Reign of Charles V (1337-80) The Wise (pen & ink
XIR182195 The Louvre during the Reign of Charles V (1337-80) The Wise (pen & ink and w/c on paper) by Hoffbauer, Theodor Josef Hubert (1839-1922); Musee de la Ville de Paris, Musee Carnavalet, Paris

Effigy of Henry IV (1367-1413) on his Tomb in Canterbury Cathedral (marble)
BAL2368 Effigy of Henry IV (1367-1413) on his Tomb in Canterbury Cathedral (marble) by English School, (15th century); Canterbury Cathedral, Kent

Charles VI (1368-1412) the Insane is advised of an ambush in the forest near Angers
KW177749 Charles VI (1368-1412) the Insane is advised of an ambush in the forest near Angers, from Histoire de France by Colart, published c.1840 (engraving) by French School

Charles V (1358-80) the Wise presents his sword to Duguesdin, from Histoire
KW177746 Charles V (1358-80) the Wise presents his sword to Duguesdin, from Histoire de France by Colart, published c.1840 (engraving) by French School

Philippe VI (1293-1350) de Valois renders homage to Edward III (1312-77) of England
KW177745 Philippe VI (1293-1350) de Valois renders homage to Edward III (1312-77) of England but only as Duke of Aquitaine, from Histoire de France by Colart

Charles IV (1294-1328) the Handsome receives a plea at court, from Histoire de
KW177744 Charles IV (1294-1328) the Handsome receives a plea at court, from Histoire de France by Colart, published c.1840 (engraving) by French School

Philippe IV (1268-1314) le Bel reunites the States General in the Louvre, from Histoire
KW177740 Philippe IV (1268-1314) le Bel reunites the States General in the Louvre, from Histoire de France by Colart, published c.1840 (engraving) by French School

The Coronation of the Virgin (tempera & gold leaf on panel)
XIR223856 The Coronation of the Virgin (tempera & gold leaf on panel) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

The Vision, Legend of the 14th Century, 1872 (oil on canvas)
XIR212510 The Vision, Legend of the 14th Century, 1872 (oil on canvas) by Merson, Luc-Oliver (1846-1920); Musee des Beaux-Arts, Lille, France; (add.info.: La Vision)

Sultan Bayezid I (1357-1403) (gouache on paper)
XIR208627 Sultan Bayezid I (1357-1403) (gouache on paper) by Italian School, (16th century); Bibliotheque Nationale, Paris, France; Italian, out of copyright

Mongols Vs Turks C14Th
One of the many battles between Timur (Tamerlane) and his Mongols against the Turks. Date: 14th century

King & Officers C14Th
A King (in white) with officers of his court Date: 14 Century

Lord & Knight C14Th
Knight: cote-hardie & cape with dentate border (dagged), knightly girdle, dagger, piked shoes. Lord: cloak or mantle, cape with hood & super-tunic with side vent

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The 14th century, also known as the c14th, was a period of great artistic and historical significance. It witnessed the creation of remarkable works that continue to captivate us today. One such masterpiece is "The Creation, " a reproduction from the Sarajevo Haggadah. This vibrant color lithograph showcases the divine act of bringing life into existence, reminding us of our origins and the power of creation. In another encounter depicted in art, we witness Robert Bruce facing Sir Henry de Bohun. This momentous event captures the courage and determination displayed by these medieval warriors during their clash on the battlefield. Moving away from battles, we find ourselves immersed in beauty at The Court of Lions in Alhambra, Granada. Through a colored lithograph from 1853, we are transported to this architectural marvel where elegance meets grandeur. Art takes various forms in this era; one example is "Madonna with a Rose Bush. " Painted on canvas with oil pigments, it portrays motherly love intertwined with religious symbolism—a timeless representation that continues to inspire devotion. Delving into history through reconstructed wall paintings brings forth figures like Thomas Woodstock and John of Gaunt. These noble personalities alongside St. George remind us of their influence during an age marked by chivalry and honor. A glimpse into royalty reveals Isabelle of France—Queen consort to King Edward I—in an engraving dating back to the 19th century. Her regal presence emanates grace and poise while offering insight into royal alliances forged across Europe's dynasties. Religious tapestries also hold significant meaning within this period; one such example is the Apocalypse Tapestry or Apocalypse of Angers (1375-80). Its intricate details depict biblical scenes that serve as reminders for reflection on faith and humanity's destiny. Shifting focus towards academia, New College Oxford emerges as an emblematic institution through an engraving from 1675.