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Canaletto Collection (page 10)

"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto

Background imageCanaletto Collection: VENICE: GRAND CANAL, 1735. The Grand Canal in Venice, Italy, looking east

VENICE: GRAND CANAL, 1735. The Grand Canal in Venice, Italy, looking east from the Palazzo Flangini to the Church of San Marcuola. Engraving, 1735, by Antonio Visentini after Canaletto

Background imageCanaletto Collection: VENICE: BUCINTORO, 1735. The Bucintoro (state barge) returning to the Molo on Ascension Day

VENICE: BUCINTORO, 1735. The Bucintoro (state barge) returning to the Molo on Ascension Day. On the Pool of St. Mark facing the Molo, in Venice, Italy

Background imageCanaletto Collection: VENICE: CHIARA CANAL, 1735. The Canale di Santa Chiara in Venice, Italy, looking

VENICE: CHIARA CANAL, 1735. The Canale di Santa Chiara in Venice, Italy, looking southeast along the Fondamenta della Croce. Engraving, 1735, by Antonio Visentini after Canaletto

Background imageCanaletto Collection: VENICE: GRAND CANAL, 1735. A regatta on the Grand Canal in Venice, Italy. Engraving

VENICE: GRAND CANAL, 1735. A regatta on the Grand Canal in Venice, Italy. Engraving, 1735, by Antonio Visentini after Canaletto

Background imageCanaletto Collection: View of the Salute from the Entrance to the Grand Canal Venice, 1727-1728, oil

View of the Salute from the Entrance to the Grand Canal Venice, 1727-1728, oil on canvas by Giovanni Antonio Canal known as Canaletto (1697-1768) Venetian painter

Background imageCanaletto Collection: View of the Grand Walk etc. in Vauxhall Gardens taken from the Entrance. Vauxhall

View of the Grand Walk etc. in Vauxhall Gardens taken from the Entrance. Vauxhall Gardens was one of the great pleasure grounds of London and this image of 1751 shows a formal avenue of trees

Background imageCanaletto Collection: Arrival of the French Ambassador in Venice, c1740s. Oil on canvas. Giovanni Antonio Canal

Arrival of the French Ambassador in Venice, c1740s. Oil on canvas. Giovanni Antonio Canal (1697-1768) called Canaletto, Venetian painter. Italy Doge Palace Gondola Diplomacy Water Architecture

Background imageCanaletto Collection: VENICE: DOGEs PALACE. Meeting of senators at the Doges Palace in Venice, Italy

VENICE: DOGEs PALACE. Meeting of senators at the Doges Palace in Venice, Italy. Engraving after a painting by Giovanni Antonio Canaletto, 18th century

Background imageCanaletto Collection: ITALY: MESTRE. The town of Mestro in Veneto, Italy. Line engraving by Giovanni Antonio Canal or

ITALY: MESTRE. The town of Mestro in Veneto, Italy. Line engraving by Giovanni Antonio Canal or Canaletto, 18th century

Background imageCanaletto Collection: CANALETTO & VISENTINI. Italian artists Giovanni Antonio Canaletto (1697-1768)

CANALETTO & VISENTINI. Italian artists Giovanni Antonio Canaletto (1697-1768) and Antonio Visentini (1688-1782). Engraving by Visentini after a monochrome by Giovanni Battista Piazzetta, 18th century

Background imageCanaletto Collection: VENICE: GRAND CANAL, 1742. View of the Grand Canal and the entrance to the Cannaregio in Venice

VENICE: GRAND CANAL, 1742. View of the Grand Canal and the entrance to the Cannaregio in Venice, Italy. Line engraving, 1742, by Antonio Visentini afer Canletto

Background imageCanaletto Collection: VENICE: GRAND CANAL, 1742. Entrance to the Grand Canal in Venice, Italy, looking west

VENICE: GRAND CANAL, 1742. Entrance to the Grand Canal in Venice, Italy, looking west. Line engraving, 1742, by Antonio Visentini after Canaletto

Background imageCanaletto Collection: VENICE: GRAND CANAL, 1742. The Grand Canal in Venice, Italy: S

VENICE: GRAND CANAL, 1742. The Grand Canal in Venice, Italy: S. Geremia and the entrance to the Cannaregio. Line engraving, 1742, by Antonio Visentini after Canaletto

Background imageCanaletto Collection: Charing Cross, 18th Century

Charing Cross, 18th Century
Engraving showing Charing Cross, London, 18th century, after a painting by Canaletto. Date: 13 February 1864




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"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto, a renowned Italian artist whose masterpieces beautifully depict the enchanting city of Venice. With his keen eye for detail and impeccable skill, Canaletto transports us to a bygone era filled with elegance and grandeur. In "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, " painted in the 1730s, we are immersed in the bustling atmosphere of one of Venice's most iconic waterways. The vibrant colors and intricate architecture bring this scene to life as gondolas gracefully glide through its waters. Canaletto's talent extends beyond his beloved hometown; he also captured London's charm in works like "CANALETTO: THAMES. " This painting showcases his versatility as he portrays a different landscape while maintaining his signature attention to architectural details. One cannot mention Canaletto without mentioning his masterpiece "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" from 1833. Here we witness Venetians adorned in bauta masks enjoying a leisurely ride on a gondola. Their mysterious allure adds an air of intrigue to this already captivating scene. Another gem among Canaletto's collection is "VENICE: GRAND CANAL, " which presents Riva degli Schiavoni looking eastward. The play between light and shadow creates depth within each brushstroke, transporting viewers back in time to experience Venetian life firsthand. "The Square of Saint Mark s" captures another iconic location in Venice during 1742-1744. Canaletto expertly depicts every architectural detail surrounding this famous square while infusing it with an undeniable sense of vibrancy that only he could achieve. Moving along the canals once more brings us to "Grand Canal Looking South-East from the Campo Santa Sophia.