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Canova Collection (#3)

Antonio Canova, a renowned Italian sculptor from the late 18th to early 19th century, left an indelible mark on the art world with his masterpieces

Background imageCanova Collection: Cupid (Amorino Campbell), 1787-1789. Creator: Canova, Antonio (1757-1822)

Cupid (Amorino Campbell), 1787-1789. Creator: Canova, Antonio (1757-1822)
Cupid (Amorino Campbell), 1787-1789. Private Collection

Background imageCanova Collection: Paris, 1808-1812. Creator: Canova, Antonio (1757-1822)

Paris, 1808-1812. Creator: Canova, Antonio (1757-1822)
Paris, 1808-1812. Found in the Collection of Museo Civico di Asolo

Background imageCanova Collection: Commemoration of Canova in the Scuola Grande della Carita, 1824

Commemoration of Canova in the Scuola Grande della Carita, 1824. Found in the Collection of Ca Pesaro Galleria Internazionale d Arte Moderna, Venice

Background imageCanova Collection: Canovas compatriots, 1884

Canovas compatriots, 1884. Found in the Collection of Collezione Veneto Banca

Background imageCanova Collection: Self-Portrait of Giorgione, 1792

Self-Portrait of Giorgione, 1792. Private Collection

Background imageCanova Collection: The Three Graces by the Italian sculptor Antonio Canova

The Three Graces by the Italian sculptor Antonio Canova
Marble sculpture group of the Three Graces by the italian sculptor Antonio Canova (1757-1822). Date: circa 1910s

Background imageCanova Collection: Cupid and Psyche, sculpture, Antonio Canova, Louvre, Paris

Cupid and Psyche, sculpture, Antonio Canova, Louvre, Paris
Cupid and Psyche, sculpture by Antonio Canova, Louvre Museum, Paris. Date: circa 1910s

Background imageCanova Collection: Antonio Canova, 1757 - 1822. Venetian sculptor

Antonio Canova, 1757 - 1822. Venetian sculptor

Background imageCanova Collection: Psyche Revived Cupid Kiss Canova 1870 1890 Albumen silver print

Psyche Revived Cupid Kiss Canova 1870 1890 Albumen silver print
Psyche Revived by Cupids Kiss by Canova; about 1870 - 1890; Albumen silver print

Background imageCanova Collection: The Visiting Card Of Antonio Canova, Depicting A Huge Block Of Marble. Antonio Canova, 1757

The Visiting Card Of Antonio Canova, Depicting A Huge Block Of Marble. Antonio Canova, 1757

Background imageCanova Collection: Antonio Canova, Marquess D Ischia, 1757-1822. Italian Sculptor, Great Exponent Of Neo Classicism

Antonio Canova, Marquess D Ischia, 1757-1822. Italian Sculptor, Great Exponent Of Neo Classicism. From The Book " Gallery Of Portraits" Published London 1833

Background imageCanova Collection: The Three Graces by Anotnio Canova (1757-1822). Ny Carlsberg

The Three Graces by Anotnio Canova (1757-1822). Ny Carlsberg
Marble sculpture group of the Three Graces by the italian sculptor Antonio Canova (1757-1822). Ny Carlsberg Glyptotek. Denmark. Copenhagen

Background imageCanova Collection: Two nudes, ca 1802-1805

Two nudes, ca 1802-1805. Found in the collection of Museo Civico, Bassano del Grappa

Background imageCanova Collection: Market of Love, ca 1806

Market of Love, ca 1806. Found in the collection of Museo Civico, Bassano del Grappa

Background imageCanova Collection: Self-portrait with heads sketches, ca 1792-1798

Self-portrait with heads sketches, ca 1792-1798. Found in the collection of Museo Civico, Bassano del Grappa

Background imageCanova Collection: Amor and Psyche, 1808

Amor and Psyche, 1808. Found in the collection of State Hermitage, St. Petersburg

Background imageCanova Collection: Erato and Pindar

Erato and Pindar. Found in the Collection of Museo Gipsoteca Antonio Canova

Background imageCanova Collection: Three dancers. Artist: Canova, Antonio (1757-1822)

Three dancers. Artist: Canova, Antonio (1757-1822)
Three dancers. Found in the collection of Casa Buonarroti, Florence

Background imageCanova Collection: Roma - Basilica of St. Peter - Tomb of Clement XIII, by Canova, 1910

Roma - Basilica of St. Peter - Tomb of Clement XIII, by Canova, 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Background imageCanova Collection: Tomb of Pope Clement XIII, St Peters Basilica, Rome, Italy. Artist: Underwood & Underwood

Tomb of Pope Clement XIII, St Peters Basilica, Rome, Italy. Artist: Underwood & Underwood
Tomb of Pope Clement XIII, St Peters Basilica, Rome, Italy. Clement XIII was Pope from 1758 until 1769. His tomb monument was sculpted by Antonio Canova between 1783 and 1792

Background imageCanova Collection: Cupid and Psyche, late 19th century

Cupid and Psyche, late 19th century. Stereoscopic card. Detail

Background imageCanova Collection: Canova, 19th century. Artist: James Posselwhite

Canova, 19th century. Artist: James Posselwhite
Canova, 19th century. Antonio Canova (1757-1822) was an Italian sculptor who became famous for his marble sculptures that delicately rendered nude flesh

Background imageCanova Collection: Theseus and the Centaur, 1804-1819. Artist: Antonio Canova

Theseus and the Centaur, 1804-1819. Artist: Antonio Canova
Theseus and the Centaur, 1804-1819. Theseus raises his club to strike down on the centaur. From the collection of the Kunsthistorisches Museum, Vienna, Austria

Background imageCanova Collection: Antonio Canova (1757-1822). Italian neoclassical sculptor. 1

Antonio Canova (1757-1822). Italian neoclassical sculptor. 1
Antonio Canova (1757-1822). Italian neoclassical sculptor. Portrait. Engraving, 19th century. Colored

Background imageCanova Collection: Domenica Morghen

Domenica Morghen
DOMENICA VOLPATO MORGHEN Daughter of the Italian engraver Giovanni Volpato, betrothed to Antonio Canova but she preferred - and wed - Raffaele Morghen. Date: CIRCA 1780

Background imageCanova Collection: James Thomson possibly after John Jackson (British, 1789 - 1850), Antonio Canova

James Thomson possibly after John Jackson (British, 1789 - 1850), Antonio Canova, published 1822, stipple engraving on papier colle

Background imageCanova Collection: Antonio Canova, after the Antique, Winged Victory, Italian, 1757 - 1822, c. 1803-1806

Antonio Canova, after the Antique, Winged Victory, Italian, 1757 - 1822, c. 1803-1806, bronze

Background imageCanova Collection: Holland House, 1889: Canova (The Map Room)

Holland House, 1889: Canova (The Map Room)

Background imageCanova Collection: Allegory on the Life of Canova

Allegory on the Life of Canova; Felice Giani, Italian, 1758 - 1823; Italy, Europe; about 1822 - 1823; Black chalk, brown ink, and watercolor; 35.9 x 62.7 cm (14 1/8 x 24 11/16 in.)

Background imageCanova Collection: Herm of a Vestal Virgin

Herm of a Vestal Virgin; Antonio Canova, Italian, 1757 - 1822; Italy, Europe; 1821 - 1822; Marble; Object: H: 49.8 x W: 31.9 x D: 24.1 cm (1 ft. 7 5/8 in. x 1 ft. 9/16 in. x 9 1/2 in.)

Background imageCanova Collection: Apollo Crowning Himself

Apollo Crowning Himself; Antonio Canova, Italian, 1757 - 1822; Italy, Europe; 1781 - 1782; Marble; Object: H: 84.7 cm (H: 33 3/8 in.)

Background imageCanova Collection: Antonio Canova, John Jackson, 1778-1831, British

Antonio Canova, John Jackson, 1778-1831, British

Background imageCanova Collection: PAULINE BONAPARTE (1780-1825). Duchess of Guastella and sister of Napoleon I. As Venus

PAULINE BONAPARTE (1780-1825). Duchess of Guastella and sister of Napoleon I. As Venus. Marble sculpture by Antonio Canova, c1805

Background imageCanova Collection: ANTONIO CANOVA (1757-1822). Italian sculptor. Oil on canvas by Sir Thomas Lawrence

ANTONIO CANOVA (1757-1822). Italian sculptor. Oil on canvas by Sir Thomas Lawrence, c1816

Background imageCanova Collection: Antonio Canova (1757-1822) Italian sculptor. Engraving after the portrait by Thomas

Antonio Canova (1757-1822) Italian sculptor. Engraving after the portrait by Thomas Lawrence from The Gallery of Portraits Vol III by Charles Knight (London, 1834)

Background imageCanova Collection: CANOVA, Antonio (1757-1822). Apollo. end 18th

CANOVA, Antonio (1757-1822). Apollo. end 18th c. Neoclassicism. Sculpture. ITALY. Venice. Gallerie dell Accademia (Academy Gallery)

Background imageCanova Collection: Canovas Tomb, Venice

Canovas Tomb, Venice
CANOVAs TOMB in the chiesa dei Frari, Venezia. Date: 1822

Background imageCanova Collection: Canova (Relief)

Canova (Relief)
Marchese ANTONIO CANOVA Italian sculptor Date: 1757 - 1822

Background imageCanova Collection: Canova (Thomson)

Canova (Thomson)
Marchese ANTONIO CANOVA Italian sculptor, in later life. Date: 1757 - 1822

Background imageCanova Collection: Canova (Suhrlandt)

Canova (Suhrlandt)
Marchese ANTONIO CANOVA Italian sculptor wearing a fancy lace collar. Date: 1757 - 1822

Background imageCanova Collection: Canova (Lawrence)

Canova (Lawrence)
Marchese ANTONIO CANOVA Italian sculptor Date: 1757 - 1822

Background imageCanova Collection: Canova (Bust)

Canova (Bust)
Marchese ANTONIO CANOVA Italian sculptor as he saw himself. Date: 1757 - 1822

Background imageCanova Collection: Canova (Rossi)

Canova (Rossi)
Marchese ANTONIO CANOVA Italian sculptor Date: 1757 - 1822

Background imageCanova Collection: Canova (Deathbed)

Canova (Deathbed)
Marchese ANTONIO CANOVA Italian sculptor on his deathbed. Date: 1757 - 1822

Background imageCanova Collection: Canova (Jackson)

Canova (Jackson)
Marchese ANTONIO CANOVA Italian sculptor with his autograph Date: 1757 - 1822

Background imageCanova Collection: CANOVA: HORSE. Model of a colossal horse. Steel engraving, 19th century

CANOVA: HORSE. Model of a colossal horse. Steel engraving, 19th century, after a sculpture by Antonio Canova (1757-1822)

Background imageCanova Collection: MYTHOLOGY: HEBE. Line engraving after the statue by Antonio Canova (1757-1822)

MYTHOLOGY: HEBE. Line engraving after the statue by Antonio Canova (1757-1822)

Background imageCanova Collection: ANTONIO CANOVA (1757-1822). Italian sculptor. Aquatint engraving, 19th century

ANTONIO CANOVA (1757-1822). Italian sculptor. Aquatint engraving, 19th century, by Luigi Rados after Roberto Focosi




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Antonio Canova, a renowned Italian sculptor from the late 18th to early 19th century, left an indelible mark on the art world with his masterpieces. One of his most famous works is "The Graces and Venus, " a captivating sculpture that showcases his exceptional talent for capturing grace and beauty in stone. Another notable creation by Canova is "Psyche Revived by Cupid's Kiss, " which mesmerizes viewers with its delicate portrayal of love and tenderness. This masterpiece can be admired at Antonia Canovas sculpture exhibition. "Mars and Venus" is another exquisite piece that demonstrates Canova's ability to breathe life into marble. The steel engraving after this sculpture perfectly captures the artist's attention to detail and skillful craftsmanship. In "Eros and Psyche, " we witness Canova's mastery in depicting mythical tales through sculptures. This particular artwork beautifully narrates the story of forbidden love between Eros, the god of desire, and Psyche, a mortal princess. It also showcased his versatility as an artist with his colossal horse model. The intricately designed horse stands as a testament to his ability to create grandeur even in non-human forms. One remarkable architectural marvel attributed to the Stuart Monument, designed during 1817-1819. This neoclassical structure pays homage to British royalty while showcasing Canova's expertise in creating monumental sculptures. "The Three Graces" further exemplifies Canova's fascination with classical mythology. These enchanting figures embody elegance, charm, and harmony - characteristics synonymous with Antonio Canovas' artistic style. "Cupid and Psyche" graces the Louvre Museum in Paris as one of its prized possessions. This ethereal sculpture immortalizes their timeless tale within its intricate details carved by Antonio himself. An old photograph from the 1920s captures another rendition of Amor (Cupid) embracing Psyche.