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Caparison Collection (#2)

In the enchanting world of Canterbury Tales, a woodcut of the Knight captures our imagination and transports us to c1490

Background imageCaparison Collection: Saddle cover decorated with griffin attacking a mountain goat (mixed media

Saddle cover decorated with griffin attacking a mountain goat (mixed media
XBP389391 Saddle cover decorated with griffin attacking a mountain goat (mixed media) (detail of 389390) by Altaic School, (5th Century BC); State Hermitage Museum, St

Background imageCaparison Collection: Chronicle of the History of the World from Creation to Woden

Chronicle of the History of the World from Creation to Woden
486263 Chronicle of the History of the World from Creation to Woden, with a Genealogy of Edward IV (Edward IV Roll), beginning section with a portrait of Edward IV on horseback, a roundel with God

Background imageCaparison Collection: The Roman Gate in Milan, 1800s

The Roman Gate in Milan, 1800s. Rebuilt in the 16th century by architect Leopoldo Polack. Porta Romana di Milano. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrarios Costumes

Background imageCaparison Collection: Europe as depicted by the ancients

Europe as depicted by the ancients. Europe kidnapped by a bull from a mural in the tomb of the Nasoni family, Rome 1, as a nymph on a bull from a cameo 2

Background imageCaparison Collection: Mounted knights in armour in a procession, 15thC tournament

Mounted knights in armour in a procession, 15thC tournament
Mounted knights in armour in a procession during a tournament for Holy Roman Emperor Maximilian I at the Castle of Luxembourg, 15th century

Background imageCaparison Collection: Rites of Convocation of the Holy Roman Emperor

Rites of Convocation of the Holy Roman Emperor. Charles IV recieving a messenger 1, an electoral mandate 2, the Elector of Brandenburg washing his hands in a silver bowl 3

Background imageCaparison Collection: Louis XII entering Genoa, engraved by Gautier after an illustration in the

Louis XII entering Genoa, engraved by Gautier after an illustration in the
PER287355 Louis XII entering Genoa, engraved by Gautier after an illustration in the Hours of Anne of Brittany, 1515-20 (coloured engraving) by Bourdichon

Background imageCaparison Collection: Commemoration of Guidoriccio da Fogliano at the Siege of Montemassi, from the Sala del Mappamondo

Commemoration of Guidoriccio da Fogliano at the Siege of Montemassi, from the Sala del Mappamondo, 1328 (fresco)
ALI208422 Commemoration of Guidoriccio da Fogliano at the Siege of Montemassi, from the Sala del Mappamondo, 1328 (fresco) by Martini, Simone (1284-1344); Palazzo Pubblico, Siena, Italy; Alinari

Background imageCaparison Collection: Fr 22495 f. 235v, Battle of Jerusalem in 1187, from Le Roman de Godefroi de Bouillon

Fr 22495 f. 235v, Battle of Jerusalem in 1187, from Le Roman de Godefroi de Bouillon
EDI42103 Fr 22495 f.235v, Battle of Jerusalem in 1187, from Le Roman de Godefroi de Bouillon (vellum) by French School, (14th century); Bibliotheque Nationale, Paris

Background imageCaparison Collection: Richard I in Palestine

Richard I in Palestine
AGN35520 Richard I in Palestine by Loutherbourg, Philip James (Jacques) de (1740-1812); Private Collection; (add.info.: Richard I the Lionheart (1151-99): In Palestine, 1191; ); Photo eAgnew s

Background imageCaparison Collection: French Seventeenth-century heraldic playing cards, c. 1658 (hand-coloured engraved cards

French Seventeenth-century heraldic playing cards, c. 1658 (hand-coloured engraved cards
985766 French Seventeenth-century heraldic playing cards, c.1658 (hand-coloured engraved cards, cardboard) by Brianville, Claude Orance Fine de (1608-76); 8.8x5.6 (each)

Background imageCaparison Collection: Alfonso XI, King of Castile and Leon, on Horseback, 1551 (woodcut)

Alfonso XI, King of Castile and Leon, on Horseback, 1551 (woodcut)
986082 Alfonso XI, King of Castile and Leon, on Horseback, 1551 (woodcut) by Spanish School, (16th century); 28x19 cm; Private Collection; (add.info.: Alfonso XI, King of Castile and Leon)

Background imageCaparison Collection: Ms 3480 Knights in Battle, from the Livre de Messire Lancelot du Lac (vellum)

Ms 3480 Knights in Battle, from the Livre de Messire Lancelot du Lac (vellum)
CHT214148 Ms 3480 Knights in Battle, from the Livre de Messire Lancelot du Lac (vellum) by French School, (15th century); Bibliotheque de L Arsenal, Paris

Background imageCaparison Collection: Reproduction of the tomb of Louis de Breze (1477-1531) in Rouen Cathedral (plaster

Reproduction of the tomb of Louis de Breze (1477-1531) in Rouen Cathedral (plaster
XIR233345 Reproduction of the tomb of Louis de Breze (1477-1531) in Rouen Cathedral (plaster) (b/w photo) by Goujon, Jean (1510-c.67) (attr)

Background imageCaparison Collection: Cangrande (stone)

Cangrande (stone)
938046 Cangrande (stone) by Italian School, (14th century); Museo del Castelvecchio, Verona, Italy; (add.info.: Cangrande (christened Can Francesco) della Scala (9 March 1291 - 22 July 1329)

Background imageCaparison Collection: Emperor Akbar (r. 1556-1605) at the battle of Samal in 1572

Emperor Akbar (r. 1556-1605) at the battle of Samal in 1572
STC140542 Emperor Akbar (r.1556-1605) at the battle of Samal in 1572, from the Akbarnama made by Abu l Fazi, 1590-98 (opaque w/c & gold on paper) by Mughal School

Background imageCaparison Collection: Emperor Akbar (r. 1556-1605) shoots Saimal at the Siege of Chitov in 1567

Emperor Akbar (r. 1556-1605) shoots Saimal at the Siege of Chitov in 1567
STC140540 Emperor Akbar (r.1556-1605) shoots Saimal at the Siege of Chitov in 1567, from the Akbarnama made by Abu l Fazi, 1590-98 (opaque w/c & gold on paper) by Mughal School

Background imageCaparison Collection: Two cavaliers, from the Libro de Los Caballeros de Santiago (vellum)

Two cavaliers, from the Libro de Los Caballeros de Santiago (vellum)
XJL180978 Two cavaliers, from the Libro de Los Caballeros de Santiago (vellum) by Spanish School; Museo Catedralicio, Burgos, Spain; Spanish, out of copyright

Background imageCaparison Collection: The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of hounds attacking the boar

The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of hounds attacking the boar
XIR345945 The Hunts of Maximilian, Capricorn, The Boar Hunt, detail of hounds attacking the boar, Gobelins Factory (see also 138999, 345944) (tapestry) (b/w photo) by Orley

Background imageCaparison Collection: Chinese wooden war chariot pulled by four horses

Chinese wooden war chariot pulled by four horses
Chinese wooden war chariot pulled by four caparisoned horses. Driver with quiver of arrows. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrarios Ancient

Background imageCaparison Collection: Detail of Charles V (1500-58) on horseback, from The Taking of Tunis

Detail of Charles V (1500-58) on horseback, from The Taking of Tunis
XIR167805 Detail of Charles V (1500-58) on horseback, from The Taking of Tunis, The Tapestry of Charles Quint, c. 1630-40 (tapestry) by Flemish School, (17th century); Musee du Temps, Besancon

Background imageCaparison Collection: St George & The Dragon, 1886 (stained glass)

St George & The Dragon, 1886 (stained glass)
3475498 St George & The Dragon, 1886 (stained glass) by Holmes Jewitt, Edward (1849-1929); Pownall Hall Farm, Wilmslow, Cheshire

Background imageCaparison Collection: An Elephant caparisoned, governed by a Zoarch

An Elephant caparisoned, governed by a Zoarch (commander)

Background imageCaparison Collection: Suit of armour and matching horse armour

Suit of armour and matching horse armour
XBP227794 Suit of armour and matching horse armour by English School, (15th century); Private Collection; Photo eBoltin Picture Library; English, out of copyright

Background imageCaparison Collection: Ancient Chinese War Chariot, from Le Costume Ancien et Moderne

Ancient Chinese War Chariot, from Le Costume Ancien et Moderne
STC228039 Ancient Chinese War Chariot, from Le Costume Ancien et Moderne by Jules Ferarrio, published c.1820s-30s (colour litho) by Bigatti

Background imageCaparison Collection: Louis XII (1462-1515) Leaving Alexandria on the 24th of April 1507

Louis XII (1462-1515) Leaving Alexandria on the 24th of April 1507
STC222036 Louis XII (1462-1515) Leaving Alexandria on the 24th of April 1507, to Chastise the City of Genoa (colour litho) by Marot

Background imageCaparison Collection: Saddle cover (mixed media) (detail of 389390)

Saddle cover (mixed media) (detail of 389390)
XBP389389 Saddle cover (mixed media) (detail of 389390) by Altaic School, (5th Century BC); length: 119 cm; State Hermitage Museum, St

Background imageCaparison Collection: Ms Fr 6465 fol. 444 Charles V (1338-80) receiving Emperor Charles IV (1316-78

Ms Fr 6465 fol. 444 Charles V (1338-80) receiving Emperor Charles IV (1316-78
XIR180014 Ms Fr 6465 fol.444 Charles V (1338-80) receiving Emperor Charles IV (1316-78) at the Porte du Temple in Paris, January 1378, from Les Grandes Chroniques de France

Background imageCaparison Collection: Ms 3480 fol. 77 Lancelot Crossing the Sword Bridge, from the

Ms 3480 fol. 77 Lancelot Crossing the Sword Bridge, from the
CHT210243 Ms 3480 fol.77 Lancelot Crossing the Sword Bridge, from the Livre de Messire Lancelot du Lac (vellum) by French School, (15th century); Bibliotheque de L Arsenal, Paris

Background imageCaparison Collection: Guidoriccio da Fogliano Besieging Monte Massi (fresco)

Guidoriccio da Fogliano Besieging Monte Massi (fresco)
PHD51590 Guidoriccio da Fogliano Besieging Monte Massi (fresco) by Martini, Simone (1284-1344); Palazzo Communale, Siena, Italy; Italian, out of copyright

Background imageCaparison Collection: Victory of the Swiss over the Austrians at the Battle of Morgarten, 15 November 1315 (colour litho)

Victory of the Swiss over the Austrians at the Battle of Morgarten, 15 November 1315 (colour litho)
3621066 Victory of the Swiss over the Austrians at the Battle of Morgarten, 15 November 1315 (colour litho) by Courvoisier

Background imageCaparison Collection: Barge on the Bruges-Ghent Canal, Spanish Netherlands, 16th Century (colour litho)

Barge on the Bruges-Ghent Canal, Spanish Netherlands, 16th Century (colour litho)
3620664 Barge on the Bruges-Ghent Canal, Spanish Netherlands, 16th Century (colour litho) by Heins, Armand Jean (1856-1938); Private Collection; (add.info.: Barge on the Bruges-Ghent Canal)

Background imageCaparison Collection: Design for an elephant pageant (pen & ink on paper)

Design for an elephant pageant (pen & ink on paper)
CTS407522 Design for an elephant pageant (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Background imageCaparison Collection: The Conquest of Tunis in 1535, plate 7 from The Military Achievements of Emperor

The Conquest of Tunis in 1535, plate 7 from The Military Achievements of Emperor
BCC393561 The Conquest of Tunis in 1535, plate 7 from The Military Achievements of Emperor Charles V, engraved by Dirk Volkertsz Coornhert (1522-90), 1555 (engraving & etching) by Heemskerck

Background imageCaparison Collection: Saddle blanket covered with Chinese silk, 5th- 4th century BC (wool, silk

Saddle blanket covered with Chinese silk, 5th- 4th century BC (wool, silk
XBP389393 Saddle blanket covered with Chinese silk, 5th- 4th century BC (wool, silk, gold & leather) by Altaic School; length: 64 cm; State Hermitage Museum, St

Background imageCaparison Collection: Louis XII (1462-1515) entering Genoa under a canopy, followed by four cardinals

Louis XII (1462-1515) entering Genoa under a canopy, followed by four cardinals
EDI42221 Louis XII (1462-1515) entering Genoa under a canopy, followed by four cardinals, from the Hours of Anne of Brittany, 1515-20 (vellum) by Bourdichon, Jean (1457-1521); Bibliotheque Nationale

Background imageCaparison Collection: Four cavaliers, from the Libro de Los Caballeros de la Cofradia de Santiago

Four cavaliers, from the Libro de Los Caballeros de la Cofradia de Santiago
XJL180976 Four cavaliers, from the Libro de Los Caballeros de la Cofradia de Santiago (vellum) by Spanish School; Museo Catedralicio, Burgos, Spain; Spanish, out of copyright

Background imageCaparison Collection: Ms. Fr 118 f. 189v Sir Lancelot captures Dolorous Garde with the aid of a new shield given

Ms. Fr 118 f. 189v Sir Lancelot captures Dolorous Garde with the aid of a new shield given
COB62884 Ms.Fr 118 f.189v Sir Lancelot captures Dolorous Garde with the aid of a new shield given to him by the Lady of the Lake, from the Livre de Messire Lancelot du Lac (vellum) by French School

Background imageCaparison Collection: Knight on horseback (colour litho)

Knight on horseback (colour litho)
6000152 Knight on horseback (colour litho) by German School, (19th century); Private Collection; (add.info.: Knight on horseback)

Background imageCaparison Collection: Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut)

Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut)
1217332 Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut) by Burgkmair, Hans (c.1473-1531); 32.2x22.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German

Background imageCaparison Collection: Procession to the Lists, 1843 (hand coloured lithograph)

Procession to the Lists, 1843 (hand coloured lithograph)
985988 Procession to the Lists, 1843 (hand coloured lithograph) by Nixon, James Henry (1802-57); Private Collection; (add.info.: Procession to the Lists; William Earl of Craven)

Background imageCaparison Collection: War-horse caparisoned (engraving)

War-horse caparisoned (engraving)
3653591 War-horse caparisoned (engraving) by English School, (19th century); Private Collection; (add.info.: War-horse caparisoned, from seal of Philip of Burgundy)

Background imageCaparison Collection: Caparisoned Haniwa Horse, 400s-500s (earthenware with traces of pigment)

Caparisoned Haniwa Horse, 400s-500s (earthenware with traces of pigment)
3666632 Caparisoned Haniwa Horse, 400s-500s (earthenware with traces of pigment) by Japanese School; 59.7x66 cm; Cleveland Museum of Art, OH, USA; (add.info.: Japan, Kofun Period (c)

Background imageCaparison Collection: Saddle cover decorated with griffins attacking mountain goats (mixed media)

Saddle cover decorated with griffins attacking mountain goats (mixed media)
XBP389390 Saddle cover decorated with griffins attacking mountain goats (mixed media) by Altaic School, (5th Century BC); length: 119 cm; State Hermitage Museum, St

Background imageCaparison Collection: Ms 3516 fol. 217v Five Knights (vellum)

Ms 3516 fol. 217v Five Knights (vellum)
XIR206945 Ms 3516 fol.217v Five Knights (vellum) by French School, (13th century); Bibliotheque de L Arsenal, Paris, France; French, out of copyright

Background imageCaparison Collection: Seal of John I (1296-1346) of Luxembourg, King of Bohemia

Seal of John I (1296-1346) of Luxembourg, King of Bohemia
ARN208630 Seal of John I (1296-1346) of Luxembourg, King of Bohemia by German School, (14th century); Centre Historique des Archives Nationales, Paris, France; German, out of copyright

Background imageCaparison Collection: Pierre de Rohan, Sire de Gie, on horseback in 1475, engraved by Gautier

Pierre de Rohan, Sire de Gie, on horseback in 1475, engraved by Gautier
PER287356 Pierre de Rohan, Sire de Gie, on horseback in 1475, engraved by Gautier (coloured engraving) by French School, (19th century); Private Collection; (add.info)




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In the enchanting world of Canterbury Tales, a woodcut of the Knight captures our imagination and transports us to c1490. With his caparisoned steed, adorned in regal trappings, he epitomizes chivalry and honor. Traveling back further in time to 1099, we witness European knights capturing Jerusalem during the First Crusade. In a fanciful manuscript, their victorious moment is depicted with intricate detail and vibrant colors. The caparisons on their horses reflect their triumph and valor. The Middle Ages were an era where knighthood reigned supreme. A line engraving from the 19th century showcases a knight meticulously arrayed for a tournament. Every inch of his armor shines as bright as his spirit while his caparison adds an extra touch of grandeur to his noble presence. Venturing into the East Indies, we encounter a captivating scene near Delhi featuring a majestic caparisoned elephant. Its embroidered housings and trappings are fit for royalty, reminiscent of Queen Victoria's exhibition at Crystal Palace in 1851. This magnificent creature embodies power and grace. Returning to Chaucer's Prologue to Canterbury Tales, another woodcut introduces us to "The Knight. " His attire exudes elegance with its carefully crafted caparison that complements his stature as one of literature's most revered characters. Delving deeper into history reveals Jean de Daillon's coat of arms proudly displayed by a knight in c1480. Guillaume Desremaulx masterfully captures this symbol of nobility through artistry that transcends time. Aimery de Guillaume Berard emerges from the annals of French history as an esteemed knight from the 13th century. His gallant figure dons armor embellished with exquisite details including an awe-inspiring caparison that reflects both strength and sophistication. From France to Germany, cavalry knights armored themselves throughout centuries.