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Capitalist Collection

"Unveiling the Dark Side: A Glimpse into Capitalism's Controversial Legacy" In the bustling streets of Nollendorfplatz, West Berlin, Germany

Background imageCapitalist Collection: Poster against American capitalism

Poster against American capitalism, showing a man in a stranglehold, with a stars and stripes design on the aggressors sleeve. 1944

Background imageCapitalist Collection: Victorian satirical cartoon capitalism and the middleman

Victorian satirical cartoon capitalism and the middleman
Vintage engraving of a victorian satirical cartoon, 19th Century. The Satires of Cynicus. capitalism and the middleman

Background imageCapitalist Collection: French poster for the Socialist Party (SFIO)

French poster for the Socialist Party (SFIO)
A French poster for the Socialist Party SFIO (French Section of the Workers International), showing men who have fought in the First World War facing up to a degenerate capitalist kneeling down to

Background imageCapitalist Collection: Street scene, Nollendorfplatz, West Berlin, Germany

Street scene, Nollendorfplatz, West Berlin, Germany
Street scene in Nollendorfplatz, West Berlin, Germany, showing the Metropol building (Neues Schauspielhaus or New Theatre), used at various times as a theatre, a concert hall and a cinema

Background imageCapitalist Collection: Political parades clash in a Russian street

Political parades clash in a Russian street
Two rival political parades clash in a Russian street during the Revolutionary period, resulting in many casualties. Date: circa 1917

Background imageCapitalist Collection: Anti-Bourgeois Poster

Anti-Bourgeois Poster
A big brave communist worker fixes a poster on a wall while a contemptible little bourgeois capitalist in his top hat cowers in fear

Background imageCapitalist Collection: The Real Enemy

The Real Enemy
The real social enemy is the capitalist who tramples the people and grabs the gold

Background imageCapitalist Collection: Dedication to Wilhelm Wolff from 'Das Kapital. Kritik der politischen Oekonomie' (Book 1)

Dedication to Wilhelm Wolff from 'Das Kapital. Kritik der politischen Oekonomie' (Book 1)
5668996 Dedication to Wilhelm Wolff from 'Das Kapital. Kritik der politischen Oekonomie' (Book 1) by Karl Marx published in 1867; (add.info)

Background imageCapitalist Collection: Jay Gould's private bowling alley by Frederick Burr Opper Dated 18820101

Jay Gould's private bowling alley by Frederick Burr Opper Dated 18820101
2599347 Jay Gould's private bowling alley by Frederick Burr Opper Dated 18820101. Print showing Jay Gould bowling on Wall Street; (add.info)

Background imageCapitalist Collection: Title page of 'Das Kapital. Kritik der politischen Oekonomie' (Book 1)

Title page of 'Das Kapital. Kritik der politischen Oekonomie' (Book 1) by Karl Marx published in 1867
5668995 Title page of 'Das Kapital. Kritik der politischen Oekonomie' (Book 1) by Karl Marx published in 1867; (add.info.: Karl Marx (1818-1883)); Photo © AF Fotografie.

Background imageCapitalist Collection: Sir Ernest Joseph Cassel, German-born British merchant banker and capitalist

Sir Ernest Joseph Cassel, German-born British merchant banker and capitalist, from the magazine The World and His Wife
3502687 Sir Ernest Joseph Cassel, German-born British merchant banker and capitalist, from the magazine The World and His Wife, pub.1907; (add.info.: Sir Ernest Joseph Cassel, 1852-1921)

Background imageCapitalist Collection: Das Kapital. Kritik der politischen Oekonomie' (Book 1) by Karl Marx title page of the first 1872

Das Kapital. Kritik der politischen Oekonomie' (Book 1) by Karl Marx title page of the first 1872 Russian language
5669001 Das Kapital. Kritik der politischen Oekonomie' (Book 1) by Karl Marx title page of the first 1872 Russian language edition of published in 1867; (add.info)

Background imageCapitalist Collection: Don José de Salamanca, 1860. Creator: Unknown

Don José de Salamanca, 1860. Creator: Unknown
Don Jose de Salamanca, 1860. A...capitalist, one of the most eminent of railway-contractors...he became a member of the Spanish press

Background imageCapitalist Collection: Sir Ernest Cassel, 1909. Creator: Anders Leonard Zorn

Sir Ernest Cassel, 1909. Creator: Anders Leonard Zorn
Sir Ernest Cassel, 1909

Background imageCapitalist Collection: Sir Ernest Cassel, 1909. Creator: Anders Leonard Zorn

Sir Ernest Cassel, 1909. Creator: Anders Leonard Zorn
Sir Ernest Cassel, 1909

Background imageCapitalist Collection: Nikolai Khristianovich Bunge, head-and-shoulders portrait, facing slightly

Nikolai Khristianovich Bunge, head-and-shoulders portrait, facing slightly... between 1880 and 1886 Creator: Unknown
Nikolai Khristianovich Bunge, head-and-shoulders portrait, facing slightly right, between 1880 and 1886

Background imageCapitalist Collection: Rich man strives to rise, by the poor mans labour

Rich man strives to rise, by the poor mans labour
Vintage engraving of a victorian satirical cartoon, The Rich man strives to rise, by the poor mans labour

Background imageCapitalist Collection: Elevated view, Victoria park and Central district of Hong Kong Island, Hong Kong, China

Elevated view, Victoria park and Central district of Hong Kong Island, Hong Kong, China

Background imageCapitalist Collection: Political Poster. USSR. 1932. Social Democracy and fascism are two links of the same chain of

Political Poster. USSR. 1932. Social Democracy and fascism are two links of the same chain of capitalist exploitation
3730555 Political Poster. USSR. 1932. Social Democracy and fascism are two links of the same chain of capitalist exploitation, USSR

Background imageCapitalist Collection: Ukrainians and Russians Agree: Nobody is Above the Working Man (litho)

Ukrainians and Russians Agree: Nobody is Above the Working Man (litho)
SNG140492 Ukrainians and Russians Agree: Nobody is Above the Working Man (litho) by Mayakovsky, Vladimir (1894-1930); Private Collection; Photo © Barbara Singer

Background imageCapitalist Collection: Soviet cartoon depicting the USA disguising its nuclear threat as the dove of peace (colour litho)

Soviet cartoon depicting the USA disguising its nuclear threat as the dove of peace (colour litho)
PNP368984 Soviet cartoon depicting the USA disguising its nuclear threat as the dove of peace (colour litho) by Russian School (20th century); Private Collection; Peter Newark Military Pictures

Background imageCapitalist Collection: Bolshevik poster depicting Lenin sweeping away emperors, clergy and capitalists, 1917 (colour litho)

Bolshevik poster depicting Lenin sweeping away emperors, clergy and capitalists, 1917 (colour litho)
PNP367395 Bolshevik poster depicting Lenin sweeping away emperors, clergy and capitalists, 1917 (colour litho) by Russian School (20th century); Private Collection; (add.info)

Background imageCapitalist Collection: An Allegory of Social Strife, by Archibald Ziegler

An Allegory of Social Strife, by Archibald Ziegler
An Allegory of Social Strife, a painting by Archibald Ziegler. A reflection on postwar mass unemployment and social unrest, recalling the 1926 General Strike. late 1920s

Background imageCapitalist Collection: Effects of strikes upon the working class and the capitalist

Effects of strikes upon the working class and the capitalist
The effects of a strike upon the capitalist and upon the working man Date: 1852

Background imageCapitalist Collection: The Fool makes money when the wise man begs

The Fool makes money when the wise man begs
Vintage engraving of a victorian satirical cartoon, 19th Century. The Satires of Cynicus. The Fool makes money when the wise man begs; Just so - It was a goose that laid the golden eggs

Background imageCapitalist Collection: 19th Century Albert Keller Capitalism Capitalist

19th Century Albert Keller Capitalism Capitalist
19th, century, Albert, Keller, capitalism, capitalist, ceremony, colored, cremation, crematorium, crematory, death, engraving, fire, hat, high, society, incinerate, incineration, italian, Italy, men

Background imageCapitalist Collection: Sir Ernest Cassell in the robes of the Order of St Michael and St George, c. 1900 (b/w photo)

Sir Ernest Cassell in the robes of the Order of St Michael and St George, c. 1900 (b/w photo)
XJF441232 Sir Ernest Cassell in the robes of the Order of St Michael and St George, c.1900 (b/w photo) by English Photographer

Background imageCapitalist Collection: Poster satirising political power in Russia from The Russian Revolutionary Poster by V

Poster satirising political power in Russia from The Russian Revolutionary Poster by V. Polonski, 1925
XND76074 Poster satirising political power in Russia from The Russian Revolutionary Poster by V. Polonski, 1925 by Deni, Viktor Nikolaevich (1893-1946); Private Collection; Russian, out of copyright

Background imageCapitalist Collection: Cartoon depicting how the United States is seen around the world (litho)

Cartoon depicting how the United States is seen around the world (litho)
6001723 Cartoon depicting how the United States is seen around the world (litho) by Kahles, Charles William (1878-1931); Private Collection; (add.info)

Background imageCapitalist Collection: The Menace of the Hour, 1889 (colour litho)

The Menace of the Hour, 1889 (colour litho)
1078692 The Menace of the Hour, 1889 (colour litho) by Luks, George Benjamin (1867-1933); Collection of the New-York Historical Society, USA; (add.info.: The Menace of the Hour, from The Verdict)

Background imageCapitalist Collection: Today!, 1894. Creator: Theophile Alexandre Steinlen

Today!, 1894. Creator: Theophile Alexandre Steinlen
Today!, 1894

Background imageCapitalist Collection: Capital (engraving)

Capital (engraving)
6019068 Capital (engraving) by Marks, Henry Stacey (1829-98) (after); Private Collection; (add.info.: Capital. Illustration for The Architect, 6 January 1877.); © Look and Learn

Background imageCapitalist Collection: The Social Ladder (colour litho)

The Social Ladder (colour litho)
2813082 The Social Ladder (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info.: The Social Ladder)

Background imageCapitalist Collection: The Woes? of Unity House, 1913 (engraving)

The Woes? of Unity House, 1913 (engraving)
3037884 The Woes? of Unity House, 1913 (engraving) by Dyson, Will (1880-1938); Private Collection; (add.info.: Daily Herald cartoon supporting trade unionism. ); Australian, out of copyright

Background imageCapitalist Collection: Capital hand in hand with Labor, in The Verdict, 1899 (colour litho)

Capital hand in hand with Labor, in The Verdict, 1899 (colour litho)
PNP253884 Capital hand in hand with Labor, in The Verdict, 1899 (colour litho) by American School, (19th century); Private Collection; (add.info)

Background imageCapitalist Collection: Capitalism from L Assiette Au Beurre magazine, pub

Capitalism from L Assiette Au Beurre magazine, pub
CSM74185 Capitalism from L Assiette Au Beurre magazine, pub. June 1907 (litho) (see also 75319) by Galantara, Gabriele (Rata Langa) (1865-1937); Central Saint Martins College of Art and Design

Background imageCapitalist Collection: Capital and Labour (colour litho)

Capital and Labour (colour litho)
818289 Capital and Labour (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; Look and Learn / Elgar Collection

Background imageCapitalist Collection: Cartoon depicting Communism and anarchy creeping under the American Flag

Cartoon depicting Communism and anarchy creeping under the American Flag
PNP253877 Cartoon depicting Communism and anarchy creeping under the American Flag, 1919 (engraving) by American School, (20th century); Private Collection; (add.info)

Background imageCapitalist Collection: The Cathedrals of Wall Street, 1939 (oil on canvas)

The Cathedrals of Wall Street, 1939 (oil on canvas)
3614013 The Cathedrals of Wall Street, 1939 (oil on canvas) by Stettheimer, Florine (1871-1944); 152.4x127 cm; Metropolitan Museum of Art, New York

Background imageCapitalist Collection: Slum landlord (engraving)

Slum landlord (engraving)
3101271 Slum landlord (engraving) by Bernard, Frederick L. (1846-1896); Private Collection; (add.info.: Slum landlord. Illustration for How The Poor Live by George R Sims with illustrations by)

Background imageCapitalist Collection: Study, An Allegory of Social Strife, by Archibald Ziegler

Study, An Allegory of Social Strife, by Archibald Ziegler
Study for a painting, An Allegory of Social Strife, by Archibald Ziegler. A reflection on postwar mass unemployment and social unrest, recalling the 1926 General Strike. late 1920s

Background imageCapitalist Collection: Drawing, An Allegory of Social Strife, by Archibald Ziegler

Drawing, An Allegory of Social Strife, by Archibald Ziegler
Preparatory drawing for a painting, An Allegory of Social Strife, by Archibald Ziegler. A reflection on postwar mass unemployment and social unrest, recalling the 1926 General Strike. late 1920s

Background imageCapitalist Collection: Renewing the Lease (engraving)

Renewing the Lease (engraving)
6010890 Renewing the Lease (engraving) by English School, (19th century); Private Collection; (add.info.: Renewing the Lease. Illustration for The Leisure Hour (1894).); © Look and Learn

Background imageCapitalist Collection: Poster advertising the novel Les Vendus dealing with the Panama Affair, c

Poster advertising the novel Les Vendus dealing with the Panama Affair, c
CHT163656 Poster advertising the novel Les Vendus dealing with the Panama Affair, c. 1892-95 (litho) (b/w photo) by French School

Background imageCapitalist Collection: ENFARINATS

ENFARINATS
FRANCISCO SANCHEZ FOTOGRAFIAS

Background imageCapitalist Collection: Capitalist Pig

Capitalist Pig
Petri Damstén

Background imageCapitalist Collection: Convair 580 N331G

Convair 580 N331G (msn 202) Capitalist Tool of Forbes Magazine at London Heathrow Airport. built as a Convair CV-340-79-, powered by Pratt & Whitney R-2800 piston engines

Background imageCapitalist Collection: CAPITALIST & INSURANCE CAPITALIST & INSURANCE

CAPITALIST & INSURANCE CAPITALIST & INSURANCE
The Enterprising American Capitalist can afford to ignore safety measures - hes fully insured ! Date: 1883




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"Unveiling the Dark Side: A Glimpse into Capitalism's Controversial Legacy" In the bustling streets of Nollendorfplatz, West Berlin, Germany, a powerful message against American capitalism emerges. A striking poster advocating for change stands tall, reflecting the sentiments of those who oppose the capitalist system. Nearby, another French poster promoting the Socialist Party (SFIO) further fuels this anti-capitalist sentiment. Amidst this fervor against bourgeois dominance, political parades clash in Russian streets as opposing ideologies collide. The real enemy is not just a single individual or group but rather an entire economic structure that perpetuates inequality and exploitation. A street scene captures both sides of this complex narrative - on one side, a flower stall symbolizes hope and beauty amidst adversity; on the other side looms Henry Clay Frick's attempted assassination by Alexander Berkman during the Homestead Strike in 1892. This event serves as a stark reminder of how capitalism can breed discontent and resistance. Throughout history, figures like Albert Keller have depicted capitalism's impact through their artistry. Keller's 19th-century portrayal showcases a rich man striving to rise solely through exploiting the labor of impoverished individuals - highlighting inherent flaws within capitalist systems. Even at Allied Checkpoint Charlie in West Berlin, Germany, where tensions between East and West were palpable during Cold War times, capitalism remained under scrutiny. It was seen as an emblematic representation of Western values that clashed with socialist ideals prevalent behind Soviet-controlled territories. The image of Sir Ernest Cassell adorned with robes from the Order of St Michael and St George adds yet another layer to our understanding of capitalism. As an influential figure from early 20th century Britain known for his financial prowess and connections to royalty, Cassell personifies wealth accumulation within capitalist societies. This captivating collage reveals different facets surrounding capitalism – its critics' voices amplified through posters and protests while juxtaposed against the opulence and power wielded by industrialists.