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Capricho Collection

"Capricho: Exploring the Whimsical World of Francisco de Goya and Beyond" Step into the intriguing world of "capricho, " a term that encompasses the whimsical, satirical

Background imageCapricho Collection: Los Caprichos by Francisco de Goya (1746-1828)

Los Caprichos by Francisco de Goya (1746-1828)
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Lo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera

Background imageCapricho Collection: Goya (1746-1828). Spanish painter and printmaker. Los Capric

Goya (1746-1828). Spanish painter and printmaker. Los Capric
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Donde va mama? (Where are you going mum?). Number 65. Aquatint. 1799. Plate 43. Reproduction by M. Segui i Riera

Background imageCapricho Collection: Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)

Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
3112269 Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: Allegoric Capricho, 1852, by Eugenio Lucas Velazquez

Allegoric Capricho, 1852, by Eugenio Lucas Velazquez
Eugenio Lucas Velazquez (1817-1870). Spanish painter. Allegoric Capricho, 1852. Lazaro Galdiano Museum. Madrid. Spain

Background imageCapricho Collection: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

Background imageCapricho Collection: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint)

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageCapricho Collection: El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters)

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Background imageCapricho Collection: Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

Background imageCapricho Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageCapricho Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageCapricho Collection: Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: Because she was susceptible, plate 32 of Los caprichos, 1799 (etching)

Because she was susceptible, plate 32 of Los caprichos, 1799 (etching)
IND81651 Because she was susceptible, plate 32 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

Background imageCapricho Collection: As Far back as his Grandfather, plate 39 of Los caprichos, 1799 (aquatint)

As Far back as his Grandfather, plate 39 of Los caprichos, 1799 (aquatint)
IND81658 As Far back as his Grandfather, plate 39 of Los caprichos, 1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.4 cm; Private Collection; Index Fototeca

Background imageCapricho Collection: Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching)

Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching)
IND81653 Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x13.2 cm; Private Collection; (add.info.: Dream of lies and inconstancy)

Background imageCapricho Collection: Capricho

Capricho Ridden By T.Quinn Lincoln Meeting Doncaster Doncaster Racecourse, Doncaster 31 March 2005 Date: 31 March 2005

Background imageCapricho Collection: La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint)

La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint)
3112271 La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint)

Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint)
3112268 Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: Chiton, plate from Los Caprichos, 1799 (etching & aquatint)

Chiton, plate from Los Caprichos, 1799 (etching & aquatint)
3112267 Chiton, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint)

Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint)
3112272 Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: Soplones, plate from Los Caprichos, 1799 (etching & aquatint)

Soplones, plate from Los Caprichos, 1799 (etching & aquatint)
3112266 Soplones, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageCapricho Collection: The Filiation (La Filiacion), 1799 (etching)

The Filiation (La Filiacion), 1799 (etching)
1071368 The Filiation (La Filiacion), 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts

Background imageCapricho Collection: Francisco de Goya (1746-1828). Spanish painter and printmake

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Aquellos Polvos. Aquatint n 23 published in 1799

Background imageCapricho Collection: Linda Maestra! or Pretty Teacher! A young witch teaches an old man to fly

Linda Maestra! or Pretty Teacher! A young witch teaches an old man to fly. After the work by Francisco Goya, Capricho number 68. Goya created the 80 prints of Los Caprichos in 1797-1798

Background imageCapricho Collection: El Capricho from Gaudi. Spain

El Capricho from Gaudi. Spain
Spain. Comillas. El Capricho. 1883. Built by Antoni Gaudi, spanish architect. Interior

Background imageCapricho Collection: Spain. Cantabria. El Capricho. Gaudi

Spain. Cantabria. El Capricho. Gaudi
Spain. Cantabria. Comillas. El Capricho. 1883. Built by the Spanish architect Antoni Gaudi. Wooden ceiling

Background imageCapricho Collection: As Far back as his Grandfather, plate 39 of Los Caprichos, 1799 (aquatint)

As Far back as his Grandfather, plate 39 of Los Caprichos, 1799 (aquatint)
XKH153638 As Far back as his Grandfather, plate 39 of Los Caprichos, 1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.4 cm; On Loan to the Hamburg Kunsthalle, Hamburg

Background imageCapricho Collection: Sleep overcomes them, plater 34 of Los caprichos, 1799 (etching)

Sleep overcomes them, plater 34 of Los caprichos, 1799 (etching)
XKH153637 Sleep overcomes them, plater 34 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x13.2 cm; On Loan to the Hamburg Kunsthalle, Hamburg

Background imageCapricho Collection: Francisco de Goya y Lucientes, painter. Capricho plate 1

Francisco de Goya y Lucientes, painter. Capricho plate 1
GOYA Y LUCIENTES, Francisco de (1746-1828). Francisco de Goya y Lucientes, painter. Capricho plate 1, etching, aquatint

Background imageCapricho Collection: They carried her off!. Capricho plate 8

They carried her off!. Capricho plate 8
GOYA Y LUCIENTES, Francisco de (1746-1828). They carried her off!. Capricho plate 8, etching and aquatint. Etching; Engraving




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"Capricho: Exploring the Whimsical World of Francisco de Goya and Beyond" Step into the intriguing world of "capricho, " a term that encompasses the whimsical, satirical, and thought-provoking artworks by renowned Spanish painter and printmaker Francisco de Goya. From his iconic series "Los Caprichos" to other masterpieces like "El Sueno De La Razon Produce Monstruos, " Goya's art captivates with its dark humor and social commentary. In 1799, Goya unveiled his groundbreaking collection called "Los Caprichos. " Among its plates is the enigmatic piece titled "Aguarda Que Te Unten, " which showcases Goya's mastery of etching and aquatint techniques. This series delves deep into human folly, superstitions, societal vices, and political corruption—a true reflection of Goya's critical eye on Spanish society during that time. Goya's influence extended beyond his era as artists like Eugenio Lucas Velazquez paid homage to him through their own allegoric capricious works. Velazquez's 1852 painting offers a glimpse into how artists were inspired by Goya's unique style in portraying fantastical scenes filled with symbolic elements. The legacy continued even after Goya’s passing. In 1877, another artist named Eugenio Lucas created an etching titled "Disparate de tontos (Fool's folly), " showcasing absurdity through intricate details achieved using aquatint and drypoint techniques. Other notable examples include "Lo Mismo (The Same)" from 1863 by an unknown artist who utilized etching, drypoint, burnishing & burin techniques to depict repetition in life; or “No Hay Quien Los Socorra (There is no one to help them)” from the same year which uses etching and aquatint to convey a sense of despair and isolation.