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Captain Fitz Roy Collection

Captain Fitz Roy was a man of adventure, exploring the world with his keen eye and artistic talent

Background imageCaptain Fitz Roy Collection: HMS Beagle laid ashore, Rio Santa Cruz, Patagonia, South America, 1834 (1839)

HMS Beagle laid ashore, Rio Santa Cruz, Patagonia, South America, 1834 (1839). The Beagle, commanded by Robert Fitzroy, set sail on a 5-year voyage around the world in December 1831

Background imageCaptain Fitz Roy Collection: Barometers for life-boat stations, 1860. Creator: Unknown

Barometers for life-boat stations, 1860. Creator: Unknown
Barometers for life-boat stations, 1860. Public attention has frequently been called to the invaluable use of a barometer for indicating a coming storm

Background imageCaptain Fitz Roy Collection: Peak and Barrier-Reef of Borabora, c1885, (1890). Artist: Robert Taylor Pritchett

Peak and Barrier-Reef of Borabora, c1885, (1890). Artist: Robert Taylor Pritchett
Peak and Barrier-Reef of Borabora, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Whitsunday Island, c1885, (1890). Artist: Robert Taylor Pritchett

Whitsunday Island, c1885, (1890). Artist: Robert Taylor Pritchett
Whitsunday Island, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Ornithorhynchus Paradoxus, c1885, (1890). Artist: Robert Taylor Pritchett

Ornithorhynchus Paradoxus, c1885, (1890). Artist: Robert Taylor Pritchett
Ornithorhynchus Paradoxus, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: The Queens Palace at Papeete, Tahiti, c1885, (1890). Artist: Robert Taylor Pritchett

The Queens Palace at Papeete, Tahiti, c1885, (1890). Artist: Robert Taylor Pritchett
The Queens Palace at Papeete, Tahiti, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Native of Australia, c1885, (1890). Artist: Robert Taylor Pritchett

Native of Australia, c1885, (1890). Artist: Robert Taylor Pritchett
Native of Australia, c1885 (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Travelling in the Andes, c1885, (1890). Artist: Robert Taylor Pritchett

Travelling in the Andes, c1885, (1890). Artist: Robert Taylor Pritchett
Travelling in the Andes, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Fuegians and their Wigwams, c1885, (1890). Artist: Robert Taylor Pritchett

Fuegians and their Wigwams, c1885, (1890). Artist: Robert Taylor Pritchett
Fuegians and their Wigwams, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: The Puma, c1885, (1890). Artist: Robert Taylor Pritchett

The Puma, c1885, (1890). Artist: Robert Taylor Pritchett
The Puma, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: The Condor, c1885, (1890). Artist: Robert Taylor Pritchett

The Condor, c1885, (1890). Artist: Robert Taylor Pritchett
The Condor, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Herd of Cattle Crossing the Uruguay, c1885, (1890). Artist: Robert Taylor Pritchett

Herd of Cattle Crossing the Uruguay, c1885, (1890). Artist: Robert Taylor Pritchett
Herd of Cattle Crossing the Uruguay, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Buenos Ayres, c1885, (1890). Artist: Robert Taylor Pritchett

Buenos Ayres, c1885, (1890). Artist: Robert Taylor Pritchett
Buenos Ayres, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Bizcachas, c1885, (1890). Artist: Robert Taylor Pritchett

Bizcachas, c1885, (1890). Artist: Robert Taylor Pritchett
Bizcachas, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Skeleton of the Mylodon Darwinii, c1885, (1890). Artist: Robert Taylor Pritchett

Skeleton of the Mylodon Darwinii, c1885, (1890). Artist: Robert Taylor Pritchett
Skeleton of the Mylodon Darwinii, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Throwing The Bolas, c1885, (1890). Artist: Robert Taylor Pritchett

Throwing The Bolas, c1885, (1890). Artist: Robert Taylor Pritchett
Throwing The Bolas, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Skeleton of the Megatherium, c1885, (1890). Artist: Robert Taylor Pritchett

Skeleton of the Megatherium, c1885, (1890). Artist: Robert Taylor Pritchett
Skeleton of the Megatherium, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Vampire Bat, c1885, (1890). Artist: Robert Taylor Pritchett

Vampire Bat, c1885, (1890). Artist: Robert Taylor Pritchett
Vampire Bat, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageCaptain Fitz Roy Collection: Brazilian Forest, c1885 (1890). Artist: Robert Taylor Pritchett

Brazilian Forest, c1885 (1890). Artist: Robert Taylor Pritchett
Brazilian Forest, c1885 (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S



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Captain Fitz Roy was a man of adventure, exploring the world with his keen eye and artistic talent. In his travels, he captured breathtaking scenes like the Peak and Barrier-Reef of Borabora, showcasing nature's beauty in all its glory. His brushstrokes brought to life Whitsunday Island, an oasis of tranquility amidst turquoise waters. But Captain Fitz Roy's artistry didn't stop at landscapes; he delved into the realm of zoology as well. Ornithorhynchus Paradoxus, a peculiar creature known as the platypus, found its way onto his canvas. With intricate details and vibrant colors, he immortalized this enigmatic mammal for generations to admire. As he ventured further into distant lands, Captain Fitz Roy encountered cultures that fascinated him deeply. The Queens Palace at Papeete in Tahiti stood tall against a backdrop of lush greenery - a testament to both architectural grandeur and cultural heritage. He also painted Native Australians with reverence and respect, capturing their essence through strokes that conveyed their rich traditions. The captain's thirst for exploration led him high up in the Andes Mountains where he witnessed awe-inspiring vistas while traveling through rugged terrain. Fuegians and their Wigwams became subjects on his canvas as they showcased indigenous lifestyles shaped by harsh environments. Nature held no secrets from Captain Fitz Roy either; creatures like The Puma prowled majestically under moonlit skies while The Condor soared gracefully above mountain peaks – both masterpieces reflecting wildlife's raw power and grace. In South America's vast plains, Captain Fitz Roy observed everyday scenes such as Herd of Cattle Crossing the Uruguay River or bustling cities like Buenos Ayres teeming with activity – each stroke telling stories of livelihoods intertwined with nature's abundance. And then there were Bizcachas - small rodents inhabiting arid regions whose playful antics captivated our artist’s attention. Through his art, he celebrated the diversity of life, both grand and small.