Carl Pier Collection

Design for the Base of a Crucifix, Plate 2 from: Neüinventierte Crucifix=
Design for the Base of a Crucifix, Plate 2 from: Neu inventierte Crucifix= Stocke, Printed ca. 1750-56

Design for the Base of a Crucifix, Plate 4 from: Neüinventierte Crucifix=
Design for the Base of a Crucifix, Plate 4 from: Neu inventierte Crucifix= Stocke, Printed ca. 1750-56

Design for an Altar, Plate 4 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for the Base of a Crucifix, Plate 1 from: Neüinventierte Crucifix=
Design for the Base of a Crucifix, Plate 1 from: Neu inventierte Crucifix= Stocke, Printed ca. 1750-56

Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for an Altar, Plate 3 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars, Printed ca. 1750-56

Design for a Monumental Altar, Plate p from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a Monumental Altar, Plate q from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a large Vase representing Fire, Plate 6 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Vase representing Water, Plate 5 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a Monumental Altar, Plate o (?) from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a large Vase or Ewer representing Air, Plate 2 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Lidded Vase, Plate 1 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Vase representing Earth, Plate 3 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Design for a large Asymmetrical Vase, Plate 4 from: Neu inventierte Vasi auf die neueste manier, Printed ca. 1750-56

Various Designs for Rocaille Ornaments, Plate 3 from an Untitled Series of Rocaille Ornaments for Frames, Printed ca. 1750-56

Design for a Monumental Altar, Plate n from Unterschiedliche Neu Inventierte Altare mit darzu gehorigen Profillen u. Grundriszen. Printed ca. 1750-56

Design for a Confessional, Plate 4 from an Untitled Series of Designs for Confessionals, Printed ca. 1750-56

Design for a Confessional, Plate 2 from an Untitled Series of Designs for Confessionals, Printed ca. 1750-56

Design for a Confessional, Plate 1 from an Untitled Series of Designs for Confessionals, Printed ca. 1750-56

Design for a Pulpit, Plate 4 from an Untitled Series of Pulpit Designs, Printed ca. 1750-56

Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs, Printed ca. 1750-56

Design for a Pulpit, Plate 1 from an Untitled Series of Pulpit Designs, Printed ca. 1750-56

Design for a Two-Armed Candelabra with Rocaille Ornaments and Flowers, Plate 3 from an Untitled Series of Designs for Suspended Candelabra, Printed ca. 1750-56

Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras, Printed ca. 1750-56

Design for a Three-Armed Candelabra, Plate 2 from an Untitled Series of Designs for Suspended Candelabra, Printed ca. 1750-56

Drawings Prints, Print, Plate, 2, Neu, inventierte, Vasi, auf, die, neueste, manier
Drawings and Prints, Print, Plate 2 from Neu inventierte Vasi auf die neueste manier, Artist, Publisher, After, Carl Pier, Johann Gottlieb Thelot, Martin Engelbrecht, German, active Augsburg, ca

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"Carl Pier: A Master of Ecclesiastical Design" Renowned for his intricate and awe-inspiring creations, it has left an indelible mark on the world of ecclesiastical design. His meticulous attention to detail and profound understanding of religious symbolism have made him a sought-after artist in the field. One of his notable works is "Design for the Base of a Crucifix, " Plate 2 from his groundbreaking series titled "Neuinventierte Crucifix. " This particular piece showcases Pier's ability to blend traditional elements with innovative concepts, resulting in a truly unique representation of faith. In Plate 4 from the same series, we witness Pier's mastery once again as he crafts another captivating base for a crucifix. The intricacy and precision displayed in this design are testament to his unwavering commitment to excellence. Moving beyond crucifixes, it also delved into altar designs. In Plate 4 from an untitled series dedicated to altars, he presents us with a vision that seamlessly combines grandeur and spirituality. Each element meticulously placed, evoking reverence and devotion. Pier's exploration continues with Plate 1 from "Neuinventierte Crucifix, " where he pushes boundaries by reimagining the base structure itself. His boldness shines through as he challenges conventional norms while maintaining utmost respect for tradition. The untitled series showcasing altar designs further exemplifies Pier's versatility and creativity. Plates 2 and 3 present us with stunning compositions that exude elegance and grace while serving their intended purpose flawlessly. Plate 1 from this same series captures our attention with its striking beauty—a harmonious fusion of architectural brilliance and spiritual significance that only someone like Carl Pier could conceive. Venturing into monumental altars, we encounter Plates p and q from "Unterschiedliche Neu Inventi. " These masterpieces showcase not only Pier's artistic prowess but also his ability to create structures that command attention and inspire awe.