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Cassio Collection

"Cassio: A Tale of Tragedy, Martyrdom, and Redemption" Step into the world of Cassio, a character whose journey unfolds through various artistic interpretations

Background imageCassio Collection: Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau

Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau
Therefore be merry, Cassio, plate six from Othello, 1844

Background imageCassio Collection: Therefore be Merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau

Therefore be Merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau
Therefore be Merry, Cassio, plate six from Othello, 1844

Background imageCassio Collection: Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau

Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau
Therefore be merry, Cassio, plate six from Othello, 1844

Background imageCassio Collection: Production of Othello

Production of Othello
Actor Ernest Milton (1890-1974) played the title role in this production of Othello at the St James's Theatre. Also pictured are Nicholas Hannen (1881-1972) as Cassio and Henry Oscar (1891-1969)

Background imageCassio Collection: Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius
6365884 Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageCassio Collection: St Cassius and St Casto before the Emperor, Byzantine mosaic, XII-XIII century

St Cassius and St Casto before the Emperor, Byzantine mosaic, XII-XIII century, on the counter-facade (mosaic)
6166327 St Cassius and St Casto before the Emperor, Byzantine mosaic, XII-XIII century, on the counter-facade (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova)

Background imageCassio Collection: The martyrdom of St Cassius and St Casto-The destruction of the temple and the idol of Apollo

The martyrdom of St Cassius and St Casto-The destruction of the temple and the idol of Apollo, Byzantine mosaic
6166326 The martyrdom of St Cassius and St Casto-The destruction of the temple and the idol of Apollo, Byzantine mosaic, XII-XIII century, on the counter-facade (mosaic) by Byzantine

Background imageCassio Collection: 'Othello, 'at the Lyric Theatre (litho)

"Othello, "at the Lyric Theatre (litho)
1601380 " Othello, " at the Lyric Theatre (litho) by Begg, Samuel (fl.1886-1916) (after); Private Collection; (add.info.: " Othello, " at the Lyric Theatre)

Background imageCassio Collection: Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas

Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas
6365886 Punishment of the Lustful; Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius; Lucifer clutching two Giants and Antenor

Background imageCassio Collection: The duel of Cassio and Montano (chromolitho)

The duel of Cassio and Montano (chromolitho)
734552 The duel of Cassio and Montano (chromolitho) by European School, (19th century); Private Collection; (add.info.: The duel of Cassio and Montano)

Background imageCassio Collection: Cassio. Madam, I ll take my leave

Cassio. Madam, I ll take my leave
LLM455183 Cassio. Madam, I ll take my leave by Dudley, Robert (fl.1865-91) (after); Private Collection; (add.info.: Cassio. Madam, I ll take my leave. Othello, Act III, Scene III)

Background imageCassio Collection: Othello Overhears Iago and Cassio (chromolitho)

Othello Overhears Iago and Cassio (chromolitho)
734555 Othello Overhears Iago and Cassio (chromolitho) by European School, (19th century); Private Collection; (add.info.: Othello Overhears Iago and Cassio)

Background imageCassio Collection: He enticed Cassio to make rather too free with the bottle (litho)

He enticed Cassio to make rather too free with the bottle (litho)
2781882 He enticed Cassio to make rather too free with the bottle (litho) by Robinson, William Heath (1872-1944); Private Collection; (add.info)

Background imageCassio Collection: Illustration for William Shakespeares play Othello, Act II, Scene I

Illustration for William Shakespeares play Othello, Act II, Scene I. From an 18th century engraving by Thomas Ryder after a work by Thomas Stothard

Background imageCassio Collection: Cassio Speaks In Othello, Act Iii, Scene Iii, By William Shakespeare. Madam. I ll Take My Leave

Cassio Speaks In Othello, Act Iii, Scene Iii, By William Shakespeare. Madam. I ll Take My Leave. Drawn And Etched By Robert Dudley. From The Illustrated Library Shakspeare, Published London 1890

Background imageCassio Collection: Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

Background imageCassio Collection: Let me the Canakin Clink, c1875. Artist: Sir John Gilbert

Let me the Canakin Clink, c1875. Artist: Sir John Gilbert
Let me the Canakin Clink, c1875. Act II, Scene II, from Shakespeares Othello. Lago, Cassio and Montano drinking in the hall of the castle. From The Illustrated Library Shakespeare

Background imageCassio Collection: Cassio Bowing 1852 Black chalk buff wove paper

Cassio Bowing 1852 Black chalk buff wove paper
Artokoloro

Background imageCassio Collection: Iago speaks in Othello, Act II, Scene II, Let me the canakin clink

Iago speaks in Othello, Act II, Scene II, Let me the canakin clink
KW469527 Iago speaks in Othello, Act II, Scene II, Let me the canakin clink, from The Illustrated Library Shakespeare, published London 1890 (colour litho) by Gilbert

Background imageCassio Collection: Scene from Othello by William Shakespeare (1564-1616) engraved by Hubert Gravelot

Scene from Othello by William Shakespeare (1564-1616) engraved by Hubert Gravelot
XIR213125 Scene from Othello by William Shakespeare (1564-1616) engraved by Hubert Gravelot (1699-1773) (engraving) (b/w photo) by Hayman, Francis (1708-76) (after); Private Collection; English

Background imageCassio Collection: Let me the Canakin Clink : Othello Act II. Scene II. Iago, Cassio and Montano

Let me the Canakin Clink : Othello Act II. Scene II. Iago, Cassio and Montano drinking in the hall of the castle. Illustration by Robert Dudley (active 1858-1893)

Background imageCassio Collection: Iago using an innocent meeting between Cassio and Desdemona to convince Othello that

Iago using an innocent meeting between Cassio and Desdemona to convince Othello that his wife has been unfaithful. Othello Act III, Scene III



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"Cassio: A Tale of Tragedy, Martyrdom, and Redemption" Step into the world of Cassio, a character whose journey unfolds through various artistic interpretations. From his role in the production of Othello to his depiction in ancient Byzantine mosaics, Cassio's story captivates audiences across centuries. In Shakespeare's play "Othello, " Cassio plays a pivotal role as he becomes entangled in Iago's web of deception. The lithograph captures the intensity of the duel between Cassio and Montano, showcasing their conflicting emotions and fierce determination. But Cassio's fate extends beyond this tragic tale. In detached frescoes from "The Triumph of Death" cycle, we witness him punished alongside Judas, Brutus, and others consumed by Satan himself. These haunting fragments remind us that actions have consequences. Yet amidst darkness lies hope. Byzantine mosaics depict St. Cassius and St. Casto before an emperor - symbols of martyrdom and faith overcoming adversity. Their destruction of Apollo's idol signifies triumph over false idols and temptation. As we delve further into Cassio's narrative, we encounter moments that reveal his vulnerability and humanity. Sir John Gilbert's lithograph portrays him succumbing to alcohol-induced weakness while Thomas Ryder's engraving captures Othello overhearing Iago manipulate both him and Cassio. Through these diverse artworks emerges a complex character who experiences love, betrayal, punishment but also redemption. As he utters those poignant words - "Madam, I'll take my leave" - we are reminded that even flawed individuals can find solace in self-reflection. So let us raise our glasses with Sir John Gilbert’s illustration titled "Let me the Canakin Clink.