Chalk Collection (#100)

Holy Family Two Female Saints 1727-1804 Pen
Artokoloro

USA, Oregon, Portland. Chalkboard sign at delicatessen. Credit as: Steve Terrill / Jaynes Gallery / DanitaDelimont

MENSA CHRISTI CHURCH. Chapel of the Mensa Christi Church in Nazareth, featuring the slab of chalk which, according to Christian tradition, was where Jesus dined with disciples after his resurrection

Black board on stand

Block of chalk used for snooker, picture of lion on front and side

Illustration of chalk cliffs on English sea shore

Illustration of shoreline of cliffs with birds nesting and flying overhead

Illustration of location of chalk (limestone) today

Illustration of location of chalk (limestone) 50 million years ago

SIR HUGH WALPOLE (1884-1941). Sir Hugh Seymour Walpole. English novelist. Chalk drawing, 1926, by Augustus John

Amelia Anne, Dowager, Marchioness of Londonderry d.1829 (c.1825). Lawrence, Sir Thomas 1769-1830. Date: 1825 (circa)

The Hon. Winifred Sturt (1882). Hicks, George Elgar 1824 - 1914. Date: 1882

Abraham Sacrificing Isaac. Slattery, John Joseph d.1859

Abraham and Isaac ?
Abraham and Isaac (?). Slattery, John Joseph d.1859

Bugler, Ulster Division (1916). Conor, William 1881-1968. Date: 1916

Off: The Ulster Division (1915). Conor, William 1881-1968. Date: 1915

Male Figure Studies. Orpen, Sir William 1878 - 1931

The Falls of Powerscourt. Forrester, James 1730 - 1776 (attributed to)

Study of a Head (1890). Sandys, Frederick 1829-1904. Date: 1890

The Tinkers. Barker, Thomas of Bath 1769 - 1847 (attributed to)

The white chalk cliffs at Peacehaven, near Brighton, East Sussex, England, United Kingdom, Europe

Source Size = 3858 x 2501
Chalk Sunday in the County of Kilkenny, Ireland

Portrait of a Young Girl (chalk and sanguine on paper)
XIR905292 Portrait of a Young Girl (chalk and sanguine on paper) by Boucher, Francois (1703-70); Musee Grobet-Labadie, Marseille, France; (add.info.: Portrait de jeune fille ); French

Gilles Demarteau the Elder after Rena Michel Slodtz after Annibale Carracci, French
Gilles Demarteau the Elder after Rena© Michel Slodtz after Annibale Carracci, French (1722-1776), Satyr, chalk manner printed in red on laid paper

Louis-Marin Bonnet after Jean-Baptiste Greuze, French (1736-1793), Head of a Young Woman Wearing a Cap, before 1764, chalk manner printed in red ink

Louis-Marin Bonnet after Carle Van Loo, French (1736-1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on gray-brown paper

Jean-Franazois Janinet after Charles-Nicolas Cochin the Younger, French (1752-1814), Two Male Nudes, c. 1774, chalk manner printed in red ink on laid paper

Constant Troyon, French (1810-1865), Cows Under Trees, charcoal, with white and orange chalk on blue-gray laid paper

Eugašne Boudin, French (1824-1898), Clouds over the Sea, blue, gray, white, and yellow chalk on wove paper

after Pietro da Cortona, Masinissa and Sophonisba, black chalk

Italian 17th Century, Nude Female Figure [verso], 17th century, red chalk heightened with white chalk

Sir Peter Paul Rubens, Flemish (1577-1640), Lion, c. 1612-1613, black chalk, heightened with white, yellow chalk in the background

Etienne-Louis Boulla e, Perspective View of the Interior of a Metropolitan Church
Etienne-Louis Boulla© e, Perspective View of the Interior of a Metropolitan Church, French, 1728-1799, 1780-1781, pen and black ink with gray and brown wash over graphite on laid paper

Jacopo Palma il Giovane, Italian (1544 or 1548-1628), Madonna and Child in Glory with Saints John the Baptist and Stephen and a Martyr Saint

Georg Friedrich Schmidt, German (1712-1775), Self-Portrait Sketching, 1752, black and red chalk with watercolor and pastel and pen and black ink

Joseph-Marie Vien, The Fishpond at Villa Madama, French, 1716-1809, 1746-1749, black chalk on laid paper

Etienne Delaune, The Backplate of a Suit of Parade Armor, French, 1518-1519-1583, c. 1557, pen and black ink with gray wash and faint traces of black chalk on laid paper

Jean-Honora Fragonard, Don Quixote and Sancho Panza Witness the Attack on Rocinante
Jean-Honora© Fragonard, Don Quixote and Sancho Panza Witness the Attack on Rocinante, French, 1732-1806, 1780s, black chalk with gray and brown wash on laid paper

Michel Corneille, Studies of Womens Heads, French, 1642-1708, 1680s or 1690s, black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink

Antoine Watteau, French (1684-1721), View of a House, a Cottage, and Two Figures [verso], 1718-1719, red chalk on laid paper

Claude Da ruet, Imperfectorum Academia (Academy of the Imperfects), French, 1588-1660, c
Claude Da© ruet, Imperfectorum Academia (Academy of the Imperfects), French, 1588-1660, c. 1619, pen and brown ink with blue wash over black chalk, incised for transfer, on laid paper

Jean-Michel Moreau, Yes or No, French, 1741-1814, 1778, graphite and red chalk heightened with white on laid paper

Jacques-Louis David, Church of Sant Onofrio, Rome, French, 1748-1825, 1775-80, gray wash over black chalk on pale blue laid paper, the wash extending onto the album page at left and right

Charles-Nicolas Cochin II, Gaiety and Grief, French, 1715-1790, 1774-1775, red chalk with touches of black chalk on laid paper, laid down, with border lines drawn by the artist

Jonas Umbach, A Waterfall between Rocky Cliffs, German, c. 1624-1693, black chalk on a ledger paper lightly ruled with ink

Hubert Robert, Statue of Jupiter, Seated [recto], French, 1733-1808, 1754-1765, black chalk on laid paper

Thomas Gainsborough, Landscape with Cattle by a Cottage, British, 1727-1788, late 1770s, black and white chalk on gray prepared laid paper

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"Unveiling the Mysteries of Chalk: A Journey through England's Pristine Landscapes" Majestic and enigmatic, the Uffington White Horse stands proud against the rolling hills of Oxfordshire, UK. Witness nature's artistry at Cuckmere Haven as Seven Sisters' white chalk cliffs create a breathtaking backdrop in East Sussex, England. The first rays of sunlight illuminate the ancient figure of the White Horse at Uffington, casting an ethereal glow over Oxfordshire's landscape. Carved into Wiltshire's chalk downland in 1780, Cherhill white horse tells tales from centuries past with its intricate design. Dating back to 1812, Milk Hill proudly showcases a magnificent white horse carved into the very heart of Marlborough Downs' chalky terrain. Nestled within South Downs National Park, witness the dramatic beauty of Seven Sisters cliffs and their iconic coastguard cottages in East Sussex. Beachy Head Lighthouse stands tall amidst Eastbourne's stunning chalk cliffs, offering a picturesque scene that captivates all who behold it. Delicate British butterflies flutter gracefully above fields adorned with vibrant wildflowers on these mesmerizing stretches landscapes. Return to awe-inspiring Uffington White Horse and delve deeper into its rich history and significance within English heritage. Flamborough Head unveils its rugged charm along Yorkshire's coastline as towering white cliffs meet crashing waves for an unforgettable sightseeing experience. Sunrise paints Old Harry Rocks with golden hues along Jurassic Coastline in Swanage, Isle of Purbeck - a true masterpiece etched by time upon Dorset’s chalky canvas The timeless allure continues at Cherhill Downs where another splendid white horse graces Wiltshire’s landscape; an emblematic symbol connecting generations across Europe.