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Chapel Collection (page 98)

The chapel has long been a symbol of faith, art, and history

Background imageChapel Collection: Interior of Oddas Chapel, Deerhurst, Gloucestershire, 2010

Interior of Oddas Chapel, Deerhurst, Gloucestershire, 2010. This small Saxon chapel dates from the 11th century. Odda was a kinsman of Edward the Confessor

Background imageChapel Collection: Copy of an inscribed stone in Oddas Chapel, Deerhurst, Gloucestershire, 2010

Copy of an inscribed stone in Oddas Chapel, Deerhurst, Gloucestershire, 2010. This small Saxon chapel dates from the 11th century

Background imageChapel Collection: Oddas Chapel, Deerhurst, Gloucestershire, 2010

Oddas Chapel, Deerhurst, Gloucestershire, 2010. This small Saxon chapel dates from the 11th century. Odda was a kinsman of Edward the Confessor and one of the most powerful noblemen of the time

Background imageChapel Collection: Lourdes grotto, St Marys Chapel, Belfast, Northern Ireland, 2010

Lourdes grotto, St Marys Chapel, Belfast, Northern Ireland, 2010. Lourdes grottoes are replicas of the original grotto at Lourdes in southern France

Background imageChapel Collection: Monastery of Nostra Senyora de la Esperanca, Capdepera, Mallorca, Spain, 2008

Monastery of Nostra Senyora de la Esperanca, Capdepera, Mallorca, Spain, 2008

Background imageChapel Collection: Cheltenham College, Gloucestershire

Cheltenham College, Gloucestershire. Cheltenham College was opended in 1841. This view shows the chapel and library

Background imageChapel Collection: Byzantine chapel, St Hilarion Castle, North Cyprus

Byzantine chapel, St Hilarion Castle, North Cyprus. Dating from the 10th century, St Hilarion Castle stands on top of a peak in the Kyrenia mountain range in northern Cyprus

Background imageChapel Collection: Steps leading down to Greek Orthodox chapel of Eftamartyres at dawn, Kastro, Sifnos

Steps leading down to Greek Orthodox chapel of Eftamartyres at dawn, Kastro, Sifnos, Cyclades, Aegean Sea, Greek Islands, Greece, Europe

Background imageChapel Collection: White Greek Orthodox chapel of Eftamartyres on headland, Kastro, Sifnos, Cyclades

White Greek Orthodox chapel of Eftamartyres on headland, Kastro, Sifnos, Cyclades, Aegean Sea, Greek Islands, Greece, Europe

Background imageChapel Collection: Lermontovs tombstone in Tarkhany, 1883. Artist: Mezentsov, A. S. (active 1880s)

Lermontovs tombstone in Tarkhany, 1883. Artist: Mezentsov, A. S. (active 1880s)
Lermontovs tombstone in Tarkhany, 1883. Found in the collection of Institut of Russian Literature IRLI (Pushkin-House), St Petersburg

Background imageChapel Collection: The Crypt Chapel of Mikhail Lermontov in Tarkhany, 1883. Artist: Mezentsov, A. S. (active 1880s)

The Crypt Chapel of Mikhail Lermontov in Tarkhany, 1883. Artist: Mezentsov, A. S. (active 1880s)
The Crypt Chapel of Mikhail Lermontov in Tarkhany, 1883. Found in the collection of Institut of Russian Literature IRLI (Pushkin-House), St Petersburg

Background imageChapel Collection: In the Cloister, 1895

In the Cloister, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageChapel Collection: St. Georges Chapel from the River, 1895

St. Georges Chapel from the River, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageChapel Collection: France, early 19th century, (c1930s). Artist: Richard Thomas Underwood

France, early 19th century, (c1930s). Artist: Richard Thomas Underwood
France. Perched on a needle point of volcanic rock the church of S. Michel d Aiguilhe is the glory of Le Puy in the Haute Loire, early 19th century, (c1930s). From Geographical Magazine, Volume 3

Background imageChapel Collection: The Marriage of King George V, 1894, (c1915). Artist: Laurits Tuxen

The Marriage of King George V, 1894, (c1915). Artist: Laurits Tuxen
The Marriage of King George V, 1894, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageChapel Collection: Justice Palace, Town Hall and Chapel of the Holy Blood, c1910

Justice Palace, Town Hall and Chapel of the Holy Blood, c1910. From Bruges. [Ern. THILL, Bruxelles]

Background imageChapel Collection: Lollards Tower, Lambeth Palace, 1912

Lollards Tower, Lambeth Palace, 1912. Lambeth Palace is the official London residence of the Archbishop of Canterbury in England. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid

Background imageChapel Collection: The poets still rest, 1941. Artist: Cecil Beaton

The poets still rest, 1941. Artist: Cecil Beaton
The poets still rest, 1941. A man and woman holding a child look at memorials in a church. From Air of Glory, by Cecil Beaton. [His Majestys Stationery Office, London, 1941]

Background imageChapel Collection: Charterhouse. Thomas Suttons Monument in the Chapel, 1925

Charterhouse. Thomas Suttons Monument in the Chapel, 1925. The London Charterhouse is a historic complex of buildings in Smithfield, London, dating back to the 14th century

Background imageChapel Collection: Bude - The Chapel Rock, 1895

Bude - The Chapel Rock, 1895. From Round the Coast. [George Newnes Limited, London, 1895]

Background imageChapel Collection: The House of Ananias, Damascus, 1903. Artist: Mortimer L Menpes

The House of Ananias, Damascus, 1903. Artist: Mortimer L Menpes
The House of Ananias, Damascus, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

Background imageChapel Collection: The Marriage of Queen Victoria and Prince Albert, c1840, (1911). Artist: George Hayter

The Marriage of Queen Victoria and Prince Albert, c1840, (1911). Artist: George Hayter
The Marriage of Queen Victoria and Prince Albert, c1840, (1911). The Marriage of Queen Victoria and Prince Albert on the morning of 10th February 1840 in the Chapel Royal, St James?s Palace, London

Background imageChapel Collection: The Dog Potters, 1926

The Dog Potters, 1926. Eton OTC (Officer Traing Corps) developed from earlier Eton volunteers (or Dog Potters ). From Eton College by Christopher Hussey. [Country Life, London, 1926]

Background imageChapel Collection: Henry VII.s Chapel, Westminster Abbey, 1903

Henry VII.s Chapel, Westminster Abbey, 1903. The Henry VII Lady Chapel, now more often known just as the Henry VII Chapel, is a large Lady chapel at the far eastern end of Westminster Abbey

Background imageChapel Collection: Chapel of St. Marys Hospital, Great Ilford, Essex, 1903

Chapel of St. Marys Hospital, Great Ilford, Essex, 1903. St Marys Church, Great Ilford is a Church of England parish church in Ilford in the London Borough of Redbridge

Background imageChapel Collection: Berkeley Circle Chapel, 1903

Berkeley Circle Chapel, 1903. From Social England, Volume II, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Background imageChapel Collection: View of Regent Street looking towards the Quadrant with Hanover Chapel in the foreground

View of Regent Street looking towards the Quadrant with Hanover Chapel in the foreground, 1842. From Vintage London by John Betjeman. [William Collins, 1942]

Background imageChapel Collection: The Chapel, Hampton Court Palace, 1903

The Chapel, Hampton Court Palace, 1903. From Social England, Volume IV, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Background imageChapel Collection: St. Marys Chantry, Wakefield c1900. Artist: G & J Hall

St. Marys Chantry, Wakefield c1900. Artist: G & J Hall
St. Marys Chantry, Wakefield c1900. The Chantry Chapel of St Mary the Virgin, Wakefield, is a chantry chapel in Wakefield, West Yorkshire, England, and is designated a Grade I Listed building

Background imageChapel Collection: The Albert Memorial Chapel, Windsor, c1900. Artist: GW Wilson and Company

The Albert Memorial Chapel, Windsor, c1900. Artist: GW Wilson and Company
The Albert Memorial Chapel, Windsor, c1900. Albert Memorial Chapel, built by Henry VII as a royal mausoleum, was restored by Queen Victoria and named in memory of her consort

Background imageChapel Collection: North Side of Guildhall Chapel, 1886

North Side of Guildhall Chapel, 1886. Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Background imageChapel Collection: West Front of Guildhall Chapel, 1886

West Front of Guildhall Chapel, 1886. Lithographic print, W.Griggs Photo Litho Peckham London. From the Discriptive Account of the Guildhall of the City of London, 1886

Background imageChapel Collection: Ground Plan of the Guildhall Chapel 1815, (1866)

Ground Plan of the Guildhall Chapel 1815, (1866). Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Background imageChapel Collection: Interior view of the Guildhall Chapel, 1815, (1886)

Interior view of the Guildhall Chapel, 1815, (1886). Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Background imageChapel Collection: Exterior view of the Guildhall Chapel, 1815, (1886)

Exterior view of the Guildhall Chapel, 1815, (1886). Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Background imageChapel Collection: The Marriage, 1863. Artist: Robert Dudley

The Marriage, 1863. Artist: Robert Dudley
The Marriage, 1863. Edward VII (1841-1910) married Alexandra of Denmark (1844-1925) at St Georges Chapel, Windsor Castle, 10th March, 1863. From A Memorial of the Marriage of H.R.H

Background imageChapel Collection: Marshalling The Procession of the Bride, 1863. Artist: Robert Dudley

Marshalling The Procession of the Bride, 1863. Artist: Robert Dudley
Marshalling The Procession of the Bride, 1863. Edward VII (1841-1910) married Alexandra of Denmark (1844-1925) at St Georges Chapel, Windsor Castle, 10th March, 1863

Background imageChapel Collection: The Signing of the Marriage Attestation Deed, 1863. Artist: Robert Dudley

The Signing of the Marriage Attestation Deed, 1863. Artist: Robert Dudley
The Signing of the Marriage Attestation Deed, 1863. Edward VII (1841-1910), married Alexandra of Denmark (1844-1925) at St Georges Chapel, Windsor Castle, 10th March, 1863

Background imageChapel Collection: Kings College Chapel, 1845

Kings College Chapel, 1845. Kings College Chapel is the chapel at Kings College in the University of Cambridge, considered one of the finest examples of late Perpendicular Gothic English

Background imageChapel Collection: St. Georges Chapel, Windsor, 1845. Artist: John Jackson

St. Georges Chapel, Windsor, 1845. Artist: John Jackson
St. Georges Chapel, Windsor, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume I. [Charles Knight and Co. London, 1845]

Background imageChapel Collection: Remains of the Shrine of Edward the Confessor, Westminster Abbey, 1845

Remains of the Shrine of Edward the Confessor, Westminster Abbey, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume I

Background imageChapel Collection: The Nave, Westminster Abbey, looking West from St. Edwards Chapel, 1845. Artist: John Jackson

The Nave, Westminster Abbey, looking West from St. Edwards Chapel, 1845. Artist: John Jackson
The Nave, Westminster Abbey, looking West from St. Edwards Chapel, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume I

Background imageChapel Collection: St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897)

St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageChapel Collection: Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageChapel Collection: St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897)

St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Background imageChapel Collection: The Chapel, from the Roof of Long Chamber, 1926

The Chapel, from the Roof of Long Chamber, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI

Background imageChapel Collection: The Door from Upper School to Chapel Stairs, 1926

The Door from Upper School to Chapel Stairs, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI

Background imageChapel Collection: The Chapel, before the removal of the stall Canopies, 1926

The Chapel, before the removal of the stall Canopies, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI




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The chapel has long been a symbol of faith, art, and history. From Michelangelo's awe-inspiring work in the Sistine Chapel to the intricate murals found in ancient Egyptian tomb-chapels, these sacred spaces hold stories that span centuries. One cannot help but be captivated by the grandeur of the Ceiling of the Sistine Chapel. Painted by Michelangelo between 1508 and 1512, this masterpiece is a testament to his unparalleled talent and dedication. The vibrant colors and meticulously crafted figures transport visitors into a world where divine inspiration meets human creativity. But they are not limited to religious settings alone. In Sheffield, England, William Fairbank created an accurate plan of the town in 1771 which included a charming little chapel nestled among its streets. This depiction reminds us that chapels have always been integral parts of communities, offering solace and sanctuary to those who seek it. Across continents in Las Vegas, Nevada stands A Little White Chapel Wedding Chapel - an iconic landmark known for its role as a destination for spontaneous weddings. Couples from all walks of life have exchanged vows within its walls since it opened in 1951, making it a testament to love's enduring power. Sacrament Sunday brings congregations together as they partake in holy rituals within their respective chapels. William Teulon Blandford Fletcher captures this momentous occasion with his artwork depicting worshippers united under one roof - their devotion palpable through every brushstroke. Chapels also find themselves intertwined with academia; Balliol College's chapel dates back to 1675 when it was built as a place for students and scholars alike to find spiritual guidance amidst their studies. It serves as a reminder that education can thrive alongside spirituality. As we journey through Europe's rich cultural tapestry, we encounter The Sistine Chapel once again - this time housed within Vatican Museums in Rome.