Charger Collection (page 2)

A large verte Imari dish, Kangxi Period, 1662-1722 (porcelain)
PFR231384 A large verte Imari dish, Kangxi Period, 1662-1722 (porcelain) by Chinese School, Qing Dynasty (1644-1912); Private Collection; ePaul Freeman; Chinese, out of copyright

The King Taking Maestricht in Thirteen Days in 1673, Ceiling Painting from the Galerie
XIR55829 The King Taking Maestricht in Thirteen Days in 1673, Ceiling Painting from the Galerie des Glaces by Le Brun, Charles (1619-90); Chateau de Versailles

An Efik brass charger embossed with a central robed female figure
1765081 An Efik brass charger embossed with a central robed female figure and two servants holding a fan and an umbrella (brass) by Nigerian School

Old friends, from The Magazine of Art 1893, Cassell and Company, 1893 (litho)
5304155 Old friends, from The Magazine of Art 1893, Cassell and Company, 1893 (litho) by Crofts, Ernest (1847-1911); Private Collection; English, out of copyright

Portrait of HRH Frederick Augustus, Duke of York (oil on canvas)
872308 Portrait of HRH Frederick Augustus, Duke of York (oil on canvas) by Hoppner, John (1758-1810); 107x83 cm; Private Collection; (add.info)

Delftware plate, c. 1650-1745 (earthenware, tin glaze)
6309708 Delftware plate, c.1650-1745 (earthenware, tin glaze) by English School, (17th-18th century); 33.5 diameter cm; Weston Museum, Weston-super-Mare, UK; (add.info.: Bristol delft charger)

The old charger and the baker (engraving)
6002576 The old charger and the baker (engraving) by Weir, Harrison William (1824-1906); Private Collection; (add.info.: The old charger and the baker)

The Knight and his Charger (engraving)
671853 The Knight and his Charger (engraving) by Griset, Ernest Henry (1844-1907); Private Collection; (add.info.: The Knight and his Charger)

Prussian cavalry on expedition, c. 19th (oil on canvas)
BAL322441 Prussian cavalry on expedition, c.19th (oil on canvas) by Schulz, Carl (1823-1876); Oranienbaum, St. Petersburg, Russia; German, out of copyright

Detail of Charles V (1500-58) on horseback, from The Taking of Tunis
XIR167805 Detail of Charles V (1500-58) on horseback, from The Taking of Tunis, The Tapestry of Charles Quint, c. 1630-40 (tapestry) by Flemish School, (17th century); Musee du Temps, Besancon

1807, Friedland (oil on canvas)
3493090 1807, Friedland (oil on canvas) by Meissonier, Jean-Louis Ernest (1815-91); 135.9x242.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Battle of Friedland (June 14)

En Route for the Easter Review, Notes from a Volunteers Sketch-Book (engraving)
1623923 En Route for the Easter Review, Notes from a Volunteers Sketch-Book (engraving) by English School, (19th century); Private Collection; (add.info.: En Route for the Easter Review)

With the Behar Light Horse, Bengal, India (engraving)
1055633 With the Behar Light Horse, Bengal, India (engraving) by English School, (19th century); Private Collection; (add.info.: With the Behar Light Horse, Bengal, India)

Here Begynneth the Knightes Tale, illustration from
XCF209222 Here Begynneth the Knightes Tale, illustration from The Canterbury Tales by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (later colouration)

A copper charger hammered in relief with a fruiting tree, before a setting sun
1194902 A copper charger hammered in relief with a fruiting tree, before a setting sun, 1898 (copper) by Pearson, John (fl.1885-1910); 41

An Oriental Warrior (oil on panel)
CIE116612 An Oriental Warrior (oil on panel) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832); 38x32 cm; Private Collection; Polish, out of copyright

Here Begynneth the Knightes Tale, illustration from
XJF147340 Here Begynneth the Knightes Tale, illustration from The Canterbury Tales by Geoffrey Chaucer (c.1345-1400) printed by William Caxton (c.1422-91) 1434 (woodcut) (b/w photo)

Portrait of Alexander Douglas-Hamilton, 10th Duke of Hamilton and 7th Duke of Brandon
landscape, man, men, uniform, charger, aristocracy, alexander douglas-hamilton, 10th duke of hamilton, arabian, hand on hip, uniforms, portrait, horses, 7th duke of brandon, male, portraits

Dish, James II, c. 1685-88 (tin-glazed earthenware)
2637407 Dish, James II, c.1685-88 (tin-glazed earthenware) by Brislington Pottery (17th Century); height: 6.5 diam: 34.7 cm; Fitzwilliam Museum, University of Cambridge

Charger, marquetry by Ferdinand Duvinage, and Gothic Revival jewellery casket, both c
476606 Charger, marquetry by Ferdinand Duvinage, and Gothic Revival jewellery casket, both c.1880 (ormolu, iron, ivory, gilt copper & fruitwood) (see also 476607 and 476608) by Giroux

Charger, c. 1740-50 (enameled porcelain)
1069562 Charger, c.1740-50 (enameled porcelain) by Chinese School (18th century); 4.8x38.7x38.7 cm; Dallas Museum of Art, Texas, USA; The Wendy and Emery Reves Collection; Chinese, out of copyright

Icon of St. George and the Dragon (gold leaf and tempera on panel)
MKG145062 Icon of St. George and the Dragon (gold leaf and tempera on panel) by Cretan School (16th century); 23x19.5 cm; Private Collection; Mark Gallery, London, UK; Cretan, out of copyright

Imari dish, Genroku period, 1688-1704 (porcelain)
BAL45068 Imari dish, Genroku period, 1688-1704 (porcelain) by Japanese School, (17th-18th century); Private Collection; Japanese, out of copyright

The seal of Amadeo V (c. 1252-1323) Count of Savoy, 1303 (wax)
ARN178743 The seal of Amadeo V (c.1252-1323) Count of Savoy, 1303 (wax) by French School, (14th century); Centre Historique des Archives Nationales, Paris, France; (add.info.: Amedee V)

Seventeenth-Century Interior, 1877 (oil on canvas)
5858833 Seventeenth-Century Interior, 1877 (oil on canvas) by Dyer, Charles Gifford (1846/51-1912); 94A--71.1 cm; The Art Institute of Chicago, IL, USA; American, out of copyright

Major-General Sir Redvers Buller, GCB, VC, on his Favourite Charger, "Gambler"(b / w photo)
1592578 Major-General Sir Redvers Buller, GCB, VC, on his Favourite Charger, " Gambler" (b/w photo) by English Photographer

The Duke of Cornwall and York at Adelaide, His Royal Highness on his New Charger (b / w photo)
1629044 The Duke of Cornwall and York at Adelaide, His Royal Highness on his New Charger (b/w photo) by English Photographer

A Deruta Bella Donna Charger, c. 1500-30 (ceramic)
3717132 A Deruta Bella Donna Charger, c.1500-30 (ceramic) by Italian School, (16th century); diameter: 41.5 cm; Private Collection; (add.info.: Decorated in blue and gold lustre)

The Experiences of an Acting Adjutant at the Easter Review (engraving)
1056162 The Experiences of an Acting Adjutant at the Easter Review (engraving) by English School, (19th century); Private Collection; (add.info)

Charger, marquetry by Ferdinand Duvinage, c. 1880 (ivory
476607 Charger, marquetry by Ferdinand Duvinage, c.1880 (ivory, gilt copper & fruitwood) (see also 476606) by Giroux, Alphonse-Gustave (19th century)

William III on a grey charger observed by Neptune, Ceres and Flora
CH24033 William III on a grey charger observed by Neptune, Ceres and Flora. Mercury in the sky and Astrea (oil on canvas) by Kneller

Plate owned by Tsar Alexei Mikhailovich Romanov (1629-1676) c. 1675 (gold & enamel)
BAL252161 Plate owned by Tsar Alexei Mikhailovich Romanov (1629-1676) c.1675 (gold & enamel) by Russian School (17th century); diam: 22.2 cm; Armoury Museum, Kremlin, Moscow, Russia; Russian

Copenhagen, the Duke of Wellingtons Charger (engraving)
1616576 Copenhagen, the Duke of Wellingtons Charger (engraving) by English School, (19th century); Private Collection; (add.info.: Copenhagen, the Duke of Wellingtons Charger)

A Travelling Circus in Ireland (engraving)
1616514 A Travelling Circus in Ireland (engraving) by English School, (19th century); Private Collection; (add.info.: A Travelling Circus in Ireland)

The Duke and Duchess of Tecks Silver Wedding, Reception at White Lodge, Richmond Park (engraving)
1603238 The Duke and Duchess of Tecks Silver Wedding, Reception at White Lodge, Richmond Park (engraving) by Prior, Melton (1845-1910) (after); Private Collection; (add.info)

Dugald Dalgetty and his Charger Gustavus (engraving)
1057372 Dugald Dalgetty and his Charger Gustavus (engraving) by English School, (19th century); Private Collection; (add.info.: Dugald Dalgetty and his Charger Gustavus)

The German Army Manoeuvres, crossing a Pontoon Bridge (engraving)
1056555 The German Army Manoeuvres, crossing a Pontoon Bridge (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: The German Army Manoeuvres, crossing a Pontoon Bridge)

Charger, c. 1885 (bronze, silver, copper & gilt)
1070756 Charger, c.1885 (bronze, silver, copper & gilt) by Japanese School, (19th century); 61x61x5.7 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, The John R

Preston Hall Museum is to receive a rare serving plate made by a Stockton pewterer. It is one of the few pieces made for domestic use by Edmund Harvey in the 18th Century

Charger, Books, and Sword [reverse], c. 1441. Creator: Pisanello
Charger, Books, and Sword [reverse], c. 1441

The Charger, 1894. Creator: Odilon Redon
The Charger, 1894

Charger, German, ca. 1475-1500. Creator: Unknown
Charger, German, ca. 1475-1500

Charger, German, late 15th century. Creator: Unknown
Charger, German, late 15th century

Saint Georges Victory Date: 1915

2014 Ford Focus Electric. Creator: Unknown
2014 Ford Focus Electric

Nissan Leaf at elctric charging point 2015. Creator: Unknown
Nissan Leaf at elctric charging point 2015

Dodge Charger SRT8 2010 Red
DOD05201

Dodge Charger SRT Hellcat 2016 Silver
DOD04101

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"Unleash the Power: The Dodge Charger, a Symbol of Speed and Style" From the iconic Dukes of Hazard to the legendary Mr. Norms GSS Super Charger RT, the Dodge Charger has always been synonymous with power and performance. Its sleek design and roaring engine make it a true force on the road. Underneath the mesmerizing night sky at Hunting Island Lighthouse, one can almost hear the thunderous sound of a Dodge Charger racing by. This powerful machine commands attention wherever it goes, just like Baden-Powell - South African Constabulary did during their expeditions. Even Henry VIII himself couldn't resist its allure back in 1525 when he admired an ancient armor adorned with charger motifs. Just as this historic king embraced strength and authority, so does every Dodge Charger owner today. The legacy continues with models like the Mr. Norms GSS Super Charger RT and Daytona 440 from 1969 – vibrant orange and white beasts that demand respect on any street they conquer. Lord Roberts in 1900 would have surely marveled at these modern marvels. But not all they are made of steel; some are made for two wheels instead. The Dandy Charger takes us back to simpler times when men rode boneshaker bicycles through cobblestone streets, embodying both elegance and speed. Fast forward to present-day London where electric vehicles reign supreme – charging points scattered throughout serve as reminders of our commitment towards sustainable transportation solutions. As we embrace new technologies, let's remember that even in this era of change, there will always be room for classic chargers like those found under Henry VIII's watchful eye or cruising down country roads in rural America. In essence, whether it's tearing up dirt roads or silently gliding through city streets powered by electricity alone, one thing remains constant –the a symbol of power unleashed upon the world.