Charles Martin Collection

Woman in striped linen dress holding a bird and cage, 1913 (stencil)
5893052 Woman in striped linen dress holding a bird and cage, 1913 (stencil) by Martin, Charles (1884-1934); (add.info.: Woman in green striped linen dress with pink linen border and fichu)

Woman in a printed and embroidered sheath dress, 1912 (stencil)
5892968 Woman in a printed and embroidered sheath dress, 1912 (stencil) by Martin, Charles (1884-1934); (add.info.: Woman in a printed and embroidered sheath dress, velvet blouse and pearl belt)

New hat designs by Mme. Marcelle Demay, Paris milliner, 1912 (stencil)
5892959 New hat designs by Mme. Marcelle Demay, Paris milliner, 1912 (stencil) by Martin, Charles (1884-1934); (add.info.: New hat designs by Mme. Marcelle Demay, Paris. Modeles de Mme)

Woman in linen dress with pearl English lace, black and white slippers, 1912 (stencil)
5892953 Woman in linen dress with pearl English lace, black and white slippers, 1912 (stencil) by Martin, Charles (1884-1934); (add.info.: Robe de linon a haut volant de Broderie anglaise perle)

Man in new blue suit, pearl vest and white shirt, 1913 (stencil)
5893030 Man in new blue suit, pearl vest and white shirt, 1913 (stencil) by Martin, Charles (1884-1934); (add.info.: Man in new blue suit, pearl vest and white shirt, designed by Kriegck)

Woman in morning outfit of skirt, blouse and bonnet, 1912 (stencil)
5892994 Woman in morning outfit of skirt, blouse and bonnet, 1912 (stencil) by Martin, Charles (1884-1934); (add.info.: Woman in morning outfit of striped skirt)

Woman in cloche hat, sheath dress and satin top, 1913 (stencil)
5893016 Woman in cloche hat, sheath dress and satin top, 1913 (stencil) by Martin, Charles (1884-1934); (add.info.: Woman in cloche hat, crepe de chine sheath dress and embroidered satin top)

hat designs by milliner Marcelle. Demay, 1912 (stencil)
5892967 hat designs by milliner Marcelle. Demay, 1912 (stencil) by Martin, Charles (1884-1934); (add.info.: hat designs by milliner Marcelle. Demay. Modeles de Mme. Marcelle Demay)

Parisian clothing: New frock coat by Kriegk, 1913 (coloured print)
990961 Parisian clothing: New frock coat by Kriegk, 1913 (coloured print) by Martin, Charles (1848-1934); Private Collection; (add.info.: Parisian clothing)

The Virgin Annunciate, marble statue, 1519, (1881). Creator: Charles Martin Hodges
The Virgin Annunciate, marble statue, 1519, (1881). Etching of a sculpture of a kneeling woman, made at Lucca, Italy, by Nicolao di Matteo Civitali in the early 16th century

Louis Bonaparte - King of Holland, Count of Saint-Leu, c1806, (1896). Artist: William Miller
Louis Bonaparte - King of Holland, Count of Saint-Leu, c1806, (1896). Louis Napoleon Bonaparte (1778-1846) was a younger brother of Napoleon Bonaparte. Engraving after the painting by CM Hodges

Charles Martin restarting his Amilcar after skidding, JCC 200 Mile Race, Brooklands, 1926
Amilcar 1097 cc. Event Entry No: 37. Driver: Martin, C. Finished: 1st. In 1100cc class, 4th. overall Starting up after skidding his car at the Fork turn. Place: Brooklands. J.C.C. 200-mile Race

Fishing Boats off the Dutch Coast, 1823. Artist: Charles Martin Powell
Fishing Boats off the Dutch Coast, 1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

The Meeting of Burns and Scott, c1786, (late 19th century). Two great Scottish writers, the Romantic poet Robert Burns (1759-1796), and novelist Sir Walter Scott (1771-1832) come face-to-face

Lady Feeding Bird 1913 Pen ink watercolor lead white
Artokoloro

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"Charles Martin: A Journey Through Provocative Art and Intriguing Tales" Step into the world of Charles Martin, an artist who fearlessly explores the boundaries of human expression. His captivating works delve into a realm where sensuality intertwines with deception, unveiling stories that both shock and mesmerize. In one painting, a half-naked woman lies peacefully asleep, her vulnerability exposed to the viewer's gaze, and is a moment frozen in time, evoking curiosity about her dreams and desires. Nearby, two half-naked prostitutes don petticoats and bonnets, their unconventional attire challenging societal norms. Martin's brush strokes also bring forth tales of unfortunate encounters. Renaud finds himself stripped of his clothes, money, and even his horse by cunning thieves lurking in the shadows. Meanwhile, a cuckolded man stands deceived by his wife and a falconer – an unexpected twist that leaves us pondering the complexities of trust within relationships. The artist doesn't shy away from exploring controversial themes either. Sister Jean sits pregnant in her convent cell; it is an image that challenges our perceptions of faith and devotion. Alongside this provocative scene rests another artwork depicting a hunting falcon perched on its master's gauntlet – symbolizing power harnessed through nature's grace. Love takes center stage as Cupid aims his bow at distant targets – reminding us that passion knows no bounds or limitations. In contrast to these amorous pursuits lies a pastor tricking his dumb neighbor's wife – an intriguing narrative that raises questions about morality and manipulation. Beauty manifests itself in various forms throughout Martin's creations - long hair cascading down shoulders alongside short curls adorned with ribbons - each representing unique expressions of femininity captured on canvas for eternity. Not shying away from controversy yet again, we witness a prioress inspecting all the nuns naked through spectacles - provoking discussions around authority figures' control over individual autonomy.