Skip to main content

Charles Rennie Mackintosh Collection

Charles Rennie Mackintosh, a renowned Scottish architect and artist, left an indelible mark on the world of design

Background imageCharles Rennie Mackintosh Collection: The piano in the music room in the House for an Art Lovers

The piano in the music room in the House for an Art Lovers, architect Charles Rennie Mackintosh, Glasgow, Scotland, United Kingdom, Europe

Background imageCharles Rennie Mackintosh Collection: Glasgow School of Art

Glasgow School of Art, designed by Charles Rennie Mackintosh, Glasgow, Scotland, United Kingdom, Europe

Background imageCharles Rennie Mackintosh Collection: Port Vendres, La Ville, c1925. Artist: Charles Rennie Mackintosh

Port Vendres, La Ville, c1925. Artist: Charles Rennie Mackintosh
Port Vendres, La Ville, c1925. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]

Background imageCharles Rennie Mackintosh Collection: Glasgow School of Art

Glasgow School of Art, designed by the architect Charles Rennie Mackintosh, Glasgow, Scotland, United Kingdom, Europe

Background imageCharles Rennie Mackintosh Collection: Glasgow School of Art

Glasgow School of Art, designed by Charles Rennie Mackintosh, Glasgow, Scotland, United Kingdom, Europe

Background imageCharles Rennie Mackintosh Collection: Glasgow School of Art

Glasgow School of Art, Glasgow, designed by Charles Rennie Mackintosh, Scotland, United Kingdom, Europe

Background imageCharles Rennie Mackintosh Collection: Pinks, c1920. Artist: Charles Rennie Mackintosh

Pinks, c1920. Artist: Charles Rennie Mackintosh
Pinks, c1920. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Background imageCharles Rennie Mackintosh Collection: Hill House

Hill House, built 1902-1904 by Charles Rennie Mackintosh, Helensburgh, Scotland, United Kingdom, europe

Background imageCharles Rennie Mackintosh Collection: Glasgow School of Art by Charles Rennie Mackintosh, Renfrew Street, Garnethill, Glasgow

Glasgow School of Art by Charles Rennie Mackintosh, Renfrew Street, Garnethill, Glasgow, Scotland, UK

Background imageCharles Rennie Mackintosh Collection: Ixias, 1904 (pencil, watercolour, paper)

Ixias, 1904 (pencil, watercolour, paper)
7443874 Ixias, 1904 (pencil, watercolour, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PR.1969.12.b DRAWINGS drawing; watercolour IXIAS Mackintosh)

Background imageCharles Rennie Mackintosh Collection: Scottish Musical Review (planographic print, lithograph, paper)

Scottish Musical Review (planographic print, lithograph, paper)
7443877 Scottish Musical Review (planographic print, lithograph, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PRINTS Scottish musical review Mackintosh)

Background imageCharles Rennie Mackintosh Collection: Pencil sketch of old buildings, probably in Glasgow (pencil, paper)

Pencil sketch of old buildings, probably in Glasgow (pencil, paper)
7443875 Pencil sketch of old buildings, probably in Glasgow (pencil, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: PR.1969.12 DRAWINGS Mackintosh)

Background imageCharles Rennie Mackintosh Collection: Scottish Musical Review (planographic print, lithograph, paper)

Scottish Musical Review (planographic print, lithograph, paper)
7443876 Scottish Musical Review (planographic print, lithograph, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums

Background imageCharles Rennie Mackintosh Collection: House At Corner Of Mcleod Street, 1889 (pencil, paper)

House At Corner Of Mcleod Street, 1889 (pencil, paper)
7443873 House At Corner Of Mcleod Street, 1889 (pencil, paper) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums

Background imageCharles Rennie Mackintosh Collection: Interior of Glasgow School of Art, library, Scotland, UK (photo)

Interior of Glasgow School of Art, library, Scotland, UK (photo)
BAL23701 Interior of Glasgow School of Art, library, Scotland, UK (photo) by Mackintosh, Charles Rennie (1868-1928); (add.info.: built 1897-1909 by Charles Rennie Mackintosh, (1868-1928))

Background imageCharles Rennie Mackintosh Collection: The Willow Tearooms in Sauchiehall Street, by Charles Rennie Mackintosh, Glasgow

The Willow Tearooms in Sauchiehall Street, by Charles Rennie Mackintosh, Glasgow, Scotland, UK

Background imageCharles Rennie Mackintosh Collection: Light fitting, used in the Chinese Room at the Ingram Street Tea Rooms (pierced copper)

Light fitting, used in the Chinese Room at the Ingram Street Tea Rooms (pierced copper)
GLS314106 Light fitting, used in the Chinese Room at the Ingram Street Tea Rooms (pierced copper) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: High-backed Chair (oak)

High-backed Chair (oak)
694078 High-backed Chair (oak) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageCharles Rennie Mackintosh Collection: Ingram Chair (oak)

Ingram Chair (oak)
694079 Ingram Chair (oak) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; (add.info)

Background imageCharles Rennie Mackintosh Collection: Faded roses, 1905 (w/c on paper)

Faded roses, 1905 (w/c on paper)
3550993 Faded roses, 1905 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 27.2x28 cm; Glasgow Museums, UK; (add.info.: Watercolour composition showing group of blue faded flowers)

Background imageCharles Rennie Mackintosh Collection: Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)

Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)
3551055 Domino Clock, c.1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: Light fitting

Light fitting
3551050 Light fitting by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: Basket type lampshade with wall fitting. ); © CSG CIC Glasgow Museums Collection

Background imageCharles Rennie Mackintosh Collection: Light fitting with a wooden pagoda top, from the Chinese Room at the Ingram Street Tea Rooms (wood)

Light fitting with a wooden pagoda top, from the Chinese Room at the Ingram Street Tea Rooms (wood)
GLS314107 Light fitting with a wooden pagoda top, from the Chinese Room at the Ingram Street Tea Rooms (wood) by Mackintosh, Charles Rennie (1868-1928); 24.8x15x15 cm; Art Gallery and Museum

Background imageCharles Rennie Mackintosh Collection: Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish)

Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish)
GLS314103 Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish) by Mackintosh, Charles Rennie (1868-1928); 124.5x30.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: The Village of La Lagonne (w/c on paper)

The Village of La Lagonne (w/c on paper)
GLS314110 The Village of La Lagonne (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 45.7x45.7 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: Domino Clock, 1917 (ebonised wood with ivory and plastic inlay)

Domino Clock, 1917 (ebonised wood with ivory and plastic inlay)
GLS219816 Domino Clock, 1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: A Southern Port (w/c on paper)

A Southern Port (w/c on paper)
GLS224047 A Southern Port (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageCharles Rennie Mackintosh Collection: Grey Iris, 1855 (w/c on paper)

Grey Iris, 1855 (w/c on paper)
GLS314094 Grey Iris, 1855 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 41.5x36 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageCharles Rennie Mackintosh Collection: Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)

Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)
GLS219817 Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper) by Mackintosh, Charles Rennie (1868-1928); 39x19.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: Port Vendres, 1856 (w/c on paper)

Port Vendres, 1856 (w/c on paper)
GLS314095 Port Vendres, 1856 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageCharles Rennie Mackintosh Collection: Pinks (w/c on paper)

Pinks (w/c on paper)
GLS219860 Pinks (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 49x49 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageCharles Rennie Mackintosh Collection: Poster advertising the Scottish Musical Review, 1896 (colour litho)

Poster advertising the Scottish Musical Review, 1896 (colour litho)
GLS314113 Poster advertising the Scottish Musical Review, 1896 (colour litho) by Mackintosh, Charles Rennie (1868-1928); Art Gallery and Museum, Kelvingrove, Glasgow

Background imageCharles Rennie Mackintosh Collection: Table, Scotland, 1902. Creators: Charles Rennie Mackintosh, Thomas Elsley Ltd

Table, Scotland, 1902. Creators: Charles Rennie Mackintosh, Thomas Elsley Ltd
Table, Scotland, 1902

Background imageCharles Rennie Mackintosh Collection: Armchair, Scotland, 1897. Creator: Charles Rennie Mackintosh

Armchair, Scotland, 1897. Creator: Charles Rennie Mackintosh
Armchair, Scotland, 1897

Background imageCharles Rennie Mackintosh Collection: Hall Chair, c. 1900. Creator: Charles Rohlfs

Hall Chair, c. 1900. Creator: Charles Rohlfs
Hall Chair, c. 1900

Background imageCharles Rennie Mackintosh Collection: Design for a Dining Table and Small Table (w / c)

Design for a Dining Table and Small Table (w / c)
7130753 Design for a Dining Table and Small Table (w/c) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Scottish, out of copyright

Background imageCharles Rennie Mackintosh Collection: Design for a Barrel Chair, 1904 (pencil and w / c)

Design for a Barrel Chair, 1904 (pencil and w / c)
7085236 Design for a Barrel Chair, 1904 (pencil and w/c) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Scottish, out of copyright

Background imageCharles Rennie Mackintosh Collection: An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms

An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms
1764778 An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms, c.1898-99 (oak) by Mackintosh

Background imageCharles Rennie Mackintosh Collection: Four spoons for Miss Cranstons Tearooms

Four spoons for Miss Cranstons Tearooms
1764747 Four spoons for Miss Cranstons Tearooms by Mackintosh, Charles Rennie (1868-1928); 15. long cm; Private Collection; (add.info.: Four spoons for Miss Cranstons Tearooms)

Background imageCharles Rennie Mackintosh Collection: Study of a Rhododendron, 1915 (pencil and w / c on paper)

Study of a Rhododendron, 1915 (pencil and w / c on paper)
1199519 Study of a Rhododendron, 1915 (pencil and w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh

Background imageCharles Rennie Mackintosh Collection: Design for a wardrobe, shown in elevation, with half-full size details of decorative

Design for a wardrobe, shown in elevation, with half-full size details of decorative
991028 Design for a wardrobe, shown in elevation, with half-full size details of decorative panel, 1904 (pencil, watercolour) by Mackintosh

Background imageCharles Rennie Mackintosh Collection: Design for a wardrobe, shown in elevation of the front and interior, c

Design for a wardrobe, shown in elevation of the front and interior, c
991026 Design for a wardrobe, shown in elevation of the front and interior, c.1899-1900 (Pencil, watercolour) by Mackintosh

Background imageCharles Rennie Mackintosh Collection: Design for benches and a table, shown in elevation and section plan, 1898 (pencil

Design for benches and a table, shown in elevation and section plan, 1898 (pencil
991025 Design for benches and a table, shown in elevation and section plan, 1898 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 31x54.7 cm; Private Collection; (add.info)

Background imageCharles Rennie Mackintosh Collection: Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)

Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)
991021 Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash) by Mackintosh, Charles Rennie (1868-1928); 25.2x33.7 cm; Private Collection; (add.info.: Palermo Cathedral)




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Charles Rennie Mackintosh, a renowned Scottish architect and artist, left an indelible mark on the world of design. Best known for his work at the Glasgow School of Art, Mackintosh's innovative style continues to inspire generations. One of his notable creations is the piano in the music room at the House for an Art Lovers. This masterpiece showcases Mackintosh's ability to blend functionality with artistic flair, creating a harmonious space that resonates with beauty and elegance. In addition to his architectural achievements, Mackintosh also dabbled in painting. His piece "Port Vendres, La Ville" captures the essence of this French coastal town through delicate brushstrokes and vibrant colors. It exemplifies his versatility as an artist beyond just architecture. Mackintosh's influence can be seen throughout Glasgow School of Art where he served as both student and later as a teacher. His designs transformed these spaces into havens for creativity and learning, inspiring countless artists who followed in his footsteps. The Hill House stands tall as another testament to Mackintosh's genius. With its distinctive facade and meticulous attention to detail, it remains one of Scotland's most iconic buildings today. His talent extended beyond structures; even light fittings became works of art under his guidance. The pierced copper light fitting used in the Chinese Room at Ingram Street Tea Rooms is a prime example - blending form and function seamlessly. Mackintosh's furniture designs were equally remarkable - from high-backed chairs crafted from oak that exude sophistication to the elegant Ingram Chair which epitomizes simplicity with its clean lines. Not limited by medium or material, Mackintosh explored watercolor painting too. "Faded Roses" showcases delicate blooms rendered with ethereal grace on paper - capturing fleeting beauty forever frozen in time. And let us not forget about his Domino Clock - a true marvel combining ebonized wood with ivory and plastic inlay - showcasing yet again how he pushed boundaries within design.