Charles Robert Cockerell Collection

Plan of the underground caves near Agioi-Deka, Gortyn, Crete, and entrance to the caves
FLO4569004 Plan of the underground caves near Agioi-Deka, Gortyn, Crete, and entrance to the caves. Believed to be the site of the mythical Labyrinth by Charles Robert Cockerell

Charles Robert Cocquerell (1788-1863), architect, 1838. Creator: Christian Albrecht Jensen
Charles Robert Cocquerell (1788-1863), architect, 1838

The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil
824113 The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil, pen and ink and watercolour) by Cockerell, Charles Robert (1788-1863); 27.7x61.6

Portrait of Charles Robert Cockerell, 1817 (graphite on paper)
1217894 Portrait of Charles Robert Cockerell, 1817 (graphite on paper) by Ingres, Jean Auguste Dominique (1780-1867); 19.1x14.6 cm; Ashmolean Museum, University of Oxford

Rome from the Trinita dei Monti, (pencil and watercolour heightened with gold)
651794 Rome from the Trinita dei Monti, (pencil and watercolour heightened with gold) by Cockerell, Charles Robert (1788-1863); 20.8x27 cm; Private Collection; (add.info)

Prize plate, 1844. Creator: Unknown
Prize plate, 1844. Horseracing trophy given as a prize at Goodwood Racecourse:manufactured by Messrs. Garrard, of the Haymarket, after designs and models by Mr. Cockerell

Art Gallery, Bristol, 1915. Creator: Unknown
Art Gallery, Bristol, 1915. Bristol City Museum and Art Gallery was founded in 1823 as the Bristol Institution for the Advancement of Science and Art

Dream City of Christopher Wrens Buildings, 1842. Artist: William Richardson
Dream City of Christopher Wrens Buildings, 1842. Dominated by St Pauls Cathedral in London, this tribute to the work of the architect Sir Christopher Wren brings together all the buildings thought to

Royal Exchange (3rd) interior, London, 1840. Artist: George Belton Moore
Proposal for roof covering quadrangle of the Royal Exchange, London, 1840, with figures

The Principal Works of Sir Christopher Wren, 1882. A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

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