Chasuble Collection (#3)

Hieronymus Scotlands Hieron Martyr Nordovicensis
Hieronymus of Scotland S. Hieron, Martyr Nordovicensis. (title on object), Hieronymus of Scotland, depicted as a priest with tunic and chasuble, with a falcon on his hand and in the other a sword

Fragment Chasuble 1400-1420 Italy 15th century
Fragment of a Chasuble, 1400-1420. Italy, beginning of the 15th century. Velvet (cut and voided); silk; overall: 108 x 50.5 cm (42 1/2 x 19 7/8 in.)

The canon of Poitiers, c1350, (1843). Artist: Henry Shaw
The canon of Poitiers, c1350, (1843). Incised tomb slab brought from the Abbey of St Genevieve, showing the canon of Poitiers and chancellor of Noyon

Chasuble. 18th century. Rococo. Cathedral of Tarragona. Diocesan Museum. Catalonia. Spain

Saint Ildephonsus receiving the chasuble from the Virgin. Al
Fernando Gallego (c.1440-1507). Spanish painter. Altarpiece of Saint Ildephonsus. 1475-1480. Panel depicting Saint Ildephonsus receiving the chasuble from the Virgin

Ecclesiastical rite of tonsure, 15th century.. Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from Historical Costumes from the 12th to 15th Centuries

Virgin Saint John Evangelist 1500 Pen light dark brown ink
Artokoloro

The Mass of St. Martin of Tours, 1654 (oil on canvas)
XIR90086 The Mass of St. Martin of Tours, 1654 (oil on canvas) by Le Sueur, Eustache (1617-55); 114x83 cm; Louvre, Paris, France; (add.info.: commissioned for the monastery of Marmontier; ); French

The Vision of St. Ignatius of Loyola (c. 1491-1556) detail of the saint, 1617-18
XAM89555 The Vision of St. Ignatius of Loyola (c.1491-1556) detail of the saint, 1617-18 (oil on canvas) by Rubens, Peter Paul (1577-1640); 535x395 cm; Kunsthistorisches Museum, Vienna

The Mass of St. Basil, before 1747 (oil on canvas) (b / w photo)
XIR287062 The Mass of St. Basil, before 1747 (oil on canvas) (b/w photo) by Subleyras, Pierre (1699-1749); 134x77 cm; Louvre, Paris

St. Louis (1274-97) of Toulouse (tempera on panel)
XIR244130 St. Louis (1274-97) of Toulouse (tempera on panel) by Vivarini, Bartolomeo (1432-99) (attr.to); Musee des Beaux-Arts, Tours

Pope Innocent III (1161-1216) and St. Francis of Assisi (1181-1226) (engraving)
KW211583 Pope Innocent III (1161-1216) and St. Francis of Assisi (1181-1226) (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

St. Blaise, 1519-21 (oil on canvas)
XIR187198 St. Blaise, 1519-21 (oil on canvas) by Fernandez de Cordoba, Pedro (fl.c.1500); Museu d Historia de la Ciutat, Girona

The Pontifical Mass or, The Procession (oil on copper)
XIR168157 The Pontifical Mass or, The Procession (oil on copper) by Le Nain, Antoine (c.1588-1648); 54x65 cm; Louvre, Paris

St. Ildefonso (607-667) 1605-1610 (oil on canvas)
XIR109909 St. Ildefonso (607-667) 1605-1610 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Real Monasterio de El Escorial, El Escorial, Spain; (add.info.: Saint Ildefonse)

Advanced Ritual in the Church of England, Uk, 1881: 1. the Proscribed Vestments: A
ADVANCED RITUAL IN THE CHURCH OF ENGLAND, UK, 1881: 1. THE PROSCRIBED VESTMENTS: A, The Chasuble; B, The Dalmatic; C, The Tunicle. 2

Priest attending a Traditional catholic pilgrimage
Priest attending a traditionalist catholic pilgrimage

Priest ordinations at Notre Dame of Paris cathedral

Catholic mass in a vietnamese church

Mass in Lourdes sanctuary

Traditionalist catholic pilgrimage Embroidery on a priests garment

French bishop

Melkite priest celebrating mass

Eucharist

Embroidered cross

Palm sunday procession

Detail of priests robe embroidery

Priest ordinations in Notre Dame cathedral, Paris

Orthodox mass

Melkite priest celebrating mass

Catholic celebration in Amiens cathedral

Orthodox coptic priest

Easter week religious garment

Eucharist celebration in Amiens cathedral

Priests garment made at Akepe catholic monastery

Catholic mass, priests sermon

Catholic priests

Priest ordinations at Notre Dame of Paris cathedral Anointing by Cardinal Andrate Vingt-Trois

Traditional catholic pilgrimage Mass
Traditionalist catholic pilgrimage Mass

Mass in Saint-Etienne du Mont church

Priest ordinations at Notre Dame cathedral

Ash Wednesday mass. The imposition of ashes. Tan Dinh church

Traditional mass
Traditionalist mass

Mass during a Traditional catholic pilgrimage
Mass during a traditionalist catholic pilgrimage

Catholic mass

Clergy at World Youth Day

Lamb of God on a priests chasuble

Priest attending a Traditional catholic pilgrimage
Priest attending a traditionalist catholic pilgrimage

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The chasuble, a garment with rich historical and cultural significance, has been woven into the fabric of various aspects of human life. From its association with religious figures like Saint Antoninus of Pamiers to its appearance in theatrical plays such as Wilde's "The Importance of Being Earnest, " this ornate vestment holds a captivating allure. Originating from France during the 17th and 18th centuries, lace weaving and embroidery techniques were employed to create these exquisite textiles. The intricate craftsmanship showcased on the Rubens Chasuble exemplifies the mastery involved in their creation. Every detail meticulously crafted by unknown artisans who left behind a legacy that transcends time. Even royalty embraced the elegance of the chasuble. Louis the Pious, King of the Franks and co-emperor with his father Charlemagne, donned this regal attire during his reign from 778 to 840. The tomb of Abbot Ingon at Abbey Saint-Germain-des-Pres in Paris serves as a testament to its enduring presence throughout history. In addition to its religious significance, chasubles also found their way onto theater stages. Whether it be through symbolic representation or costume design choices, they added an air of grandeur and authenticity to performances like "The Importance of Being Earnest. " Panel pieces dating back to 1725/75 offer glimpses into French artistry surrounding these garments. Possibly used as chasuble backs, these panels showcase elaborate designs that speak volumes about their creators' skill and dedication. From Christian missionaries like Saint Antoninus spreading their faith while wearing this sacred garb to Frankish priests adorned in chasubles during rituals in the 9th century - each thread weaved into every inch carries stories untold yet preserved for generations. As we admire these timeless creations today, let us appreciate not only their aesthetic beauty but also recognize them as artifacts connecting us with our past - a tangible link to the rich tapestry of human history.