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Cherubim Collection (#3)

Cherubim, celestial beings depicted in various forms of art throughout history, have captivated the imagination and inspired awe

Background imageCherubim Collection: Coronation of the Virgin Mary. 19th century (french woodcut)

Coronation of the Virgin Mary. 19th century (french woodcut)
535034 Coronation of the Virgin Mary. 19th century (french woodcut); Universal History Archive/UIG

Background imageCherubim Collection: Advertisement for Frogmore Jubilee, 1809 (engraving)

Advertisement for Frogmore Jubilee, 1809 (engraving)
8677698 Advertisement for Frogmore Jubilee, 1809 (engraving) by English School, (19th century); Private Collection; (add.info.: Advertisement for Frogmore Jubilee, Windsor, Berkshire)

Background imageCherubim Collection: Wednesday, the best day of all (chromolitho)

Wednesday, the best day of all (chromolitho)
8677311 Wednesday, the best day of all (chromolitho) by American School, (19th century); Private Collection; (add.info.: Wednesday, the best day of all)

Background imageCherubim Collection: Barbed wire crinoline (litho)

Barbed wire crinoline (litho)
8664232 Barbed wire crinoline (litho) by English School, (20th century); Private Collection; (add.info.: Barbed wire crinoline, 1916)

Background imageCherubim Collection: Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs

Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs, 1650-52 (wall tempera painting)
8683560 Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageCherubim Collection: Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus corpse into pieces

Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus corpse into pieces
8683542 Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus corpse into pieces, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense

Background imageCherubim Collection: Meeting of Mark Antony and Cleopatra (fresco)

Meeting of Mark Antony and Cleopatra (fresco)
8683532 Meeting of Mark Antony and Cleopatra (fresco) by Boulanger, Jean (1606-c.1680) & Cialdieri, Girolamo (1641-44)); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageCherubim Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683518 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageCherubim Collection: Concerts of Angels, 1651-52 (fresco)

Concerts of Angels, 1651-52 (fresco)
8683511 Concerts of Angels, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageCherubim Collection: Cupid takes the oath of allegiance

Cupid takes the oath of allegiance
5893186 Cupid takes the oath of allegiance.; (add.info.: Cupid takes the oath of allegiance. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth)

Background imageCherubim Collection: On the manufacture of guns for the Republic of Venice by Carlo Camozzi di Bergamo (fl.1712)

On the manufacture of guns for the Republic of Venice by Carlo Camozzi di Bergamo (fl.1712), in Italian and Latin
8859410 On the manufacture of guns for the Republic of Venice by Carlo Camozzi di Bergamo (fl.1712), in Italian and Latin, illustrated manuscript on paper, Venice

Background imageCherubim Collection: Musician Angels. Two children (Putto - Putti): one plays the bagpipes

Musician Angels. Two children (Putto - Putti): one plays the bagpipes and the other plays the twisted trumpet
BEN5463659 Musician Angels. Two children (Putto - Putti): one plays the bagpipes and the other plays the twisted trumpet. Bas relief (Bas-relief) made by Agostino di Duccio, around 1450

Background imageCherubim Collection: Two Putti Supporting an Architrave

Two Putti Supporting an Architrave
3118897 Two Putti Supporting an Architrave; (add.info.: Two Putti Supporting an Architrave by John Michael Rysbrack. Dated 18th Century.); Universal History Archive/UIG

Background imageCherubim Collection: A : fleurs de cyclamens - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)

A : fleurs de cyclamens - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)
DUV4224757 A : fleurs de cyclamens - Flowers alphabet G. B. editeur, Paris, 1904 (postcard); 14x9 cm; (add.info.: Chromolithographs from original watercolours)

Background imageCherubim Collection: C : fleurs de chrysanthemes - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)

C : fleurs de chrysanthemes - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)
DUV4224750 C : fleurs de chrysanthemes - Flowers alphabet G. B. editeur, Paris, 1904 (postcard); 14x9 cm; (add.info.: Chromolithographs from original watercolours)

Background imageCherubim Collection: B : fleurs de myosotis - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)

B : fleurs de myosotis - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)
DUV4224758 B : fleurs de myosotis - Flowers alphabet G. B. editeur, Paris, 1904 (postcard); 14x9 cm; (add.info.: Chromolithographs from original watercolours)

Background imageCherubim Collection: illustration showing the coronation of the Virgin Mary with Jesus, c.1820

illustration showing the coronation of the Virgin Mary with Jesus, c.1820
3666114 illustration showing the coronation of the Virgin Mary with Jesus, c.1820; (add.info.: 19th century illustration showing the coronation of the Virgin Mary with Jesus)

Background imageCherubim Collection: Trade card for L Wetten & Son, confectioners, London (engraving)

Trade card for L Wetten & Son, confectioners, London (engraving)
8677617 Trade card for L Wetten & Son, confectioners, London (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Trade card for L Wetten & Son, confectioners)

Background imageCherubim Collection: Trade card for Ahlborn's silks and velvets, London (chromolitho)

Trade card for Ahlborn's silks and velvets, London (chromolitho)
8677583 Trade card for Ahlborn's silks and velvets, London (chromolitho) by English School, (19th century); Private Collection; (add.info.: Trade card for Ahlborn's silks and velvets)

Background imageCherubim Collection: Two putti, one playing the cornamuse, the other playing the trumpet

Two putti, one playing the cornamuse, the other playing the trumpet, from the frieze of musical angels in the Chapel of
BEN85131 Two putti, one playing the cornamuse, the other playing the trumpet, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81)

Background imageCherubim Collection: Two putti, one playing the tabor, the other playing the nakers

Two putti, one playing the tabor, the other playing the nakers, from the frieze of musical angels in the Chapel of
BEN85129 Two putti, one playing the tabor, the other playing the nakers, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81)

Background imageCherubim Collection: Two putti with metal percussion beaters, from the frieze of musical angels in the Chapel of Isotta

Two putti with metal percussion beaters, from the frieze of musical angels in the Chapel of Isotta degli Atti
BEN85128 Two putti with metal percussion beaters, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81), c.1450 (marble); Tempio Malatestiano, Rimini

Background imageCherubim Collection: Two putti playing lutes, from the frieze of musical angels in the Chapel of Isotta degli Atti

Two putti playing lutes, from the frieze of musical angels in the Chapel of Isotta degli Atti
BEN85126 Two putti playing lutes, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81), c.1450 (marble); Tempio Malatestiano, Rimini

Background imageCherubim Collection: Two Putti, 1490-1510 (tempera or oil on panel)

Two Putti, 1490-1510 (tempera or oil on panel)
5859745 Two Putti, 1490-1510 (tempera or oil on panel) by Matteo di Giovanni (c.1430-1495); The Art Institute of Chicago, IL, USA; (add.info.: by Matteo di Giovanni)

Background imageCherubim Collection: Catfish, Cattle, Cedar, Cellar, Chain-pump, Chain-shot, Chamois, Cherry, Cherub, Chestnut, Chicken

Catfish, Cattle, Cedar, Cellar, Chain-pump, Chain-shot, Chamois, Cherry, Cherub, Chestnut, Chicken
8650039 Catfish, Cattle, Cedar, Cellar, Chain-pump, Chain-shot, Chamois, Cherry, Cherub, Chestnut, Chicken, Children (engraving) by German School

Background imageCherubim Collection: Portrait of the Cardinal Richelieu, 17th century (engraving)

Portrait of the Cardinal Richelieu, 17th century (engraving)
6266313 Portrait of the Cardinal Richelieu, 17th century (engraving); (add.info.: Cardinal Richelieu. Cardinal Armand Jean du Plessis, 1st Duke of Richelieu and Fronsac, aka The Red Eminence)

Background imageCherubim Collection: Interior, tribune organ, organ and sideboard were transformed in 1821, detail: wooden cherub

Interior, tribune organ, organ and sideboard were transformed in 1821, detail: wooden cherub, playing bugle
7242440 Interior, tribune organ, organ and sideboard were transformed in 1821, detail: wooden cherub, playing bugle; Collegiale Notre-Dame-de-la-Crypte, Cassel, Hauts-de-France

Background imageCherubim Collection: Interior, tribune organ, organ and sideboard were transformed in 1821, detail: wooden cherub

Interior, tribune organ, organ and sideboard were transformed in 1821, detail: wooden cherub, playing bugle
7242439 Interior, tribune organ, organ and sideboard were transformed in 1821, detail: wooden cherub, playing bugle; Collegiale Notre-Dame-de-la-Crypte, Cassel, Hauts-de-France

Background imageCherubim Collection: Tapestry. Enghien. Blinds playing (Le Colin-Maillard, het blindemansspelletje). 348 x 465 cm

Tapestry. Enghien. Blinds playing (Le Colin-Maillard, het blindemansspelletje). 348 x 465 cm
7209780 Tapestry. Enghien. Blinds playing (Le Colin-Maillard, het blindemansspelletje). 348 x 465 cm.; 348x465 cm; (add.info.: Maison Jonathas, 7 rue Montgomer, Enghien, Hainaut)

Background imageCherubim Collection: Cupid surveys the target

Cupid surveys the target
5893187 Cupid surveys the target.; (add.info.: Cupid surveys the target. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas)

Background imageCherubim Collection: Cupid advances to the altar of loyalty

Cupid advances to the altar of loyalty
5893185 Cupid advances to the altar of loyalty.; (add.info.: Cupid advances to the altar of loyalty. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess)

Background imageCherubim Collection: Cupid picks up his matchlock musket

Cupid picks up his matchlock musket
5893184 Cupid picks up his matchlock musket.; (add.info.: Cupid picks up his matchlock musket. Assumes his firelock. Handcoloured copperplate engraving by William Nelson Gardiner after an)

Background imageCherubim Collection: Putto or cherub with goose. Copperplate engraving after an illustration by L

Putto or cherub with goose. Copperplate engraving after an illustration by L
FLO4997165 Putto or cherub with goose. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome

Background imageCherubim Collection: Bacchus tames the tiger that the persecutor Juno sent against him

Bacchus tames the tiger that the persecutor Juno sent against him, 1650-52 (wall tempera painting) Detail
8683551 Bacchus tames the tiger that the persecutor Juno sent against him, 1650-52 (wall tempera painting) Detail. by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageCherubim Collection: Bacchus, Lycurgus and Hermes Trismegistus, 1650-52 (wall tempera painting)

Bacchus, Lycurgus and Hermes Trismegistus, 1650-52 (wall tempera painting)
8683546 Bacchus, Lycurgus and Hermes Trismegistus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageCherubim Collection: Paradise, detail, 1651-52 (fresco)

Paradise, detail, 1651-52 (fresco)
8683522 Paradise, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Paradise", fresco by Mattia Preti)

Background imageCherubim Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683519 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageCherubim Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683513 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageCherubim Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683512 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageCherubim Collection: D : fleurs de muguet - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)

D : fleurs de muguet - Flowers alphabet G. B. editeur, Paris, 1904 (postcard)
DUV4224744 D : fleurs de muguet - Flowers alphabet G. B. editeur, Paris, 1904 (postcard); 14x9 cm; (add.info.: Chromolithographs from original watercolours)

Background imageCherubim Collection: woodcut illustration, showing the coronation of the Virgin Mary with Jesus

woodcut illustration, showing the coronation of the Virgin Mary with Jesus
3666110 woodcut illustration, showing the coronation of the Virgin Mary with Jesus; (add.info.: 19th century woodcut illustration, showing the coronation of the Virgin Mary with Jesus)

Background imageCherubim Collection: Spanish, 19th century woodcut illustration, showing the Virgin Mary with Jesus, c.1810

Spanish, 19th century woodcut illustration, showing the Virgin Mary with Jesus, c.1810
3666104 Spanish, 19th century woodcut illustration, showing the Virgin Mary with Jesus, c.1810; (add.info.: Spanish, 19th century woodcut illustration, showing the Virgin Mary with Jesus)

Background imageCherubim Collection: Three vases showing reliefs by Lady Templeton, Venus bound by putti and the goddesses Pomona

Three vases showing reliefs by Lady Templeton, Venus bound by putti and the goddesses Pomona and Flora
FLO4689281 Three vases showing reliefs by Lady Templeton, Venus bound by putti and the goddesses Pomona and Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co

Background imageCherubim Collection: Three putti, one with a tambourine, one with a pipe and one with a rose

Three putti, one with a tambourine, one with a pipe and one with a rose, from the frieze of musical angels in
BEN85125 Three putti, one with a tambourine, one with a pipe and one with a rose, from the frieze of musical angels in the Chapel of Isotta degli Atti, by Agostino di Duccio (1418-81)

Background imageCherubim Collection: Cherub labelled 1894 smashing a bottle of champagne, 1893

Cherub labelled 1894 smashing a bottle of champagne, 1893
1576820 Cherub labelled 1894 smashing a bottle of champagne, 1893; (add.info.: Launched at last! - good luck to her! Cherub labelled "1894" smashing a bottle of champagne as he launches a)

Background imageCherubim Collection: Good luck (colour litho)

Good luck (colour litho)
8656536 Good luck (colour litho) by English School, (20th century); Private Collection; (add.info.: Good luck. An angel and horseshoes. Postcard, early 20th century.); © Look and Learn

Background imageCherubim Collection: Cherub on crutches (engraving)

Cherub on crutches (engraving)
8672826 Cherub on crutches (engraving) by Robida, Albert (1848-1926); Private Collection; (add.info.: Cherub on crutches. Illustration from Histoire de France Tintamarresque)

Background imageCherubim Collection: Trade card for Kirkwood & Son, engravers and copper plate printers, Dublin (engraving)

Trade card for Kirkwood & Son, engravers and copper plate printers, Dublin (engraving)
8677747 Trade card for Kirkwood & Son, engravers and copper plate printers, Dublin (engraving) by Irish School, (19th century); Private Collection; (add.info.: Trade card for Kirkwood & Son)




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Cherubim, celestial beings depicted in various forms of art throughout history, have captivated the imagination and inspired awe. From ancient biblical texts to Renaissance masterpieces, these angelic figures have left an indelible mark on artistic expression. In Alexandre Cabanel's iconic painting "The Birth of Venus" from 1875, cherubim surround the goddess as she emerges from the sea, adding a touch of ethereal beauty to this classical scene. Their presence evokes a sense of divine protection and grace. The Hebrew Bible also mentions cherubim prominently. In Perpignan's Kingdom, a stunning depiction dating back to 1299 showcases these heavenly creatures with their wings outstretched in reverence and adoration. They serve as guardians of sacred spaces and symbolize spiritual enlightenment. St. Luke Painting the Virgin by an unknown artist in 1602 portrays cherubim hovering above Mary as she is being painted by St. Luke himself. These celestial beings bring forth inspiration and guidance for artists seeking divine intervention in their creative endeavors. Depictions such as Antonio d Este's "Deposition" after 1800 show cherubim mourning alongside humans during moments of grief and loss. Their presence offers solace and reminds us that even amidst sorrow, there is hope for transcendence. Hannah Humphrey's publication "The Twin Stars, Castor and Pollux" from 1799 features cherubic figures guiding these mythical twins across the night sky—a testament to their role as messengers between heaven and earth. Even Queen Elizabeth I found herself immortalized alongside cherubs in her old age portrait circa 1610. The inclusion of these heavenly beings emphasizes her divinely ordained status as a ruler chosen by God. Jan Wierix's copy of "Melencolia I" from 1602 showcases melancholy personified with cherubs surrounding her figure—perhaps indicating that even sadness can be accompanied by celestial comfort.