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Cherubini Collection (#6)

"Cherubini: A Journey through Art and Music" Step into the world of Cherubini, where art and music intertwine to create a captivating experience

Background imageCherubini Collection: Bar interior (Cafe 'Local Unique'). Ceramic panel. Helman ceramiques Bruxelles

Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles
7332253 Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles. by Belgian School, (20th century); (add.info.: Oost-Vlaanderen, Belgium); © Paul Maeyaert

Background imageCherubini Collection: Bar interior (Cafe 'Local Unique'). Ceramic panel. Helman ceramiques Bruxelles

Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles
7332248 Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles. by Belgian School, (20th century); (add.info.: Oost-Vlaanderen, Belgium); © Paul Maeyaert

Background imageCherubini Collection: Parish church (Esglesia Santa Maria). Interior. The altarpiece. 18th century

Parish church (Esglesia Santa Maria). Interior. The altarpiece. 18th century. Pau Costa and Joan Torras (sculpture)
7332829 Parish church (Esglesia Santa Maria). Interior. The altarpiece. 18th century. Pau Costa and Joan Torras (sculpture) by Costa, Pau (1672- 1727); Girona

Background imageCherubini Collection: Bar interior (Cafe 'Local Unique'). Ceramic panel. Helman ceramiques Bruxelles

Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles
7332252 Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles. by Belgian School, (20th century); (add.info.: Oost-Vlaanderen, Belgium); © Paul Maeyaert

Background imageCherubini Collection: Bar interior (Cafe 'Local Unique'). Ceramic panel. Helman ceramiques Bruxelles

Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles
7332247 Bar interior (Cafe "Local Unique"). Ceramic panel. Helman ceramiques Bruxelles. by Belgian School, (20th century); (add.info.: Oost-Vlaanderen, Belgium); © Paul Maeyaert

Background imageCherubini Collection: Cathedral (Sint-Baafskathedraal). Interior. The organ. 1653-1656. Detail

Cathedral (Sint-Baafskathedraal). Interior. The organ. 1653-1656. Detail
7332355 Cathedral (Sint-Baafskathedraal). Interior. The organ. 1653-1656. Detail. by Flemish School, (17th century); St. Bavo Cathedral, Ghent, Belgium; (add.info.: Sint-Baafskathedraal)

Background imageCherubini Collection: Cathedral (Sint-Baafskathedraal). Interior. The organ. 1653-1656. Detail

Cathedral (Sint-Baafskathedraal). Interior. The organ. 1653-1656. Detail
7332351 Cathedral (Sint-Baafskathedraal). Interior. The organ. 1653-1656. Detail. by Flemish School, (17th century); St. Bavo Cathedral, Ghent, Belgium; (add.info.: Sint-Baafskathedraal)

Background imageCherubini Collection: The Confessionals of Saint Paul's Church, Antwerp (oak)

The Confessionals of Saint Paul's Church, Antwerp (oak)
715423 The Confessionals of Saint Paul's Church, Antwerp (oak) by Verbrugghen, Caspar Pieter I (1635-87); Sint Pauluskerk, Antwerp, Belgium

Background imageCherubini Collection: Portiuncula (oil on canvas)

Portiuncula (oil on canvas)
471323 Portiuncula (oil on canvas) by Schut, Cornelius I (1597-1655); 341x248 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageCherubini Collection: The Last Communion of Francis of Assisi, 1619 (oil on panel)

The Last Communion of Francis of Assisi, 1619 (oil on panel)
471187 The Last Communion of Francis of Assisi, 1619 (oil on panel) by Rubens, Peter Paul (1577-1640); 422x266 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageCherubini Collection: A Muse inspires an artist, 1929 (engraving)

A Muse inspires an artist, 1929 (engraving)
7315143 A Muse inspires an artist, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: A Muse inspires an artist)

Background imageCherubini Collection: A Muse inspires an artist, 1929 (engraving)

A Muse inspires an artist, 1929 (engraving)
7315148 A Muse inspires an artist, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: A Muse inspires an artist)

Background imageCherubini Collection: There Sleeps Titania (oil on panel)

There Sleeps Titania (oil on panel)
7212766 There Sleeps Titania (oil on panel) by Huskisson, Robert (1820-61); The Ms Gallery, London, UK; Photo © The Ms Gallery, London

Background imageCherubini Collection: The Trinity (oil on panel)

The Trinity (oil on panel)
3470320 The Trinity (oil on panel) by Rubens, Peter Paul (1577-1640); 152x158 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders, photo Hugo Maertens

Background imageCherubini Collection: Saint Rosa of Lima (marble)

Saint Rosa of Lima (marble)
715420 Saint Rosa of Lima (marble) by Quellinus, Artus I (1609-68); Sint Pauluskerk, Antwerp, Belgium; (add.info.: Rose of Lima (1586-1617)

Background imageCherubini Collection: Coronation of the Virgin (oil on canvas)

Coronation of the Virgin (oil on canvas)
715378 Coronation of the Virgin (oil on canvas) by Schut, Cornelius I (1597-1655); Church of St. Charles Borromeo, Antwerp, Belgium

Background imageCherubini Collection: Allegory of the Silversmith's Trade (oil on canvas)

Allegory of the Silversmith's Trade (oil on canvas)
490148 Allegory of the Silversmith's Trade (oil on canvas) by Visch, Mathias de (1702-65); 143x153 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageCherubini Collection: The West Facade of Saint John's Hospital (oil on canvas)

The West Facade of Saint John's Hospital (oil on canvas)
490223 The West Facade of Saint John's Hospital (oil on canvas) by Flemish School, (18th century); 168x245 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageCherubini Collection: Saint Augustine in Ecstasy (oil on canvas)

Saint Augustine in Ecstasy (oil on canvas)
471366 Saint Augustine in Ecstasy (oil on canvas) by Dyck, Anthony van (1599-1641); 389x227 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageCherubini Collection: The Crucifixion of Saint Andrew (oil on canvas)

The Crucifixion of Saint Andrew (oil on canvas)
704031 The Crucifixion of Saint Andrew (oil on canvas) by Veen, Otto van (1558-1629); Church of St. Andrew, Antwerp, Belgium; © Art in Flanders, photo Hugo Maertens

Background imageCherubini Collection: Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132)

Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132)
5242747 Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132) by Fouquet, Jean (c.1420-80); 94.5x85.5 cm; Koninklijk Museum voor Schone Kunsten

Background imageCherubini Collection: Gundaker Count Althann handing over to the Emperor Charles VI (Charles III of Hungary) (1685-1740)

Gundaker Count Althann handing over to the Emperor Charles VI (Charles III of Hungary) (1685-1740)
XAM68651 Gundaker Count Althann handing over to the Emperor Charles VI (Charles III of Hungary) (1685-1740) the Inventory of the Imperial Picture Collection in the Stallburg (1685-1740)

Background imageCherubini Collection: Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132)

Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132)
5242746 Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132) by Fouquet, Jean (c.1420-80); 94.5x85.5 cm; Koninklijk Museum voor Schone Kunsten

Background imageCherubini Collection: The Holy Trinity, 1620 (oil on canvas)

The Holy Trinity, 1620 (oil on canvas)
471262 The Holy Trinity, 1620 (oil on canvas) by Rubens, Peter Paul (1577-1640); 158x152 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageCherubini Collection: The Education of Mary, c. 1630-35 (oil on canvas)

The Education of Mary, c. 1630-35 (oil on canvas)
471135 The Education of Mary, c.1630-35 (oil on canvas) by Rubens, Peter Paul (1577-1640); 194x140 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageCherubini Collection: Teresa Interceding for Bernardino of Mendoza in Purgatory, 1630-35 (oil on canvas)

Teresa Interceding for Bernardino of Mendoza in Purgatory, 1630-35 (oil on canvas)
471029 Teresa Interceding for Bernardino of Mendoza in Purgatory, 1630-35 (oil on canvas) by Rubens, Peter Paul (1577-1640); 196.5x142 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageCherubini Collection: Assumption of the Virgin, 1626 (oil on panel)

Assumption of the Virgin, 1626 (oil on panel)
715404 Assumption of the Virgin, 1626 (oil on panel) by Rubens, Peter Paul (1577-1640); 490x325 cm; Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium

Background imageCherubini Collection: Virgin and Child surrounded by cherubim and seraphim, 1452 (oil on panel)

Virgin and Child surrounded by cherubim and seraphim, 1452 (oil on panel)
471132 Virgin and Child surrounded by cherubim and seraphim, 1452 (oil on panel) by Fouquet, Jean (c.1420-80); 94.5x85.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageCherubini Collection: Two Putti, 1700s (oil on canvas)

Two Putti, 1700s (oil on canvas)
XOS5887517 Two Putti, 1700s (oil on canvas) by Italian School, (18th century); 138x114 cm; Cleveland Museum of Art, OH, USA

Background imageCherubini Collection: The Assumption of the Virgin Mary, 1571-1630 (pen in black and ink with grey wash on paper)

The Assumption of the Virgin Mary, 1571-1630 (pen in black and ink with grey wash on paper)
7308264 The Assumption of the Virgin Mary, 1571-1630 (pen in black and ink with grey wash on paper) by Rottenhammer, Hans I or Johann (1564-1625); 15.4x10.6 cm; Ashmolean Museum

Background imageCherubini Collection: Venus and Cupid, 1601-1800 (red and grey chalk on paper)

Venus and Cupid, 1601-1800 (red and grey chalk on paper)
7308235 Venus and Cupid, 1601-1800 (red and grey chalk on paper) by Rubens, Peter Paul (1577-1640); 13.5x19.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Peter Paul Rubens)

Background imageCherubini Collection: Recto: The Virgin and Child seated on clouds, surrounded by putti, 1575-1600

Recto: The Virgin and Child seated on clouds, surrounded by putti, 1575-1600
7308204 Recto: The Virgin and Child seated on clouds, surrounded by putti, 1575-1600 (pen and brown ink with brush and wash on paper) by Rottenhammer

Background imageCherubini Collection: Neptune and Amphitrite, 1601-1700 (pen and brown ink over black lead on paper)

Neptune and Amphitrite, 1601-1700 (pen and brown ink over black lead on paper)
7308182 Neptune and Amphitrite, 1601-1700 (pen and brown ink over black lead on paper) by Rubens, Peter Paul (1577-1640); 28.9x116.1 cm; Ashmolean Museum, University of Oxford

Background imageCherubini Collection: The Union of Painting and Sculpture, 1663 (marble)

The Union of Painting and Sculpture, 1663 (marble)
7308592 The Union of Painting and Sculpture, 1663 (marble) by Buirette, Jacques (1631-1699); Louvre, Paris, France; (add.info.: The Union of Painting and Sculpture, 1663, Marble)

Background imageCherubini Collection: Verso: fragment of a draped figure, 1575-1600 (pen and brown ink with brush and wash on paper)

Verso: fragment of a draped figure, 1575-1600 (pen and brown ink with brush and wash on paper)
7308206 Verso: fragment of a draped figure, 1575-1600 (pen and brown ink with brush and wash on paper) by Rottenhammer, Hans I or Johann (1564-1625); 14.4x15.8 cm; Ashmolean Museum

Background imageCherubini Collection: The Holy Family, c. 1651 (oil on canvas)

The Holy Family, c. 1651 (oil on canvas)
7312270 The Holy Family, c.1651 (oil on canvas) by Poussin, Nicolas (1594-1665); 100.6 -- 132.4 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: by Nicolas Poussin (1594-1665))

Background imageCherubini Collection: A coat of arms with an horn and three chains held up by an angel and two putti

A coat of arms with an horn and three chains held up by an angel and two putti
7308321 A coat of arms with an horn and three chains held up by an angel and two putti, 1690-1734 (pen in black and grey ink with grey wash, with white heightening on paper) by Thornhill

Background imageCherubini Collection: The Judgment of Paris, second half 17th century (oil on canvas)

The Judgment of Paris, second half 17th century (oil on canvas)
7292593 The Judgment of Paris, second half 17th century (oil on canvas) by Giordano, Luca (1634-1705); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: by Luca Giordano); Ghigo Roli

Background imageCherubini Collection: Two Cherubs, detail (wood)

Two Cherubs, detail (wood)
7272500 Two Cherubs, detail (wood) by Maragliano, Antonio Maria (1664-1741); (add.info.: ANGEL two cherubs; detail (square)

Background imageCherubini Collection: The Dance for the Garnier Opera House, sculpture by Jean Baptiste Carpeaux, 1827 to 1875

The Dance for the Garnier Opera House, sculpture by Jean Baptiste Carpeaux, 1827 to 1875
7279601 The Dance for the Garnier Opera House, sculpture by Jean Baptiste Carpeaux, 1827 to 1875 by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageCherubini Collection: Design for a Ceremonial Gondola Representing the Triumph of Poland, 1740 (black chalk)

Design for a Ceremonial Gondola Representing the Triumph of Poland, 1740 (black chalk, pen and brown ink and wash)
7299520 Design for a Ceremonial Gondola Representing the Triumph of Poland, 1740 (black chalk, pen and brown ink and wash, with watercolor) by Tiepolo

Background imageCherubini Collection: Lettre Premiere, from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos (1741-1803), pub

Lettre Premiere, from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos (1741-1803), pub. 1934 (pochoir print)
3025979 Lettre Premiere, from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos (1741-1803), pub. 1934 (pochoir print) by Barbier

Background imageCherubini Collection: Illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)

Illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035603 Illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageCherubini Collection: La Danse des Fleurs, illustration from Les Chansons de Bilitis, by Pierre Louys, pub

La Danse des Fleurs, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035626 La Danse des Fleurs, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageCherubini Collection: Cherub from Personages de Comedie, pub. 1922 (pochoir print)

Cherub from Personages de Comedie, pub. 1922 (pochoir print)
3035693 Cherub from Personages de Comedie, pub. 1922 (pochoir print) by Schmied, Francois-Louis (1873-1941); Private Collection; The Stapleton Collection

Background imageCherubini Collection: Time Unveiling Truth, 1740-45 (oil on canvas)

Time Unveiling Truth, 1740-45 (oil on canvas)
5861009 Time Unveiling Truth, 1740-45 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 43.3x26.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Pompeo Girolamo Batoni (1708-87))

Background imageCherubini Collection: Annunciation to the Shepherds, from the border of the Rich Missal of Cardinal Francisco Ximenez de

Annunciation to the Shepherds, from the border of the Rich Missal of Cardinal Francisco Ximenez de Cisneros (1437-1517)
IND113561 Annunciation to the Shepherds, from the border of the Rich Missal of Cardinal Francisco Ximenez de Cisneros (1437-1517) (vellum) by Spanish School, (16th century); Biblioteca Nacional

Background imageCherubini Collection: Elaborate work table with folding leaf, painted top with classical scene and glass cover

Elaborate work table with folding leaf, painted top with classical scene and glass cover
6338668 Elaborate work table with folding leaf, painted top with classical scene and glass cover by Van Houtman (18th-19th century); (add.info.: Elaborate work table with folding leaf)




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"Cherubini: A Journey through Art and Music" Step into the world of Cherubini, where art and music intertwine to create a captivating experience. Immerse yourself in the mesmerizing strokes of St. Luke as he paints the ethereal image of the Virgin Mary in "St. Luke Painting the Virgin. " The delicate details and vibrant colors transport you to a realm beyond imagination. As you gaze upon the vaulted roof of St. Agnes Church in Cawston, captured beautifully in black and white, you can almost hear heavenly melodies echoing through its grandeur, and is here that Luigi Cherubini himself finds inspiration for his musical masterpieces. Ingres' masterpiece "Luigi Cherubini and the Muse of Lyric Poetry" portrays our protagonist surrounded by divine muses, their voices guiding him towards artistic brilliance. The harmonious blend of poetry and music resonates deeply within his soul. The enchanting cover art for Joe Loss's "Serenade in the Night" album transports us to a moonlit soirée filled with melodic whispers that dance delicately on our ears. Cherubini's compositions come alive under this starry sky. Houghton Hall's Stone Hall stands as a testament to architectural beauty frozen in time, inviting us to explore its intricate design captured flawlessly in monochrome photography. Within these walls lie echoes of symphonies composed by Cherubini himself. Radnor House unveils an opulent baroque ceiling on its ground floor - an exquisite work of art that mirrors Cherubini's ornate compositions. This visual feast leaves us yearning for more glimpses into this world where creativity knows no bounds. Bouchardon's stone sculpture "L'Enfant Pleureur, " nestled within Herstmonceaux Castle, evokes emotions we cannot put into words but find solace within music itself - just like Cherubini's compositions that touch the depths of our souls.