Choosing Collection (#3)

Cartoon by Phil May, from the 1890s (litho)
3621409 Cartoon by Phil May, from the 1890s (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Cartoon by Phil May)

Electing the Pope, from the Encyclopedia by Denis Diderot (1713-84)
STC172903 Electing the Pope, from the Encyclopedia by Denis Diderot (1713-84), published c.1770 (engraving) by Picart, Bernard (1673-1733); Private Collection; (add.info)

Fashion shop, from the Encyclopedia by Denis Diderot (1713-84), published c
STC172399 Fashion shop, from the Encyclopedia by Denis Diderot (1713-84), published c.1770 (engraving) by French School, (18th century); Private Collection; The Stapleton Collection; French

A hospital different from the others (colour litho)
2809339 A hospital different from the others (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A hospital different from the others)

The draw of the Milan lottery with the prize of one million lire, in the hall of festivities at the Park (colour litho)
2814975 The draw of the Milan lottery with the prize of one million lire, in the hall of festivities at the Park (colour litho) by Beltrame

Choosing a Bride (colour litho)
2813501 Choosing a Bride (colour litho) by Clark, James (1858-1943) (after); Private Collection; (add.info.: Choosing a Bride)

Detail of the painted cartouche from a table box, depicting Tsar Alexei Mikhailovich
1195620 Detail of the painted cartouche from a table box, depicting Tsar Alexei Mikhailovich choosing a bride, c.1908-1917 (silver-gilt, cloisonne enamel) by Faberge

The Judgement of Paris
CH139948 The Judgement of Paris by Koch, Hermann (1856-94); 90x135 cm; Private Collection; Photo eChristies Images; German, out of copyright

Stork with babies ready to be delivered (chromolitho)
5996114 Stork with babies ready to be delivered (chromolitho) by English School, (20th century); Private Collection; (add.info.: Stork with babies ready to be delivered)

Womans Hand Chooses Between a Variety of Food Items, 1951 (screen print)
2630040 Womans Hand Chooses Between a Variety of Food Items, 1951 (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Man choosing a servant straight from the country (colour litho)
3641609 Man choosing a servant straight from the country (colour litho) by English School, (20th century); Private Collection; (add.info.: Man choosing a servant straight from the country)

Pearly King and Queens trying to pick the winner on Derby Day at Epsom, 1936 (b / w photo)
3638964 Pearly King and Queens trying to pick the winner on Derby Day at Epsom, 1936 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Think of me first! (colour litho)
2779893 Think of me first! (colour litho) by French School, (20th century); Private Collection; (add.info.: Think of me first)

Children choosing fireworks (colour litho)
3100072 Children choosing fireworks (colour litho) by English School, (20th century); Private Collection; (add.info.: Children choosing fireworks. Signed H R.); © Look and Learn

Esther Presents herself at the Palace (oil on copper)
492506 Esther Presents herself at the Palace (oil on copper) by Herp, Willem van the Elder (1614-77); 43x59 cm; Private Collection; Haldane Fine Art; Flemish, out of copyright

The Visit of H E Sir H Brougham Loch, KCB (Governor of Victoria, Australia), to the Buffalo Ranges (engraving)
1040964 The Visit of H E Sir H Brougham Loch, KCB (Governor of Victoria, Australia), to the Buffalo Ranges (engraving) by English School

Choosing the Wedding Gown (colour litho)
969305 Choosing the Wedding Gown (colour litho) by Mulready, William (1786-1863) (after); Private Collection; (add.info.: Choosing the Wedding Gown)

How they Dance the Cotillon at a West Indian "Hop"(engraving)
1046562 How they Dance the Cotillon at a West Indian " Hop" (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info)

On the Way to the Royal Wedding, our Special Artist choosing Furs at Berlin (engraving)
1058335 On the Way to the Royal Wedding, our Special Artist choosing Furs at Berlin (engraving) by Woods, Henry (1846-1921); Private Collection; (add.info.: On the Way to the Royal Wedding)

Girls eating chocolates (b / w photo)
3091270 Girls eating chocolates (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Girls eating chocolates. Postcard, early 20th century.); © Look and Learn

Choose Your Fiancee (colour photo)
3094345 Choose Your Fiancee (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: Choose Your Fiancee. Postcard, early 20th century.); © Look and Learn

The Carpet Seller, (pencil and watercolour heightened with white on paper)
658642 The Carpet Seller, (pencil and watercolour heightened with white on paper) by Rosati, Giulio (1858-1917); 52x35.5 cm; Private Collection; (add.info.: The Carpet Seller)

A Fruit Stall at the Base of the Campanile, San Giovanni Elemosinario, Near the rialto
658263 A Fruit Stall at the Base of the Campanile, San Giovanni Elemosinario, Near the rialto, Venice, (watercolour) by Allingham

The Judgment of Paris (litho)
6000158 The Judgment of Paris (litho) by European School, (19th century); Private Collection; (add.info.: The Judgment of Paris)

Hercules, 1498 (engraving)
1217322 Hercules, 1498 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 31.8x22 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving)
969140 Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving) by French School

Choosing his Christmas Turkey, the March Past (engraving)
1049501 Choosing his Christmas Turkey, the March Past (engraving) by Waller, Samuel Edmund (1850-1903) (after); Private Collection; (add.info.: Choosing his Christmas Turkey, the March Past)

A Tour of No Importance, Life at Murren (engraving)
1050846 A Tour of No Importance, Life at Murren (engraving) by Tito, Ettore (1859-1941); Private Collection; (add.info.: A Tour of No Importance, Life at Murren)

Man Straightens His Tie in the Mirror Amid a Display of Many Mens Ties
3034716 Man Straightens His Tie in the Mirror Amid a Display of Many Mens Ties, 1941 (screen print) by American School, (20th century); (add.info)

A Young Man Choosing Love of Beauty Rather Than Riches (engraving)
3646727 A Young Man Choosing Love of Beauty Rather Than Riches (engraving) by Goltzius, Hendrik (1558-1617) (after); Private Collection; (add.info)

Cartoon by Phil May, from the 1890s (litho)
3621406 Cartoon by Phil May, from the 1890s (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Cartoon by Phil May)

Ancestry supply stores (engraving)
669507 Ancestry supply stores (engraving) by English School, (19th century); Private Collection; (add.info.: Ancestry supply stores. Illustration from The Picture Magazine (George Newnes), 1895

The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas)
CH401603 The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas) by Hillingford, Robert Alexander (1825-1904)

Digging potatoes
LLM462043 Digging potatoes by English School, (19th century); Private Collection; (add.info.: Digging potatoes. Illustration for The Town and Country Toy Book (Religious Tract Society)

A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey (b / w photo)
2639463 A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey (b/w photo) by Bond, Frederick William (1887-1942)

A Red-billed Toucan draws a ticket from a hat, held by keeper C
2639462 A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey, London Zoo, 1923 (b/w photo) by Bond, Frederick William (1887-1942)

Couple Looking at Travel Brochures, 1948 (screen print)
2630034 Couple Looking at Travel Brochures, 1948 (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Plate 5 from Cries of London, 1799 (hand-coloured etching)
XYC308304 Plate 5 from Cries of London, 1799 (hand-coloured etching) by Rowlandson, Thomas (1756-1827); 36.8x29.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Fixing the Site of an Early Christian Altar, 1884 (oil on canvas)
LMG140047 Fixing the Site of an Early Christian Altar, 1884 (oil on canvas) by Pettie, John (1839-93); 137x213.5 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Cries of London: The Garden Pot Seller, 1799 (colour aquatint)
STC171108 Cries of London: The Garden Pot Seller, 1799 (colour aquatint) by Rowlandson, Thomas (1756-1827); Private Collection; The Stapleton Collection; English, out of copyright

The Ice Cream, plat 4 from Le Bon Genre, Paris, 1827 (coloured engraving)
CHT201581 The Ice Cream, plat 4 from Le Bon Genre, Paris, 1827 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French

The Fruit Market (coloured engraving)
STC192031 The Fruit Market (coloured engraving) by Engelbrecht, Martin (1684-1756); Private Collection; The Stapleton Collection; German, out of copyright

"Golab, come to the bungalow tomorrow, and you shall be my servant"(engraving)
6003488 " Golab, come to the bungalow tomorrow, and you shall be my servant" (engraving) by English School, (19th century); Private Collection; (add.info.: " Golab)

Ivan the Terrible Choosing a Wife (engraving)
6010885 Ivan the Terrible Choosing a Wife (engraving) by Makovsky, Konstantin Egorovich (1839-1915); Private Collection; (add.info.: Ivan the Terrible Choosing a Wife)

Choosing the Wedding Gown (engraving)
1617374 Choosing the Wedding Gown (engraving) by Archer, John Wykeham (1808-64); Private Collection; (add.info.: Choosing the Wedding Gown)

Punchs Letters to His Son, by Douglas Jerrold (engraving)
1616983 Punchs Letters to His Son, by Douglas Jerrold (engraving) by English School, (19th century); Private Collection; (add.info.: Punchs Letters to His Son, by Douglas Jerrold)

Scene in Battys Spectacle of the "Rajah of Nagpore, "the "Sacred Elephant"choosing a Wife for
1594000 Scene in Battys Spectacle of the " Rajah of Nagpore, " the " Sacred Elephant" choosing a Wife for the New Rajah (engraving) by English School

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"Choosing: A Journey of Decisions and Delights" In the whimsical world of "Fat Geese. " by Lawson Wood, a flock gathers to choose their leader, showcasing the power of collective decision-making. The vibrant colors in David Wright's masterpiece "Red, White and Blue" symbolize the freedom we have in choosing our own path and embracing our individuality. "Fame Visits the Heroic Unknown Dead, " an ode to fallen heroes, reminds us that sometimes choices are made for us, as destiny guides us towards greatness. Just like Dom Perignon meticulously selects grapes for his renowned wine-making process, we too must carefully choose our ingredients for success - passion, dedication, and perseverance. An illustration depicting Jesus choosing his 12 disciples in John 1 serves as a reminder that even divine beings value choice when it comes to building their inner circle. Amidst whispers of enchantment in "Gossip about Fairies 12, " we learn that even magical creatures have preferences when it comes to selecting friends or partners. Whether it's picking a club for leisure or finding one's place in society, "Choosing a Club" highlights how decisions shape not only our hobbies but also our identities. As women delicately pick rice grains in Serian, Sarawak (Malaysia), they showcase the importance of making mindful choices that sustain both ourselves and those around us. In "A Puppy for My Lady, " an oil painting on canvas captures the joyous moment when someone chooses to gift their beloved with unconditional love and companionship. Within library walls adorned with knowledge-filled shelves lies endless possibility. The illustration portrays adults and children alike immersed in books—a testament to the transformative power wisdom through reading. On St. John's Isle of Man stands proud evidence that nature itself can make choices; its rugged cliffs remind us that landscapes too have agency over where they meet land or sea.