Christ Collection (page 8)

The Descent from the Cross, by Maarten de Vos (1532-1603)
Maarten de Vos (1532-1603). Flemish painter. The Descent from the Cross. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Savior showing his sores. Gothic. Chapel of The Savior
Gothic image of the Savior showing his sores. It dates from the 14th century and was Integrated in the 1532 polychrome stone altarpiece, work of Juan de Alava

Crucifixion of Jesus Christ
An illustrated page from the Fioretti Di S. Francesco, writtin originally by Francesco D'Assisi, depicting the crucifixion of Jesus Christ, whom is looking down on a worhipping monk

Christ Church, Port Vale, Hertford

Christ Church, Normanton Road, Derby, Derbyshire Date: 1906

Funerary Monument - Jesus on Cross. circa 1900s

Saint Luke Painting the Crucifixion, by Zurbaran
Francisco de Zurbaran (1598-1664). Spanish painter. Saint Luke Painting the Crucifixion. Prado Museum. Madrid. Spain. Date: circa 1650

SANCHEZ, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. THE BURIAL OF CHRIST. Painting on wood. Museum of Fine Arts. Budapest. Hungary

Liberale da Verona (1441-1526). Italian painter. Renaissance. Lamentation of Christ. Alte Pinakothek. Munich. Germany

Fra Angelico (1395-1455). Italian painter. Entombment of Chr
Fra Angelico (1395-1455). Italian Renaissance painter. Entombment of Christ. Abou 1438-1440. Alte Pinakothek. Munich. Germany

The Descent from the Cross from Erill la Vall. 12th century
Romanesque art. Spain. The Descent from the Cross. Detail. Face. 12th century. Poplar and walnut wood with traces of polychromy. From the church of Santa Eulalia in Erill la Vall

Republic of Macedonia. Gorno Nerezi. Church of St. Panteleimon. 12th century Byzantine. Fresco. Pieta

Resurrection of Jairus daughter. Engraving by Rusing. Color
New Testament. Resurrection of Jairus daughter. Engraving by Rusing Artistic illustration, 1886. Colored

Triptych with the Triumph of Death and the Last Judgement by
Renaissance. Triptych with the Triumph of Death and the Last Judgement by Hermann Tom Ring (1521-1596), around 1550. Museum Catharijneconvent. Utrecht. Netherlands. Detail

Triptych of the Crucifixion, 1535, by Jan van Scorel (1495-1)
Jan van Scorel (1495-1562). Dutch painter. Triptych of the Cruxifixion, 1535. Central panel. Detail. Catharijneconvent Museum. Utrecht. Netherlands

Lamentation of Christ with a Donor, c. 1535, by Jan van Scor
Jan van Scorel (1495-1562). Dutch painter. Lamentation of Christ with a Donor, c. 1535. Centraal Museum. Utrecht. Netherlands

The Three Crosses, 1653, by Rembrandt (1606-1669)
Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. The Three Crosses, 1653. Rijksmuseum. Amsterdam. Holland

Prague. St. Vitus Cathedral. The Golden Gate. Mosaic of
Czech Republic. Prague. St. Vitus Cathedral. The Golden Gate. The Mosaic of the Last Judgement (1372), by Niccoletto Semitecolo, Italian painter of the early-Renaissance. 14th century. Castle complex

Christ on the cross, the Three Marys on mourning by John
Pier Francesco Sacchi, called il Pavese (1485-1528). Italian Renaissance painter. Christ on the cross, the Three Marys on mourning by John and the Donor or Patron, 1514. Detail. Gemaldegalerie

Wurzach Altarpiece, 1437, by Hans Multscher (1400-1467)
Hans Multscher (1400-1467). German painter. Wurzach Altarpiece, 1437. Gemaldegalerie. Berlin. Germany

The Lamentation of Christ with a Donor, c. 1505, by Domenico
Domenico Panetti (1460-1530). Italian painter. The Lamentation of Christ with a Donor, c.1505. Detail. Gemaldegalerie. Berlin. Germany

Crucifixion of Christ, 1594, by Jan Brueghel the Elder (1568)
Jan Brueghel the Elder (1568-1625). Flemish painter, Crucifixion of Christ, 1594. Alte Pinakothek. Munich. Germany

The Last Judgement, 1540. Hieronymus Bosch (1450-1516). Deta
Hieronymus Bosch (1450-1516). The Last Judgement, 1540. German Historical Museum. Berlin. Germany

Gregorio Fernandez (1576-1636). Pieta. National Sculpture Mu
Gregorio Fernandez (1576-1636). Spanish baroque sculptor. Pieta. National Sculpture Museum, Valladolid. Spain

The mockery of the people and soldiers to Jesus. Colored eng
Luke 23. The mockery of the people and soldiers to Jesus. Colored engraving

Altar crucifix with reliquary. 14th century. Denmark
Altar crucifix with reliquary, depicting the four evangelists on a blue enamel ground. Contains a relic of a Holy Cross and other. 14th century. From Saint Michael's Church, Slagelse (Denmark)

Crucifix. C. 1350. Elmelunde Church, Denmark
Crucifix with Christ as a tormented corpse. C. 1350. Wood. From Elmelunde Church, island of Mon (Denmark). National Museum. Copenhagen. Denmark

Silver altar, with a frame of ebony, from the chapel of Husu
Silver altar, dated 1620, with a frame of ebony, from the chapel of Husum Castle. Originally associate with the sister of Christian IV, the Duchess Augusta

3 15th Century 1485 Animal Art Augsburg Berlin
3, 15th, century, 1485, animal, Art, Augsburg, Berlin, calvary, chalice, Christ, Cleopas, Cross, crucified, crucifixion, Crucifixion, with, Mary, death, Deutsches, Historisches, Museum, frame

Byzantine Art. Serjilla. Chi Rho. Syria. Western Asia
Byzantine Art. Serjilla. Relief of Chi Rho. Syria. Western Asia

The Crucifixion. Copy. Prague. Czech Republic
The Crucifixion. 17th century. Sculpture originally made in 1629 by H. Hillger based upon a design by W. E. Brohn. Bronze. The golden Hebrew text on the crucifix was added in 1696

Peter Paul Rubens (1577-1640). Flemish painter. The lamentation over the dead Christ, 1610-1611. Oil on panel. Gemaldegalerie. Berlin. Germany

Tryptich of the Virgin. The Pieta. By Rogier van der Weyden
Rogier van der Weyden (1400-1464). Flemish painter. Triptych of the Virgin. The Pieta (central table). Virgin Mary cradling dead body of Jesus with Saint John (left)

Spain. La Rioja. Prejano. Calvary

Spain. Limpias. Church of Saint Peter. Main altarpiece. Deta
Spain. Limpias. Church of Saint Peter. Main altarpiece. 1777. Rococo. Detail depicting Christ dead in the arms of the Virgin Mary. Pieta

Spain. La Rioja. Casalarreina. Monastery of Our Lady of Mercy. 16th century. Dominican Order. Church. Plateresque portico

Raphael (1483-1520). Christ Falling on the Way to Calvary
Raphael (1483-1520). Italian painter and architect of the High Renaissance. Christ Falling on the Way to Calvary, also known as Lo Spasimo or Il Spasimo di Sicilia, (1514-1516)

The disciples are convinced the Jesus is dead. Codex of Predis (1476). Royal Library. Turin. Italy

Calvary of Hio. Galicia. Spain
Calvary of Hio. 1872. Carved by Master Cervino. Depicts the Descent from the Cross. Galicia. Spain

17th Century 1632 Art Baroque Bird Catholic Catholicism
17th, century, 1632, art, baroque, bird, Catholic, catholicism, cherub, Christ, death, father, Giusseppe, god, Holy, Spirit, Trinity, Jesus, Jose, Jusepe, de, Ribera, Little, Spaniard, Lo

Byzantine Art. Mosaic. The Dormition of the Virgin. Nave of
Byzantine Art. Mosaic. The Dormition of the Virgin, which lies in bed surrounded by the apostles. In the center, Jesus Christ with a child in his arms

14th Century Arch Architecture Art Catalan Catalonia
14th, century, arch, Architecture, art, catalan, Catalonia, Cathedral, of, Saint, Mary, Catholic, catholicism, Christ, christian, christianism, christianity, dead, decorated, Detail, door, figure

St. Jerome. First half of the 18th century. Byzantine Museum. Zante. Ionian Islands. Greece

The End of the world and the Last Judgement. The dead will come out of the tombs. Codex of Predis (1476). Royal Library. Turin. Italy

MONTAGNANA, Jacopo da (1440-/43-1499). Italian painter. MADONNA AND DEAD CHRIST. Tempera on wood. Museum of Fine Arts. Budapest. Hungary

Byzantine Icon. Crucifixion. XIV century
BYZANTINE ART. GREECE. ICON with the crucifixion scene. Attributed to the circle of the Venetian painter Paolo Veneziano. Mid-fourteenth century. Byzantine Museum. Athens

Romanesque Art. Spain. Crucifixion'. Mural Painting. Saint
Romanesque Art. Spain. Crucifixion. Mural painting of the Church of Sanint Eulalia from Estaon (Pallars Sobira). XII century. Diocesan Museum of La Seu d'Urgell. Lleida province. Alt Urgell

White flowers and a silver cross on an Easter card, with a Biblical quotation and a devotional verse. Date: circa 1890s

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"Christ: The Eternal Symbol of Faith and Hope" In the heartland of Thessalonica, Macedonia, Greece, Europe stands a magnificent Greek Orthodox icon depicting Christ's resurrection. This sacred artwork serves as a powerful reminder of His triumph over death and the eternal hope He brings to humanity. Known as the King of Kings, Christ radiates divine light that illuminates even the darkest corners of our souls. In William Holman Hunt's masterpiece "The Light of the World, " painted between 1851-1853, we witness Jesus standing at a closed door, symbolizing His unwavering presence in our lives. A closer look at the Shroud of Turin within Chiesa della SS. Annunziata church in Turin reveals intricate details believed to be imprinted by Jesus himself during his crucifixion. This relic holds immense significance for believers worldwide who find solace in its authenticity. Jesus' compassion knows no bounds; when faced with Peter's denial, He turned towards him with forgiveness and love. This act reminds us that even in our weakest moments, it offers redemption and second chances. Paris houses another remarkable artifact - the Shroud of Turin - which captivates countless visitors seeking to connect with Jesus on a profound level. Its mysterious imprints serve as tangible evidence reinforcing faith in His sacrifice for humanity. As depicted in various artworks throughout history like St Joseph Cupertino's portrayal or Taize icon from Geneva Switzerland, Europe; Jesus remains an everlasting beacon of hope for all mankind. Whether calming storms on the Sea of Galilee or embracing children as symbols of innocence and purity – He embodies love beyond measure. Rembrandt van Rijn's painting "Supper at Emmaus" transports us back to biblical times where we witness disciples recognizing their resurrected Lord through breaking bread together. It reminds us that even today, Christ is present among us when we gather around tables filled with nourishment and fellowship.