Christopher Richard Wynne Collection

A Studio in Montparnasse, c1926, (1935). Creator: CRW Nevinson
A Studio in Montparnasse, c1926, (1935). Nude model and cat by a tall window with a view of Paris rooftops. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 2

Wet Evening, Oxford Street, 1919. Artist: CRW Nevinson
Wet Evening, Oxford Street, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Lorry-Jumpers, 1919. Artist: CRW Nevinson
Lorry-Jumpers, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Column on the March, 1915. (1943). Creator: CRW Nevinson
Column on the March, 1915. (1943). Soldiers marching during the First World War. Painting in the Birmingham Museum & Art Gallery. From " The Studio", Volume 125

La Patrie, 1916. Creator: CRW Nevinson
La Patrie, 1916. La Patrie portrays an horrific incident the artist experienced during World War I when his Red Cross unit came upon a goods yard full of dead and dying French and German soldiers

Le Port, 1919. Artist: CRW Nevinson
Le Port, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

The Railway Strike - Meeting on Tower Hill, 1919, 1920. Artist: CRW Nevinson
The Railway Strike - Meeting on Tower Hill, 1919, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Bargee, 1920. Artist: CRW Nevinson
The Bargee, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Road from Arras to Bapaume, 1917. Artist: CRW Nevinson
The Road from Arras to Bapaume, 1917. Painting held at the Imperial War Museum, London. From The Outline of Art, edited by Sir William Orpen, K.B.E. R.A. R.I.. [George Newnes Limited, London, c1924]

A Thames Regatta, c1919. Artist: CRW Nevinson
A Thames Regatta, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

High Tide, West Bay, c1930. Artist: CRW Nevinson
High Tide, West Bay, c1930. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

In The Caravan, c20th century. Artist: CRW Nevinson
In The Caravan, c20th century. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

Les Bibliophiles. An autumn day in Paris, c1930. Artist: CRW Nevinson
Les Bibliophiles. An autumn day in Paris, c1930. From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

The Return, c1941. Artist: CRW Nevinson
The Return, c1941. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

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Christopher Richard Wynne Nevinson, known as CRW Nevinson, was a prominent British artist and printmaker who made significant contributions to the art world in the early 20th century. His diverse body of work showcases his talent for capturing various subjects and scenes with great skill and creativity. In "A Studio in Montparnasse, " created around 1926, Nevinson provides us with a glimpse into the artistic hub of Paris during that time. The painting exudes an atmosphere of creativity and camaraderie among fellow artists. "Wet Evening, Oxford Street" from 1919 portrays the bustling streets of London under rainy skies. Nevinson's use of bold lines and contrasting colors adds dynamism to this urban scene. "Lorry-Jumpers, " also from 1919, captures the energy and excitement surrounding modern technology at that time. The painting depicts workers leaping onto moving lorries, symbolizing progress and industrialization. Nevinson's "Column on the March" (1915) is a powerful depiction of soldiers marching towards war during World War I. This artwork reflects his experiences as an official war artist during this tumultuous period in history. Another notable piece by Nevinson is "La Patrie" (1916), which portrays a wounded soldier being carried away from battle. This emotionally charged artwork highlights the human cost of war while showcasing Nevinson's technical prowess. "The Railway Strike - Meeting on Tower Hill" (1919-1920) offers insight into social issues prevalent at that time. Through this painting, Nevinson explores themes such as labor rights and collective action against injustice. Nevinson's versatility is evident in works like "The Bargee" (1920), where he shifts focus to depict everyday life along canals. This piece showcases his ability to capture both grand historical events and intimate moments within society.