Christopher Richard Wynne Nevinson Collection

A Studio in Montparnasse, c1926, (1935). Creator: CRW Nevinson
A Studio in Montparnasse, c1926, (1935). Nude model and cat by a tall window with a view of Paris rooftops. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 2

Wet Evening, Oxford Street, 1919. Artist: CRW Nevinson
Wet Evening, Oxford Street, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Lorry-Jumpers, 1919. Artist: CRW Nevinson
Lorry-Jumpers, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Survivors at Arras, 1917. Creator: CRW Nevinson
Survivors at Arras, 1917.

Badger Moody, 1922. Creator: CRW Nevinson
Badger Moody, 1922.

Westminster from a Savoy window, 1925 -1926. Creator: CRW Nevinson
Westminster from a Savoy window, 1925 -1926. A winter view of the River Thames looking south west from an upper window at Savoy Hotel.

Column on the March, 1915. (1943). Creator: CRW Nevinson
Column on the March, 1915. (1943). Soldiers marching during the First World War. Painting in the Birmingham Museum & Art Gallery. From " The Studio", Volume 125

March of Civlisation, 1940 (oil on canvas)
1065027 March of Civlisation, 1940 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 71.1x101.6 cm; Glasgow Museums

Reliefs at dawn, 1918 (litho)
3027389 Reliefs at dawn, 1918 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); 36x52 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Any Wintry Afternoon in England, 1930 (oil on canvas)
MAN234320 Any Wintry Afternoon in England, 1930 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61.1x76.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The cursed wood, 1918 (litho)
3027390 The cursed wood, 1918 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

Searchlights, 1915-16 (oil on canvas)
471826 Searchlights, 1915-16 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

London Twilight from the Adelphi, (oil on canvas)
657317 London Twilight from the Adelphi, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 44.5x59 cm; Private Collection; (add.info.: London Twilight from the Adelphi)

A Village Procession, France, c. 1923 (oil on canvas)
657009 A Village Procession, France, c.1923 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76 cm; Private Collection; (add.info.: A Village Procession, France)

St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink
657906 St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink, watercolour and bodycolour) by Nevinson, Christopher Richard Wynne (1889-1946); 28x36 cm; Private Collection; (add.info)

1925, Wembley, 1924 (colour lithograph)
1198190 1925, Wembley, 1924 (colour lithograph) by Nevinson, Christopher Richard Wynne (1889-1946); 100x64 cm; Private Collection; Photo eChristies Images; English, out of copyright

Mantelpiece, France, (oil on canvas)
657244 Mantelpiece, France, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 60x44.5 cm; Private Collection; (add.info.: Mantelpiece, France)

From a Venetian Window, 1934 (oil on canvas)
657125 From a Venetian Window, 1934 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 65x78 cm; Private Collection; (add.info.: From a Venetian Window)

Verey Lights, 1918 (oil on canvas)
657822 Verey Lights, 1918 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Verey Lights. Christopher Richard Wynne Nevinson (1886-1946)

Allotments, East Ham, (oil on canvas)
657126 Allotments, East Ham, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 42x46 cm; Private Collection; (add.info.: Allotments, East Ham)

Nude on a Bed, South of France, (oil on canvas)
656867 Nude on a Bed, South of France, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 38x46 cm; Private Collection; (add.info.: Nude on a Bed, South of France)

Sunday Evening, Punts on the Thames at Henley, 1924 (oil on canvas)
991399 Sunday Evening, Punts on the Thames at Henley, 1924 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76.2 cm; Private Collection; (add.info.: Sunday Evening)

The Four Seasons: Summer, c. 1919 (oil on canvas)
657921 The Four Seasons: Summer, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Summer)

Autumn Bouquet; View from a Paris Window, (oil on canvas)
657841 Autumn Bouquet; View from a Paris Window, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Autumn Bouquet; View from a Paris Window)

By the Quay, (oil on canvas)
657631 By the Quay, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: By the Quay. Christopher Richard Wynne Nevinson (1889-1946). Oil on canvas

St. Malo, (watercolour and black chalk)
658166 St. Malo, (watercolour and black chalk) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: St.Malo. Christopher Wynne Nevinson (1889-1946)

Rue St. Julien le Pauvre, Paris, (oil on canvas)
657690 Rue St. Julien le Pauvre, Paris, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 71x51 cm; Private Collection; (add.info.: Rue St. Julien le Pauvre, Paris)

The Four Seasons: Winter, c. 1919 (oil on canvas)
657923 The Four Seasons: Winter, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Winter)

The Four Seasons: Autumn, c. 1919 (oil on canvas)
657922 The Four Seasons: Autumn, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Autumn)

The Four Seasons: Spring, c. 1919 (oil on canvas)
657920 The Four Seasons: Spring, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Spring)

In the Trenches, 1917 (oil on canvas)
657630 In the Trenches, 1917 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: In the Trenches. Christopher Richard Wynne Nevinson (1889-1946)

The Trundle at Goodwood, 1930s (oil on panel)
1197349 The Trundle at Goodwood, 1930s (oil on panel) by Nevinson, Christopher Richard Wynne (1889-1946); 29.9x40.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Column on the March, 1915. Creator: CRW Nevinson
Column on the March, 1915

La Patrie, 1916. Creator: CRW Nevinson
La Patrie, 1916. La Patrie portrays an horrific incident the artist experienced during World War I when his Red Cross unit came upon a goods yard full of dead and dying French and German soldiers

Le Port, 1919. Artist: CRW Nevinson
Le Port, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

The Railway Strike - Meeting on Tower Hill, 1919, 1920. Artist: CRW Nevinson
The Railway Strike - Meeting on Tower Hill, 1919, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Bargee, 1920. Artist: CRW Nevinson
The Bargee, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Road from Arras to Bapaume, 1917. Artist: CRW Nevinson
The Road from Arras to Bapaume, 1917. Painting held at the Imperial War Museum, London. From The Outline of Art, edited by Sir William Orpen, K.B.E. R.A. R.I.. [George Newnes Limited, London, c1924]

A Thames Regatta, c1919. Artist: CRW Nevinson
A Thames Regatta, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

High Tide, West Bay, c1930. Artist: CRW Nevinson
High Tide, West Bay, c1930. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

In The Caravan, c20th century. Artist: CRW Nevinson
In The Caravan, c20th century. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

The Return, c1941. Artist: CRW Nevinson
The Return, c1941. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

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Christopher Richard Wynne Nevinson was a British artist known for his dynamic and innovative works across various mediums. Born in 1889, Nevinson's artistic career spanned several decades, during which he produced captivating pieces that captured the essence of modern life. One of his notable works is "A Studio in Montparnasse, " created around 1926. This piece showcases Nevinson's ability to capture the atmosphere of a bustling art studio, with its vibrant colors and energetic brushstrokes. In "Wet Evening, Oxford Street" from 1919, Nevinson depicts a rainy London street scene with striking realism. The wet pavements and glowing shop windows evoke a sense of urban energy amidst the gloomy weather. Another iconic artwork by Nevinson is "Lorry-Jumpers" from the same year. This painting portrays soldiers leaping onto moving military vehicles during World War I, capturing both their bravery and the chaos of war. Nevinson also explored themes of progress and civilization in his work. In "March of Civilization" from 1940, he presents an abstract representation of human advancement through bold shapes and vivid colors. His lithograph print titled "Reliefs at Dawn" from 1918 showcases his mastery over this medium as he captures the haunting beauty of dawn breaking over war-torn landscapes. Contrasting these intense scenes are more serene compositions like "Any Wintry Afternoon in England. " Painted in 1930, this piece depicts a peaceful countryside landscape blanketed in snow, showcasing Nevinson's versatility as an artist. "The Cursed Wood, " created as a lithograph in 1918, reveals Nevinson's exploration into darker themes inspired by World War I. The eerie depiction reflects the horrors experienced by soldiers on the battlefield. Other notable works include "Searchlights" (1915-16), which captures London under attack during wartime.