Chryselephantine Collection

Chryselephantine statue of Zeus, built in year 471 BC, in the temple of Olympia, by Phidias. German engraving from 1886, is one of the seven wonders of the world

Saxon Crucifix, Anglo-Saxon, c. 1000 (ivory and gold)
XCF291072 Saxon Crucifix, Anglo-Saxon, c.1000 (ivory and gold) by English School, (11th century); Victoria & Albert Museum, London, UK; English, out of copyright

The Statue of Olympian Zeus by Phidias, plate 5 from
STC94454 The Statue of Olympian Zeus by Phidias, plate 5 from Entwurf einer historischen Architektur, engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving) by Fischer von Erlach

The Statue of Olympian Zeus by Phidias, plate 5 from
STC232089 The Statue of Olympian Zeus by Phidias, plate 5 from Entwurf einer historischen Architektur, engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving) (later colouration)

Aesclepius, God of Medicine, at Epidauris, illustration from
STC255680 Aesclepius, God of Medicine, at Epidauris, illustration from General study of Greek architecture and sculpture, pub

The Lord of Victory (ivory & gold)
LIT389889 The Lord of Victory (ivory & gold) by Thai School; Prasat Museum, Bangkok, Thailand; (add.info.: Replica of the original sculpture made to protect Rama I (reigned 1782-1809)

The Ruins of The Philippeion at Olympia, Greece
Olympia is a sanctuary of ancient Greece in Elis on the Peloponnese peninsula, is known for having been the site of the Olympic Games in classical times.The Philippeion in the Altis of Olympia was an

Saxon Crucifix, Anglo-Saxon, c. 1000 (ivory and gold)
XCF291073 Saxon Crucifix, Anglo-Saxon, c.1000 (ivory and gold) by English School, (11th century); Victoria & Albert Museum, London, UK; English, out of copyright

Chryselephantine statue of Athena Parthenos
Account of the supervisors for the construction of the chryselephantine statue of Athena Parthenos in the Parthenon by the sculptor Phidias. 440-439 BC

Chryselephantine statue of Athena Parthenos
Account of the supervisors for the construction of the chryselephantine statue of Athena Parthenos in the Parthenon by the sculptor Phidias. 440-439 BC

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"Chryselephantine: A Glimpse into the Golden Age of Sculpture" Step back in time to the year 471 BC, where a masterpiece was born within the sacred walls of the temple of Olympia. The Chryselephantine statue of Zeus, crafted by the renowned sculptor Phidias, stood as an awe-inspiring testament to human creativity and devotion. This magnificent work of art, made from ivory and gold, depicted Zeus seated on his throne with authority emanating from every inch. Its intricate details and lifelike features transported worshippers into a realm where gods walked among mortals. Not far away in Anglo-Saxon lands around c. 1000 AD, another chryselephantine marvel emerged - the Saxon Crucifix. This exquisite piece blended ivory and gold seamlessly to portray Christ's sacrifice with profound emotion etched upon His face. Phidias' genius continued to captivate generations through his Statue of Olympian Zeus; plate 5 from this collection immortalized its grandeur for all eternity. The sheer scale and meticulous craftsmanship left viewers spellbound as they marveled at this divine representation. In Epidauris, Greece, Aesculapius - God of Medicine - took form in yet another chryselephantine creation that exuded healing energy. Illustrated here is a deity whose presence offered solace and hope amidst affliction. The Lord of Victory emerged next – an ethereal blend of ivory and gold that embodied triumph itself. This symbol became synonymous with conquering obstacles both physical and spiritual throughout history. Goddesses too found their place in this golden era; colossal figures like Athena Parthenos commanded reverence wherever they stood. Their chryselephantine beauty radiated wisdom, strength, and grace – qualities befitting these powerful deities.