Chuban Yoko E Collection

The Evening Mistress at Ueno (Ueno no bansho), from the series "Eight Fashionable... c. 1769
The Evening Mistress at Ueno (Ueno no bansho), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1769

Exchange of Gifts (Yuino), the second sheet of the series "Marriage in Brocade Prints... c. 1769
Exchange of Gifts (Yuino), the second sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Introduction (Miai), the first sheet from the series "Marriage in Brocade Prints... c. 1769
The Introduction (Miai), the first sheet from the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The First Childbirth (Uizan), the seventh sheet of the series "Marriage in Brocade... c. 1769
The First Childbirth (Uizan), the seventh sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series "Marriage in... c. 1769
A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series "Marriage in Bro... c. 1769
The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series "Marriage in Broc... c. 1769
The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

The Bride Riding in the Palanquin to Her Husbands House (Koshi-iri), the third sheet... c. 1769
The Bride Riding in the Palanquin to Her Husbands House (Koshi-iri), the third sheet of the series " Marriage in Brocade Prints

Onamushi no Mikoto Killing the Great Bird, 1765. Creator: Unknown
Onamushi no Mikoto Killing the Great Bird, 1765

Young Woman Riding a Phoenix, 1765. Creator: Suzuki Harunobu
Young Woman Riding a Phoenix, 1765. Attributed to Suzuki Harunobu

Young Women Playing Poem Cards, c. 1766 / 67. Creator: Suzuki Harunobu
Young Women Playing Poem Cards, c. 1766/67

Lovers with Young Attendant Looking on, from an untitled series of erotic prints, c. 1766

The Bride Traveling in the Rain, from the series "The Foxes Wedding", 1765
The Bride Traveling in the Rain, from the series " The Foxes Wedding", 1765

Parody of Ariwara no Narihiras journey to the east, c. 1767 / 68. Creator: Suzuki Harunobu
Parody of Ariwara no Narihiras journey to the east, c. 1767/68

Lovers Interrupted, sheet 18 from the series "Poems of the Husband and Wife Mane
Lovers Interrupted, sheet 18 from the series " Poems of the Husband and Wife Mane emon (Haikai meoto Mane emon)", c. 1770/71

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"Chuban Yoko-e: A Glimpse into the World of Marriage and Tradition in 18th Century Japan" Step back in time with Suzuki Harunobu's captivating chuban yoko-e prints, offering a window into the intricate customs and rituals surrounding marriage during the Edo period. In "Exchange of Gifts (Yuino), " we witness the delicate dance of betrothal as families exchange presents to seal their children's union. The vibrant colors and meticulous details transport us to a world where love is celebrated through material tokens. "The Introduction (Miai)" introduces us to the initial encounter between prospective partners, capturing their nervous anticipation amidst blooming cherry blossoms. Harunobu's skillful use of space creates an atmosphere charged with both excitement and apprehension. Moving forward, "The Bride Riding in the Palanquin to Her Husband's House (Koshi-iri)" showcases a momentous occasion as the bride embarks on her journey towards her new life. Adorned in luxurious garments, she exudes grace while being carried by attendants through bustling streets. As night falls, "A Cup of Sake before Bed (Toko sakazuki)" invites us into an intimate scene where newlyweds share a quiet moment together. The warm glow illuminates their faces as they toast to their future happiness. Transitioning further into married life, "The Ceremonial Sake (Konrei sakazuki)" reveals a ceremonial ritual symbolizing unity and fertility. With hands clasped around sake cups, husband and wife reaffirm their commitment amidst auspicious symbols adorning the room. "The Bride Changing Clothes (Iro-naoshi)" captures another pivotal moment as the bride transitions from her wedding attire into traditional robes signifying her new role within society. This metamorphosis represents not only physical transformation but also emotional growth. In contrast to these marital scenes, Harunobu's other works offer glimpses into everyday life.