Classical Architecture Collection (page 5)

Artists impression of Athens, at the time of the Emperor Hadrian, from El
KW478322 Artists impression of Athens, at the time of the Emperor Hadrian, from El Mundo Ilustrado, published Barcelona, 1880 (litho) by European School

Artists impression of the Temple of Poseidon, Paestum, from El Mundo Ilustrado
KW478321 Artists impression of the Temple of Poseidon, Paestum, from El Mundo Ilustrado, published Barcelona, 1880 (litho) by European School

Artists impression of Olympia, Greece, at the time of the ancient Olympic Games
KW478318 Artists impression of Olympia, Greece, at the time of the ancient Olympic Games, from El Mundo Ilustrado, published Barcelona, 1880 (litho) by European School

The end of the Chariot Race at the Olympic Games in Ancient Greece, from El
KW478316 The end of the Chariot Race at the Olympic Games in Ancient Greece, from El Mundo Ilustrado, published Barcelona, 1880 (litho) by European School

Imaginary view of the market place of Agora in Athens, ancient Greece, from El
KW478315 Imaginary view of the market place of Agora in Athens, ancient Greece, from El Mundo Ilustrado, published Barcelona, 1880 (litho) by European School

Altarpiece of St. Zeno of Verona, left panel showing St. Peter, St. Paul and St. John
XIR439903 Altarpiece of St. Zeno of Verona, left panel showing St. Peter, St. Paul and St. John, 1456-60 (oil on panel) (detail of 214237) by Mantegna

St. Cecilia Distributing Alms, c. 1612-15 (oil on canvas)
XIR438850 St. Cecilia Distributing Alms, c.1612-15 (oil on canvas) by Domenichino (Domenico Zampieri) (1581-1641); San Luigi dei Francesi, Rome

The Return of the Progial Son (oil on canvas)
XIR418373 The Return of the Progial Son (oil on canvas) by Garoli, Pietro Francesco (1638-1716); 143x188 cm; Musee des Beaux-Arts, Caen

The Ancient Temple (oil on canvas)
XIR414031 The Ancient Temple (oil on canvas) by Robert, Hubert (1733-1808); 38x46 cm; Musee de la Ville de Paris, Musee du Petit-Palais, France; (add.info.: Le Temple Antique; ); French

The Falls of Tivoli, 1768 (oil on canvas)
XIR409292 The Falls of Tivoli, 1768 (oil on canvas) by Robert, Hubert (1733-1808); 76x93 cm; Musee des Beaux-Arts, Pau, France; (add.info.: Les Cascades de Tivoli; ); French, out of copyright

Landscape with Setting Sun, 1705 (oil on canvas)
XIR371999 Landscape with Setting Sun, 1705 (oil on canvas) by Patel, Antoine Pierre the Younger (1648-1707); Musee des Beaux-Arts, Marseille

Capitol, set for La clemeza di Tito designed by Beuther, 1815 (w / c on paper)
XPH330369 Capitol, set for La clemeza di Tito designed by Beuther, 1815 (w/c on paper) by German School, (19th century); Theatermuseum der Universitaet zu Koeln, Cologne

Temple of Minerva Sunium, engraved by J. Saddler (engraving)
XJF314355 Temple of Minerva Sunium, engraved by J. Saddler (engraving) by Simpson, William Crimea (1823-99); Private Collection; Scottish, out of copyright

Cape Colonna, with ruins of the Temple of Minerva, coast of Greece, from The
XJF314352 Cape Colonna, with ruins of the Temple of Minerva, coast of Greece, from The Illustrated London News (engraving) by English School, (19th century); Private Collection; English

Frederick the Great dressed in the costume of the Order of the Black Eagle (oil on panel)
XPH312436 Frederick the Great dressed in the costume of the Order of the Black Eagle (oil on panel) by German School, (18th century); Mittelrhein Museum, Klobenz

King Frederick I of Prussia (oil on canvas)
XPH312435 King Frederick I of Prussia (oil on canvas) by Pesne, Antoine (1683-1747); Staatliche Schlosser und Garten, Potsdam

Emperor Frederick Barbarossas wedding to Beatrix of Burgundy in 1156, c. 1751-52
XPH311189 Emperor Frederick Barbarossas wedding to Beatrix of Burgundy in 1156, c.1751-52 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Residenz, Wurzburg

Kimbolton Castle, 1880 (litho)
XJF396632 Kimbolton Castle, 1880 (litho) by English School, (19th century); Private Collection; (add.info.: shows the house as it was rebuilt by Sir John Vanbrugh (1664-1726)

The Parable of the Prodigal Son (oil on canvas)
XIR426204 The Parable of the Prodigal Son (oil on canvas) by Feti, Domenico (1589-1624); 61x44 cm; Musee des Beaux-Arts, Caen, France; (add.info.: La Parabole de l Enfant Prodigue; ); Italian

The Country Dance (oil on canvas)
XIR390305 The Country Dance (oil on canvas) by Pater, Jean-Baptiste Joseph (1695-1736); 59x72 cm; Musee des Beaux-Arts, Angers, France; (add.info.: Le Bal Champetre; ); French, out of copyright

The Bathers (oil on canvas)
XIR390304 The Bathers (oil on canvas) by Pater, Jean-Baptiste Joseph (1695-1736); 49x62 cm; Musee des Beaux-Arts, Angers, France; (add.info.: Les Baigneuses; ); French, out of copyright

Ancient Theatre, Hadrians Villa, near Tivoli (red chalk on paper)
XIR284108 Ancient Theatre, Hadrians Villa, near Tivoli (red chalk on paper) by Fragonard, Jean-Honore (1732-1806); 35.7x49.4 cm; Musee des Beaux-Arts et d Archeologie, Besancon

Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841, (litho
XYC294996 Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841, (litho on heavy wove paper) by Lear, Edward (1812-88); 25.2x40.5 cm; Yale Center for British Art

A Scene in Ancient Rome, A Setting for Titus Andronicus, Act I, scene 3, c. 1830
XYC281151 A Scene in Ancient Rome, A Setting for Titus Andronicus, Act I, scene 3, c.1830 (w/c & gouache with pen & ink on paper) by Gandy

Ancient Ephesus from above the Theatre, engraved by William Richardson (1842-77)
KW284702 Ancient Ephesus from above the Theatre, engraved by William Richardson (1842-77) from The Imperial Bible Dictionary, published by Blackie & Son, c.1880s (litho) by Falkener

Relief from the Arch of Constantine, c. 315 AD (marble)
XIR238765 Relief from the Arch of Constantine, c.315 AD (marble) by Roman, (4th century AD); Rome, Italy; (add.info.: Constantine on the rostrum of the Forum; built to celebrate Constantines victory)

Nimes, from the Tour Magne, c. 1765-68 (w / c and pen & brown ink over pencil on paper)
XYC238473 Nimes, from the Tour Magne, c.1765-68 (w/c and pen & brown ink over pencil on paper) by Marlow, William (1740-1813); 36.5x53.3 cm; Yale Center for British Art, Paul Mellon Collection

Temple of Venus and Rome, Rome, 1781 (w / c with pen & brown ink over pencil on paper)
XYC237807 Temple of Venus and Rome, Rome, 1781 (w/c with pen & brown ink over pencil on paper) by Pars, William (1742-82); 30.5x41.3 cm; Yale Center for British Art, Paul Mellon Collection

The Feast in the House of Levi (oil on canvas)
XIR227605 The Feast in the House of Levi (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); Private Collection; Italian, out of copyright

Theatre (photo)
XSP224326 Theatre (photo) by Roman; Petra, Jordan; out of copyright

Landscape at Dawn, 1705 (oil on canvas)
XIR218952 Landscape at Dawn, 1705 (oil on canvas) by Patel, Antoine Pierre the Younger (1648-1707); 82x104 cm; Musee des Beaux-Arts, Marseille, France; French, out of copyright

Ruins of a Temple (oil on canvas)
XIR218951 Ruins of a Temple (oil on canvas) by Griffoni, Giovanni Maria (fl.1770-98); 123x93 cm; Musee des Beaux-Arts, Marseille

View of the Pont du Gard, 1859 (oil on canvas)
XIR210423 View of the Pont du Gard, 1859 (oil on canvas) by Poinsot, Henri Marie (1831-1914); Musee des Beaux-Arts, Nimes, France; (add.info.: built c.19 BC by Agrippa; ); French, out of copyright

A Colonnade in Ruins, 1780 (pen & ink and w / c on paper)
XIR204943 A Colonnade in Ruins, 1780 (pen & ink and w/c on paper) by Robert, Hubert (1733-1808); 80x77 cm; Musee des Beaux-Arts, Lille, France; French, out of copyright

Self Portrait, 1727 (oil on panel)
XKH191641 Self Portrait, 1727 (oil on panel) by Roore, Jacques Ignatius de (1686-1747); 20x16 cm; Hamburger Kunsthalle, Hamburg, Germany; Flemish, out of copyright

Portrait of the Mistress of the Artist M. C. Cremers (oil on panel)
XKH191640 Portrait of the Mistress of the Artist M.C. Cremers (oil on panel) by Roore, Jacques Ignatius de (1686-1747); 19.8x16 cm; Hamburger Kunsthalle, Hamburg

The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c
XKH179016 The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c.1532 (pen & ink & wash on paper) by Vaga

Temple of Janus, 1630s (oil on canvas)
BAL170667 Temple of Janus, 1630s (oil on canvas) by Rubens, Peter Paul (1577-1640); 70x65.5 cm; State Hermitage Museum, St. Petersburg, Russia; Flemish, out of copyright

Charles Lennox Cumming, 1817 (oil on panel)
XYC168255 Charles Lennox Cumming, 1817 (oil on panel) by Geddes, Andrew (1783-1844); 64.1x53.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish, out of copyright

View in the Roman Forum (The Temple of Peace) 1779 (w / c with pen and ink over pencil
XYC165956 View in the Roman Forum (The Temple of Peace) 1779 (w/c with pen and ink over pencil on paper) by Ducros, Abraham Louis Rudolph (1748-1810); 53x74 cm; Yale Center for British Art

Le Ministere de la Marine, 1865 (etching)
XKH149245 Le Ministere de la Marine, 1865 (etching) by Meryon, Charles (1821-68); 16.8x14.8 cm; On Loan to the Hamburg Kunsthalle, Hamburg, Germany; French, out of copyright

Carceri IV, 1760 (etching)
XKH149241 Carceri IV, 1760 (etching) by Piranesi, Giovanni Battista (1720-78); On Loan to the Hamburg Kunsthalle, Hamburg, Germany; Italian, out of copyright

View of the Roman Amphitheatre (w / c on paper)
XIR218782 View of the Roman Amphitheatre (w/c on paper) by Seynes, Alphonse de (1786-1844); Musee des Beaux-Arts, Nimes, France; French, out of copyright

Barricade during the Commune of Paris, at the corner of Rue de Rivoli and Place de la Concorde
XIR215494 Barricade during the Commune of Paris, at the corner of Rue de Rivoli and Place de la Concorde, 1871 (b/w photo) by French Photographer, (19th century); Bibliotheque Nationale, Paris

Modern Rome, Campo Vaccino, 1839 (oil on canvas)
XOS1077645 Modern Rome, Campo Vaccino, 1839 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 91.8x122.6 cm; J. Paul Getty Museum, Los Angeles, USA; English, out of copyright

The Temple of Vesta, Rome, 1849 (w / c over graphite on paper)
XYC175246 The Temple of Vesta, Rome, 1849 (w/c over graphite on paper) by Holland, James (1799-1870); 19.7x27.6 cm; Yale Center for British Art, Paul Mellon Collection

The Marriage Feast at Cana, detail of the left hand side, c. 1562 (oil on canvas)
XIR173162 The Marriage Feast at Cana, detail of the left hand side, c.1562 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); Louvre, Paris

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"Exploring the Timeless Beauty of Classical Architecture" Step into a world where elegance and grandeur reign supreme. Classical architecture, with its iconic Doric, Ionic, and Corinthian columns, has stood the test of time as a symbol of sophistication and artistic mastery. From the towering Burj Khalifa in Dubai to the awe-inspiring Pantheon interior in ancient Rome, classical architecture never fails to leave us breathless. The Parthenon in ancient Athens whispers tales of ancient civilizations while a humble home in ancient Rome takes us back to simpler times. Marvel at Michelangelo's David replica statue proudly standing tall at Piazza della Signoria, surrounded by the majestic Palazzo Vecchio in Florence. A Sunset or Landscape with Argus Guarding Io painting on canvas transports us to mythical realms filled with gods and goddesses. Even closer to home, we find glimpses of classical beauty. The Doric portico adorning Euston Station in London harks back to an era when craftsmanship was revered. The Arch of Titus stands proud amidst the bustling streets of Rome, reminding us of triumphs long past. Delve into history through excavations captured beautifully on film; these snapshots reveal secrets hidden beneath shifting sands. As evening falls upon Ponte Vecchio in Florence, gather for a delightful dinner party by the Arno River - an enchanting setting that exudes timeless charm. The Cathedral di Santa Maria del Fiore facade beckons visitors from afar as they marvel at its intricate details. And let's not forget about the Baptistery created centuries ago – a testament to human ingenuity and devotion. Classical architecture is more than just buildings; it is an embodiment of artistry that transcends time itself. It continues to inspire awe and admiration across continents as we appreciate its enduring legacy throughout history.