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Cloak Collection (#98)

"The Power of the Cloak: Unveiling Hidden Identities and Symbolism in Art" Throughout history, artists have masterfully depicted the enigmatic allure of the cloak

Background imageCloak Collection: The Donkey Cabbages, 1901. Artist: Edward Henry Wehnert

The Donkey Cabbages, 1901. Artist: Edward Henry Wehnert
The Donkey Cabbages, 1901. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]

Background imageCloak Collection: The Three Brothers, 1901. Artist: Edward Henry Wehnert

The Three Brothers, 1901. Artist: Edward Henry Wehnert
The Three Brothers, 1901. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]

Background imageCloak Collection: The Shoes Which Were Danced to Pieces, 1901. Artist: Edward Henry Wehnert

The Shoes Which Were Danced to Pieces, 1901. Artist: Edward Henry Wehnert
The Shoes Which Were Danced to Pieces, 1901. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]

Background imageCloak Collection: The Statue of Edward VI, 1886. Artist: J Mills

The Statue of Edward VI, 1886. Artist: J Mills
The Statue of Edward VI, 1886. From the front of the Guildhall Chapel. Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Background imageCloak Collection: Princess Elizabeth arriving for the Coronation of her parents, 1937

Princess Elizabeth arriving for the Coronation of her parents, 1937. Her Royal Highness shaking hands with the Duke of Norfolk, The Earl Marshal, who received her

Background imageCloak Collection: The Crowning of the King, 1937

The Crowning of the King, 1937. The Archbishop Placing the Crown of St. Edward on His Majestys Head. King George ascended the throne upon the abdication of his brother, King Edward VIII

Background imageCloak Collection: The Recognition: The King Stands Before the Assembly, presented by the Archbishop, 1937

The Recognition: The King Stands Before the Assembly, presented by the Archbishop, 1937. King George ascended the throne upon the abdication of his brother, King Edward VIII, on 11th December 1936

Background imageCloak Collection: Didon - Reine De Carthage, 1403, (1939). Artist: Master of Berrys Cleres Femmes

Didon - Reine De Carthage, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Didon - Reine De Carthage, 1403, (1939). Dido (Elyssa, Elissa, Elisha, Elysha or Helissa ) is a Phoenician princess, legendary founder and first queen of Carthage

Background imageCloak Collection: Meduse - Fille de Phorcis, 1403, (1939). Artist: Master of Berrys Cleres Femmes

Meduse - Fille de Phorcis, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Meduse - Fille de Phorcis, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Background imageCloak Collection: Orithie & Antiope - Reines Des Amazones, 1403, (1939). Artist: Master of Berrys Cleres Femmes

Orithie & Antiope - Reines Des Amazones, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Orithie & Antiope - Reines Des Amazones, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Background imageCloak Collection: The Burial of Etienne Chevalier, c1455, (1939). Artist: Jean Fouquet

The Burial of Etienne Chevalier, c1455, (1939). Artist: Jean Fouquet
The Burial of Etienne Chevalier, c1455, (1939). Etienne Chevalier (c.1410 in Melun - 1474) was a major civil servant of the French kings Charles VII and Louis XI

Background imageCloak Collection: Gualdrade - Pucelle Florentine, 1403, (1939). Artist: Master of Berrys Cleres Femmes

Gualdrade - Pucelle Florentine, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Gualdrade - Pucelle Florentine, 1403, (1939). Gualdrada was a member of the nobility in 13th century Florence, Italy. She was a daughter of Bellincion Berti

Background imageCloak Collection: A typical shepherd and his flock on the plains of Hungary, 1915

A typical shepherd and his flock on the plains of Hungary, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

Background imageCloak Collection: In spring 1910, King Edward VII died, in March 1911, King George V was crowned, 1911, (1945)

In spring 1910, King Edward VII died, in March 1911, King George V was crowned, 1911, (1945). From Winston Churchill: His Life in Pictures, by Ben Tucker. [Sagall Press, Ltd. London, 1945]

Background imageCloak Collection: Professor EP Cathcart, CBE. FRS. (Glasgow University), 1926. Artist: Norah Neilson Gray

Professor EP Cathcart, CBE. FRS. (Glasgow University), 1926. Artist: Norah Neilson Gray
Professor EP Cathcart, CBE. FRS. (Glasgow University), 1926. Edward Provan Cathcart (1877-1954), Scottish physician and physiologist. From The Studio Volume 91

Background imageCloak Collection: A Woman With a Plaited Bodice and a Cloak over her Left Arm, c1480 (1945). Artist: Leonardo da Vinci

A Woman With a Plaited Bodice and a Cloak over her Left Arm, c1480 (1945). Artist: Leonardo da Vinci
A Woman With a Plaited Bodice and a Cloak over her Left Arm, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageCloak Collection: Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

Background imageCloak Collection: Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934)

Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934). Artist: Alonso Sanchez Coello
Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austrias), 1557-1559, (c1934). Don Carlos (1545-1548), son of Philip II and his first wife Maria of Portugal

Background imageCloak Collection: Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Background imageCloak Collection: La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Artist: Diego Velasquez

La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Artist: Diego Velasquez
La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Probably commissioned for the oratory of the court of Elisabeth of France

Background imageCloak Collection: Retrato del bufon Don Juan De Austria, (The Jester Don John of Austria), 1632, (c1934)

Retrato del bufon Don Juan De Austria, (The Jester Don John of Austria), 1632, (c1934). Artist: Diego Velasquez
Retrato del bufon Don Juan De Austria, (The Jester Don John of Austria), 1632, (c1934). A jester or bufon at the court of Philip IV of Spain from 1624 to 1654 who appeared in court comedies in front

Background imageCloak Collection: Infant Baltasar Carlos (1629-1646), 1639 (c1927). Artist: Diego Velasquez

Infant Baltasar Carlos (1629-1646), 1639 (c1927). Artist: Diego Velasquez
Infant Baltasar Carlos (1629-1646), 1639 (c1927). Baltasar Carlos was Prince of Asturias and of Portugal and the only son of King Philip IV of Spain and Elisabeth of France

Background imageCloak Collection: A Kashmiri Pundat, 1903. Artist: Mortimer L Menpes

A Kashmiri Pundat, 1903. Artist: Mortimer L Menpes
A Kashmiri Pundat, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Background imageCloak Collection: A Rajput of Rajgarh, 1903. Artist: Mortimer L Menpes

A Rajput of Rajgarh, 1903. Artist: Mortimer L Menpes
A Rajput of Rajgarh, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Background imageCloak Collection: A Soldier of His Highness Dogra Sowar, 1903. Artist: Mortimer L Menpes

A Soldier of His Highness Dogra Sowar, 1903. Artist: Mortimer L Menpes
A Soldier of His Highness Dogra Sowar, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Background imageCloak Collection: A Kashmiri Soldier, 1903. Artist: Mortimer L Menpes

A Kashmiri Soldier, 1903. Artist: Mortimer L Menpes
A Kashmiri Soldier, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Background imageCloak Collection: Francis Bacon, Viscount St. Albans, c1600, (1904). Artist: Paulus van Somer

Francis Bacon, Viscount St. Albans, c1600, (1904). Artist: Paulus van Somer
Francis Bacon, Viscount St. Albans, c1600, (1904). From James I. and VI, by T. F. Henderson. [Goupil & Co. Paris, Edinburgh, New York, London, 1904]

Background imageCloak Collection: Henry Charles Somerset, Duke of Beaufort, K. G. 1829. Artist: Thomas Anthony Dean

Henry Charles Somerset, Duke of Beaufort, K. G. 1829. Artist: Thomas Anthony Dean
Henry Charles Somerset, 6th Duke of Beaufort, Duke of Beaufort, K.G.. Styled Marquess of Worcester until 1803, was a British politician, educated at Westminster School

Background imageCloak Collection: William II, King of England from 1087, (1932). Artist: Rosalind Thornycroft

William II, King of England from 1087, (1932). Artist: Rosalind Thornycroft
William II, King of England from 1087, (1932). The son of William the Conqueror, William II (William Rufus) (c1056-1100) reigned from 1087. He was killed by an arrow while hunting in the New Forest

Background imageCloak Collection: William I, King of England from 1066, (1932). Artist: Rosalind Thornycroft

William I, King of England from 1066, (1932). Artist: Rosalind Thornycroft
William I, King of England from 1066, (1932). William (1027-1087) took the throne in 1066 after defeating King Harold II at the Battle of Hastings

Background imageCloak Collection: Young Owen Appeals to the King, 1911. Artist: Walter Crane

Young Owen Appeals to the King, 1911. Artist: Walter Crane
Young Owen Appeals to the King, 1911. How Arthur was made king and won his kingdom. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Background imageCloak Collection: James I, King of Great Britain and Ireland from 1603, (1932). Artist: Rosalind Thornycroft

James I, King of Great Britain and Ireland from 1603, (1932). Artist: Rosalind Thornycroft
James I, King of Great Britain and Ireland from 1603, (1932). James Stuart (1566-1625) was the first King of Great Britain and the first Stuart monarch

Background imageCloak Collection: Edward III, King of England from 1327, (1932). Artist: Rosalind Thornycroft

Edward III, King of England from 1327, (1932). Artist: Rosalind Thornycroft
Edward III, King of England from 1327, (1932). Edward (1312-1377) was one of the most successful English kings of medieval times

Background imageCloak Collection: Jacob Tonson, founder of the Kit-Cat Club, c1730, (1911)

Jacob Tonson, founder of the Kit-Cat Club, c1730, (1911). Jacob Tonson, sometimes referred to as Jacob Tonson the elder (1655-1736) was an eighteenth-century English bookseller and publisher

Background imageCloak Collection: King George II, 1744, (1911). Artists: Unknown, Thomas Hudson

King George II, 1744, (1911). Artists: Unknown, Thomas Hudson
King George II, 1744, (1911). George II (1683-1760) was King of Great Britain and Ireland, from 11 June 1727 until his death

Background imageCloak Collection: Edward VI, 1859

Edward VI, 1859. King of England and Ireland from 28 January 1547 until his death. He was crowned at the age of nine, third monarch of the Tudor dynasty and raised as a Protestant

Background imageCloak Collection: Edward V, 1859. Artist: George Vertue

Edward V, 1859. Artist: George Vertue
Edward V, 1859. One of four uncrowned Kings of England. His 86-day reign ended after he was sent to heavily guarded royal lodgings in the Tower of London

Background imageCloak Collection: Tritone (Triton), c1850

Tritone (Triton), c1850

Background imageCloak Collection: A Man of the Time of Richard III, 1907. Artist: Dion Clayton Calthrop

A Man of the Time of Richard III, 1907. Artist: Dion Clayton Calthrop
A Man of the Time of Richard III, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

Background imageCloak Collection: Bust of King George III of England, 1767. Artist: John Nost

Bust of King George III of England, 1767. Artist: John Nost
Bust of King George III (1760-1820), 1767. During his reign, Britain became the dominant power in Europe, but lost its American colonies, and in his later life he suffered from mental illness

Background imageCloak Collection: Oliver Cromwell Dissolving the Long Parliament, 1653, (1903)

Oliver Cromwell Dissolving the Long Parliament, 1653, (1903)
Oliver Cromwell Dissolving the Long Parliament, c1653, (1903). Cromwell (1599-1658) commanded the forces of Parliament during the English Civil War

Background imageCloak Collection: James I. (Hampton Court Palace), c1620, (1903). Artist: Paulus van Somer

James I. (Hampton Court Palace), c1620, (1903). Artist: Paulus van Somer
James I. (Hampton Court Palace), c1620, (1903). James I and VI (1566-1625). The portrait is part of the Royal Collection Trust, Windsor Castle. From Social England, Volume IV, edited by H.D

Background imageCloak Collection: St. Martin in Heaven, (1896). Artist: Ford Madox Brown

St. Martin in Heaven, (1896). Artist: Ford Madox Brown
St. Martin in Heaven, 1897. A Sketch of the St Martin Window, in the Church of St Martin on the Hill, Scarborough, designed by Ford Maddox Brown, depicting St Martin in heaven

Background imageCloak Collection: Portrait of Lucien Pissarro, Esq, 1920. Artist: William Strang

Portrait of Lucien Pissarro, Esq, 1920. Artist: William Strang
Portrait of Lucien Pissarro, Esq, 1920. Lucien Pissarro (1863?1944), landscape painter, printmaker, wood engraver and designer. Painting held at The National Gallery of Canada, Ottawa

Background imageCloak Collection: Queen Phillippa 1350, 1926. Artist: Herbert Norris

Queen Phillippa 1350, 1926. Artist: Herbert Norris
Queen Phillippa 1350, 1926. Philippa of Hainault (1314-1369). From Costume & Fashion, Volume Two, Senlac to Bosworth 1066-1485, by Herbert Norris. [J. M. Dent and Sons Ltd. London and Toronto, 1927]

Background imageCloak Collection: A Noble Lady, 1926. Artist: Herbert Norris

A Noble Lady, 1926. Artist: Herbert Norris
A Noble Lady, 1926. A Noble Lady in the fashion of King Edward IIs (1284-1327) reign. From Costume & Fashion, Volume Two, Senlac to Bosworth 1066-1485, by Herbert Norris. [J. M. Dent and Sons Ltd

Background imageCloak Collection: Richard I, 1926. Artist: Herbert Norris

Richard I, 1926. Artist: Herbert Norris
Richard I, 1926. Richard I (1157-1199), King of England from 1189 to 1199. In his own time, the troubadour Bertran de Born called him Oc-e-Non (Yes-and-No)

Background imageCloak Collection: Elkanah from the St. Eadmundsbury Bible, c1135 (1927). Artist: Master Hugo

Elkanah from the St. Eadmundsbury Bible, c1135 (1927). Artist: Master Hugo
Elkanah from the St. Eadmundsbury Bible, c1135. The Bury Bible was commissioned by Herveus, the sacrist of Bury St Edmunds, one of the wealthiest Benedictine monasteries in England




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"The Power of the Cloak: Unveiling Hidden Identities and Symbolism in Art" Throughout history, artists have masterfully depicted the enigmatic allure of the cloak, a garment that transcends time and culture. Rembrandt van Rijn's "A Man in Armour" captures the essence of strength and mystery as a figure dons an imposing suit while concealing his true intentions beneath a cloak. In 1918, Trotsky slayed the counter-revolutionary dragon in a powerful poster. The revolutionary leader's cloak symbolizes his ability to navigate through treacherous times with cunning strategy and resilience. The regal elegance of Queen Elizabeth II is magnificently portrayed by Sterling Henry Nahum Baron in her coronation robes. Her majestic cloak drapes around her like a shield, embodying her role as a protector and symbolizing her authority over the British Empire. Kaiser Wilhelm II, during World War I, wore his military uniform with pride but also relied on his commanding presence hidden behind an authoritative cloak. This visual representation reflects both power and vulnerability amidst turbulent times. St Martin De Tours exemplifies selflessness as he shares his own cloak with a beggar to provide warmth and comfort. This act of compassion immortalized by countless artists emphasizes empathy as an essential virtue for humanity. John Everett Millais' paintings "My First Sermon" (1863) and "My Second Sermon" (1864) depict children wearing cloaks while attending church services. These innocent figures are metaphorically protected from worldly distractions by their spiritual garments - reminding us of our need for faith even in uncertain times. The fable of Wind and Sun showcases how persuasion triumphs over force when it comes to removing one's outer layer. The wind fails miserably while attempting to strip off someone's cloak, highlighting the power of gentle persuasion compared to coercion or aggression. Ladislaus I of Hungary or St.