Clytemnestra Collection

"The story of Orestes, " at the Prince's Hall Piccadilly 1886. Creator: Unknown
"The story of Orestes, " at the Prince's Hall Piccadilly - The Ghost of Clytemnestra awakening the Furies, Act III 1886. From "The Graphic

The Sacrifice of Iphigenia, 1650-1660. Creator: Tassel, Jean (1608-1667)
The Sacrifice of Iphigenia, 1650-1660. Found in the Collection of the State Museum Arkhangelskoye Estate, Moscow

Study for Clytemnestra, c. 1873 (black & white chalk on blue paper)
1631776 Study for Clytemnestra, c.1873 (black & white chalk on blue paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; (add.info.: Clytemnestra)

Copepod crustaceans
Copepoda or copepod crustaceans.: Calocalanus pavo male, Clytemnestra scutellata female, Oncaea venusta male, Cryptopontius thorelli female, Acontiophorus scutatus female, Corycaeus venustus female

Leda and the swan (pen & brown ink over black chalk on paper)
CTS366722 Leda and the swan (pen & brown ink over black chalk on paper) by Vinci, Leonardo da (1452-1519); 16x13.7 cm; eThe Devonshire Collections

How King Agamemnon came home
1192669 How King Agamemnon came home by Cole, Herbert (1867-1930); Private Collection; (add.info.: The Sunset of Heroes published by J M Dent & Son Ltd 1932); English, out of copyright

Red-figure volute krater depicting Orestes and the Furies, late 4th century BC (pottery)
XIR179393 Red-figure volute krater depicting Orestes and the Furies, late 4th century BC (pottery) by Etruscan, (4th century BC); height: 50 cm; Musee Municipal, Laon, France; Greek, out of copyright

Iphigenia in Tauris, c. 1890. Creator: Stuck, Franz, Ritter von (1863-1928)
Iphigenia in Tauris, c. 1890. Private Collection

The Sacrifice of Iphigenia, 1749-1750. Creator: Doyen, Gabriel Francois (1726-1806)
The Sacrifice of Iphigenia, 1749-1750. Found in the Collection of Collection Motais de Narbonne

Iphigenia (Head study). Artist: Feuerbach, Anselm (1829-1880)
Iphigenia (Head study). Found in the collection of Museum Oskar Reinhart, Winterthur

Clytemnestra hesitates before killing the sleeping Agamemnon. Artist: Guerin, Pierre Narcisse, Baron (1774-1833)
Clytemnestra hesitates before killing the sleeping Agamemnon. Found in the collection of Louvre, Paris

Iphigenia in Tauris, 1889-1890. Artist: Vasnetsov, Appolinari Mikhaylovich (1856-1933)
Iphigenia in Tauris, 1889-1890. Found in the collection of the V. Vasnetsov Memorial Museum, Moscow

Clytemnestra, c1927. Artist: Vera Willoughby
Clytemnestra, c1927. In ancient Greek legend Clytemnestra was the wife of Agamemnon, ruler of the Ancient Greek kingdom of Mycenae or Argos

The Sacrifice of Iphigenia, 18th century. Artist: Fontebasso, Francesco (1709-1769)
The Sacrifice of Iphigenia, 18th century. From a private collection

The Mask of Agamemnon, 16th-15th cen. BC. Artist: Gold of Troy, Priam?s Treasure
The Mask of Agamemnon, 16th-15th cen. BC. Found in the collection of the National Archaeological Museum, Athens

On the Seashore (Modern Iphigenia), 1875. Artist: Feuerbach, Anselm (1829-1880)
On the Seashore (Modern Iphigenia), 1875. Found in the collection of the Museum Kunstpalast, Dusseldorf

Iphigenia, 1862. Artist: Feuerbach, Anselm (1829-1880)
Iphigenia, 1862. Found in the collection of the Hessisches Landesmuseum Darmstadt

The Sacrifice of Iphigenia, 1680. Artist: La Fosse, Charles, de (1636-1716)
The Sacrifice of Iphigenia, 1680. Found in the collection of the Musee National du Chateau de Versailles et du Trianon

the Story of Orestes, at the Princes Hall, Piccadilly, London, Uk
" the Story of Orestes, " at the Princes Hall, Piccadilly, London, Uk, 1886: the Ghost of Clytemnestra Awakening the Furies, Act Iii

The Ghost of Clytemnestra Awakening the Furies Signed and dated in black paint, lower left: " J[...] Downman | pinxit 1781", John Downman, 1750-1824, British

HENNEQUIN, Philippe Auguste (1762-1833). The

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"Clytemnestra: A Tragic Tale of Betrayal, Revenge, and Redemption" In the ancient Greek mythological world, Clytemnestra's name echoes through time as a symbol of treachery and vengeance. From Agamemnon's assassination to Orestes' pursuit by the Furies, her story is one filled with passion and turmoil. Engraved in history is the haunting image of Agamemnon lying lifeless at Clytemnestra's hands. The tragedy unfolds on stage in Aeschylus' "Agamemnon, " performed at Bradfield College, where she confronts him at the palace door while his Trojan slaves draw his chariot. A study for Clytemnestra captures her essence - a complex character portrayed with black and white chalk on blue paper. This depiction hints at her inner struggles and conflicting emotions that lead to her fateful actions. But there is more to this captivating figure than meets the eye. She shares space with copepod crustaceans, reminding us that even amidst chaos, nature continues its course. Just like Leda and the swan depicted in pen & brown ink over black chalk on paper – a symbol of forbidden desires leading to unforeseen consequences. As King Agamemnon returns home after years of war, we witness how Clytemnestra's resentment festers within her soul. It culminates in a red-figure volute krater depicting Orestes standing alongside the Furies – an embodiment of justice seeking retribution for their father's death. Yet amidst all this darkness lies glimpses of hope and redemption. In John Maler Collier’s painting from 1882 (c1915), we see Clytemnestra adorned in regal attire but also bearing vulnerability – perhaps hinting at remorse or longing for forgiveness. The tragedies surrounding Iphigenia further deepen our understanding of Clytemnestra's character.