Coleridge Collection (#3)

House at Highgate in which Coleridge the Poet Died, 1858

SAMUEL COLERIDGE-TAYLOR (1875-1912). English composer. Photograph, c1905

SAMUEL TAYLOR COLERIDGE (1772-1834). English poet. Autograph manuscript page of the poem, Romance, or Tale of the Dark Age, 1828

COLERIDGE TITLE-PAGE, 1816. Title-page of the first edition of Samuel Taylor Coleridge s
COLERIDGE TITLE-PAGE, 1816. Title-page of the first edition of Samuel Taylor Coleridges Christabel, London, 1816

The Late Sir John Taylor Coleridge, (9 July 1790 Aa
The Late Sir John Taylor Coleridge, (9 July 1790 A

Sketches in the Royal Courts of Justice: an Interesting Trial. 1883. Mr. Russell, Q.C.; Mr. Biggar, M.P.; Mr. Clarke, Q.C.; Miss Hyland; Lord Chief Justice Coleridge; Miss Hyland Examined

House at Highgate in which Coleridge the Poet Died, 1858

COLERIDGE, Samuel Taylor (1772-1834); Dore, Paul Gustave (1832-1883). The Rime of the Ancient Mariner. 1877. Scene of death and the lady. Litography

Mariner, Wedding Guest
The Mariner compels the Wedding Guest to listen to his tale: The Wedding-Guest sat on a stone: He cannot choose but hear Date: First published: 1798

SAMUEL TAYLOR COLERIDGE (1772-1834). English poet. Pencil and wash drawing, 1796, by Robert Hancock (1730-1817)

COLERIDGE: ANCIENT MARINER. Wood engraving from a 19th century edition of Samuel Taylor Coleridges The Rime of the Ancient Mariner

COLERDIGE: ANCIENT MARINER. Wood engraving from a 19th century editon of Samuel Taylor Coleridges The Rime of the Ancient Mariner

COLERIDGE: MARINER. Wood engraving from a 19th century edition of Samuel Taylor Coleridges The Rime of the Ancient Mariner

SAMUEL TAYLOR COLERIDGE (1772-1834). English poet and critic. Colored engraving, English, 1834

COLERIDGE: ANCIENT MARINER. The mariner shoots the albatross. Wood engraving after Gustave Dor

COLERIDGE: MARINER. The Rime of the Ancient Mariner. Wood engraving from a 19th century edition

COLERIDGE: ANCIENT MARINER. Wood engraving after Gustave Dor

COLERIDGE: MARINER. Wood engraving after Gustave Dor

COLERIDGE: ANCIENT MARINER. How glazed each weary eye, when looking westward, I beheld a something in the sky. Wood engraving after Gustave Dor

COLERIDGE: ANCIENT MARINER. It flung the blood into my head, and I fell down in a swound. Wood engraving after Gustave Dor

Samuel Taylor Coleridge, aged 42. Samuel Taylor Coleridge, three-quarter-length portrait, seated, facing left. Date 1854 July 10th

David Hartley Coleridge
The eldest son of Samuel Taylor Coleridge - David Hartley Coleridge (1796-1847). He was also a poet, though not as successful or as well-renowned as his illustrious Father. Date: circa 1804

PLIT2A-00058
Ship in stormy seas from Coleridges " Rime of the Ancient Mariner" Hand-colored engraving of a 19th-century Gustave Dore illustration

British Ballad, Genevieve
GENEVIEVE. British ballad by Samuel Taylor Coleridge (1772-1834)

Coleridge / Lon Sketch Bk
Sir JOHN DUKE COLERIDGE 1st Baron Coleridge Lawyer, Lord Chief Justice

Lord Coleridge
SIR JOHN DUKE COLERIDGE, Lord Chief Justice of England

Mariner Stops One Guest
The Ancient Mariner stops one of three young men on their way to a wedding to compel him to listen to his story

Coleridge Stowey Cottage
SAMUEL TAYLOR COLERIDGE English poet and critics cottage at Nether Stowey, Somerset, England. Living from 1797 to 1800, he wrote The Ancient Mariner here

Wordsworth / Grave
WILLIAM WORDSWORTH his grave, and Coleridge s

Coleridge at Grasmere
SAMUEL TAYLOR COLERIDGE English poet and critic at Grasmere, Kendal

Coleridge at 26
SAMUEL TAYLOR COLERIDGE English poet and critic as a young man

Coleridge Maclise
SAMUEL TAYLOR COLERIDGE English poet and critic in old age

KUBLA KHAN - CHASM
KUBLA KHAN The deep romantic chasm

Mariner, Albatross Shot
The Mariner shoots the albatross with his crossbow

Mariner, Two Spirits
The two spirits powering the ship onwards at great speed over the ocean

Mariner, Boat Spun Round
The rescue boat gets caught up in the whirlpool created by the sinking ship: Upon the whirl where sank the ship, The boat spun round and round

S Coleridge-Taylor / Music
Samuel Coleridge-Taylor Composer

Mariner, Ice all Around
The ship sails into the icy waters near the South Pole accompanied by the albatross: The ice was here, the ice was there, The ice was all around

COLERIDGE (1851-1927)
BERNARD JOHN COLERIDGE, second Baron Coleridge judge, son of Lord John Duke Coleridge

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"Coleridge: Exploring the Depths of Imagination and Poetry" Step into the enchanting world of Coleridge, where dreams and reality intertwine. From his timeless masterpiece "Kubla Khan, " to his humble abode in Nether Stowey, Samuel Taylor Coleridge captivated readers with his lyrical prowess. Not only known for his poetry, but also as a classical composer, Samuel Coleridge Taylor left an indelible mark on the music world. Just like the mariner in his famous work, he skillfully weaved tales of adventure and mystery through notes and melodies. Max Beerbohm's artistic depiction of Samuel Taylor Coleridge during Table-Talking in 1904 captures the essence of this literary genius. With every word that flowed from his lips, he transported listeners to distant lands filled with water snakes slithering beneath moonlit waves. Speaking of water, who can forget those haunting lines - "Water. Water. Everywhere; and not a Drop to Drink. " In these words lies both despair and hope as they echo through time. They remind us that even amidst abundance, true sustenance may elude us. As we stroll through Coleridge Grove Highgate or imagine ourselves at a breakfast party among esteemed poets such as Wordsworth, Southey, Irving, and Byron - we are reminded that greatness often thrives when minds come together in creative harmony. Gustave Doré's wood engraving perfectly encapsulates one of Coleridge's most iconic scenes - The Mariner burdened by an albatross around his neck. It symbolizes guilt and redemption intertwined within our human experience. In G Dawe's portrait of S. T. Coleridge himself, we glimpse into the soul behind those captivating verses. His eyes reflect wisdom beyond measure while hinting at untold stories waiting to be penned onto paper. Coleridge.