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Colonnades Collection (#8)

On the anniversary of the Battle of Ortigara, the pilgrimage of more than six thousand Alpine enthusiasts gathered under the majestic colonnades

Background imageColonnades Collection: Georgiana, Duchess of Devonshire, 1783 (oil on canvas)

Georgiana, Duchess of Devonshire, 1783 (oil on canvas)
7296126 Georgiana, Duchess of Devonshire, 1783 (oil on canvas) by Gainsborough, Thomas (1727-88); 235.6 x 146.5 cm; National Gallery of Art, Washington DC

Background imageColonnades Collection: City view (painting)

City view (painting)
885121 City view (painting) by Italian School, (16th century); Palazzo Schifanoia, Ferrara, Emilia Romagna, Italy

Background imageColonnades Collection: Sardis, 1836 (engraving)

Sardis, 1836 (engraving)
7268737 Sardis, 1836 (engraving) by Payne, Albert Henry (1812-1902); JMK Archiv, Bremen, Germany; (add.info.: Captions Sardis, Revelation. John III Cap. I.V)

Background imageColonnades Collection: March of the expeditionary column from western Algeria under the command of General Edmond-Charles

March of the expeditionary column from western Algeria under the command of General Edmond-Charles de Martimprey, 1859
7269215 March of the expeditionary column from western Algeria under the command of General Edmond-Charles de Martimprey, 1859.; Private Collection; (add.info)

Background imageColonnades Collection: View of the central nave of the Cathedral of Milan (b / w photo)

View of the central nave of the Cathedral of Milan (b / w photo)
3558211 View of the central nave of the Cathedral of Milan (b/w photo) by Fratelli Alinari (fl.1854-1920); (add.info.: Artist: Solari, Giovanni; Pellegrini, Pellegrino Tibaldi)

Background imageColonnades Collection: Gothic art: vault keys and warheads, ambulatory

Gothic art: vault keys and warheads, ambulatory
LRI4626442 Gothic art: vault keys and warheads, ambulatory by French School, (12th century); Basilique Saint-Denis, France; (add.info.: Gothic art: vault keys and warheads)

Background imageColonnades Collection: In the past night our airship, fighting against strong air currents, managed to carry itself

In the past night our airship, fighting against strong air currents, managed to carry itself... (colour litho)
2777588 In the past night our airship, fighting against strong air currents, managed to carry itself... (colour litho) by Beltrame

Background imageColonnades Collection: On Mount Lemerle, the Forli Brigade fights back and pursues the enemy with the kidney bayonet

On Mount Lemerle, the Forli Brigade fights back and pursues the enemy with the kidney bayonet (colour litho)
2777557 On Mount Lemerle, the Forli Brigade fights back and pursues the enemy with the kidney bayonet (colour litho) by Beltrame

Background imageColonnades Collection: How the Austrian Offensive breaks, columns that moved to the attack of Coni Zugna... (colour litho)

How the Austrian Offensive breaks, columns that moved to the attack of Coni Zugna... (colour litho)
2777555 How the Austrian Offensive breaks, columns that moved to the attack of Coni Zugna... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageColonnades Collection: The Festival, 1875 (oil on canvas)

The Festival, 1875 (oil on canvas)
5861988 The Festival, 1875 (oil on canvas) by Poynter, Edward John (1836-1919); 137.2--53.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Sir John Edward Poynter (1836-1919))

Background imageColonnades Collection: Side Colonnade in the Muroothappa Sarvacar Mundapam, January-March 1858

Side Colonnade in the Muroothappa Sarvacar Mundapam, January-March 1858. Creator: Captain Linnaeus Tripe
Side Colonnade in the Muroothappa Sarvacar Mundapam, January-March 1858

Background imageColonnades Collection: Stoic Columns of Luxor, Egypt. Creator: Viet Chu

Stoic Columns of Luxor, Egypt. Creator: Viet Chu
Stoic Columns of Luxor, Egypt

Background imageColonnades Collection: Silence. Creator: Dorte Verner

Silence. Creator: Dorte Verner
Silence

Background imageColonnades Collection: Loggia del Capitaniato, Vicenza, Itally (photo)

Loggia del Capitaniato, Vicenza, Itally (photo)
6336775 Loggia del Capitaniato, Vicenza, Itally (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; © Mark Edward Smith

Background imageColonnades Collection: Monument sketch, 1810-65 (Pencil)

Monument sketch, 1810-65 (Pencil)
7261638 Monument sketch, 1810-65 (Pencil) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Monument sketch)

Background imageColonnades Collection: The Napoleons Column, 1844 (engraving)

The Napoleons Column, 1844 (engraving)
7262302 The Napoleons Column, 1844 (engraving) by Reiss, C. (fl.1842) & Metzeroth, Bernhard (1813-48); 10.6x14.8 cm; Private Collection; (add.info.: C. Reiss del)

Background imageColonnades Collection: Loggia del Capitaniato, Vicenza, Italy (photo)

Loggia del Capitaniato, Vicenza, Italy (photo)
6336773 Loggia del Capitaniato, Vicenza, Italy (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; © Mark Edward Smith

Background imageColonnades Collection: Tomb in Church, 1800-65 (Watercolour)

Tomb in Church, 1800-65 (Watercolour)
7261571 Tomb in Church, 1800-65 (Watercolour) by Pretty, Edward (1792-1865); 20.5x25.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Tomb in Church)

Background imageColonnades Collection: Loggia del Capitaniato, Vicenza, Itally (photo)

Loggia del Capitaniato, Vicenza, Itally (photo)
6336774 Loggia del Capitaniato, Vicenza, Itally (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; © Mark Edward Smith

Background imageColonnades Collection: Giuseppe Jappelli, Gera Villa, Conegliano, Veneto, Italy, 2010 (photo)

Giuseppe Jappelli, Gera Villa, Conegliano, Veneto, Italy, 2010 (photo)
6344402 Giuseppe Jappelli, Gera Villa, Conegliano, Veneto, Italy, 2010 (photo) by Jappelli, Giuseppe (1783-1852); Conegliano Cathedral, Veneto, Italy; (add.info.: 1827); © Mark Edward Smith

Background imageColonnades Collection: Elevation of the Temple of Pandrosus at Athens, Greece. 1805 (engraving)

Elevation of the Temple of Pandrosus at Athens, Greece. 1805 (engraving)
7236358 Elevation of the Temple of Pandrosus at Athens, Greece. 1805 (engraving) by Williams, Hugh William (1773-1829); Private Collection; (add.info.: Elevation of the Temple of Pandrosus at Athens)

Background imageColonnades Collection: Pillar and capital of the Temple of Athena Polias in Priene. 1820 (engraving)

Pillar and capital of the Temple of Athena Polias in Priene. 1820 (engraving)
7236369 Pillar and capital of the Temple of Athena Polias in Priene.1820 (engraving) by Lowry, Wilson (1762-1824); Private Collection; (add.info)

Background imageColonnades Collection: Corinthian and composite capitals, Greek architecture. 1809 (engraving)

Corinthian and composite capitals, Greek architecture. 1809 (engraving)
7236364 Corinthian and composite capitals, Greek architecture. 1809 (engraving) by Lowry, Wilson (1762-1824); Private Collection; (add.info.: Corinthian and composite capitals, Greek architecture)

Background imageColonnades Collection: The Temple of Khnum at Esna, Egypt. 1808 (engraving)

The Temple of Khnum at Esna, Egypt. 1808 (engraving)
7236357 The Temple of Khnum at Esna, Egypt. 1808 (engraving) by Roffe, J. (fl.1827-d.1850); Private Collection; (add.info.: The Temple of Khnum at Esna, Egypt)

Background imageColonnades Collection: Examples of Doric pillars or columns, classical architecture. 1809 (engraving)

Examples of Doric pillars or columns, classical architecture. 1809 (engraving)
7236368 Examples of Doric pillars or columns, classical architecture. 1809 (engraving) by Lowry, Wilson (1762-1824); Private Collection; (add.info.: Examples of Doric pillars or columns)

Background imageColonnades Collection: Ruins of Palmyra (Thadmor), ca. 1835 (engraving)

Ruins of Palmyra (Thadmor), ca. 1835 (engraving)
7259560 Ruins of Palmyra (Thadmor), ca. 1835 (engraving) by Stanfield, William Clarkson (1793-1867); 9.0x14.7 cm; Private Collection; (add.info.: Captions Ruins of Palmyra (Thadmor)

Background imageColonnades Collection: A caryatid from an unknown building in Rome. 1779 (engraving)

A caryatid from an unknown building in Rome. 1779 (engraving)
7237396 A caryatid from an unknown building in Rome. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: A caryatid)

Background imageColonnades Collection: Columns of the Olympian Zeus, Athens (colour litho)

Columns of the Olympian Zeus, Athens (colour litho)
7200392 Columns of the Olympian Zeus, Athens (colour litho) by Giallinos, Angelos (1857-1939); Private Collection; (add.info.: Columns of the Olympian Zeus, Athens)

Background imageColonnades Collection: Parthenon, Athens (colour litho)

Parthenon, Athens (colour litho)
7200385 Parthenon, Athens (colour litho) by Giallinos, Angelos (1857-1939); Private Collection; (add.info.: Parthenon, Athens, Greece)

Background imageColonnades Collection: Lonja de la Seda (Silk Lodge) in Valencia, 1482-1533 (photo)

Lonja de la Seda (Silk Lodge) in Valencia, 1482-1533 (photo)
AIS5345421 Lonja de la Seda (Silk Lodge) in Valencia, 1482-1533 (photo) by Compte, Pere (fl. 1450 - 1506); La Lonja, Valencia

Background imageColonnades Collection: Sicilia / Sicily: Selinunte, Colonna del tempio di Hera (b / w photo)

Sicilia / Sicily: Selinunte, Colonna del tempio di Hera (b / w photo)
7156668 Sicilia / Sicily: Selinunte, Colonna del tempio di Hera (b/w photo) by Grober, Karl (1885-1945); Private Collection; (add.info.: Selinunte, Colonna del tempio di Hera)

Background imageColonnades Collection: The Alhambra Palace Patio in Grenada, 1899 (oil on canvas)

The Alhambra Palace Patio in Grenada, 1899 (oil on canvas)
7088641 The Alhambra Palace Patio in Grenada, 1899 (oil on canvas) by Odelmark, Franz Wilhelm (1849-1937); Private Collection

Background imageColonnades Collection: Barcelona: Columnas Romanas (b / w photo)

Barcelona: Columnas Romanas (b / w photo)
7189331 Barcelona: Columnas Romanas (b/w photo) by Busquets, Fernando Rus (1871-1914); Private Collection; (add.info.: Columnas Romanas)

Background imageColonnades Collection: Columns of the Olympian Zeus, Athens (colour litho)

Columns of the Olympian Zeus, Athens (colour litho)
7200391 Columns of the Olympian Zeus, Athens (colour litho) by Giallinos, Angelos (1857-1939); Private Collection; (add.info.: Columns of the Olympian Zeus, Athens)

Background imageColonnades Collection: Monument to the Girondins

Monument to the Girondins
7128422 Monument to the Girondins by Dumilatre, Alphonse Achille (1844-1928) & Rich, Victor (1847-1932); (add.info.: Monument to the Girondins)

Background imageColonnades Collection: Plato instructing his pupils in the colonnades of Athens while youths cavort in the gymnasium

Plato instructing his pupils in the colonnades of Athens while youths cavort in the gymnasium (colour litho)
6000255 Plato instructing his pupils in the colonnades of Athens while youths cavort in the gymnasium (colour litho) by Wulff

Background imageColonnades Collection: Design for a Counting House for Messrs Thelusson, Nephew & Co, Princes Street, 1810 (pen)

Design for a Counting House for Messrs Thelusson, Nephew & Co, Princes Street, 1810 (pen)
6449864 Design for a Counting House for Messrs Thelusson, Nephew & Co, Princes Street, 1810 (pen, coloured washes & ink on paper) by Edwards

Background imageColonnades Collection: Temple of Zeus with Acropolis, Parthenon, Athens (w / c and bodycolour)

Temple of Zeus with Acropolis, Parthenon, Athens (w / c and bodycolour)
5310870 Temple of Zeus with Acropolis, Parthenon, Athens (w/c and bodycolour) by Lanza, Vicenzo (1822-1902); Private Collection; (add.info.: Lanza, Vicenzo (1822-1902))

Background imageColonnades Collection: View of a door of the Palace of the Dukes of the Infantado, Guadalajara, Spain

View of a door of the Palace of the Dukes of the Infantado, Guadalajara, Spain, built by Juan Guas (1430-1496)
AIS5384294 View of a door of the Palace of the Dukes of the Infantado, Guadalajara, Spain, built by Juan Guas (1430-1496), 1480 (photo) by Guas, Juan (c. 1430-96); © Iberfoto

Background imageColonnades Collection: A Favourite Terrier on a red Cushion, c. 1794-1843 (oil on canvas)

A Favourite Terrier on a red Cushion, c. 1794-1843 (oil on canvas)
7240718 A Favourite Terrier on a red Cushion, c.1794-1843 (oil on canvas) by Weaver, Thomas (1774-1843); 54x67 cm; The Weston Park Foundation, Shropshire

Background imageColonnades Collection: Portrait of Princess Charlotte of Wales (1796-1817), c. 1812-17 (oil on paper)

Portrait of Princess Charlotte of Wales (1796-1817), c. 1812-17 (oil on paper)
7240956 Portrait of Princess Charlotte of Wales (1796-1817), c.1812-17 (oil on paper) by Stewart, Anthony (1773-1846) (after); 7.5x5.6 cm; The Weston Park Foundation, Shropshire

Background imageColonnades Collection: Portrait of Ursula Matthews, Lady Bridgeman (1673-1719), c. 1693-99 (oil on canvas)

Portrait of Ursula Matthews, Lady Bridgeman (1673-1719), c. 1693-99 (oil on canvas)
7240688 Portrait of Ursula Matthews, Lady Bridgeman (1673-1719), c.1693-99 (oil on canvas) by Beale, Mary (1632-99) (attr)

Background imageColonnades Collection: Portrait of John Bridgeman, Bishop of Chester (1577-1652), c. 1638-52 (oil on canvas)

Portrait of John Bridgeman, Bishop of Chester (1577-1652), c. 1638-52 (oil on canvas)
7240673 Portrait of John Bridgeman, Bishop of Chester (1577-1652), c.1638-52 (oil on canvas) by Lely, Peter (1618-80) (attr.to); 123x99 cm; The Weston Park Foundation, Shropshire

Background imageColonnades Collection: Ruins of a Temple with a Sibyl, c. 1719 (oil on canvas)

Ruins of a Temple with a Sibyl, c. 1719 (oil on canvas)
450144 Ruins of a Temple with a Sibyl, c.1719 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 86x70 cm; The Holburne Museum, Bath

Background imageColonnades Collection: Wooden Pillar in the Palace at Mudubidery, or Moorbidry, near Mangalore in Kanara (engraving)

Wooden Pillar in the Palace at Mudubidery, or Moorbidry, near Mangalore in Kanara (engraving)
7182547 Wooden Pillar in the Palace at Mudubidery, or Moorbidry, near Mangalore in Kanara (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageColonnades Collection: Il Pecorone: Day XXIV, Novel II, The Death of Corso Donati (litho)

Il Pecorone: Day XXIV, Novel II, The Death of Corso Donati (litho)
7182500 Il Pecorone: Day XXIV, Novel II, The Death of Corso Donati (litho) by Hughes, Edward Robert (1851-1914); Private Collection; (add.info.: Day XXIV, Novel II, The Death of Corso Donati)

Background imageColonnades Collection: THE SELLER OF NOVELTIES IN PARIS, 1873 (oil on canvas)

THE SELLER OF NOVELTIES IN PARIS, 1873 (oil on canvas)
7215245 THE SELLER OF NOVELTIES IN PARIS, 1873 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow

Background imageColonnades Collection: Am Muhlbrunnen (At the Mill Spring), 1894 (watercolour)

Am Muhlbrunnen (At the Mill Spring), 1894 (watercolour)
7205594 Am Muhlbrunnen (At the Mill Spring), 1894 (watercolour) by Gause, Wilhelm (1853-1916); Muzeum Karlovy Vary, Czech Republic; (add.info)




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On the anniversary of the Battle of Ortigara, the pilgrimage of more than six thousand Alpine enthusiasts gathered under the majestic colonnades. The vibrant colour litho captured their fervor and unity as they paid homage to those who fought valiantly in that historic battle. Transporting us back to a bygone era, we find ourselves strolling along The Pantiles in Tunbridge Wells. This chromolitho masterpiece from 1890-1900 showcases elegant colonnades lining the street, exuding an air of sophistication and charm. Stepping into history's embrace, we are greeted by Castle Coole's grand entrance front. Captured through a black-and-white photograph from Giles Worsley's England's Lost Houses collection, this image transports us to a time when these magnificent colonnades welcomed esteemed guests with open arms. As we wander further into Hill Hall in Essex, another captivating black-and-white photo reveals a hall adorned with exquisite colonnades. This snapshot from 1917 serves as both a testament to its former glory and a poignant reminder of what once was. Moving on to Highhead Castle in Cumberland, yet another treasure from Giles Worsley's collection beckons our attention. A corridor stretching endlessly before us is flanked by regal colonnades that evoke feelings of awe and wonderment at the architectural prowess displayed within England's lost houses. Venturing beyond photography and paintings, we encounter an oil on canvas masterpiece depicting a classical architectural garden adorned with elegant figures against a backdrop of mountainous landscapes. These carefully crafted colonnades serve not only as structural elements but also as symbols of grace and refinement. In Philip IV and his Queen in a Colonnade, c. 1630, an oil on canvas painting takes center stage showcasing royalty basking in the splendorous ambiance created by ornate colonnades surrounding them. Their regal presence is heightened against this backdrop which exudes power and opulence.