Columns Collection (page 156)

Lothbury Court, Bank of England 1801 (w / c on paper)
XCF267476 Lothbury Court, Bank of England 1801 (w/c on paper) by English School, (19th century); Bank of England, London, UK; English, out of copyright

The New Caledonian Asylum (engraving) (b / w photo)
XJF277639 The New Caledonian Asylum (engraving) (b/w photo) by Shepherd, Thomas Hosmer (1792-1864) (after); Private Collection; (add.info.: designed by George Tappen; built in 1827-8; ); English

South East View of the New Government House, Calcutta (engraving)
XJF265879 South East View of the New Government House, Calcutta (engraving) by Moffat, James (1775-1815) (after); Private Collection; (add.info)

Paris and Helen (oil on canvas)
XIR267678 Paris and Helen (oil on canvas) by David, Jacques Louis (1748-1825); 146x181 cm; Louvre, Paris, France; (add.info.: Les amours de Paris et d Helene; ); French, out of copyright

Ruins of a temple surrounded by columns, Willem van Nieulandt II, print maker: Anonymous, Claes Jansz. Visscher II, 1618

Ruins of the Baths of Caracalla (oil on canvas)
XIR26199 Ruins of the Baths of Caracalla (oil on canvas) by Ghisolfi, Giovanni (1632-83); Musee des Beaux-Arts, Mulhouse, France; (add.info.: ruines des thermes de Caracalla; ); Italian

Death of Samson, Judges 26: 28-30, illustration from Dores The Holy Bible
KW259181 Death of Samson, Judges 26:28-30, illustration from Dores The Holy Bible, engraved by G.Larlante, 1866 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; Ken Welsh; French

View of St. Marks Square, Venice, Italy (engraving)
KW2603361 View of St. Marks Square, Venice, Italy (engraving) by Vecellio, Cesare (c.1521-1601) (after); Private Collection; Ken Welsh; Italian, out of copyright

View of the Bourse Imperial Palace and the Commercial Court, Paris, early 19th century
XIR252948 View of the Bourse Imperial Palace and the Commercial Court, Paris, early 19th century (engraving) (b/w photo) by Le Cerf, Jacques Louis Constant (fl.1815-24); Bibliotheque Nationale

View of the Theatre de l Odeon, Paris (pen & ink and w / c on paper)
XIR249893 View of the Theatre de l Odeon, Paris (pen & ink and w/c on paper) by Nicolle, Victor Jean (1754-1826); Musee National du Chateau de Malmaison, Rueil-Malmaison

Scene from the Apocalypse, St. John devouring the Book, Latin edition, 1511 (woodcut)
XIR253281 Scene from the Apocalypse, St. John devouring the Book, Latin edition, 1511 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 39.2x28.1 cm; Bibliotheque Nationale, Paris

The Consecration of the Alexander Column in St
BAL244830 The Consecration of the Alexander Column in St. Petersburg on August 30th 1834 (oil on canvas) by Ladurner, Adolphe (1798-1865); 301x485 cm; State Russian Museum, St

Interior of the Eglise des Saints-Innocents, Paris, after 1789 (oil on canvas)
XIR243423 Interior of the Eglise des Saints-Innocents, Paris, after 1789 (oil on canvas) by Demachy, Pierre Antoine (1723-1807); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French

The Theatre de l Odeon, c. 1830 (engraving) (b / w photo)
XIR242878 The Theatre de l Odeon, c.1830 (engraving) (b/w photo) by French School, (19th century); Private Collection; (add.info)

The Theatre de l Odeon, 1830 (engraving) (b / w photo)
XIR242875 The Theatre de l Odeon, 1830 (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

The Heraldic Hall in the Winter Palace, St Petersburg, 1838 (oil on canvas)
BAL241151 The Heraldic Hall in the Winter Palace, St Petersburg, 1838 (oil on canvas) by Ladurner, Adolphe (1798-1865); State Hermitage Museum, St

Set design for Phedre by Jean Racine (1639-99) 1923 (pencil, w / c & gouache
XIR240213 Set design for Phedre by Jean Racine (1639-99) 1923 (pencil, w/c & gouache on paper) by Bakst, Leon (1866-1924); Musee National d Art Moderne, Centre Pompidou, Paris, France; Russian

The Leaning Tower of Pisa (engraving)
KW238051 The Leaning Tower of Pisa (engraving) by Italian School, (19th century); Private Collection; Ken Welsh; Italian, out of copyright

Interior of the Gare Saint-Lazare (oil on canvas)
XIR237988 Interior of the Gare Saint-Lazare (oil on canvas) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

A View in Rome, 1668 (oil on canvas)
BAL226656 A View in Rome, 1668 (oil on canvas) by Lingelbach, Johannes (1622-74); 55x68 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright

The Month of July, from a series of murals depicting the Astrological Cycle (fresco)
XAL223842 The Month of July, from a series of murals depicting the Astrological Cycle (fresco) by Miretto, Nicolo & Stefano da Ferrara (15th century); Palazzo della Ragione, Padua

The Minuet (oil on canvas)
XIR222244 The Minuet (oil on canvas) by Le Clerc, Jacques Sebastien (c.1734-85); 53x65 cm; Musee de la Ville de Paris, Musee du Petit-Palais, France; French, out of copyright

Interior of the Oude Kerk in Delft (oil on canvas)
XIR220080 Interior of the Oude Kerk in Delft (oil on canvas) by Vliet, Hendrik Cornelisz. van (c.1611-75); Musee d Art Thomas Henry, Cherbourg

Godfrey (c. 1060-1100) enters Jerusalem, illustration from Bibliotheque des Croisades
KW219434 Godfrey (c.1060-1100) enters Jerusalem, illustration from Bibliotheque des Croisades by J-F. Michaud, 1877 (litho) by Dore, Gustave (1832-83); Private Collection; Ken Welsh; French

Discovery of The True Cross, illustration from Bibliotheque des Croisades by J-F
KW219428 Discovery of The True Cross, illustration from Bibliotheque des Croisades by J-F. Michaud, 1877 (litho) by Dore, Gustave (1832-83); Private Collection; (add.info)

Soldiers in the Ruins of the Tuileries, 7th July 1871 (w / c on paper)
XIR218770 Soldiers in the Ruins of the Tuileries, 7th July 1871 (w/c on paper) by Pils, Isidore (1813-75); Musee de la Ville de Paris, Musee Carnavalet, Paris

A Port, c. 1760 (oil on canvas)
XIR218204 A Port, c.1760 (oil on canvas) by Robert, Hubert (1733-1808); 105x145 cm; Musee des Beaux-Arts, Dunkirk, France; (add.info.: Port orned architecture)

Interior of a Church (oil on canvas)
XIR216116 Interior of a Church (oil on canvas) by Delorme, Anthonie (1610-73); Louvre, Paris, France; French, out of copyright

General view of the Apadana (Audience Hall) founded c. 518 BC (photo)
XIR192480 General view of the Apadana (Audience Hall) founded c.518 BC (photo) by Achaemenid, (550-330 BC); Persepolis, Iran; (add.info)

View of the Grand Theatre Constructed in the Place de la Concorde for the Fete de la Paix
XIR210302 View of the Grand Theatre Constructed in the Place de la Concorde for the Fete de la Paix, 9th November 1801 (oil on canvas) by Cazin

The Meal at the House of Simon the Pharisee, detail of the central part, 1570 (oil on canvas)
XIR207766 The Meal at the House of Simon the Pharisee, detail of the central part, 1570 (oil on canvas) (b/w photo) by Veronese, (Paolo Caliari) (1528-88); 454x974 cm; ChAteau de Versailles

The Meal at the House of Simon the Pharisee, detail of the right hand side, 1570
XIR207765 The Meal at the House of Simon the Pharisee, detail of the right hand side, 1570 (oil on canvas) (b/w photo) by Veronese, (Paolo Caliari) (1528-88); 454x974 cm; ChAteau de Versailles

The Meal at the House of Simon the Pharisee, detail of the left hand side, 1570
XIR207763 The Meal at the House of Simon the Pharisee, detail of the left hand side, 1570 (oil on canvas) (b/w photo) by Veronese, (Paolo Caliari) (1528-88); 454x974 cm; ChAteau de Versailles

The Meal at the House of Simon the Pharisee, 1570 (oil on canvas) (b / w photo)
XIR207762 The Meal at the House of Simon the Pharisee, 1570 (oil on canvas) (b/w photo) by Veronese, (Paolo Caliari) (1528-88); 454x974 cm; ChAteau de Versailles, France; Italian, out of copyright

A Colonnade in Ruins, 1780 (pen & ink and w / c on paper)
XIR204943 A Colonnade in Ruins, 1780 (pen & ink and w/c on paper) by Robert, Hubert (1733-1808); 80x77 cm; Musee des Beaux-Arts, Lille, France; French, out of copyright

Concert in a Circular Gallery, c. 1718-19 (oil on canvas)
XIR203223 Concert in a Circular Gallery, c.1718-19 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 38x39 cm; Louvre, Paris

Godfrey of Bouillon (c. 1060-1100) Depositing the Trophies of Askalon in the Holy Sepulchre Church
XIR200593 Godfrey of Bouillon (c.1060-1100) Depositing the Trophies of Askalon in the Holy Sepulchre Church, August 1099, 1839 (oil on canvas) by Granet

Interior of a St. Peters, Rome (oil on canvas)
BAL196419 Interior of a St. Peter s, Rome (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 106x175 cm; Arkhangelsk Museum, Russia; Italian, out of copyright

View of the Church of Saint-Sulpice, engraved by Anne Rosalie Filleul (nee Bouquet)
XIR190347 View of the Church of Saint-Sulpice, engraved by Anne Rosalie Filleul (nee Bouquet) (1752-94) (coloured engraving) by Courvoisier-Voisin

The Piazzetta di San Marco, Venice (oil on canvas)
XIR190255 The Piazzetta di San Marco, Venice (oil on canvas) by Italian School, (16th century); Musee des Beaux-Arts, Beziers, France; (add.info.: column of lion of St)

The Forum of Pompeii (oil on canvas)
XIR182518 The Forum of Pompeii (oil on canvas) by Michallon, Achille Etna (1796-1822); 26x37 cm; Louvre, Paris, France; French, out of copyright

Portrait of a Family, 1740 (oil on canvas)
XYC178404 Portrait of a Family, 1740 (oil on canvas) by Nollekens, Joseph Francis (1702-48); 127x101.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

View of the Charlottenburg Palace, 1781 (coloured engraving)
XIR178371 View of the Charlottenburg Palace, 1781 (coloured engraving) by Rosenberg, Johann Georg (1739-1808); Schloss Charlottenburg, Berlin

Tomb of Empress Josephine (1763-1814) 1825 (marble)
XIR177559 Tomb of Empress Josephine (1763-1814) 1825 (marble) by Cartellier, Pierre (1757-1831); Church of St. Peter & St. Paul, Rueil-Malmaison, France; French, out of copyright

Ceres Vanquishing the Attributes of War (oil on canvas)
XIR176614 Ceres Vanquishing the Attributes of War (oil on canvas) by Vouet, Simon (1590-1649); 115x96 cm; Musee d Art Thomas Henry, Cherbourg

Interior of the Oude Kerk, Delft, c. 1660-70 (oil on canvas)
XIR234487 Interior of the Oude Kerk, Delft, c.1660-70 (oil on canvas) by Vliet, Hendrik Cornelisz. van (c.1611-75); 92x112 cm; Louvre, Paris, France; Dutch, out of copyright

Four scenes from the early life of Saint Zenobius, c. 1500 (tempera on wood)
XOS1765769 Four scenes from the early life of Saint Zenobius, c.1500 (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 66.7x149.2 cm; National Gallery

St. Pauls, Deptford (w / c on paper)
XYC176325 St. Paul s, Deptford (w/c on paper) by Scharf, George the Elder (1788-1860); 37.8x50.6 cm; Yale Center for British Art, Paul Mellon Collection

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"Columns: Symbolic Structures that Span Time and Space" From the heroic fireman rescuing a girl from a blazing inferno to Sir Gawain and the Green Knight's epic tale, they have long been associated with heroism and strength. Just like these brave individuals, columns stand tall as enduring symbols of resilience. In the realm of architecture, classical orders such as Doric, Ionic, and Corinthian columns evoke a sense of grandeur and elegance. They grace iconic structures like St. Peter's Basilica in Vatican City, Rome - an awe-inspiring testament to human ingenuity. But they can not confined to ancient marvels alone; they transcend boundaries both physical and cultural. A poster for French railways leading to Morocco showcases how these architectural elements can bridge nations while inviting exploration. Closer to home in Berea, Kentucky lies Boone Tavern Hotel - its stately facade adorned with majestic columns that exude Southern charm. These pillars serve as silent witnesses to countless stories unfolding within its walls. Beyond their aesthetic appeal, it also find their place in academia. The standard periodic table stands proudly with each element type organized into neat rows and columns - a scientific masterpiece guiding our understanding of matter itself. Even University College London boasts impressive columned entrances that welcome eager minds seeking knowledge within its hallowed halls. Columns here symbolize enlightenment and intellectual pursuit. Meanwhile, on the downtown skyline of Kansas City stands Union Station - an architectural gem punctuated by towering columns that reflect both history and progress simultaneously. It serves as a reminder that even amidst modernity, we honor our past through design choices rooted in tradition. Whether it be saving lives or embodying artistic expression or serving practical purposes in construction or education – "columns" are more than just structural elements; they represent humanity's triumphs over adversity throughout time.