Commentary Collection (#8)

Portrait writing Erasmus Rotterdam 1523 mixed media
Portrait of the writing Erasmus of Rotterdam, 1523, mixed media on paper, mounted on fir wood, 37.1 x 30.8 cm, not marked

Cross Section Of Noahs Ark From A Manuscript Of The 12Th Century Commenting Upon The Apocalypse From Science And Literature In The Middle Ages By Paul Lacroix Published London 1878

Henry Blofeld - Cricket commentator Date: 1990s - 2000s

Jonathan Agnew - Cricket commentator Date: 1990s - 2000s

She Was Only a Gardeners Daughter
" She was only a gardeners daughter, but she knew how to handle a rake." A gaudily-depicted woman of humble origins seduces a " rake" - a womanising young man. 1928

Urgell Beatus. 10th c. Illuminated manuscript and medieval c
Urgell Beatus. 10th century. Illuminated manuscript and medieval commentary. Diocesan Museum of La Seu d Urgell. Catalonia. Spain

Cartoon, A Seasonal Warning, MPs Beware - a commentary on the Votes for Women campaign. 1909

Cartoon, The Treasury -- a commentary on British politicians attempting to balance the books through cutbacks and taxes. late 18th century

Cartoon, Radio versus Television, by Rich. circa 1930s

Blessed of Valcavado. Illuminated codex. Detail
Blessed of Valcavado. 10th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John

Blessed San Pedro of Cardena. Illuminated codex. Detail
Blessed San Pedro of Cardena. 12th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John. Miniature depicting St

Caricature of Henry Labouchere, politician and writer
Caricature of Henry Du Pre Labouchere (1831-1912), English politician, writer, publisher and theatre owner. A commentary on a libel case between Henry Labouchere

Caricature of Montagu Williams, actor, playwright and lawyer
Caricature of Montagu Stephen Williams (1835-1892), English actor, playwright, barrister, magistrate and teacher. A commentary on a libel case between Henry Labouchere

Detail of soldiers in Commentarius in Apocalypsim (Commentary on the Apocalypse) (776-786) work of Beatus of Li颡 na. 11th-12th century catalan copy of the visigothic Beatus of Girona of 976

Escorial Beatus, 10th c White Army of God
Escorial Beatus. 950 - 955. Cod & II. 5. Folio 144r. Faithful and True Rider, with a sword in his mouth, and the White Army of God (Rev. XIX, 11-16)

Escorial Beatus, 10th c Eschatological Harvest
Escorial Beatus. 950 - 955. Cod & II. 5. Folio 120 r. Vision of the Son of Man and the Three Angels in the eschatological harvest and vintage. (Rev. XIV, 14-20)

Beatus of Girona, 976. The Evangelist Luke
Beatus of Girona. 976. The Evangelist Luke. Codex from the monastery of San Salvador de Tabara to the Commentary on the Apocalypse of St. John (776-786), work of Beatus of Li颡 na

Beatus aemilianensis, 10th c The seven plagues
Beatus aemilianensis. 2. Ms. Vit. 14-1. Folio 130r. Angels with the seven plagues and musicians with fiddles or violas or arc. Codex manuscript with the Commentary on the Apocalypse of St

The Dumbells - 3rd Canadian Division Concert Party
Programme for The Dumbells - Third Canadian Division Concert Party - entitled Battle of Somme-Area (concerning the journey from Poperinghe to the Somme) and Kit Inspection with commentary

Vera Effigies Guilielmi Burton / L. L Baccalaurei
Artokoloro

The Warming Pan Baby, c. 1688 (engraving)
XJF262734 The Warming Pan Baby, c.1688 (engraving) by Dutch School, (17th century); Private Collection; (add.info.: many Tories persuaded themselves that James IIs son, known as the Old Pretender)

Academy by Lamplight, Joseph Wright of Derby, 1734-1797, British

US, LA, New Orleans, French Quarter. Traffic sign amended

Two ragged street women disgust respectability
In the Bars and Streets. Cartoon drawing by Phil May depicting two poor ragged street women disgusting another who they describe, with no hint of the obvious irony, as " not respectable"

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"Commentary: Unveiling the Layers of Interpretation" In the realm of art, literature, and history, commentary serves as a gateway to understanding the multifaceted nature of human expression. Just like "The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796, " where every brushstroke tells a story waiting to be deciphered. Similarly, in "Moralia in Job (Fragments), " we find fragments of wisdom that provoke contemplation on life's trials and tribulations. Delving deeper into knowledge, "St Jerome's Commentary on the Prophet Amos (Fragment)" offers insights into religious texts while his "Epistles of St Jerome (Fragment)" provide glimpses into personal thoughts and experiences. These biblical commentaries shed light on ancient scriptures' meanings that continue to shape our beliefs today. Beyond theological discourse lies philosophy – an arena explored through snippets such as a "Philosophical Text (Fragment). " Within these fragmented musings lie profound ideas that challenge conventional thinking and inspire intellectual growth. But commentary isn't limited to words alone; it extends its reach even further. A cartoon illustrating Victorian enthusiasm for natural history showcases how visual representations can convey social trends and interests with humor and charm. In contrast, another cartoon titled "Poisoning by Food Adulteration" exposes darker aspects lurking beneath society's surface – urging us to question our consumption habits. However, not all commentaries revolve around serious subjects; some touch upon lighter themes like betting fever. Repetition emphasizes society's obsession with gambling as seen in multiple mentions: " (Betting fever), (Betting fever), (Betting fever). " These references remind us how societal fixations can consume individuals' lives while also serving as mirrors reflecting collective desires or vices. In essence, commentary acts as a bridge between creators' intentions and audiences' interpretations across various domains – from art to literature, religion to philosophy.