Communicate Collection (#3)

The Letter, (oil on canvas)
658975 The Letter, (oil on canvas) by Portielje, Edward (1861-1949); 47x38.4 cm; Private Collection; (add.info.: The Letter. Edward Antoon Portielje (1861-1949). Oil on canvas

A Notary Reading a Document, (oil on canvas)
989929 A Notary Reading a Document, (oil on canvas) by Salinas Tervel, Juan Pablo (1871-1946); 39.4x66 cm; Private Collection; (add.info.: A Notary Reading a Document. Juan Pablo Salinas (1871-1946)

Les Papillons No, 1931 (oil on canvas)
825504 Les Papillons No, 1931 (oil on canvas) by Roy, Pierre (1880-1950); 41.3x33 cm; Private Collection; (add.info.: Les Papillons No.1. Pierre Roy (1880-1950). Oil on canvas. Painted in 1931

The Letter, (oil on canvas)
827495 The Letter, (oil on canvas) by Portielje, Edward (1861-1949); 38.1x47 cm; Private Collection; (add.info.: The Letter. Edward Antoon Portielje (1861-1949). Oil on canvas

The Love Letter, 1889 (oil on panel)
989375 The Love Letter, 1889 (oil on panel) by Rickelt, Carl (19th Century); 50.2x39.1 cm; Private Collection; (add.info.: The Love Letter. Carl Rickelt (19th Century). Oil on panel

Gril with Attendant Borzoi, (colour etching)
1194918 Gril with Attendant Borzoi, (colour etching) by Icart, Louis (1888-1950); 57x76 cm; Private Collection; Photo © Christies Images; French, out of copyright

Governor Burnett Delivering the Charter of Statehood to San Jose, California, c. 1925 (oil on canvas)
1194884 Governor Burnett Delivering the Charter of Statehood to San Jose, California, c.1925 (oil on canvas) by Clark, Alson Skinner (1876-1949)

Mary
Ellen van Deelen

you say [conversation of the corgi]
Brut Carniollus

La Joie de Vivre (pen, watercolour and bodycolour on card)
1764983 La Joie de Vivre (pen, watercolour and bodycolour on card) by Scoppetta, Pietro (1863-1920); Private Collection; (add.info.: La Joie de Vivre. Pietro Scoppetta (1863-1920)

Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum)
1199587 Message Found in a Bottle, 1918 (pencil, pen and black ink, on vellum) by Clarke, Harry (1889-1931); 21x15.8 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

A Cavalier on a White Horse, 1890 (oil on canvas)
1769864 A Cavalier on a White Horse, 1890 (oil on canvas) by Detti, Cesare-Auguste (1847-1914); 95.3x67.3 cm; Private Collection; (add.info.: A Cavalier on a White Horse)

The Letter from an Absent One, 1871 (black lead, pen and black ink
989654 The Letter from an Absent One, 1871 (black lead, pen and black ink, watercolour on white paper) by Alma-Tadema, Lawrence (1836-1912); 39x26.4 cm; Private Collection; (add.info)

A Seated Lady, three-quarter length, Presumably a Member of the Artist
989640 A Seated Lady, three-quarter length, Presumably a Member of the Artists Family holding a Letter in her left Hand and Resting her right Arm on the Side of a Piano

An Arab Reading a Letter (oil on canvas)
989492 An Arab Reading a Letter (oil on canvas) by Dubois, Henri Pierre Hippolyte (1837-1909); 64.4x53.3 cm; Private Collection; (add.info.: An Arab Reading a Letter)

Carriage in Waiting, (oil on canvas)
989369 Carriage in Waiting, (oil on canvas) by Latouche, Gaston de (1854-1913); 86.4x92.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Letter, 1910 (oil on canvas)
989308 The Letter, 1910 (oil on canvas) by Caro-Delvaille, Henry (1876-1928); 65.5x81 cm; Private Collection; (add.info.: The Letter. Henry Caro-Delvaille (1876-1928). Oil on canvas. Painted in 1910

Arcangel Gabriel (oil on canvas)
988080 Arcangel Gabriel (oil on canvas) by Cuzco School, (18th century); 132.4x96.6 cm; Private Collection; (add.info.: Arcangel Gabriel. Cuzco School, 18th century. Oil on canvas)

A Moments Reflection, 1875 (oil on canvas)
827041 A Moments Reflection, 1875 (oil on canvas) by Toulmouche, Auguste (1829-90); 66x54.5 cm; Private Collection; (add.info.: A Moments Reflection. Auguste Toulmouche (1829-1890). Oil on canvas

Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)
986340 Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum) by German School, (16th century); 15.2x10.2 (approx.) cm; Private Collection; (add.info.: Folio 55)

A Good Joke, (oil on canvas)
651054 A Good Joke, (oil on canvas) by Moeller, Louis Charles (1855-1930); 46.3x61.2 cm; Private Collection; (add.info.: A Good Joke. Louis Charles Moeller (1855-1930). Oil on canvas

Portrait of Madame Lucien Guitry, 1876 (oil on canvas)
989897 Portrait of Madame Lucien Guitry, 1876 (oil on canvas) by Abbema, Louise (1858-1927); 82.9x102.2 cm; Private Collection; (add.info.: Portrait of Madame Lucien Guitry)

Teatime Tales, (oil on canvas)
989854 Teatime Tales, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 99x75.9 cm; Private Collection; (add.info.: Teatime Tales. Joseph Frederic Charles Soulacroix (1825-1879)

The Lover, (painted enamelled earthenware, hammered copper frame)
985572 The Lover, (painted enamelled earthenware, hammered copper frame) by Marks, Henry Stacey (1829-98) (after); 44.6x72.8 cm; Private Collection; (add.info.: The Lover)

The Letter or The Fainting, (oil on canvas)
990382 The Letter or The Fainting, (oil on canvas) by Boilly, Louis Leopold (1761-1845); 45.5x38 cm; Private Collection; (add.info.: The Letter or The Fainting; La Lettre or L Evanoussement)

The Cheerful Democritus, 1746 (oil on canvas)
990346 The Cheerful Democritus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Cheerful Democritus. Charles Antoine Coypel (1694-1752)

A Young Sultan reading a Letter, (oil on canvas)
990325 A Young Sultan reading a Letter, (oil on canvas) by Loo, Louis Michel van (1707-71); 112x137 cm; Private Collection; (add.info.: A Young Sultan reading a Letter)

Flirtation, 1885 (pencil, watercolour and bodycolour on paper)
659716 Flirtation, 1885 (pencil, watercolour and bodycolour on paper) by Zorn, Anders Leonard (1860-1920); 59.7x40.1 cm; Private Collection; (add.info.: Flirtation. Anders Leonard Zorn (1860-1920)

The Five Senses, (oil on panel)
659404 The Five Senses, (oil on panel) by Lievens, Jan the Elder (1607-74); 78.2x124.4 cm; Private Collection; (add.info.: The Five Senses. Jan Lievens the Elder (1607-1774). Oil on panel

Superposed Forms, (oil on gesso prepared board)
657549 Superposed Forms, (oil on gesso prepared board) by Dismorr, Jessica Stewart (1885-1939); 46x61 cm; Private Collection; (add.info.: Superposed Forms. Jessica Dismorr (1885-1939)

Distant Thoughts, 1887 (watercolour and bodycolour)
657358 Distant Thoughts, 1887 (watercolour and bodycolour) by Langley, Walter (1852-1922); 46.5x60.5 cm; Private Collection; (add.info.: Distant Thoughts. Walter Langley (1852-1922)

The Annunciation (oil on canvas)
659398 The Annunciation (oil on canvas) by Piazzetta, Giovanni Battista (1683-1754); 53.3x71.1 cm; Private Collection; (add.info.: The Annunciation. Giovanni Battista Piazzetta (1682-1754)

Happy Moments; Momenti Felici, (oil on canvas)
658391 Happy Moments; Momenti Felici, (oil on canvas) by Massani, Pompeo (1850-1920); 50.1x64.1 cm; Private Collection; (add.info.: Happy Moments; Momenti Felici. Pompeo Massani (1850-1920)

The Shared Joke, (oil on board)
651309 The Shared Joke, (oil on board) by Stahl, Friedrich (1863-1940); 22x17.8 cm; Private Collection; (add.info.: The Shared Joke. Friedrich Stahl (1863-1940). Oil on board

The Lecture; La Lecture, 1890 (oil on canvas)
824380 The Lecture; La Lecture, 1890 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 55.8x46.3 cm; Private Collection; (add.info.: The Lecture; La Lecture. Pierre-Auguste Renoir (1841-1919)

News from on High, (oil on panel)
823387 News from on High, (oil on panel) by Brunery, Francesco (1845-1926); 53.3x37.5 cm; Private Collection; (add.info.: News from on High. Francois Brunery (1849-1926). Oil on panel

A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c. 1822-28 (watercolour)
828299 A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c.1822-28 (watercolour) by Desire Roulin, Francois (1796-1874); 19.8x27 cm; Private Collection; (add.info)

The Annunciation (oil on panel)
827866 The Annunciation (oil on panel) by Pourbus, Pieter Jansz. (1523-84) (circle of); 90.8x77.5 cm; Private Collection; (add.info.: The Annunciation. Circle of Pieter Pourbus (1523/1524-1584)

A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her
827642 A Lady in an Interior, in a Yellow Satin Dress, with a Globe on a Table Beside her, Mourning the Absence of her Husband, (oil on panel, unframed) by Gorp

The Letter, (oi on canvas)
827291 The Letter, (oi on canvas) by Andreotti, Federigo (1847-1930); 62.2x42 cm; Private Collection; (add.info.: The Letter. Federigo Andreotti (1847-1930). Oil on canvas

The Spanish Mail Coach in Toledo, (oil on canvas)
827288 The Spanish Mail Coach in Toledo, (oil on canvas) by Wagner, Alexander von (1838-1919); 121.3x241.3 cm; Private Collection; (add.info.: The Spanish Mail Coach in Toledo)

The Afternoon Concert - Out of Tune, (oil on canvas)
827201 The Afternoon Concert - Out of Tune, (oil on canvas) by Reggianini, Vittorio (1858-1938); 68x91.4 cm; Private Collection; (add.info.: The Afternoon Concert - Out of Tune)

The Art of Talking with the Fingers, pub. C. 1825 (coloured engraving)
5902925 The Art of Talking with the Fingers, pub. C. 1825 (coloured engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Comic postcard, Honourable intentions Date: 20th century

Detail from a Mayan shell roundel, depicting a crosslegged scribe with pen in hand, c
1767156 Detail from a Mayan shell roundel, depicting a crosslegged scribe with pen in hand, c.550-950 (shell) by Mayan; 5.1 dia

The Break-Up Letter, 1890 (pastel on paper)
987325 The Break-Up Letter, 1890 (pastel on paper) by Carrier-Belleuse, Pierre (1851-1933); 99x71 cm; Private Collection; (add.info.: The Break-Up Letter; Le Lettre de Rupture)

A Train of the First Class of Carriages with the Mail & A Train of the Second Class for
1198424 A Train of the First Class of Carriages with the Mail & A Train of the Second Class for Outside Passengers, 1831 (colour aquatint, partly hand-coloured) by Shaw

Saint John the Baptist preaching in the Wilderness, c. 1633-50 (oil on canvas)
827767 Saint John the Baptist preaching in the Wilderness, c.1633-50 (oil on canvas) by Brueghel, Pieter the Younger (c.1564-1638); 106x165.5 cm; Private Collection; (add.info)

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"Communicate: Bridging the Gap between Worlds" In a world where equations unravel the mysteries of particle physics, communication takes on a whole new dimension. From the intricate dance of symbols to deciphering eye examinations, we unlock the secrets hidden within our own existence. But communication is not limited to scientific realms alone. In an epee teaching session for deaf mutes, gestures and expressions become their language, transcending barriers that once seemed insurmountable. Just like Queen Elizabeth's voice resonating through a phone call, connecting people across distances with mere words. Throughout history, communication has played pivotal roles in shaping our destiny. The end of the Revolutionary War announced by signal-fires blazing high above us reminds us how messages can ignite revolutions and bring about change. Yet amidst grand events, it is often in simple moments that true connection thrives. Parents kissing their baby boy tenderly convey love without uttering a single word; it is an unspoken language that binds hearts together. From ancient times to modern breakthroughs, maps have guided us in understanding diseases like cholera. A litho from 1855 reveals how information shared visually can save lives and prevent suffering – proving that effective communication knows no boundaries or time constraints. A woman engrossed in conversation over the phone demonstrates how technology has revolutionized human interaction. No longer confined by physical proximity, we now connect effortlessly across vast distances with just a few taps on a screen. As day turns into night and bedtime arrives, stories read aloud create bonds between generations as they share tales passed down through ages – reminding us that storytelling remains one of humanity's most cherished forms of communication. Nature too speaks its own language; black-tailed prairie dogs barking alert others to danger or communicate territorial boundaries - showcasing how animals rely on vocalizations for survival and community cohesion (MI851 & MI650).