Conspiracy Collection (#8)

The Dispute between Hotspur, Worcester, Mortimer and Glendower, 1784 (oil on canvas)
BIR102643 The Dispute between Hotspur, Worcester, Mortimer and Glendower, 1784 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825)

The Last Supper (engraving)
5233479 The Last Supper (engraving) by European School, (18th century); Private Collection; (add.info.: The Last Supper.); Look and Learn / Elgar Collection

Judas betrays his master (coloured engraving)
5203804 Judas betrays his master (coloured engraving) by Bendixen, Siegfried Detler (1786-1864); Private Collection; (add.info.: Judas betrays his master)

Seneca, engraved by Richard Collin, 1676 (engraving)
5976688 Seneca, engraved by Richard Collin, 1676 (engraving) by Sandrart, Joachim von (1606-88) (after); 31.8x20.7 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Seneca the Younger)

Comic Early English History: Betrayal of Caractacus by his stepmother Cartismandua (colour litho)
5999165 Comic Early English History: Betrayal of Caractacus by his stepmother Cartismandua (colour litho) by English School

The Secrets of Love (oil on canvas)
989341 The Secrets of Love (oil on canvas) by Jourdan, Adolphe (1825-89); 106.7x78.7 cm; Private Collection; (add.info.: The Secrets of Love; Les Secrets de L Amour. Adolphe Jourdan (1825-1889)

Behind the Times, (oil on canvas)
989859 Behind the Times, (oil on canvas) by Gore, William Henry (fl.1880-1916); 76.2x55.9 cm; Private Collection; (add.info.: Behind the Times. William Henry Gore (1880-1916). Oil on canvas

The Confession, 1893 (oil on panel)
989794 The Confession, 1893 (oil on panel) by Gallegos Arnosa, Jose (1859-1917); 39.4x61 cm; Private Collection; (add.info.: The Confession. Jose Gallegos y Arnosa (1859-1917). Oil on panel

Boys Bathing, (oil on canvas)
824172 Boys Bathing, (oil on canvas) by Morland, George (1763-1804); 71.1x91.4 cm; Private Collection; (add.info.: Boys Bathing. George Morland (1763-1804). Oil on canvas

Jesus annonce l arrivee de ceux qui devaient l arreter (engraving)
3625661 Jesus annonce l arrivee de ceux qui devaient l arreter (engraving) by French School, (19th century); Private Collection; (add.info.: Jesus annonce l arrivee de ceux qui devaient l arreter)

Judas betrays his master (colour litho)
3100208 Judas betrays his master (colour litho) by Bendixen, Siegfried Detler (1786-1864); Private Collection; (add.info.: Judas betrays his master)

Arrest of the conspirators at Cirencester, illustration from Cassell
STC385271 Arrest of the conspirators at Cirencester, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by Ricketts

The Nottingham Captain and the Agitators at the White Horse
STC393287 The Nottingham Captain and the Agitators at the White Horse, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by Hardy

Suspicious People, 1882 (oil on canvas)
SRM96577 Suspicious People, 1882 (oil on canvas) by Savitsky, Konstantin Apollonovich (1844-1905); 106.5x191 cm; State Russian Museum, St

Despair of Judas - Repentance of St Peter (chromolitho)
971992 Despair of Judas - Repentance of St Peter (chromolitho) by French School, (19th century); Private Collection; (add.info.: Despair of Judas - Repentance of St Peter)

Conspiracy in Russia, a Nihilist Meeting surprised (engraving)
1106982 Conspiracy in Russia, a Nihilist Meeting surprised (engraving) by English School, (19th century); Private Collection; (add.info.: Conspiracy in Russia, a Nihilist Meeting surprised)

"The Nottingham Captain"and the agitators at the White Horse AD 1817 (litho)
956125 " The Nottingham Captain" and the agitators at the White Horse AD 1817 (litho) by Hardy, Paul (1862-1942); Private Collection; (add.info)

The Secret, 1855 (oil on canvas)
659816 The Secret, 1855 (oil on canvas) by Witherington, William Frederick (1785-1865); 81.2x99.1 cm; Private Collection; (add.info.: The Secret. William Frederick Witherington (1785-1865)

Cato Street (engraving)
654160 Cato Street (engraving) by English School, (19th century); Private Collection; (add.info.: Cato Street. Illustration from Old and New London by Edward Walford (Cassell, c 1880)

Detail of Uriah the Hittite being armed from Assembling the Riders
XIR182422 Detail of Uriah the Hittite being armed from Assembling the Riders, from the tapestry of David and Bathsheba, c.1510-15 (tapestry) (see also 98092) by Flemish School

Conspirators in the Gun Powder Plot, 1794 (engraving)
2563369 Conspirators in the Gun Powder Plot, 1794 (engraving) by English School, (18th century); Free Library of Philadelphia; (add.info.: Published 1st October 1794 by Herbert P)

Judas bargains with the Priests to betray Jesus (engraving)
5224138 Judas bargains with the Priests to betray Jesus (engraving) by English School, (19th century); Private Collection; (add.info.: Judas bargains with the Priests to betray Jesus)

Study of a Male Nude: Study for "The Death of Seneca"
5976691 Study of a Male Nude: Study for " The Death of Seneca" 1838-40 (graphite on buff Bristol board) by Delacroix

The Bible: This is the Secret of Englands Greatness, Englands Glory
1772172 The Bible: This is the Secret of Englands Greatness, Englands Glory!, 1864 (mixed method engraving) by Barker, Thomas Jones (1815-82) (after); 73.7x85 cm; Private Collection; (add.info)

The Detective Police Officers charged with Conspiracy, at Bow-Street Police Court
1589606 The Detective Police Officers charged with Conspiracy, at Bow-Street Police Court, Examination of the Convict Kurr (engraving) by English School

Art Caricature in Germany (engraving)
1060545 Art Caricature in Germany (engraving) by English School, (19th century); Private Collection; (add.info.: Art Caricature in Germany)

The Confession, (watercolour heightened with white on paper laid down on panel)
823531 The Confession, (watercolour heightened with white on paper laid down on panel) by Passini, Ludwig (1832-1903); 100.4x66.3 cm; Private Collection; (add.info.: The Confession)

Pygmalion, 1851 (oil on canvas)
990045 Pygmalion, 1851 (oil on canvas) by French School, (19th century); 116.2x88.9 cm; Private Collection; (add.info.: Pygmalion. French School, (19th century). Oil on canvas. Painted in 1851

A Secret Wood, 1900 (oil on canvas)
989345 A Secret Wood, 1900 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 129.5x173.3 cm; Private Collection; (add.info.: A Secret Wood; Un Bois Secret)

Joan of Arc (oil on canvas)
988085 Joan of Arc (oil on canvas) by Costa, Joao Zeferino da (1840-1915); 83.2x64.5 cm; Private Collection; (add.info.: Joan of Arc; Jeanne D Arc. Zeferino da Costa (1840-1915). Oil on canvas

Waltheofs confession (litho)
956226 Waltheofs confession (litho) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info.: Cassells History of England published by Cassell and Company Limited circa 1920); English

Christ and Judas Iscariot (colour litho)
3094591 Christ and Judas Iscariot (colour litho) by German School, (20th century); Private Collection; (add.info.: Christ and Judas Iscariot)

Embarkation of Henry V. at Southampton, AD 1415, from The Comic History of England, pub
3075751 Embarkation of Henry V. at Southampton, AD 1415, from The Comic History of England, pub. 1864 (hand coloured etching) by Leech

Judas betrays his Master (coloured engraving)
3648354 Judas betrays his Master (coloured engraving) by Bendixen, Siegfried Detler (1786-1864); Private Collection; (add.info.: Judas betrays his Master)

Ace of Diamonds; L as de Carreau, 1924 (oil on canvas)
825782 Ace of Diamonds; L as de Carreau, 1924 (oil on canvas) by Gris, Juan (1887-1927); 22.6x27.3 cm; Private Collection; (add.info.: Ace of Diamonds; L as de Carreau. Juan Gris (1887-1927)

A conspiracy, c. 1905 (pen, brush & ink on paper)
863212 A conspiracy, c.1905 (pen, brush & ink on paper) by Strang, William (1859-1921); Private Collection; Abbott and Holder, London, UK; Scottish, out of copyright

Judas in hell (chromolitho)
3100701 Judas in hell (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Judas in hell. Illustration for Las Supersticiones De La Humanidad by Jose Coroleu (F Seix)

The Triple Alliance (colour litho)
2818428 The Triple Alliance (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: The Triple Alliance. The grandson of the corporal of Zouaves)

The French Senate gathered in the High Court of Justice for the Conspiracy Trial against the Republic (litho)
2798225 The French Senate gathered in the High Court of Justice for the Conspiracy Trial against the Republic (litho) by Beltrame

The Classroom, 1868 (oil on panel)
650862 The Classroom, 1868 (oil on panel) by Bacon, Henry (1839-1912); 27.1x21.6 cm; Private Collection; (add.info.: The Classroom. Henry Bacon (1839-1912). Oil on panel. Signed and dated 1868

The Model, 1894 (oil on canvas)
651261 The Model, 1894 (oil on canvas) by Fischer, Paul (1860-1934); 78.1x34 cm; Private Collection; (add.info.: The Model. Paul Fischer (1860-1934). Oil on canvas. Dated April 1894

Judas Iscariot (coloured engraving)
668523 Judas Iscariot (coloured engraving) by Dalziel, Owen (1860-1942); Private Collection; (add.info.: Judas Iscariot); © Look and Learn

Characters on a Deck with Faust and Mephisto; Personnages sur une Terrasse avec Fauste et
653380 Characters on a Deck with Faust and Mephisto; Personnages sur une Terrasse avec Fauste et Mephisto, c.1875-1880 (oil on canvas) by Monticelli

Gunpowder Plot (engraving)
611390 Gunpowder Plot (engraving) by English School, (18th century); Private Collection; (add.info.: Gunpowder Plot.); Look and Learn / Peter Jackson Collection; English, out of copyright

The Gunpowder Plot Conspirators, after a 1606 engraving (litho)
489348 The Gunpowder Plot Conspirators, after a 1606 engraving (litho) by English School, (17th century) (after); Private Collection; (add.info.: The Gunpowder Plot)

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"Unraveling the Threads of Conspiracy: From Cicero to Flying Saucers" In this captivating journey through history and mystery, we delve into the enigmatic world of conspiracy. MACCARI's powerful painting "Cicero Denouncing" sets the stage, as ancient Rome reveals its secrets. Amelia Earhart, a trailblazing US aviation pioneer, takes flight in our quest for truth. The sinking of the LUSITANIA sends shockwaves across oceans, leaving us questioning hidden agendas. A Buenos Aires map unfolds before our eyes, hinting at clandestine plots lurking beneath its vibrant streets. An intriguing advertisement tempts us with tales of flying saucers and extraterrestrial encounters. Guy Fawkes emerges from the shadows; his capture in 1605 serves as a reminder that conspiracies have long haunted humanity. A curious nun gazes directly at us – does she hold knowledge beyond her holy vows? Oliver Plunkett's story intertwines with whispers of secrecy and intrigue. A book cover beckons us into "The Flying Saucer Conspiracy, " inviting exploration into unexplained phenomena. The Gunpowder Plot resurfaces; Guy Fawkes' name echoes through time alongside his fellow plotters' sinister intentions. We pause to reflect on Abraham Lincoln's assassination by John Wilkes Booth – an event etched forever in history's annals. Contemporary lithographs transport us back to that fateful night at Ford's Theatre in Washington D. C. , where darkness conspired against light. Amidst these tales of treachery and subterfuge, kittens play innocently on a desk – reminding us that even amidst chaos, life carries on undeterred. Conspiracy lingers like an elusive specter throughout human existence - it invites curiosity while shrouding itself in ambiguity. As we navigate this intricate web woven by history and imagination alike, let us question everything and seek the truth that lies hidden within the shadows.