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Contryside Collection (#2)

"Embracing the Tranquil Countryside: A Journey through Artistic Masterpieces" "By The Sea, 1881: An idyllic escape to the countryside's coastal charm

Background imageContryside Collection: Master John Heathcote, c. 1771-72 (oil on canvas)

Master John Heathcote, c. 1771-72 (oil on canvas)
7296104 Master John Heathcote, c. 1771-72 (oil on canvas) by Gainsborough, Thomas (1727-88); 127 x 101.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Thomas Gainsborough (1727-88))

Background imageContryside Collection: View of La Cava, c. 1840 (oil on canvas)

View of La Cava, c. 1840 (oil on canvas)
7295253 View of La Cava, c.1840 (oil on canvas) by Lanoue, Felix Hippolyte (1812-72); 41 x 34 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Felix Hippolyte Lanoue (1812-72))

Background imageContryside Collection: Forest Scene, c. 1655 (oil on canvas)

Forest Scene, c. 1655 (oil on canvas)
7295173 Forest Scene, c.1655 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 105.5 x 123.4 cm; National Gallery of Art, Washington DC

Background imageContryside Collection: Landscape, c. 1670 (oil on canvas)

Landscape, c. 1670 (oil on canvas)
7295160 Landscape, c.1670 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 53.2 x 60 cm; National Gallery of Art, Washington DC

Background imageContryside Collection: Landscape, about 1760-1770 (Watercolour on paper)

Landscape, about 1760-1770 (Watercolour on paper)
7290975 Landscape, about 1760-1770 (Watercolour on paper) by Zuccarelli, Francesco (1702-88); 41.3x62.8 cm; Tyne & Wear Archives & Museums; (add.info.: Francesco Zuccarelli (1702-1788) Landscape

Background imageContryside Collection: North Tyne, 1774 (Watercolour and pencil)

North Tyne, 1774 (Watercolour and pencil)
7290973 North Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x16 cm; Tyne & Wear Archives & Museums; (add.info.: William Beilby (1740- 1819) North Tyne

Background imageContryside Collection: Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)

Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)
7290963 Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink) by Clausen, George (1852-1944); 34.5x48 cm; Tyne & Wear Archives & Museums; (add.info.: George Clausen (1852-1944) Hayfield

Background imageContryside Collection: Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper)

Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper)
7290958 Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper) by Evans, Bernard Walter (1848-1922); 41.4x76.1 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)

A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)
7290952 A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache) by Ghent, Peter (1856-1911); 60.8x91.8 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Durham Cathedral, 1795 (Watercolour)

Durham Cathedral, 1795 (Watercolour)
7290950 Durham Cathedral, 1795 (Watercolour) by Girtin, Thomas (1775-1802); 26.5x39.6 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Lanercost Priory, 1850 (Watercolour and gouache)

Lanercost Priory, 1850 (Watercolour and gouache)
7290946 Lanercost Priory, 1850 (Watercolour and gouache) by Fielding, Anthony Vandyke Copley (1787-1855); Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: The Swineherd, 1872 (Gouache)

The Swineherd, 1872 (Gouache)
7290926 The Swineherd, 1872 (Gouache) by Watson, James Dawson (1832-92); 25.3x35.7 cm; Tyne & Wear Archives & Museums; (add.info.: John Dawson Watson (1832-1892) The Swineherd

Background imageContryside Collection: Winter (painting on canvas)

Winter (painting on canvas)
885106 Winter (painting on canvas) by Martinelli, Vincenzo (1737-1807); Pinacoteca Nazionale, Bologna, Italy; (add.info.: by Vincenzo Martinelli (1737-1807))

Background imageContryside Collection: Adam and Eve (painting on wood)

Adam and Eve (painting on wood)
885094 Adam and Eve (painting on wood) by Bles, Herri met de (Civetta) (c.1510-p.1550); Pinacoteca Nazionale, Bologna, Italy; (add.info.: Herri met de Bles (Civetta) (c.1510-p.1550))

Background imageContryside Collection: Four hours of the day: Morning, 1774 (oil on canvas)

Four hours of the day: Morning, 1774 (oil on canvas)
904885 Four hours of the day: Morning, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

Background imageContryside Collection: Idyll (painting)

Idyll (painting)
904871 Idyll (painting) by Lely, Peter (1618-80); Musee des Beaux-Arts, Valenciennes, France; (add.info.: Peter or Pieter Lely (1618-80))

Background imageContryside Collection: Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle

Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas)
904607 Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas) by Watelet, Louis-Etienne (1780-1866); 225 x 188 cm; Chateau de Versailles

Background imageContryside Collection: A Slate Wharf, Brathay, 1810 (Watercolour)

A Slate Wharf, Brathay, 1810 (Watercolour)
7290976 A Slate Wharf, Brathay, 1810 (Watercolour) by Reinagle, Ramsay Richard (1775-1862); 47.3x67.2 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: The Meeting of the Waters, 1850-1859 (Watercolour and gouache)

The Meeting of the Waters, 1850-1859 (Watercolour and gouache)
7290962 The Meeting of the Waters, 1850-1859 (Watercolour and gouache) by Cox, David (1783-1859); 61.1x87.4 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: View in Surrey, about 1863-1890 (Watercolour and gouache)

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: The Pine, 1926 (Watercolour and pencil)

The Pine, 1926 (Watercolour and pencil)
7290943 The Pine, 1926 (Watercolour and pencil) by Nash, Paul (1889-1946); 54.4x38 cm; Tyne & Wear Archives & Museums; (add.info.: Paul Nash (1889-1946) The Pine

Background imageContryside Collection: Willows, about 1927 (Watercolour and chalk)

Willows, about 1927 (Watercolour and chalk)
7290942 Willows, about 1927 (Watercolour and chalk) by Nevinson, Christopher Richard Wynne (1889-1946); 25.3x35.8 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Warkworth, 1860 (Watercolour and gouache)

Warkworth, 1860 (Watercolour and gouache)
7290938 Warkworth, 1860 (Watercolour and gouache) by Richardson, Henry Burdon (fl.1828-72); 55.6x76.2 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Burdon Richardson (1826-1874) Warkworth

Background imageContryside Collection: The Fishseller, about 1775-1800 (Watercolour and ink)

The Fishseller, about 1775-1800 (Watercolour and ink)
7290935 The Fishseller, about 1775-1800 (Watercolour and ink) by Rowlandson, Thomas (1756-1827); 17.4x24.7 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)

Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)
7290969 Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil) by Bennet, Mary Elizabeth (1785-1861); 15.1x10.6 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Yorkshire Moorland, 1942 (Watercolour)

Yorkshire Moorland, 1942 (Watercolour)
7290965 Yorkshire Moorland, 1942 (Watercolour) by Campbell, Nesta Jennings (1876-1951); 20.2x20.7 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Four hours of the day: Night, 1774 (oil on canvas)

Four hours of the day: Night, 1774 (oil on canvas)
904886 Four hours of the day: Night, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

Background imageContryside Collection: The gardener or the engagement (oil on canvas)

The gardener or the engagement (oil on canvas)
904883 The gardener or the engagement (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Background imageContryside Collection: Roman tomb in the Roman countryside of the Via Appia (drawing)

Roman tomb in the Roman countryside of the Via Appia (drawing)
904724 Roman tomb in the Roman countryside of the Via Appia (drawing) by Nicolle, Victor Jean (1754-1826); Musee des Beaux-Arts, Rouen, France; (add.info.: by Jean Victor Nicolle (1754-1826))

Background imageContryside Collection: Landscape near Paris (painting)

Landscape near Paris (painting)
904739 Landscape near Paris (painting) by Michel, Georges (1763-1843); Musee des Beaux-Arts, Lille, France; (add.info.: Georges Michel (1763-1843))

Background imageContryside Collection: Lake at Appledale, 1884 (pastel on tan wove paper)

Lake at Appledale, 1884 (pastel on tan wove paper)
5862015 Lake at Appledale, 1884 (pastel on tan wove paper) by Palmer, Walter Launt (1854-1932); 38.7x54.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Walter Launt Palmer (1854-1932))

Background imageContryside Collection: A Bridge in a Snowy Landscape, from the series A Collection of Japanese

A Bridge in a Snowy Landscape, from the series A Collection of Japanese and Chinese Poems for Recitation, c
5859864 A Bridge in a Snowy Landscape, from the series A Collection of Japanese and Chinese Poems for Recitation, c.1842-43 (colour woodblock print; oban) by Hiroshige

Background imageContryside Collection: Stagecoach climbing a hill, France (engraving)

Stagecoach climbing a hill, France (engraving)
1701230 Stagecoach climbing a hill, France (engraving) by Adam, Victor (1801-66) (after); (add.info.: Stagecoach climbing a hill, France : engraving after Victor Adam (1801-1866))

Background imageContryside Collection: A Corner of Moret-sur-Loing, 1895 (pastel on paper)

A Corner of Moret-sur-Loing, 1895 (pastel on paper)
5861046 A Corner of Moret-sur-Loing, 1895 (pastel on paper) by Sisley, Alfred (1839-99); 33.7--42.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Alfred Sisley (1839-99))

Background imageContryside Collection: Minamoto no Yoshiie on horseback and a bird on a branch, c. 1825

Minamoto no Yoshiie on horseback and a bird on a branch, c. 1825 (colour woodblock print; sheet from shikishiban)
5860872 Minamoto no Yoshiie on horseback and a bird on a branch, c.1825 (colour woodblock print; sheet from shikishiban hexaptych, surimono) by Shinsai

Background imageContryside Collection: Romantic couple having a picnic (colour litho)

Romantic couple having a picnic (colour litho)
7151028 Romantic couple having a picnic (colour litho) by Maurice, Reg (fl.c.1900-30); Private Collection; (add.info.: Comic postcard on a food related theme)

Background imageContryside Collection: Soldiers driving away people who have met to worship in the Scottish hills (colour litho)

Soldiers driving away people who have met to worship in the Scottish hills (colour litho)
7148546 Soldiers driving away people who have met to worship in the Scottish hills (colour litho) by Jellicoe, John (fl.1888); Private Collection; (add.info)

Background imageContryside Collection: The death of Leo Tolstoi in the small railway station of Astapowo (Riasan gov)

The death of Leo Tolstoi in the small railway station of Astapowo (Riasan gov)
2815390 The death of Leo Tolstoi in the small railway station of Astapowo (Riasan gov) at dawn on the 20th century (colour litho) by Beltrame

Background imageContryside Collection: Pastoral landscape with stream, fisherman and strollers, c. 1875-80 (oil on canvas)

Pastoral landscape with stream, fisherman and strollers, c. 1875-80 (oil on canvas)
7262806 Pastoral landscape with stream, fisherman and strollers, c. 1875-80 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 38x46 cm; Private Collection; (add.info)

Background imageContryside Collection: The Chinese Route (Colour Litho)

The Chinese Route (Colour Litho)
2783750 The Chinese Route (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Chinese route)

Background imageContryside Collection: Countess Lucia Costa, of Milan, climbed with her husband and two greyhounds over a hill around

Countess Lucia Costa, of Milan, climbed with her husband and two greyhounds over a hill around... (colour litho)
2777975 Countess Lucia Costa, of Milan, climbed with her husband and two greyhounds over a hill around... (colour litho) by Beltrame

Background imageContryside Collection: The Mom in Distress! (colour litho)

The Mom in Distress! (colour litho)
2778359 The Mom in Distress! (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Mom in Distress)

Background imageContryside Collection: The Dramas Of Smuggling, A Group Of Smugglers Surprised By The Finance Guards... (colour litho)

The Dramas Of Smuggling, A Group Of Smugglers Surprised By The Finance Guards... (colour litho)
2798446 The Dramas Of Smuggling, A Group Of Smugglers Surprised By The Finance Guards... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Dramas Of Smuggling)

Background imageContryside Collection: Stoke-by-Nayland, 1836 (oil on canvas)

Stoke-by-Nayland, 1836 (oil on canvas)
5863027 Stoke-by-Nayland, 1836 (oil on canvas) by Constable, John (1776-1837); 126--169 cm; The Art Institute of Chicago, IL, USA; (add.info.: by John Constable (1776-1837))

Background imageContryside Collection: Wind-Swept Sands, 1894 (oil on canvas)

Wind-Swept Sands, 1894 (oil on canvas)
5861612 Wind-Swept Sands, 1894 (oil on canvas) by Chase, William Merritt (1849-1916); 87--101.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: by William Merritt Chase (1849-1916))




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"Embracing the Tranquil Countryside: A Journey through Artistic Masterpieces" "By The Sea, 1881: An idyllic escape to the countryside's coastal charm. " "A Picturesque Cottage, Warwickshire: Capturing the essence of rural beauty in delicate pencil and watercolor strokes. " "An Encounter on the Road, c. 1900: Exploring unexpected connections amidst nature's embrace. " "Church Pool, Bettws-y-coed: Immersed in serenity as vibrant oil paints bring this countryside oasis to life. " "The Meridian Line - The Siesta, 1888-1889: Surrendering to leisurely moments under a sun-kissed sky amidst breathtaking landscapes. " "The Fury of a Swan: Witnessing nature's power and grace through vivid color lithography. " "A Chance Meeting at Dawn: Unforgettable encounters unfold against the backdrop of rustic tranquility. " "Mussolini Threshes Wheat under the Sun - Agro Pontino's Legacy Revived in Colorful Lithography" "Captivating Alessandria Hills - Piedmont's hidden gem beckons with its undulating landscapes and timeless allure. " "Po Valley, Lombardy - Europe’s verdant heartland unfolds in an awe-inspiring panorama of natural splendor. " “Landscape with Cattle and Herdsman, 1810 – Watercolors that breathe life into pastoral scenes. ” “Ben Nevis, 1891 – A mesmerizing blend of watercolor and gouache capturing Scotland’s majestic peak.