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Copse Collection (#2)

"Copse: Nature's Enchanting Hideaway" As twilight casts its gentle glow on the tranquil Trent River, a copse emerges from the shadows

Background imageCopse Collection: Cottages at Rock Copse - Exe Valley, Devon - near Tiverton

Cottages at Rock Copse - Exe Valley, Devon - near Tiverton. Date: 1908

Background imageCopse Collection: England, Northumberland, Bardon Mill

England, Northumberland, Bardon Mill. Hoar frost on woodland in countryside near the River South Tyne in Tynedale

Background imageCopse Collection: England, Northumberland National Park, Tyne Valley

England, Northumberland National Park, Tyne Valley. Panoramic view of a group of trees surrounded by a fresh snowfall, located in the heart of Hardian's Wall Country

Background imageCopse Collection: DDE-90035881

DDE-90035881
Estonia, Southwestern Estonia, Vorts Jarv lake area, Pikasilla, site of the ancient Vooremagi Hill fort, road Date: 29/11/2006

Background imageCopse Collection: Resting (oil on canvas)

Resting (oil on canvas)
XPG365649 Resting (oil on canvas) by Sigmund, Benjamin D. (fl.1880-1904); Private Collection

Background imageCopse Collection: The Forest

The Forest
" The forests on the banks of the Mississippi. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Background imageCopse Collection: The Mirror of Time, 1628 (oil on copper)

The Mirror of Time, 1628 (oil on copper)
3937505 The Mirror of Time, 1628 (oil on copper) by Cornelisz. van Haarlem, Cornelis (1562-1638); 29x38 cm; National Museum, Stockholm, Sweden

Background imageCopse Collection: Landscape, 1835 / 40. Creator: Eugene Blery

Landscape, 1835 / 40. Creator: Eugene Blery
Landscape, 1835/40

Background imageCopse Collection: A Clump of Trees, c. 1860. Creator: Constant Troyon

A Clump of Trees, c. 1860. Creator: Constant Troyon
A Clump of Trees, c. 1860

Background imageCopse Collection: Fir Trees at Varengeville; Les sapins a Varengeville, 1982 (oil on canvas)

Fir Trees at Varengeville; Les sapins a Varengeville, 1982 (oil on canvas)
1769216 Fir Trees at Varengeville; Les sapins a Varengeville, 1982 (oil on canvas) by Monet, Claude (1840-1926); 60x73.5 cm; Private Collection; (add.info)

Background imageCopse Collection: Hauling Timber, Stirlingshire, Scotland (oil on canvas)

Hauling Timber, Stirlingshire, Scotland (oil on canvas)
3744147 Hauling Timber, Stirlingshire, Scotland (oil on canvas) by Morley, Henry (1870-1937); 86.3x116.8 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageCopse Collection: Clearing the copse (engraving)

Clearing the copse (engraving)
5212875 Clearing the copse (engraving) by English School, (19th century); Private Collection; (add.info.: Clearing the copse)

Background imageCopse Collection: Copse at the head of the Amsteldijk near Trompenburg, c. 1649 (pen & ink on paper)

Copse at the head of the Amsteldijk near Trompenburg, c. 1649 (pen & ink on paper)
695915 Copse at the head of the Amsteldijk near Trompenburg, c.1649 (pen & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 13.2x20.7 cm; eThe Devonshire Collections

Background imageCopse Collection: A dolmen-type passage grave of the Gauls (colour litho)

A dolmen-type passage grave of the Gauls (colour litho)
STC386356 A dolmen-type passage grave of the Gauls (colour litho) by Bramati, G. (19th century); Private Collection; The Stapleton Collection; Italian, out of copyright

Background imageCopse Collection: Canadian Rifles and VCs Memorials, Passchendaele

Canadian Rifles and VCs Memorials, Passchendaele
Three flat black marble plaques mark the part played by the 3rd Canadian Division, the 4th Canadian Mounted Rifles and the 3rd (Toronto)

Background imageCopse Collection: Wood in Konigswusterhausen (oil on canvas laid down on paperboard)

Wood in Konigswusterhausen (oil on canvas laid down on paperboard)
XKH191614 Wood in Konigswusterhausen (oil on canvas laid down on paperboard) by Steffeck, Carl Constantin (1818-90); 54x35.5 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageCopse Collection: Copse of Alder and Birch, 1865-70 (oil on canvas)

Copse of Alder and Birch, 1865-70 (oil on canvas)
1127863 Copse of Alder and Birch, 1865-70 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 73.1x36.2 cm; Private Collection; (add.info)

Background imageCopse Collection: Young Couple in a Landscape (oil on canvas)

Young Couple in a Landscape (oil on canvas)
3937527 Young Couple in a Landscape (oil on canvas) by Huet, Jean-Baptiste (1745-1811); 62.5x78 cm; National Museum, Stockholm, Sweden; French, out of copyright

Background imageCopse Collection: Nymph reclining, c. 1857-58 (oil on canvas)

Nymph reclining, c. 1857-58 (oil on canvas)
897322 Nymph reclining, c.1857-58 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 49x75 cm; Musee d Art et d Histoire, Geneva, Switzerland; French, out of copyright

Background imageCopse Collection: Marshland in Les Landes, c. 1853 (oil on canvas)

Marshland in Les Landes, c. 1853 (oil on canvas)
PWI83739 Marshland in Les Landes, c.1853 (oil on canvas) by Rousseau, Pierre Etienne Theodore (1812-67); 63x97 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

Background imageCopse Collection: A rough road along the dyke with trees hiding a farmstead (pen & ink with wash on paper)

A rough road along the dyke with trees hiding a farmstead (pen & ink with wash on paper)
449310 A rough road along the dyke with trees hiding a farmstead (pen & ink with wash on paper) by Rembrandt Harmensz. van Rijn (1606-69); 11x27.1 cm; eThe Devonshire Collections

Background imageCopse Collection: Twilight on the Trent, c. 1884 (oil on canvas)

Twilight on the Trent, c. 1884 (oil on canvas)
3744052 Twilight on the Trent, c.1884 (oil on canvas) by Cubley, William Harold (1814-96); 55.9x91.4 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageCopse Collection: Fields in Surrey, 1890 (oil on canvas)

Fields in Surrey, 1890 (oil on canvas)
3744118 Fields in Surrey, 1890 (oil on canvas) by Hughes-Stanton, Herbert (1870-1937); 35.6x45.7 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageCopse Collection: Sweet Seventeen, a Romance of the Coaching-Days (engraving)

Sweet Seventeen, a Romance of the Coaching-Days (engraving)
1038598 Sweet Seventeen, a Romance of the Coaching-Days (engraving) by English School, (19th century); Private Collection; (add.info.: Sweet Seventeen, a Romance of the Coaching-Days)

Background imageCopse Collection: Path with Chestnut Trees near Cusset (pastel on blue paper)

Path with Chestnut Trees near Cusset (pastel on blue paper)
CH401566 Path with Chestnut Trees near Cusset (pastel on blue paper) by Millet, Jean-Francois (1814-75); Private Collection; Photo eChristies Images; French, out of copyright

Background imageCopse Collection: On the Dockart, Killin, Perthshire, Scotland, 1887 (oil on canvas)

On the Dockart, Killin, Perthshire, Scotland, 1887 (oil on canvas)
3744053 On the Dockart, Killin, Perthshire, Scotland, 1887 (oil on canvas) by Surtees, John (1819-1915); 50.8x40.6 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageCopse Collection: View on the Amstel: the road on the Amsteldijk leading to Trompenburg, c

View on the Amstel: the road on the Amsteldijk leading to Trompenburg, c
695914 View on the Amstel: the road on the Amsteldijk leading to Trompenburg, c.1649-50 (pen & ink with brown wash & white bodycolour on paper) by Rembrandt Harmensz

Background imageCopse Collection: The Vale of St. John, 1786 (w / c)

The Vale of St. John, 1786 (w / c)
AGN65456 The Vale of St. John, 1786 (w/c) by Towne, Francis (1740-1816); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageCopse Collection: A Clump of Trees, c. 1860 (oil on canvas)

A Clump of Trees, c. 1860 (oil on canvas)
5858796 A Clump of Trees, c.1860 (oil on canvas) by Troyon, Constant-Emile (1810-65); 33x24.9 cm; The Art Institute of Chicago, IL, USA; French, out of copyright

Background imageCopse Collection: A Flowery Copse (oil on canvas)

A Flowery Copse (oil on canvas)
2829686 A Flowery Copse (oil on canvas) by Hale, William Matthew (c.1849-c.1929); Bristol Museum and Art Gallery, UK; (add.info.: an unframed painting showing trees and flowering shrubs)

Background imageCopse Collection: Group of Trees, 1877-80 (w / c on paper)

Group of Trees, 1877-80 (w / c on paper)
LEF218823 Group of Trees, 1877-80 (w/c on paper) by Cezanne, Paul (1839-1906); 45x31 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Background imageCopse Collection: Chobham Camp, 1853 (oil on canvas)

Chobham Camp, 1853 (oil on canvas)
NAM237628 Chobham Camp, 1853 (oil on canvas) by Ward, Edward Matthew (1816-79); 30.3x35.7 cm; National Army Museum, London; (add.info)

Background imageCopse Collection: Wilford Ferry, Nottingham (The Cherry-Eatings) (oil on canvas)

Wilford Ferry, Nottingham (The Cherry-Eatings) (oil on canvas)
3744048 Wilford Ferry, Nottingham (The Cherry-Eatings) (oil on canvas) by Holland, John (c.1805-80); 61x91.4 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageCopse Collection: The Loing Canal, Morning; Canal du Loing, effet du matin, 1896 (oil on canvas)

The Loing Canal, Morning; Canal du Loing, effet du matin, 1896 (oil on canvas)
1769223 The Loing Canal, Morning; Canal du Loing, effet du matin, 1896 (oil on canvas) by Sisley, Alfred (1839-99); 65.5x81.6 cm; Private Collection; (add.info.: The Loing Canal)

Background imageCopse Collection: Driving the Flock (oil on canvas)

Driving the Flock (oil on canvas)
1766642 Driving the Flock (oil on canvas) by Smith, George (1870-1934); Private Collection; (add.info.: Driving the Flock. George Smith (1870-1934)

Background imageCopse Collection: A Lane near Norwich, Norfolk, c. 1830 (oil on wood)

A Lane near Norwich, Norfolk, c. 1830 (oil on wood)
3744280 A Lane near Norwich, Norfolk, c.1830 (oil on wood) by Stark, James (1794-1859); 50.8x38.1 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageCopse Collection: A Winter Morning, Hoar Frost Melting, 1885-1894 (w / c on paper)

A Winter Morning, Hoar Frost Melting, 1885-1894 (w / c on paper)
Ma360544 A Winter Morning, Hoar Frost Melting, 1885-1894 (w/c on paper) by Watts, James Thomas (1853-1930); 53.9x76.2 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageCopse Collection: Exodus 3 1-22 The Burning Bush, and Exodus 4 1-4 God arms Moses with the miraculous rod

Exodus 3 1-22 The Burning Bush, and Exodus 4 1-4 God arms Moses with the miraculous rod
STC67469 Exodus 3 1-22 The Burning Bush, and Exodus 4 1-4 God arms Moses with the miraculous rod, from the Nuremberg Bible (Biblia Sacra Germanaica) (coloured woodcut) by German School

Background imageCopse Collection: A Marshland Farm (oil on canvas)

A Marshland Farm (oil on canvas)
3744077 A Marshland Farm (oil on canvas) by Michie, James Coutts (1861-1919); 121.9x182.9 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageCopse Collection: The Adventures of Nicholas (engraving)

The Adventures of Nicholas (engraving)
1038807 The Adventures of Nicholas (engraving) by Corbould, Alfred Chantrey (1852-1920); Private Collection; (add.info.: The Adventures of Nicholas)




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"Copse: Nature's Enchanting Hideaway" As twilight casts its gentle glow on the tranquil Trent River, a copse emerges from the shadows, beckoning wanderers to explore its secrets. Nestled near Wilford Ferry in Nottingham, this copse is known as "The Cherry-Eatings, " where locals gather to savor nature's sweet offerings. In the early morning light, a backlit tree and meadow at sunrise create a breathtaking scene (N061020). The Ridgeway (K930754) leads us through time as we marvel at Stonehenge from the air (K040312), reminding us of ancient mysteries etched into England's landscape. Hadrian's Wall stands proud at Housesteads Fort (K060328), bearing witness to centuries of history. Meanwhile, Arundel Park in Sussex paints a vibrant autumn picture with its fall of leaf woodland scene (Woodland Scene in Autumn). From an aerial view over North Norfolk in August, farmland stretches out before our eyes - arable fields interwoven with hedgerows and woodlands - showcasing England's rural beauty. Arbor Low Stone Circle (K060169) whispers tales of ancient rituals and spiritual gatherings. As evening approaches, Sunstar Creech Woodland bathes in golden hues that dance through the trees. Laelatu Wooded Meadow along Estonia's west coast reveals coppiced Downy Birch trunks standing tall amidst natural splendor. Finally, we find ourselves immersed in British countryside life - cutting chestnuts under dappled sunlight. This captivating collection of images captures the essence of what makes a copse so enchanting – it is nature’s sanctuary where stories unfold and dreams take flight.