Corinthian Order Collection

Temple of Olympian Zeus, Athens, Attica, Greece

Zappeion Hall, Athens, Attica, Greece

Hadrians Library, Roman Forum, Athens, Attica, Greece

Maison Carra e ancient Roman temple on Place de la Maison Carra e at night, Names
Maison Carree ancient Roman temple on Place de la Maison Carree at night, NAmes, Languedoc-Roussillon, Gard Department, France

The Legend of the True Cross, the Annunciation, detail of the Virgin
BEN116368 The Legend of the True Cross, the Annunciation, detail of the Virgin, completed 1464 (fresco) (detail of 58292) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo

Capital & Entablature, Maison Carree, Nimes, France (engraving)
478373 Capital & Entablature, Maison Carree, Nimes, France (engraving) by French School, (18th century); Private Collection; (add.info.: Illustration from AntiquitA©s de la France: Vol I)

Elevation of Pedestal Entablature of the Arch at Tripoli
XYC289231 Elevation of Pedestal Entablature of the Arch at Tripoli (pen & ink and grey wash over graphite on paper) by Bruce, James (Abyssinian Bruce) (1730-94); Yale Center for British Art

Plate XCIII Large scale illustration of a detail from the Portico of the Pantheon
CSM74892 Plate XCIII Large scale illustration of a detail from the Portico of the Pantheon from Vedute, first published in 1756, pub. by E. & F.N. Spon Ltd

Entablature, capital and inscription from the Temple of Jupiter Tonans (The Thunderer)
STC444661 Entablature, capital and inscription from the Temple of Jupiter Tonans (The Thunderer), from Les Edifices Antiques de Rome, 1682 (engraving) by Desgodets

Roman Landscape with Cattle and Shepherds, 1676 (oil on canvas)
488070 Roman Landscape with Cattle and Shepherds, 1676 (oil on canvas) by Roos, Johann Heinrich (1631-85); 61x74.6 cm; Minneapolis Institute of Arts, MN

Interior of the Temple of Diana, Nimes, from Antiquites de la France: Vol I
478348 Interior of the Temple of Diana, Nimes, from AntiquitA©s de la France: Vol I, Monuments de Nimes (engraving) by French School

View of a ruined temple, Palmyra, Syria, illustration from
REV326523 View of a ruined temple, Palmyra, Syria, illustration from Voyage en Asie Mineure by Leon de Laborde, Paris, 1838 (colour litho) by Laborde

Elevation of the Temple of Nimes, illustration from a facsimile copy of
AFC206119 Elevation of the Temple of Nimes, illustration from a facsimile copy of I Quattro Libri dell Architettura written by Palladio, originally published 1570 by Palladio

The Gallery, Chiswick House (w / c on paper)
621523 The Gallery, Chiswick House (w/c on paper) by Hunt, William Henry (1790-1864); 31.7x24.8 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Chiswick House)

View in the Roman Forum, 1615 (oil on canvas)
487989 View in the Roman Forum, 1615 (oil on canvas) by Codazzi, V. (1603-72) & Cerquozzi, M. (1602-60); 127.6 x 105.1 cm; Minneapolis Institute of Arts, MN

The origin of the Corinthian Order (red chalk on white paper)
CTS441472 The origin of the Corinthian Order (red chalk on white paper) by Perrault, Charles (1628-1703); 29x18.7 cm; eThe Devonshire Collections

Taormina theater, Taormina, Sicily, Italy, Europe

Capitals from the temple near the Roman Baths, Nimes. Creator: French School (18th century)
Capitals from the temple near the Roman Baths, Nimes, from Antiquites de la France: Vol I, Monuments de Nimes (engraving)

Entablature, capital and inscription from the Temple of Jupiter Tonans (The Thunderer), pub
Entablature, capital and inscription from the Temple of Jupiter Tonans (The Thunderer), from Les Edifices Antiques de Rome, published 1682 (engraving)

Paysage Compose, the Traveler (oil on canvas)
XIR903693 Paysage ComposA©, the Traveler (oil on canvas) by Patel, Pierre (1605-76); Louvre, Paris, France; (add.info.: Paysage composA©. Le Voyageur); French, out of copyright

Noon or Landscape with the Rest on the Flight into Egypt, 1661 (oil on canvas)
XIR900485 Noon or Landscape with the Rest on the Flight into Egypt, 1661 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 113x157 cm; State Hermitage Museum, St

Callimachus invents the Corinthian pillar order, Lambertus Antonius Claessens, 1803

Ruin with Corinthian columns, Willem of Nieulandt II, Anonymous, 1594-1685

Temple of Augustus, dedicated to the goddess Roma and the emperor Augustus. It was built between the year 2 B.C. and 14 A.D

SYRIA. APAMEA (Afamia). Colonnade in Cardo Maximus Avenue

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The Corinthian Order, originating in ancient Greece, is a captivating architectural style that has left its mark on numerous iconic structures around the world. One such example is the Temple of Olympian Zeus in Athens, Attica, Greece. This grand temple showcases the exquisite craftsmanship and intricate detailing characteristic of the Corinthian Order. Moving to Zappeion Hall in Athens, we find another stunning display of this order's elegance. The hall's majestic columns adorned with acanthus leaves and delicate volutes create a sense of timeless beauty. Hadrian's Library at the Roman Forum also boasts elements of the Corinthian Order. Its impressive facade features ornate capitals and an entablature that speak volumes about the sophistication of this architectural style. In Maison Carrée, Nimes, France, we are treated to an engraving showcasing a detailed capital and entablature. This masterpiece exemplifies how even small-scale representations can capture the essence and intricacy of this order. Delving into art inspired by this architectural marvel takes us to "The Legend of True Cross" painting where we witness a detail depicting The Annunciation featuring Virgin Mary herself. The artist skillfully incorporates elements from Corinthian architecture into his work, further highlighting its influence on various artistic mediums. Stepping away from illustrations and paintings brings us to Tripoli's Arch Pedestal Entablature elevation view. Here we see how architects meticulously designed each element - from columns to friezes - creating harmonious proportions within their overall composition. A visit to Palmyra in Syria reveals a ruined temple that once stood as a testament to this magnificent order's legacy. Despite its current state of disrepair due to time's relentless passage, remnants still bear witness to its former glory. Finally, let us not forget about nature-inspired works like "Roman Landscape with Cattle and Shepherds. " Painted on canvas centuries ago but still resonating today.