Corot Collection (#4)

The Parc des Lions at Port-Marly. Artist: Corot, Jean-Baptiste Camille (1796-1875)
The Parc des Lions at Port-Marly. Found in the collection of Thyssen-Bornemisza Collections

Interior of the Church at Mantes. Artist: Corot, Jean-Baptiste Camille (1796-1875)
Interior of the Church at Mantes. Found in the collection of Thyssen-Bornemisza Collections

Memory of Coubron. Artist: Corot, Jean-Baptiste Camille (1796-1875)
Memory of Coubron. Found in the collection of Szepmuveszeti Muzeum, Budapest

The Church of Marissel, near Beauvais. Artist: Corot, Jean-Baptiste Camille (1796-1875)
The Church of Marissel, near Beauvais. Found in the collection of Louvre, Paris

Volterra. Artist: Corot, Jean-Baptiste Camille (1796-1875)
Volterra. Found in the collection of Louvre, Paris

The Dance of the Nymphs. Artist: Corot, Jean-Baptiste Camille (1796-1875)
The Dance of the Nymphs. Found in the collection of Louvre, Paris

The fisherman, evening effect, ca 1860-1870. Artist: Corot, Jean-Baptiste Camille (1796-1875)
The fisherman, evening effect, ca 1860-1870. Found in the collection of the Art Gallery of South Australia

A Morning. The dance of the Nymphs, 1850. Artist: Corot, Jean-Baptiste Camille (1796-1875)
A Morning. The dance of the Nymphs, 1850. Found in the collection of the Musee d Orsay, Paris

Le Concert Champetre (Woodland Music-makers). Artist: Corot, Jean-Baptiste Camille (1796-1875)
Le Concert Champetre (Woodland Music-makers). Found in the collection of Musee Conde, Chantilly

La Rochelle. Entree du port d echouage. Artist: Corot, Jean-Baptiste Camille (1796-1875)
La Rochelle. Entree du port d echouage. Found in the collection of Louvre, Paris

Corot. Jean-Baptiste-Camille Corot, 1796 - 1875. French landscape artist, portrait painter and printmaker. After a work by Felix Bracquemond

Jean-Baptiste-Camille Corot, 1796 - 1875. French landscape and portrait painter as well as a printmaker in etching. Illustration by Gordon Ross, American artist and illustrator (1873-1946)

Jean-Baptiste-Camille Corot Mme Lemaistre nA e Blanche Sennegon
Jean-Baptiste-Camille Corot: Mme Lemaistre, nee Blanche Sennegon, Niece of Corot (Mme Lemaistre, nee Blanche Sennegon, niece de Corot), Jean-Baptiste-Camille Corot, 1831, Oil on canvas

Odalisque 1871 / 1873 oil canvas 50. 7 x 61. 2 cm
Odalisque, 1871/1873, oil on canvas, 50.7 x 61.2 cm, signed lower right: COROT, Jean-Baptiste Camille Corot, Paris 1796-1875 Paris

La villa italienne derriAre les pins 1855 / 1865
La villa italienne derriere les pins, 1855/1865, oil on canvas, 154.4 x 112 cm, signed lower left: COROT, Jean-Baptiste Camille Corot, Paris 1796-1875 Paris

Italienne A la fontaine 1865 / 1870 oil canvas
Italienne a la fontaine, 1865/1870, oil on canvas, 83.1 x 54.9 cm, signed lower right: COROT, Jean-Baptiste Camille Corot, Paris 1796-1875 Paris

L A tang aux canards 1855 / 1860 oil canvas paper
L etang aux canards, 1855/1860, oil on canvas on paper, 24.6 x 39.7 cm, signed lower right: COROT, Jean-Baptiste Camille Corot, Paris 1796-1875 Paris

Corot Rouen Edmond Cousturier papers 1890-1908
Corot (Rouen), Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 7, from an untitled sketchbook

Landscape White Horse Corot 1858 Felix Bracquemond
Landscape, or The White Horse, after Corot, c. 1858. Felix Bracquemond (French, 1833-1914). Etching; sheet: 37.5 x 34.8 cm (14 3/4 x 13 11/16 in.); platemark: 31.1 x 21.2 cm (12 1/4 x 8 3/8 in.)

The Cows Resting Place (Le Dormoir des vaches), 1871

The Wood Gatherers, 1875. Artist: Jean-Baptiste-Camille Corot
The Wood Gatherers, 1875; two women gather wood in a forest clearing. A man rides off into the distance accompanied by a dog

A View Near Volterra, 1838. Artist: Jean-Baptiste-Camille Corot
A View Near Volterra, 1838. The painting is part of the Chester Dale Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Jean-Baptiste-Camille Corot, c1870, (1939). Jean-Baptiste-Camille Corot (July 16, 1796 -February 22, 1875) was a French landscape and portrait painter as well as a printmaker in etching

Avignon from the West, 1836. Artist: Corot, Jean-Baptiste Camille (1796-1875)
Avignon from the West, 1836. Found in the collection of the National Gallery, London

COROT: EVENING, 1875. Pleasures of Evening. Oil in canvas by Jean-Baptiste Camille Corot, 1875

The Horseman in the Wood, c. 1854, (1946). Artist: Jean-Baptiste-Camille Corot
The Horseman in the Wood, c.1854, (1946). From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]

The Steeple of Saint-Nicolas-Les-Arras, c. 1870s, (1946). Artist: Jean-Baptiste-Camille Corot
The Steeple of Saint-Nicolas-Les-Arras, c.1870s, (1946). View of the church in the village of Saint-Nicolas-lez-Arras in the Pas-de-Calais department of Northern France

Nymphe, 1859, (1937). Artist: Jean-Baptiste-Camille Corot
Nymphe, 1859, (1937). From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]

Agostina, 1866. Artist: Jean-Baptiste-Camille Corot
Agostina, 1866. The painting is part of the Chester Dale Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Femme en bleu, 1874, (1939). Artist: Jean-Baptiste-Camille Corot
Femme en bleu, 1874, (1939). The painting is housed in Musee du Louvre, Paris. From Verve - Nos. 5-6, July-October 1939. [Verve, France, 1939]

L atelier de Corot, c1865, (1939). Artist: Jean-Baptiste-Camille Corot
L atelier de Corot, c1865, (1939). The painting is housed in the Musee d Orsay, Paris. From Verve - Nos. 5-6, July-October 1939. [Verve, France, 1939]

L Etang, (The Ponds), 19th century, (1910). Artist: Jean-Baptiste-Camille Corot
L Etang, (The Ponds), 19th century, (1910). Jean-Baptiste Camille Corot, (1796-1875) was a French painter and engraver French

Danse Des Bergers De Sorrente, (Dance of the Shepherds of Sorrento), 19th century, (1910). Jean-Baptiste-Camille Corot (1796-1875)

Le Vallon, 19th century, (1910). Artist: Jean-Baptiste-Camille Corot
Le Vallon, 19th century, (1910). Jean-Baptiste-Camille Corot (1796-1875) was a French landscape and portrait painter as well as a printmaker in etching

The Bent Tree, 1855-1860, (c1915). Artist: Jean-Baptiste-Camille Corot
The Bent Tree, 1855-1860, (c1915). The painting is held by the National Gallery of Victoria, Australia. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Mill at Cuincy, 1871-1872, (1946). Artist: Jean-Baptiste-Camille Corot
The Mill at Cuincy, 1871-1872, (1946). Mill near near Douai, in the Nord departement in northern France. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

The Wood Gatherers, c1843. Artist: Jean-Baptiste-Camille Corot
The Wood Gatherers, c1843. Painting is held at Guildhall Art Gallery, London. From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

La petite Liseuse ou Jeune bergere assise et lisant, c1855. Artist: Jean-Baptiste-Camille Corot
La petite Liseuse ou Jeune bergere assise et lisant, c1855. From The Studio Volume 128. [The Offices of the Studio, London & New York, 1940]

Christine Nilsson, 1874 (1935). Artist: Jean-Baptiste-Camille Corot
Christine Nilsson, 1874 (1935). After the painting by J. B. C. Corot. From Modern Masterpieces Part 13. [George Newnes Ltd, London, 1935]

Dardagny, c1855. Artist: Jean-Baptiste-Camille Corot
Dardagny, c1855. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

The Boatman, 1806-1875, (1906-7). Artist: Jean-Baptiste-Camille Corot
The Boatman. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Jean-Baptiste-Camille Corot, French landscape painter and printmaker, 1875. Artist: Smeeton and Tilly
Jean-Baptiste-Camille Corot, French landscape painter and printmaker, 1875. Corot (1796-1875) was a leading figure in the Barbizon School of the mid 19th century

Environs de Rome, c1815-1865, (1924). Artist: Jean-Baptiste-Camille Corot
Environs de Rome, c1815-1865, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Souvenir d Italie, c1815-1865, (1924). Artist: Jean-Baptiste-Camille Corot
Souvenir d Italie, c1815-1865, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Soleil Couchant, c1910. Artist: Jean-Baptiste-Camille Corot
Soleil Couchant, c1910. From The Studio Volume 50. [London Offices of the Studio, London, 1910]

Portrait of a Young Woman in a Large Hat, My Hagar, c1830. Artist: Jean-Baptiste-Camille Corot
Portrait of a Young Woman in a Large Hat, My Hagar, c1830. Sketch held at The Moreau Collection, Musee Du Louvre, Paris. From The Studio Volume 40 [London Offices of the Studio, London, 1907.]

Wood Gatherers, c1865, (1913). Artist: Jean-Baptiste-Camille Corot
Wood Gatherers, c1865. Painting held in the The National Gallery, London. From The Connoisseur Vol XXXV [Otto Limited, London, 1913.]

Jean Baptiste Camille Corot, French artist, c1845-1875. A landscape painter and printmaker, Corot (1796-1875) was a leading figure in the Barbizon School of the mid 19th century

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"Jean-Baptiste-Camille Corot: Capturing the Essence of French Landscapes and Mythology" Step into the world of Jean-Baptiste-Camille Corot, a renowned French artist whose works continue to captivate audiences even today. Born in 1796 in Ville-d Avray, France, Corot's artistic talent blossomed at an early age. In his masterpiece from around 1865, we see Ville-d Avray come alive on canvas. The oil painting showcases Corot's exceptional skill in capturing the serene beauty of his surroundings. With each brushstroke, he transports us to this idyllic village nestled amidst nature. Another remarkable piece by Corot is "COROT: CATHEDRAL, " painted between 1855-60. This artwork provides a distant view of Mantes Cathedral, showcasing his ability to capture architectural marvels with finesse. The play of light and shadow adds depth and intrigue to this stunning composition. Corot's versatility as an artist shines through in "Orpheus Leading Eurydice from the Underworld. " Painted in 1861, this captivating piece delves into mythology as it depicts Orpheus guiding Eurydice back from the depths of Hades. Through his masterful technique and attention to detail, Corot brings this ancient tale to life on canvas. Throughout his career spanning several decades until his passing in 1875, Jean-Baptiste-Camille Corot left an indelible mark on the art world. His landscapes such as "Souvenir DItalie" and "Lac DAvray" showcase his love for nature while highlighting his unique style that combines realism with poetic elements. The workshop was a hub for creativity where aspiring artists sought inspiration under their mentor's guidance. It served as a breeding ground for innovation and experimentation within the art community during that time.