Correr Collection

Santa Maria della Salute and Punta della Dogana seen from the top of St. Marks Campanile at sunset, Venice, Veneto, Italy

Correr el Gallo, a Quaint Mexican Eastertide Sport (litho)
1599081 Correr el Gallo, a Quaint Mexican Eastertide Sport (litho) by Frenzeny, Paul (1840-1902); Private Collection; (add.info.: Correr el Gallo, a Quaint Mexican Eastertide Sport)

Portrait of the Pope Gregory XII. Creator: Muziano, Girolamo (1528-1592)
Portrait of the Pope Gregory XII. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome

DURER, Albrecht. The Apocalypse of St. John
DURER, Albrecht (1471-1528). Apocalypse of St. John. 1496-1498. The Angel shuts again the Evil in Hell. Detail. Flemish art. Xylography. ITALY. VENETO. Venice. Correr Museum Library

Portrait of Antonio Correr, 1685. Artist: Lazzarini, Gregorio (1655-1730)
Portrait of Antonio Correr, 1685. Found in the collection of the National Gallery, London

Gregory XII. Pope between 1406 and 1415. Engraving
Gregory XII, named Angelo Correr or Corraro (1325-1417). Pope between 1406 and 1415. Engraving. Colored

BELLINI, Giovanni (1430-1516). Crucifixion. ca. 1455. Renaissance art. Quattrocento. Venetian school. Tempera on wood. ITALY. VENETO. Venice. Museo Correr. Proc: ITALY. VENETO. VENICE. Venice

Arcon Jarves, Master of- (15th century). The Story of Alatiel Tavoli. s.XV. Detail of the Alatiels banquet according to Boccaccios Decameron. Gothic art. Oil on wood. ITALY. VENETO. Venice

Cotton weaver, 17th c. Early Modern Era. Painting. ITALY. VENETO. Venice. Museo Correr

Sugar Refinery. Illustration by Jan van Grevenbroeck or Grevenbroch (1731-1807) in Treaty of uses and customs of the time, s. XVIII. Early Modern Era. Watercolour. ITALY. VENETO. Venice. Museo Correr

Turkish merchant. Watercolour. ITALY. VENETO. Venice. Museo Correr

BELLINI, Giovanni (1430-1516). Transfiguration of Christ. ca. 1455. Christ in Mount Tabor together with Elijah and Moses. Renaissance art. Quattrocento. Venetian school. Tempera on wood. ITALY

Arcon Jarves, Master of- (15th century). The Story of Alatiel Tavoli. s.XV. Detail of the Alatiels banquet according to Boccaccios Decameron. Gothic art. Oil on wood. ITALY. Venice. Museo Correr

Portrait of Giovanni Francesco Capodislita. Traducci󮠅
" Portrait of Giovanni Francesco Capodislita. Traducci󮠤 e la obra de Petrarca " De Viris Illustribus" por Donato Albanzani (1328-1411). Oil on canvas. ITALY. Venice

The Tattoo, illustration by Gravenbroch. Watercolour. ITALY. Venice. Museo Correr

BELLINI, Giovanni (1430-1516). Dead Christ Supported by Two Angels (Piet੮ ca. 1460. Renaissance art. Quattrocento. Venetian school. Tempera on wood. ITALY. Venice. Museo Correr

Vessels arranged for the battle (17th c. ). Detail
Vessels arranged for the battle (17th c.). Detail. Unknown Venetian painter. Painting. ITALY. Venice. Museo Correr

Venice (18th c. ). Mask maker. Miniature Painting
Venice (18th c.). Mask maker. Miniature Painting. ITALY. Venice. Museo Correr

Francis I of Austria and II Holy Roman Emperor (1768-1835). Holy Roman Emperor (1792-1806) and Austria (1804-1835). Oil on canvas. ITALY. Venice. Museo Correr

The Lacemaker. s. XIX. Italian anonymous. Naturalism
The Lacemaker. s.XIX. Italian anonymous. Naturalism. Oil on canvas. ITALY. Venice. Museo Correr

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"Correr: A Journey Through Time and Culture" Step into the world of "correr, " a word that encompasses various meanings and contexts. From the captivating artworks of Albrecht Durer's "The Apocalypse of St. John" to the breathtaking views from Santa Maria della Salute, this caption explores the diverse facets of "correr. " Intriguingly, "correr el Gallo" takes us to Mexico, where we discover a quaint Eastertide sport that brings communities together in celebration. Lithographs capture the essence of this lively event. Portraits play a significant role in our exploration as well. Girolamo Muziano's masterpiece portrays Pope Gregory XII with remarkable detail and reverence, while Gregorio Lazzarini immortalizes Antonio Correr in an exquisite painting from 1685. As we delve deeper into history, we encounter engravings depicting Gregory XII's papacy between 1406 and 1415. These engravings offer glimpses into a tumultuous era marked by religious strife. Artistic brilliance continues to shine through Giovanni Bellini's portrayal of the Crucifixion, evoking profound emotions within viewers. Meanwhile, Arcon Jarves' storytelling abilities transport us back to the fifteenth century through his masterful work. Moving beyond artistry, we witness scenes from daily life during the Early Modern Era—a cotton weaver diligently crafting fabric and a bustling sugar refinery illustrated by Jan van Grevenbroeck—reminding us of humanity's industrious nature across centuries. Lastly, a watercolor captures the vibrant presence of a Turkish merchant—an embodiment of cultural exchange and trade routes that have shaped civilizations throughout time. Through these hints encompassing Albrecht Durer’s works on The Apocalypse of St. John or portraits capturing influential figures like Pope Gregory XII or Antonio Correr; scenic views from Santa Maria della Salute; depictions ranging from Mexican sports traditions to daily life scenarios like cotton weaving and sugar refining.