Couture Collection (#4)

Advert for the London couture house of Ninette featuring a spring dress, London, 1925 with sketch by G. Peres Date: 1925

Advert for a distinctive gown of black satin beaute from Army and Navy, Lon Date: 1925

Advert for Celes pure silk Spring Models for 1925 Date: 1925

Advert for the Paris couturier Lucien Lelong for his fashion collection at the Cafe de Paris, London, 1925 Date: 1925

Feature entitled What Paris Says discussing prevalent Paris styles, 1925 with sketches by Gordon Conway 1/2 Date: 1925

Advert for an attractive Spring coat from Army and Navy, London, 1925 Date: 1925

Spring Notions for Hats and Shoes in London, 1925 from Dolcis Shoe Company and Wolland Brothers, Date: 1925

Advert for Spring show of advance fashions from Maison Ross, London, 1925 Date: 1925

The new Spring fashions in London, 1925 with models from Dickins & Jones and Burberrys. 1/2 Date: 1925

Impressions of the Mimosa Fete at Cannes, 1925
Impressions of the Mimosa Fete at Cannes, 1926 by Hemjic 2/2 Date: 1925

Advert for London couturier Barri Maternity Gowns, London, 1925 Date: 1925

Advert for London couturier Fifinella, London, 1925 Date: 1925

Advert for Bogey Sports Hats from Lincoln Bennett, London, 1925 Date: 1925

Cover of Eve Magazine, 11 March 1925 featuring A Churchill Hat model Date: 1925

Margaret Bannerman in The Grand Duchess at the Globe Theatre, London, 1925 Date: 1925

Exclusive designs sketched by Gordon Conway anticipating Spring 1925 styles Date: 1925

New hats for the coming Spring from Peter Robinson, London, 1925 Date: 1925

New fashions for the stage version of the Smart set in Frederick Lonsdales comedy Spring Cleaning, London, 1925 with a range of gowns worn by Edna Best, Nancie Parsons

Doris Keane wearing a model from Henri Bendel, New York with a Russian touch for Spring fashion, 1925 Date: 1925

Three advance models from Jean Patou, Paris, 1925 distinquished by Ninepins, pleats and streamers Date: 1925

Sketches of two tailor-made outfits by Hemjic and seen on the Promenade des Anglais, Nice, 1925 Date: 1925

Sketches of two gowns from Alice Bernard, Paris, 1925 Date: 1925

Advert for Barri Maternity Gowns, London, 1925 featuring a sketch of a dinner gown Date: 1925

Advert for Gossard under garments, London, 1925 Date: 1925

Advert for the London couturier Ninette, 1925 highlighting the new Spring collection, fashion sketch by G. Peres Date: 1925

Fashion examples of prepartion for the Spring, 1925, including a dinner frock worn by the American film actress Norma Shearer (top centre) Date: 1925

The latest hat designs sketched by Porter Woodruff, Paris, 1925 Date: 1925

Sketches of a complete Spring outfit from Gordon Conway, London, 1925 - comprising dress, shoes, handbag, hat and coat Date: 1925

Paris Prepares for Spring Fashions: showing two three-piece suits from Doeuillet and a gown from Germaine, Paris, 1925 Date: 1925

A portrait of the American dancer Nina Payne, dancing in Nice, 1925 Date: 1925

A feature about What Paris Says: the art of being well dressed is the art of choosing wisely and well, Paris, 1925. Top left a dinner frock from Alice Bernard

Advert for Selfridges showing one of the new Spring Gowns on sale, 1925 made of leather and gold threadwith pleated panels at front and rear Date: 1925

New Paris dresses from the stage, 1925. Top left Mme Bretty taken in the foyer of the Comedie Francaise. Top right and right Mlle Chournoff one of the dancers in Nice

Hat styles sketched by Soulie, Paris, 1925 Date: 1925

Five fashion sketches by Hemjic on the Riviera, 1925 at the Croisette Cannes. Models from Drecoll, Callot and Alice Bernard Date: 1925

Fashion sketches by Hemjic enroute to the Riviera, 1925 - travelling suits and coats from O Rossen, Alice Bernard, Jean Patou and Rodier Date: 1925

Top left a jumper suit by Gordon Conway and bottom right Margaret Bannerman in a flower patterened chiffon gown by Lenief, London, 1925

Advert for the Parisian couturier Lenief, Paris, 1925 Date: 1925

Three Spring Parisian frocks for the Riviera, 1925. On left is a dress of blue and white foulard from Lucien Lelong, centre is a dress of blue and white crepe de Chine

Four jumper suits sketched by Gordon Conway, London, 1925 Date: 1925

Two frocks from Lucile, Paris, 1925
Two fashionable frocks from Lucile, Paris, 1925 Date: 1925

A spring dress from Lucien Lelong, Paris, 1925. An important feature is the tunic skirt made of black crepe de chine Date: 1925

Two stage gowns from Paris, 1925. On the left Marcelle Lender at the Vaudeville theatre wears an evening frock of mauve charmeuse and liver lace

An evening gown from Chantal, Paris, 1925. Made of almond green crepe and soft tulle draperies on the skirt and steel and silver bead embroidery Date: 1925

Three smart representations of current Parisian fashions, 1925. On the left Jane Regnys simple country frock of Rodiers new striped Zibli Kasha in blues and grays

Two outfits from Lucien Lelong, Paris, 1925 - one a coat trimmed with fox, the other a dance frock of crepe de chine trimmed with bands of silver, gold and ruby Date: 1925

Two gowns worn by actresses at the Poiniere Theatre, Paris, 1925 - the left worn by Mlle Marken is an emerald green crepe edged with silver rose voile

Two frocks from Lanvin, Paris, 1925 - left for Suzy Prim in Tilly and a black and white jumper frock and the other for Regina Camier and made of beige light voile Date: 1925

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"Couture: A Timeless Celebration of Elegance and Style" Step into the world of couture, where fashion becomes art and every garment tells a story. From Maria Callas stunning in Dior to the exquisite art deco fashion sketches from London in 1921, it has always been synonymous with sophistication. In an era when travel was a luxurious affair, Louis Vuitton's advert for travelling accessories and trunks captures the essence as a symbol of refinement and wanderlust. Meanwhile, Thomas Couture's oil painting "COUTURE: A ROMAN FEAST" transports us back to 1843, showcasing how this form of craftsmanship has stood the test of time. But it's not just humans who indulge in couture; even our furry friends can partake in fashionable elegance. The whimsical Fashion Dog reminds us that style knows no boundaries. The 1920s were known for their glamorous flapper fashion, exemplified by Elspeth Phelps' advertisements capturing the spirit of this iconic decade. And let's not forget about weddings – an art deco bridesmaid dress sketch from London in 1921 showcases how even on someone else's special day, couture shines through. Christabel Russell Ltd takes us further into the past with their advert from 1928, reminding us that couturiers have long been masters at creating timeless pieces that transcend trends. With each stroke on paper or brushstroke on canvas, these artists bring forth visions that inspire designers today. Three more art deco fashion sketches from London in 1921 demonstrate how this movement influenced haute couture during its heyday. Finally, we delve into Album de Bal by Atelier Bachwitz – a true treasure trove for any lover of high fashion. This intricate fashion plate invites us to immerse ourselves in an enchanting world where dreams come alive through fabric and design. Couture is more than just clothing.