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Craftsman Collection (page 100)

Craftsmanship is an art that transcends time and spans across various fields

Background imageCraftsman Collection: TAPESTRY WEAVER, 1568. Woodcut, 1568, by Jost Amman

TAPESTRY WEAVER, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: TANNER, 1568. Woodcut, 1568, by Jost Amman

TANNER, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: JOINER, 1568. A joiner, maker of fine furniture, in his workshop at Nuremberg. Woodcut

JOINER, 1568. A joiner, maker of fine furniture, in his workshop at Nuremberg. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: METALWORKER, 1568. Woodcut, 1568, by Jost Amman

METALWORKER, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: COPPERSMITH, 1568. Woodcut, 1568, by Jost Amman

COPPERSMITH, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: GEM CUTTER, 1568. Woodcut, 1568, by Jost Amman

GEM CUTTER, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: BREWING BEER, 1568. The Brewer. Woodcut, 1568, by Jost Amman

BREWING BEER, 1568. The Brewer. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: TYNDALEs BIBLE, 1525-26. William Tyndale (c1494-1536), English translator of the New Testament

TYNDALEs BIBLE, 1525-26. William Tyndale (c1494-1536), English translator of the New Testament and Pentateuch, printing his New Testament at Cologne in 1525 (left)

Background imageCraftsman Collection: BUILDING ARK OF COVENANT. The smiths Bezaleel and Aholiah working in gold, silver

BUILDING ARK OF COVENANT. The smiths Bezaleel and Aholiah working in gold, silver and brass for the Tabernacle and the Ark of the Covenant (Exodus 31: 1-11). Woodcut from the Cologne Bible, 1478-80

Background imageCraftsman Collection: BLACKSMITH, 1874. American lithograph by Louis Prang & Co

BLACKSMITH, 1874. American lithograph by Louis Prang & Co

Background imageCraftsman Collection: POTTER, 1659. Woodcut from a 1659 English edition of Comenius Orbis sensualium pictus

POTTER, 1659. Woodcut from a 1659 English edition of Comenius Orbis sensualium pictus

Background imageCraftsman Collection: BRUSH MAKER, 1568. Woodcut, 1568, by Jost Amman

BRUSH MAKER, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: RIFLE BUTT MAKER, 1568. Woodcut, 1568, by Jost Amman

RIFLE BUTT MAKER, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: AMMAN: CUTLER, 1568. The Cutler makes knives with handles of ivory, boxwood, sandalwood

AMMAN: CUTLER, 1568. The Cutler makes knives with handles of ivory, boxwood, sandalwood and other woods. He also makes spears, daggers, swords, scabbards, etches and cleans swords

Background imageCraftsman Collection: DRAFTSMAN, 1568. A draftsman, designer of wood blocks and copper plates for printing

DRAFTSMAN, 1568. A draftsman, designer of wood blocks and copper plates for printing. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: GOLDSMITH, 1568. Woodcut, 1568, by Jost Amman

GOLDSMITH, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: ARMOR WORKER, 1568. An armor worker, maker of shirts, armpieces and collars for suits of armor

ARMOR WORKER, 1568. An armor worker, maker of shirts, armpieces and collars for suits of armor. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium

BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius Orbis sensualium
BOOKBINDER, 1659. Woodcut from the 1659 English edition of Comenius " Orbis sensualium pictus"

Background imageCraftsman Collection: SCULPTOR, 1568. Woodcut, 1568, by Jost Amman

SCULPTOR, 1568. Woodcut, 1568, by Jost Amman

Background imageCraftsman Collection: ARMOR SMITH, 1479. A smith and his apprentice make arms and armor. German woodcut, 1479

ARMOR SMITH, 1479. A smith and his apprentice make arms and armor. German woodcut, 1479

Background imageCraftsman Collection: GOLD & SILVER, 1565. Native Indian artisans melting and working gold and silver

GOLD & SILVER, 1565. Native Indian artisans melting and working gold and silver. Woodcut from Benzonis Historia del Mondo Nuova, printed, 1565, in Venice

Background imageCraftsman Collection: BLOCK CUTTER, 1568. The Block Cutter engraves onto wood blocks the art that the

BLOCK CUTTER, 1568. The Block Cutter engraves onto wood blocks the art that the draftsman has prepared; the printed image comes out as clear as the original drawing. Woodcut by Jost Amman, 1568

Background imageCraftsman Collection: PAPER MAKER, 1568. The Paper maker, in his water-driven mill, makes smooth white

PAPER MAKER, 1568. The Paper maker, in his water-driven mill, makes smooth white sheets of paper from rags that have been chopped up, soaked, placed on the sieve, pressed and dried

Background imageCraftsman Collection: Clockmakers of the Black Forest, illustration from A Summer in Baden Baden by E

Clockmakers of the Black Forest, illustration from A Summer in Baden Baden by E
XJF696729 Clockmakers of the Black Forest, illustration from A Summer in Baden Baden by E. Guinot, print made by Bertrand, c

Background imageCraftsman Collection: A Seventeenth-Century Shoemaker Fitting a Distinguished Customer, illustration

A Seventeenth-Century Shoemaker Fitting a Distinguished Customer, illustration
XJF696684 A Seventeenth-Century Shoemaker Fitting a Distinguished Customer, illustration from Book of Craftsmen by Marjory Bruce, published 1937 (engraving) by English School

Background imageCraftsman Collection: Portrait of Francesco delle Opere, 1494 (oil on panel)

Portrait of Francesco delle Opere, 1494 (oil on panel)
XAL50005 Portrait of Francesco delle Opere, 1494 (oil on panel) by Perugino, Pietro (c.1445-1523); 51x43 cm; Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

Background imageCraftsman Collection: Carpenter making fretwork (engraving)

Carpenter making fretwork (engraving)
XJF486337 Carpenter making fretwork (engraving) by French School, (18th century); Private Collection; French, out of copyright

Background imageCraftsman Collection: Cooper, from Book of Trades, published 1694 (engraving)

Cooper, from Book of Trades, published 1694 (engraving)
XJF476222 Cooper, from Book of Trades, published 1694 (engraving) by Luyken, Jan (1649-1712); Private Collection; (add.info)

Background imageCraftsman Collection: Bookbinding, illustration from the Orbis Sensualium Pictus by John Amos Comenius

Bookbinding, illustration from the Orbis Sensualium Pictus by John Amos Comenius
XJF444315 Bookbinding, illustration from the Orbis Sensualium Pictus by John Amos Comenius, English edition published 1659 (woodcut) by German School

Background imageCraftsman Collection: Relieur-Doreur, printed by Ludovic Simonneau (engraving)

Relieur-Doreur, printed by Ludovic Simonneau (engraving)
XJF437913 Relieur-Doreur, printed by Ludovic Simonneau (engraving) by French School, (17th century); Private Collection; (add.info.: Diagrams of the tools used by a bookbinder-gilder; ); French

Background imageCraftsman Collection: Matthew Paris, from Crabbs Historical Dictionary, published 1825 (litho)

Matthew Paris, from Crabbs Historical Dictionary, published 1825 (litho)
KW392373 Matthew Paris, from Crabbs Historical Dictionary, published 1825 (litho) by English School, (19th century); Private Collection; (add.info.: Matthew Paris (c.1200-59) Benedictine monk

Background imageCraftsman Collection: The Shoemaker of Reville, a town near Cherbourg (oil on wood)

The Shoemaker of Reville, a town near Cherbourg (oil on wood)
XIR383921 The Shoemaker of Reville, a town near Cherbourg (oil on wood) by Fouace, Guillaume Romain (1827-95); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: Le Cordonnier de Reville)

Background imageCraftsman Collection: Sir Francis Crane (engraving)

Sir Francis Crane (engraving)
XJF380256 Sir Francis Crane (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Francis Crane (c.1579-1636) was the founder of the Mortlake Tapestry Works; ); English

Background imageCraftsman Collection: Sir Francis Crane (chalk on paper)

Sir Francis Crane (chalk on paper)
XJF380250 Sir Francis Crane (chalk on paper) by Vorsterman, Lucas (1595-1675); Private Collection; (add.info.: Sir Francis Crane (c.1579-1636) founder of Mortlake Tapestry Works; ); Flemish

Background imageCraftsman Collection: A lathe turner at work in the 16th century, from The English Illustrated Magazine

A lathe turner at work in the 16th century, from The English Illustrated Magazine
KW344348 A lathe turner at work in the 16th century, from The English Illustrated Magazine, 1891-92 (litho) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Background imageCraftsman Collection: Glass manufacture (engraving)

Glass manufacture (engraving)
XJF314356 Glass manufacture (engraving) by English School, (19th century); Private Collection; English, out of copyright

Background imageCraftsman Collection: Clothworker, reproduction of 16th century woodcut, 19th century

Clothworker, reproduction of 16th century woodcut, 19th century
KW3085218 Clothworker, reproduction of 16th century woodcut, 19th century by Amman, Jost (1539-91) (after); (add.info.: Clothworker; 19th century reproduction of 16th century woodcut by Jost Amman)

Background imageCraftsman Collection: The Blacksmiths Shop, engraved by Richard Earlom (1743-1822), 1771 (mezzotint)

The Blacksmiths Shop, engraved by Richard Earlom (1743-1822), 1771 (mezzotint)
XYC277132 The Blacksmiths Shop, engraved by Richard Earlom (1743-1822), 1771 (mezzotint) by Wright of Derby, Joseph (1734-97) (after); 58.1x43.5 cm; Yale Center for British Art, Gift of Paul Mellon

Background imageCraftsman Collection: 2619020; out of copyright

2619020; out of copyright

Background imageCraftsman Collection: Wire Worker, after a woodcut by Jost Amman (1539-91) from Le Moyen Age et La

Wire Worker, after a woodcut by Jost Amman (1539-91) from Le Moyen Age et La
KW260678 Wire Worker, after a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Bell and Cannon Master, reproduction of a woodcut by Jost Amman (1539-91) from Le

Bell and Cannon Master, reproduction of a woodcut by Jost Amman (1539-91) from Le
KW260650 Bell and Cannon Master, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Coppersmith, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen

Coppersmith, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen
KW260649 Coppersmith, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Spur Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen

Spur Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen
KW260645 Spur Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Dice Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen

Dice Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen
KW260642 Dice Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Clasp Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen

Clasp Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen
KW260641 Clasp Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le

Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le
KW260640 Pin and Needle Maker, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCraftsman Collection: Goldbeater, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen

Goldbeater, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen
KW260639 Goldbeater, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School




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Craftsmanship is an art that transcends time and spans across various fields. From the meticulous strokes of Gustave Caillebotte's brush capturing the intensity of planers in action, to Arnold Bocklin's portrayal of a centaur observing the village blacksmith, these artworks remind us of the skill and dedication required to master a craft. Intriguing glimpses into history take us back to medieval times, where we witness a goldsmith delicately shaping precious metals into intricate jewelry. Meanwhile, Mr. George Lailey immerses himself in the ancient craft of wooden bowl making at Bucklebury, Berks, preserving traditional techniques for future generations. The manufacturing process comes alive as we observe cork balls being meticulously crafted at Chingford in 1922. The watchmaker's steady hands bring life to intricate timepieces while revealing their inner workings. And through an oil painting from the 1770s, we catch a glimpse of an iron forge bustling with activity as sparks fly and metal takes shape under skilled hands. The blacksmith's forge becomes a sanctuary where fire meets steel, transforming raw materials into functional works of art. A farrier tends to horses' hooves with precision and care—a testament to both craftsmanship and animal welfare. Metallurgy emerges as a powerful force during the Industrial Revolution with Fourchambault Forge standing tall as a symbol of progress and innovation. Terracotta rhubarb forcers showcase how even everyday objects can be elevated through craftsmanship—combining functionality with aesthetic appeal. These diverse examples highlight that craftsmanship knows no boundaries—it exists within every profession and discipline, and is born out of passion, honed by experience, and passed down through generations—a timeless tradition that continues to inspire awe today.