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Criminal Collection (#79)

"The Criminal: A Glimpse into the Dark World" Step into the realm of crime, where shadows dance and secrets unfold

Background imageCriminal Collection: Crime scene tape

Crime scene tape. This tape is used by forensics officers to cordon off the area under investigation

Background imageCriminal Collection: Fingerprint dusting

Fingerprint dusting
MODEL RELEASED. Fingerprint dusting. Forensics officer dusting a window for fingerprints at a crime scene

Background imageCriminal Collection: Mob attacking Jacquard in Lyon, France

Mob attacking Jacquard in Lyon, France. The French weaver Joseph Marie Jacquard (1752-1834, lower left) invented an improved mechanical loom in 1804

Background imageCriminal Collection: Shoe print evidence

Shoe print evidence in sand at a crime scene ready for a cast to be made

Background imageCriminal Collection: Forensic drug analysis

Forensic drug analysis
MODEL RELEASED. Forensic drug analysis. Forensics officer performing a marquis reagent test to identify drug substances such as opiates, amphetamine and ecstasy (MDMA)

Background imageCriminal Collection: Fingerprinting suspect

Fingerprinting suspect
MODEL RELEASED. Fingerprinting suspect. Inked finger of a suspect who is being fingerprinted. The ink is applied to below the first knuckle

Background imageCriminal Collection: Forensic DNA analysis

Forensic DNA analysis
MODEL RELEASED. Forensic DNA analysis. Forensic scientist holding a vial containing DNA amplified from a trace amount found at a crime scene. The DNA is the cloudy strand at the base of the vial

Background imageCriminal Collection: Looking for biological stains

Looking for biological stains. Forensic scientist using an ultraviolet (UV) lamp to look for stains of biological origin, such as blood, sweat, semen or fingerprints

Background imageCriminal Collection: Collecting evidence

Collecting evidence. Forensic officer using a suction tube device to collect evidence from the seat of a car. This tool is used to collect fibres and hairs for later laboratory analysis

Background imageCriminal Collection: Recording thumbprint

Recording thumbprint. Inked thumb of a suspect who is being fingerprinted. The ink is applied to the tip of the digit and this is rolled once over the paper to record a print of the whole surface

Background imageCriminal Collection: Fingerprint analysis

Fingerprint analysis. Forensic scientist pointing at fingerprints being compared by characteristic features (square yellow markers)

Background imageCriminal Collection: piracy, conceptual artwork

piracy, conceptual artwork
Copyright piracy, conceptual computer artwork

Background imageCriminal Collection: Police emergency telephone in Illinois

Police emergency telephone in Illinois
Police emergency telephone at rest stop in Illinois, USA

Background imageCriminal Collection: 1893 Francis Galton criminal photograph

1893 Francis Galton criminal photograph
This Anthropometry photograph was taken of the polymath Francis Galton at age 71 when he visited Bertillous Criminal Identification Laboratory in Paris 1893

Background imageCriminal Collection: Organs for sale, conceptual artwork

Organs for sale, conceptual artwork

Background imageCriminal Collection: Police identity features, 19th century

Police identity features, 19th century
Police identity features, 19th-century artwork. Various shapes of nose, ears, face and forehead, as used by the police to identify criminals who claim false identities

Background imageCriminal Collection: Voyeurism, conceptual artwork

Voyeurism, conceptual artwork
Voyeurism. Conceptual artwork of a female eye looking through a heart-shaped hole. This represents a stalker or voyeur, who is spying through a hole in a wall or door

Background imageCriminal Collection: Violence, conceptual image

Violence, conceptual image
Violence. Conceptual image of shadows on a cobbled road showing street violence. A running male figure (left) wielding a raised club is pursuing a fleeing female figure (right)

Background imageCriminal Collection: Digital facial composite software

Digital facial composite software
Forensics. A forensics officer with facial composite software in a police station. Facial composite software provides a witness or victim with a wide variety of possible features from which a

Background imageCriminal Collection: Dusting an object for fingerprints

Dusting an object for fingerprints
Fingerprints. A forensics officer dusting an object for fingerprints. Fingerprints are made by the patterns of ridges in the skin of the tips of the fingers

Background imageCriminal Collection: Checking fingerprints

Checking fingerprints
Fingerprints. A forensics officer checking fingerprints against a database of known criminals. Fingerprints are made by the patterns of ridges in the skin of the tips of the fingers

Background imageCriminal Collection: Anthropometry, 19th century

Anthropometry, 19th century
Anthropometry. Man having the length of his ear measured. This measurement, along with other standard measurements of body parts

Background imageCriminal Collection: Burglar alarm in Cocoa, Florida

Burglar alarm in Cocoa, Florida
A burglar alarm on a building in Cocoa, Florida

Background imageCriminal Collection: Graffiti

Graffiti on wall. Photographed in Glasgow, UK

Background imageCriminal Collection: Gun crime, conceptual image

Gun crime, conceptual image. Computer artwork of a chalk outline of a gun, representing the deadly effects of gun crime

Background imageCriminal Collection: ALBERT ANASTASIA (1902-1957). Italian-American gangster. Photographed by the New York City Police

ALBERT ANASTASIA (1902-1957). Italian-American gangster. Photographed by the New York City Police Department, 1936

Background imageCriminal Collection: Silent Film Still: Prison

Silent Film Still: Prison

Background imageCriminal Collection: GUY FAWKES (1570-1606). Fawkes (third from right) and the Gunpowder Plot conspirators. Etching, 1605

GUY FAWKES (1570-1606). Fawkes (third from right) and the Gunpowder Plot conspirators. Etching, 1605

Background imageCriminal Collection: RUSSIA: CONVICTS, c1885. Three escaped Russian convicts standing in a field in Siberia

RUSSIA: CONVICTS, c1885. Three escaped Russian convicts standing in a field in Siberia. Photographed c1885

Background imageCriminal Collection: MATA HARI (1876-1917). Stage name of Gertrud Margerete Zelle, Dutch dancer and spy

MATA HARI (1876-1917). Stage name of Gertrud Margerete Zelle, Dutch dancer and spy. Photograph, 13 February 1917

Background imageCriminal Collection: ENGLAND: COURT, 15TH CENTURY. The Court of the Kings Bench during the reign of Henry VI (1422-1461)

ENGLAND: COURT, 15TH CENTURY. The Court of the Kings Bench during the reign of Henry VI (1422-1461). The judges are seated in the rear wearing red robes

Background imageCriminal Collection: LAURA BULLION (1876-1961). American outlaw and member of Butch Cassidys Wild Bunch gang

LAURA BULLION (1876-1961). American outlaw and member of Butch Cassidys Wild Bunch gang. Mug shot photograph, 1893

Background imageCriminal Collection: JESSE LINSLEY (b. 1868) Portrait of Jesse Linsley, a member of The Wild Bunch

JESSE LINSLEY (b. 1868) Portrait of Jesse Linsley, a member of The Wild Bunch, Butch Cassidys gang of the Wild West
JESSE LINSLEY (b.1868) Portrait of Jesse Linsley, a member of The Wild Bunch, Butch Cassidys gang of the Wild West. Photograph, c1902

Background imageCriminal Collection: THE PERILS OF PAULINE. The Cursed Necklace. Lithograph poster for an episode of the silent serial

THE PERILS OF PAULINE. The Cursed Necklace. Lithograph poster for an episode of the silent serial film, The Perils of Pauline, 1914

Background imageCriminal Collection: THE PERILS OF PAULINE. The Mad Monster. Lithograph poster for an episode of the silent serial film

THE PERILS OF PAULINE. The Mad Monster. Lithograph poster for an episode of the silent serial film, The Perils of Pauline, 1914

Background imageCriminal Collection: MABELs MARRIED LIFE, 1914. Silent film, produced by Mack Sennett (1884-1960)

MABELs MARRIED LIFE, 1914. Silent film, produced by Mack Sennett (1884-1960)

Background imageCriminal Collection: JOE CHANCELLOR, c1900. A head-and-shoulders portrait of Tom O Day, alias Joe Chancellor

JOE CHANCELLOR, c1900. A head-and-shoulders portrait of Tom O Day, alias Joe Chancellor, a member of the Hole in the Wall gang, operating in the Wild West. Photograph, c1900

Background imageCriminal Collection: Silent Film: Punishment

Silent Film: Punishment

Background imageCriminal Collection: THE PERILS OF PAULINE. Valley of Doom. Lithograph poster for an episode of the silent serial film

THE PERILS OF PAULINE. Valley of Doom. Lithograph poster for an episode of the silent serial film, The Perils of Pauline, 1914

Background imageCriminal Collection: THE PERILS OF PAULINE. The Crucible of Courage. Lithograph poster for an episode of the silent

THE PERILS OF PAULINE. The Crucible of Courage. Lithograph poster for an episode of the silent serial film, The Perils of Pauline, 1914

Background imageCriminal Collection: LOVE LETTERS, 1924. Shirley Mason in a scene from the film

LOVE LETTERS, 1924. Shirley Mason in a scene from the film

Background imageCriminal Collection: THE GOLDEN COCOON, 1926. Frank Campeau, Huntley Gordon and Richard Tucker in a scene from the film

THE GOLDEN COCOON, 1926. Frank Campeau, Huntley Gordon and Richard Tucker in a scene from the film

Background imageCriminal Collection: 10 DOLLARS OR 10 DAYS, 1924. Film still

10 DOLLARS OR 10 DAYS, 1924. Film still

Background imageCriminal Collection: SILENT FILM STILL: HOLD UP. Lloyd Hamilton in a scene from a silent film

SILENT FILM STILL: HOLD UP. Lloyd Hamilton in a scene from a silent film

Background imageCriminal Collection: ROBINSON CRUSOE, 1922. Harry Myers in a film adapation of Daniel Defoes novel

ROBINSON CRUSOE, 1922. Harry Myers in a film adapation of Daniel Defoes novel




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"The Criminal: A Glimpse into the Dark World" Step into the realm of crime, where shadows dance and secrets unfold. Antonio Maria Fabres y Costa's captivating painting, "The Thief, " portrays a figure shrouded in mystery, his eyes gleaming with cunning as he plots his next move. Influenced by notorious outlaws like Butch Cassidy and his gang, known as "The Wild Bunch, " we delve into a time when bank and train robbers reigned supreme. Their audacious exploits left law enforcement baffled and ordinary citizens captivated by their daring escapades. As we explore the underbelly of society, William Hogarth's plate III from "A Rake's Progress" reveals a world of debauchery and moral decay. In this scene titled "Revelling with Harlots, " we witness the consequences that befall those who succumb to temptation. Fingerprints sheets become crucial evidence at London's Old Bailey, where justice is served for crimes committed. The weighty gavel falls upon those found guilty while Gustave Doré's haunting wood engraving depicts Newgate Prison's exercise yard—a chilling reminder of lost freedom. From infamous events like "The Great Train Robbery" to real-life criminals such as Salvatore Giuliano, whose actions shook Sicily to its core—crime has always held an undeniable allure. Satire on phrenology reminds us that even scientific theories attempted to decipher criminal minds but often fell short in understanding their complexities. Enter the realm of fiction with Sherlock Holmes locked in mortal combat against Professor Moriarty at Reichenbach Falls—the iconic moment immortalized by Sidney Paget’s wood engraving for Sir Arthur Conan Doyle’s “The Adventure of the Final Problem. ” Holmes' battle against evil showcases both the brilliance and darkness within humanity. Through these glimpses into history and artistry, we are reminded that behind every criminal lies a story.