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Cross Hatching Collection

Cross hatching is a technique commonly used in various art forms, including pen and ink drawings

Background imageCross Hatching Collection: Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn

Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn
Bearded old man in a high fur cap, with eyes closed, c.1635. Sunken shadows follow the old man's weathered face, undulating over his aged skin and full beard

Background imageCross Hatching Collection: The Holy Family (pen & ink on paper)

The Holy Family (pen & ink on paper)
CTS413041 The Holy Family (pen & ink on paper) by Campagnola, Domenico (fl.1517-62); 15.7x17.5 cm; eThe Devonshire Collections

Background imageCross Hatching Collection: Half-length of a seated woman (pen & ink on paper)

Half-length of a seated woman (pen & ink on paper)
CTS413049 Half-length of a seated woman (pen & ink on paper) by Parmigianino (Francesco Mazzola) (1503-40); 14.2x10.2 cm; eThe Devonshire Collections

Background imageCross Hatching Collection: Lebes (Stemmed Bowl with Lid) 725-700 BC (terracotta)

Lebes (Stemmed Bowl with Lid) 725-700 BC (terracotta)
3239944 Lebes (Stemmed Bowl with Lid) 725-700 BC (terracotta) by Etruscan, (7th century BC); 57x43x20 cm; The Art Institute of Chicago, IL, USA; Costa A

Background imageCross Hatching Collection: The Temple of Love, Indamoras Headdess and Sketches of Heads, 1635 (ink on paper)

The Temple of Love, Indamoras Headdess and Sketches of Heads, 1635 (ink on paper)
3090158 The Temple of Love, Indamoras Headdess and Sketches of Heads, 1635 (ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageCross Hatching Collection: An Italian village in a mountainous landscape (red chalk on paper)

An Italian village in a mountainous landscape (red chalk on paper)
2646924 An Italian village in a mountainous landscape (red chalk on paper) by Boucher, Francois (1703-70); 22.2x34.9 cm; Fitzwilliam Museum, University of Cambridge

Background imageCross Hatching Collection: Study of the head and shoulders of a young woman wearing a balza

Study of the head and shoulders of a young woman wearing a balza
CTS413062 Study of the head and shoulders of a young woman wearing a balza, and of the head of a bearded man (pen & ink on paper) by Campagnola

Background imageCross Hatching Collection: Two sketches, 1860 (pen and ink on paper)

Two sketches, 1860 (pen and ink on paper)
FSG324588 Two sketches, 1860 (pen and ink on paper) by Poynter, Edward John (1836-1919); 18x22.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageCross Hatching Collection: Davids Charge to Solomon (pen & ink with wash on paper)

Davids Charge to Solomon (pen & ink with wash on paper)
449328 Davids Charge to Solomon (pen & ink with wash on paper) by Rembrandt Harmensz. van Rijn (1606-69); 21.9x20.9 cm; eThe Devonshire Collections

Background imageCross Hatching Collection: Four female nudes round a basin (pen & ink on paper)

Four female nudes round a basin (pen & ink on paper)
449299 Four female nudes round a basin (pen & ink on paper) by Rubens, Peter Paul (1577-1640); 11.4x21.6 cm; eThe Devonshire Collections

Background imageCross Hatching Collection: Bust of Nude Woman, 1916 (etching on paper)

Bust of Nude Woman, 1916 (etching on paper)
PNH419797 Bust of Nude Woman, 1916 (etching on paper) by Zorn, Anders Leonard (1860-1920); 27x18.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Swedish

Background imageCross Hatching Collection: Cattle in Pasture, c. 1618-20 (pen & ink with wash on paper)

Cattle in Pasture, c. 1618-20 (pen & ink with wash on paper)
449370 Cattle in Pasture, c.1618-20 (pen & ink with wash on paper) by Dyck, Anthony van (1599-1641); 31.8x51.5 cm; eThe Devonshire Collections

Background imageCross Hatching Collection: Tivoli, Cryptoporticus under the Temple of Hercules Victor (pen & ink with wash on paper)

Tivoli, Cryptoporticus under the Temple of Hercules Victor (pen & ink with wash on paper)
449354 Tivoli, Cryptoporticus under the Temple of Hercules Victor (pen & ink with wash on paper) by Vrancx, Sebastian (1573-1647); eThe Devonshire Collections

Background imageCross Hatching Collection: A group of elderly scholars and, separately, a younger man

A group of elderly scholars and, separately, a younger man
449325 A group of elderly scholars and, separately, a younger mans profile (pen & brown ink with wash & gouache on paper) by Rembrandt Harmensz

Background imageCross Hatching Collection: Three peasant scenes (pen & ink on paper)

Three peasant scenes (pen & ink on paper)
449297 Three peasant scenes (pen & ink on paper) by Rubens, Peter Paul (1577-1640); 24.7x19.8 cm; eThe Devonshire Collections

Background imageCross Hatching Collection: Two studies of a foot in foreshortening (pen & ink on paper)

Two studies of a foot in foreshortening (pen & ink on paper)
CTS413046 Two studies of a foot in foreshortening (pen & ink on paper) by Carracci, Agostino (1557-1602); eThe Devonshire Collections

Background imageCross Hatching Collection: MS CCC 282 The Corpus Christi Book Satchel or Budget, viewed from the back, Irish, c

MS CCC 282 The Corpus Christi Book Satchel or Budget, viewed from the back, Irish, c
CCC95542 MS CCC 282 The Corpus Christi Book Satchel or Budget, viewed from the back, Irish, c.1120-30 (leather) by Irish School (12th century); Corpus Christi College, Oxford, UK; Irish

Background imageCross Hatching Collection: Mrs William Morris, 1860 (pencil on paper)

Mrs William Morris, 1860 (pencil on paper)
1202912 Mrs William Morris, 1860 (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21.9x17.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageCross Hatching Collection: Two Studies of the Head of a Youth, c. 1550 (pen & brown ink on tan paper

Two Studies of the Head of a Youth, c. 1550 (pen & brown ink on tan paper
2972735 Two Studies of the Head of a Youth, c.1550 (pen & brown ink on tan paper, laid down on cream laid paper) by Bandinelli, Baccio (1488-1560); 23.8x25.5 cm; The Art Institute of Chicago, IL

Background imageCross Hatching Collection: Gravure en Taille-douce: pl. III, 1771 / 1779. Creator: Antonio Baratta

Gravure en Taille-douce: pl. III, 1771 / 1779. Creator: Antonio Baratta
Gravure en Taille-douce: pl. III, 1771/1779. [Intaglio engraving]

Background imageCross Hatching Collection: Gravure en Maniere de Crayon: pl. VIII, 1771 / 1779. Creator: Antonio Baratta

Gravure en Maniere de Crayon: pl. VIII, 1771 / 1779. Creator: Antonio Baratta
Gravure en Maniere de Crayon: pl. VIII, 1771/1779. [Engraving in the crayon manner]

Background imageCross Hatching Collection: Gravure en Maniere Noire: pl. VII, 1771 / 1779. Creator: Antonio Baratta

Gravure en Maniere Noire: pl. VII, 1771 / 1779. Creator: Antonio Baratta
Gravure en Maniere Noire: pl. VII, 1771/1779. [Mezzotint engraving]

Background imageCross Hatching Collection: Seated Woman and Other Sketches, ca. 1630-33. Creator: Claude Lorrain

Seated Woman and Other Sketches, ca. 1630-33. Creator: Claude Lorrain
Seated Woman and Other Sketches, ca. 1630-33

Background imageCross Hatching Collection: Crosshatch Pattern

Crosshatch Pattern
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Background imageCross Hatching Collection: Sketch of an Armoured Male Figure, 1600s. Creator: Anonymous

Sketch of an Armoured Male Figure, 1600s. Creator: Anonymous
Sketch of an Armoured Male Figure, 1600s

Background imageCross Hatching Collection: Wallpaper design by Maison Hans et Fils, pub. 1930. Creator: French School (20th Century)

Wallpaper design by Maison Hans et Fils, pub. 1930. Creator: French School (20th Century)
Wallpaper design by Maison Hans et Fils, from Modern Decor in Drapes and Fabric by Henri Clouzot, published 1930 (colour lithograph). papier peint; Le Decor Moderne dans la Tenture et le Tissu

Background imageCross Hatching Collection: Sketch Armoured Male Figure 1600s Anonymous Graphite

Sketch Armoured Male Figure 1600s Anonymous Graphite
Sketch of an Armoured Male Figure, 1600s. Anonymous. Graphite (figure); pen and black ink (cross hatching); random paint and ink stains; sheet: 30.1 x 12.5 cm (11 7/8 x 4 15/16 in.)

Background imageCross Hatching Collection: Monkey 1884 Conte crayon 12 1 / 4 x 9 3 / 8 31. 1 23. 9 cm

Monkey 1884 Conte crayon 12 1 / 4 x 9 3 / 8 31. 1 23. 9 cm
Artokoloro

Background imageCross Hatching Collection: Villa Serbelloni on Lake Como

Villa Serbelloni on Lake Como
Antique illustration of a Villa Serbelloni on Lake Como

Background imageCross Hatching Collection: Inv. 1887-5-2-118 Recto (W. 10) Study of drapery (drawing)

Inv. 1887-5-2-118 Recto (W. 10) Study of drapery (drawing)
BAL69141 Inv. 1887-5-2-118 Recto (W.10) Study of drapery (drawing) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Background imageCross Hatching Collection: Head of a Satyr (pen & ink on paper) (b / w photo)

Head of a Satyr (pen & ink on paper) (b / w photo)
XIR192379 Head of a Satyr (pen & ink on paper) (b/w photo) by Buonarroti, Michelangelo (1475-1564); 27.6x21.1 cm; Louvre, Paris, France; Italian, out of copyright



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Cross hatching is a technique commonly used in various art forms, including pen and ink drawings. It involves creating a series of intersecting lines to add depth, texture, and shading to an artwork. This method can be seen in "The Holy Family, " where delicate pen strokes bring life to the intricate details of the composition. In "Half-length of a seated woman, " cross hatching is employed skillfully to define the contours of the figure's face and clothing, resulting in a three-dimensional effect. The artist's mastery over this technique is evident as each stroke adds dimensionality and richness to the artwork. Even ancient artworks like "Lebes (Stemmed Bowl with Lid)" from 725-700 BC showcase cross hatching techniques on terracotta surfaces. These fine lines create patterns that enhance the overall design while also providing visual interest. "The Temple of Love" exhibits cross hatching through detailed sketches using ink on paper. The artist uses this technique to capture intricate headpieces such as Indamoras Headdress along with expressive facial features, showcasing their versatility with different subjects. Moving onto landscapes, "An Italian village in a mountainous landscape" showcases red chalk on paper combined with cross hatching techniques. This combination creates depth within the drawing by emphasizing shadows and textures found within nature's elements. Portraits are not exempt from utilizing cross-hatched lines either; for example, "Study of the head and shoulders of a young woman wearing balza. " Here we see how carefully placed strokes give form and structure to her features while adding volume to her attire. Another example comes from "Two sketches" created in 1860 using pen and ink on paper. Cross-hatched lines help differentiate between light and shadow areas while also conveying movement or texture when necessary. In more complex compositions like "David's Charge to Solomon, " washes combine harmoniously with cross-hatched lines creating contrast between darkened areas against lighter ones - a technique that adds drama and depth to the artwork.