Crown Of Leaves Collection (#7)

A Bard Reciting to Northmen - Viking Civilization: A Bard Druid Recite Poesy to Warriors
GIA4729080 A Bard Reciting to Northmen - Viking Civilization: A Bard Druid Recite Poesy to Warriors, 8th-9th century by Unknown Artist

Frontispiece of "Faust"by Johann Wolfgang von Goethe (1749-1832
GIA4726131 Frontispiece of " Faust" by Johann Wolfgang von Goethe (1749-1832) (Frontispiece of german edition of " faust" by Goethe) Engraving by Unknown Artist

Vanite still life of skull crown of laurels, flutes, score and wine jug
JLJ4656340 Vanite still life of skull crown of laurels, flutes, score and wine jug. Painting by Simon Bernard of Saint Andre (1613-1677) 17th century Sun

Davids triumph. (1630. Oil on canvas)
LRI4662611 Davids triumph. (1630. Oil on canvas) by Poussin, Nicolas (1594-1665); Prado, Madrid, Spain; (add.info.: Davids triumph. Painting by Nicolas Poussin (1594-1665), 1630. Oil on canvas

Crown of stems of ivy leaves, berries, bunches of grapes
LRI4686478 Crown of stems of ivy leaves, berries, bunches of grapes, grasshoppers and locusts are inserted, 2nd half-4th century BC (Bronze and clay with gold leaf) by Greek

The Apotheosis of Napoleon III (1808-1873) Allegorical representation of the triumph of
JLJ4678248 The Apotheosis of Napoleon III (1808-1873) Allegorical representation of the triumph of the emperor crown, on a chariot, among the mythological characters Athena, Hercules, Hermes

The miracles of Saint Ignatius of Loyola. Painting by Pierre Paul (Pierre-Paul
LRI4693552 The miracles of Saint Ignatius of Loyola. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640), 1619-1620

Drunken Silenus, c. 1616 (oil on canvas)
898194 Drunken Silenus, c.1616 (oil on canvas) by Dyck, Anthony van (1599-1641); 133.5x109.5 cm; Gemaeldegalerie Alte Meister, Dresden, Germany; (add.info.: Drunk catfish); Flemish, out of copyright

Two Singers (oil on canvas)
XIR901447 Two Singers (oil on canvas) by Manetti, Rutilio (1571-1639); 61x75 cm; Musee Ingres, Montauban, France; (add.info.: Deux chanteuses Formerly attributed to Valentin and Honthorst ); Italian

Bust of Louis XV (1710-1774), King of France from 1715, by Lambert Sigisbert Adam Le Vau, (1612-1670) French School. Madam de Pompadour by Nancy Mitford, page 44

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"Crown of Leaves: A Symbolic Journey Through Time" In this captivating collection of artworks, the theme of a "crown of leaves" emerges as a powerful symbol that transcends centuries and cultures. From the regal portrait of Roman Emperor Domitian to the enchanting depiction of Silene Satyre, father of Dionysus, these diverse pieces invite us into a world where nature intertwines with human destiny. The Oracle at Delphi engraving transports us to ancient Greece, where priestesses adorned themselves with crowns made from sacred laurel leaves. Their prophetic powers were revered by all who sought guidance in their turbulent lives. Similarly, Gaston de Foix Nemours stands tall in his countenance as he dons an emblematic crown amidst the tumultuous French army. As we delve deeper into history's tapestry, we encounter L'alsace Heureee; Defile des troupes francaises en Alsace - a vivid portrayal capturing the essence of victory and celebration. The soldiers proudly wear crowns woven from branches and leaves, signifying triumph over adversity. Religious devotion takes center stage in Leon Joseph Bonnat's painting depicting The Martyrdom of Saint Denis. Here, even in his final moments, Saint Denis wears a crown composed not only of thorns but also delicate foliage—a poignant reminder that martyrdom is intertwined with spiritual growth. Moving further back in time through frescoes and oil paintings showcasing crucifixions and martyrdoms alike, we witness how saints like Andrew and Erasmus bear their suffering with grace while still crowned by nature's bountiful offerings. Greek art reveals another facet as Cresus sits upon his throne on an Attic amphora—his royal status emphasized by an intricate leafy diadem adorning his head. This representation highlights how power can be both bestowed by man-made symbols and derived from our connection to nature itself.