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Cruel Collection (#5)

"Cruel: A Glimpse into the Dark Side of Humanity" "Christmas Day in the Workhouse: An Unforgiving Reality" "Kettle Cat's Silent Suffering

Background imageCruel Collection: The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)

The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)
1216889 The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink) by Brown, Ford Madox (1821-93); 35.5x29.4 cm; Ashmolean Museum, University of Oxford

Background imageCruel Collection: Cinderella (oil on panel)

Cinderella (oil on panel)
989955 Cinderella (oil on panel) by Pecrus, Charles Francois (1826-1907); 40.6x31.8 cm; Private Collection; (add.info.: Cinderella. Charles Francois Pecrus (1826-1907). Oil on panel

Background imageCruel Collection: The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

Background imageCruel Collection: Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho)

Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho)
KDC465770 Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info.: Young Davids cruel stepfather)

Background imageCruel Collection: Edward the Confessor Stripping his Mother of Her Effects, c. 1763 (oil on canvas)

Edward the Confessor Stripping his Mother of Her Effects, c. 1763 (oil on canvas)
HEH416422 Edward the Confessor Stripping his Mother of Her Effects, c.1763 (oil on canvas) by Mortimer, John Hamilton (1741-79); 61.6x50.2 cm; Huntington Library, Art Museum, and Botanical Gardens

Background imageCruel Collection: Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens

Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
KW259144 Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259145) by Browne

Background imageCruel Collection: Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel)

Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel)
990011 Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); 38x24 cm; Private Collection; (add.info)

Background imageCruel Collection: Bear baiting, Manchester, 1819 (pen & ink and wash on paper)

Bear baiting, Manchester, 1819 (pen & ink and wash on paper)
CHL404792 Bear baiting, Manchester, 1819 (pen & ink and wash on paper) by Barritt, Thomas (d.1820); 14.8x19 cm; Chethams Library, Manchester

Background imageCruel Collection: A Cock Fight (oil on canvas)

A Cock Fight (oil on canvas)
CH401584 A Cock Fight (oil on canvas) by Snyders, Frans (1579-1657) (follower of); Private Collection; Photo © Christies Images

Background imageCruel Collection: The Friar and the Boy, illustration from Chap-books of the Eighteenth Century by John Ashton, pub

The Friar and the Boy, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho)
489640 The Friar and the Boy, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageCruel Collection: Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus

Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus Montanus
489307 Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus Montanus, 1669 (engraving) by Dutch School

Background imageCruel Collection: Animal Baiting at the Venetian Festival of the Hunt, illustration from the series Habiti d Huomini

Animal Baiting at the Venetian Festival of the Hunt, illustration from the series Habiti d Huomini e Donne Venetiane
661032 Animal Baiting at the Venetian Festival of the Hunt, illustration from the series Habiti d Huomini e Donne Venetiane, published c.1610 (engraving) by Franco

Background imageCruel Collection: Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)

Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)
827727 Saint Sebastian prepared for Martydom, c.1622 (oil on canvas) by Dyck, Anthony van (1599-1641); 142x194 cm; Private Collection; (add.info.: Saint Sebastian prepared for Martydom)

Background imageCruel Collection: Dotheboys Hall, frontispiece from Nicholas Nickleby by Charles Dickens (colour litho)

Dotheboys Hall, frontispiece from Nicholas Nickleby by Charles Dickens (colour litho)
KW392573 Dotheboys Hall, frontispiece from Nicholas Nickleby by Charles Dickens (colour litho) by Shepperson, Claude (1867-1921); Private Collection

Background imageCruel Collection: An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

Background imageCruel Collection: Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens

Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
KW259145 Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259144) by Browne

Background imageCruel Collection: Portrait of Francois de Beaumont, Baron des Adrets (engraving)

Portrait of Francois de Beaumont, Baron des Adrets (engraving)
884311 Portrait of Francois de Beaumont, Baron des Adrets (engraving) by French School, (16th century); Bibliotheque Nationale, Paris, France; (add.info.: 1512/13-1587) was a Huguenot leader

Background imageCruel Collection: Cinderella and her Wicked Sisters, 1892 (oil on canvas)

Cinderella and her Wicked Sisters, 1892 (oil on canvas)
827470 Cinderella and her Wicked Sisters, 1892 (oil on canvas) by Meyer, Emile (1823-1910); 113x125.7 cm; Private Collection; (add.info.: Cinderella and her Wicked Sisters. Emile Meyer (1823-1910)

Background imageCruel Collection: Bear Baiting in Saxon Times, illustration from Hutchinsons Story of the British Nation, c

Bear Baiting in Saxon Times, illustration from Hutchinsons Story of the British Nation, c. 1920 (litho)
STC292414 Bear Baiting in Saxon Times, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Woodville

Background imageCruel Collection: The feet of Chinese women, illustration from Le Costume Ancien et Moderne by Jules Ferrario

The feet of Chinese women, illustration from Le Costume Ancien et Moderne by Jules Ferrario
CHT265549 The feet of Chinese women, illustration from Le Costume Ancien et Moderne by Jules Ferrario, published in Milan in 1819 (colour litho) by Bigatti

Background imageCruel Collection: Mother Abbess Strangling the Infant, illustration from an Anti-Catholic pamphlet (litho)

Mother Abbess Strangling the Infant, illustration from an Anti-Catholic pamphlet (litho)
AQS256895 Mother Abbess Strangling the Infant, illustration from an Anti-Catholic pamphlet (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imageCruel Collection: Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre

Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos
CHT239749 Madame de Merteuil seducing Cecile Volange, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving)

Background imageCruel Collection: Ring Master, illustration from Voyage aux Pyrenees by Hippolyte Taine (1828-93), Hachette, Paris

Ring Master, illustration from Voyage aux Pyrenees by Hippolyte Taine (1828-93), Hachette, Paris
CHT207870 Ring Master, illustration from Voyage aux Pyrenees by Hippolyte Taine (1828-93), Hachette, Paris, published 1860 (engraving) (b/w photo) by Dore

Background imageCruel Collection: Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton

Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho)
489646 Simon Simons Misfortunes, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageCruel Collection: The Fight between the Lion Wallace and the Dogs Tinker and Ball in the Factory Yard in the Town of

The Fight between the Lion Wallace and the Dogs Tinker and Ball in the Factory Yard in the Town of Warwick
STC203628 The Fight between the Lion Wallace and the Dogs Tinker and Ball in the Factory Yard in the Town of Warwick, from Anecdotes, Original and Selected, Of The Turf, The Chase, The Ring

Background imageCruel Collection: Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled

Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled by B. W
IL193489 Mr Wackford Squeers and the New Pupil, illustration for Character Sketches from Dickens compiled by B.W. Matz, 1924 (colour litho) by Copping, Harold (1863-1932); Private Collection

Background imageCruel Collection: He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by

He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens
PER248009 He Doesn t know it. Terrible. interrupted Miss Murdstone, from Chapter IV of David Copperfield by Charles Dickens (1812-70) (colour litho) by French School

Background imageCruel Collection: Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos

Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)
XIR239751 Valmont and Emilie, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving) (b/w photo) by Lafrensen

Background imageCruel Collection: Christ Carrying the Cross, (oil on panel)

Christ Carrying the Cross, (oil on panel)
827921 Christ Carrying the Cross, (oil on panel) by Palmezzano, Marco (1458-1539); 65.2x49.3 cm; Private Collection; (add.info.: Christ Carrying the Cross. Marco Palmezzano (1460-c.1539)

Background imageCruel Collection: Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos

Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)
XIR239750 Valmont seducing Madame de Tourvel, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) engraved by Romain Girard (b.c.1751) 1782 (engraving) (b/w photo)

Background imageCruel Collection: Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)

Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)
CH438388 Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 23.4x14.3 cm; Private Collection; (add.info)

Background imageCruel Collection: Bank Holiday at the British Museum (engraving)

Bank Holiday at the British Museum (engraving)
1594802 Bank Holiday at the British Museum (engraving) by Begg, Samuel (fl.1886-1916) (after); Private Collection; (add.info.: Bank Holiday at the British Museum)

Background imageCruel Collection: La Fontaines Fables - Eye of the Master

La Fontaines Fables - Eye of the Master
Vintage engraving from La Fontaines Fables, Illustraed by Gustave Dore. The Eye of the Master

Background imageCruel Collection: La Fontaines Fables - Dog whose ears were cut

La Fontaines Fables - Dog whose ears were cut
Vintage engraving from La Fontaines Fables, Illustraed by Gustave Dore. The Dog whose ears were cut

Background imageCruel Collection: The enchantment of Don Quixote

The enchantment of Don Quixote
" The enchantment of Don Quixote. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Background imageCruel Collection: A Robber Knight exacting Tribute, 1882 (litho)

A Robber Knight exacting Tribute, 1882 (litho)
446528 A Robber Knight exacting Tribute, 1882 (litho) by English School, (19th century); Private Collection; (add.info.: scene set in the Swabian Alps in the late 15th)




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"Cruel: A Glimpse into the Dark Side of Humanity" "Christmas Day in the Workhouse: An Unforgiving Reality" "Kettle Cat's Silent Suffering: Cruelty Behind Closed Doors" "Angry Gorilla Illustration: The Ferocity of Captivity" "Man Being Bit By Rats: A Gruesome Encounter with Desperation" "Performing Bear in a Russian Village, 1877: Exploitation for Entertainment" "Start of a Cock Fight: Bloodsport and Brutality Unveiled" "Pyrenean Woman Force-Feeding a Goose: Tradition or Torture?" "The Crickhowell Hunt, Crickhowell, Powys, Mid Wales: Chasing Thrills at the Expense of Innocent Lives" "MOVE ON POLICE SATIRE: Exposing Cruelty Disguised as Authority and Control" "Mouse or Rat Trap? Late 19th or Early 20th Century: Instruments of Pain in the Name of Pest Control" "The Bullfight at Algeciras (w/c with bodycolour on paper): Spectacle or Savagery?" "Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro. ), 1799.