Crutch Collection (#9)

Wounded American soldiers recuperating at an American hospital during World War I. Photograph, c1918
WORLD WAR I: HOSPITAL. Wounded American soldiers recuperating at an American hospital during World War I. Photograph, c1918

A leper house. Wood engraving after an illumination from Vincent of Beauvais Speculum Historiale, c1220-1244
LEPER HOUSE, c1220-1244. A leper house. Wood engraving after an illumination from Vincent of Beauvais Speculum Historiale, c1220-1244

Union soldiers at the new general hospital at Hilton Head, South Carolina. Wood engraving, American, c1863
CIVIL WAR HOSPITAL. Union soldiers at the new general hospital at Hilton Head, South Carolina. Wood engraving, American, c1863

Saint Peter and Saint John heal the lame man at the Beautiful Gate (Acts 3: 1-10)
ST. PETER AND ST. JOHN. Saint Peter and Saint John heal the lame man at the Beautiful Gate (Acts 3: 1-10). Wood engraving, American, 19th century

Austrian physician and orthopedic surgeon. Dr. Lorenz in the New York Hospitals
ADOLF LORENZ (1854-1946). Austrian physician and orthopedic surgeon. Dr. Lorenz in the New York Hospitals. Illustration from an American magazine of 1902

RED CROSS POSTER, 1919. Poster advertising Red Cross training for disabled World War I veterans. Lithograph by C. F
RED CROSS POSTER, 1919. Poster advertising Red Cross training for disabled World War I veterans. Lithograph by C.F. Chambers, 1919

Dedicated to the Chicago Convention : cartoon by Thomas Nast, 1864, critical of the Democratic Partys platform of
PRESIDENTIAL CAMPAIGN, 1864. Dedicated to the Chicago Convention : cartoon by Thomas Nast, 1864, critical of the Democratic Partys platform of compromise with the Confederacy in that years

(1882-1945). 32nd President of the United States. Roosevelt speaking at his fourth inauguration, 20 January 1945
FRANKLIN D. ROOSEVELT (1882-1945). 32nd President of the United States. Roosevelt speaking at his fourth inauguration, 20 January 1945

CIVIL WAR: BLACK TROOPS. The Veteran. Wood engraving, 1867, after a painting by Thomas Waterman Wood (1823-1903)

CIVIL WAR: VETERAN, 1867. Veteran with leg amputated below the knee surrounded by a crowd: wood engraving, 1867

CIVIL WAR: BLACK TROOPS. A black soldier of the Union Army bonding with a white soldier over losing a leg in battle. Cartoon engraving of 1865

CIVIL WAR: WOUNDED, 1864. Union soldiers wounded in the battles in the Wilderness, at a hospital in Fredericksburg, Virginia, May 1864

NEW YORK: POVERTY, 1868. The poor of New York City receiving food at the (Tombs) city prison. Wood engraving, American, 1868

CHACUN À SON GOUT. Everyone to his taste. Steel engraving, English, 19th century, after James Stephanoff (1788-1874)

GERMANY: REGENSBURG, 1823. View of Regensburg Cathedral in Regensburg, Germany. Steel engraving, English, 1823, after a drawing by Robert Batty

PARENTS AND CHILDREN, 1800. Line engraving, c1800

ST PETER & ST JOHN. St Peter and St John heal the lame man at the Beautiful Gate (Acts 3: 1-10). Wood engraving, American, 19th century

French Costumes 1475
Two elegant nobles - he with slashed sleeves, long plumed cap, and a dagger at his crutch, she in gown with ornate under skirt Date: circa 1475

Physiotherapy
MODEL RELEASED. Physiotherapy. Physiotherapist assessing the mobility in a patients knee. The patient is wearing a brace to immobilise his leg after an injury

Crutches

Elderly patient
MODEL RELEASED. Elderly patient in a general practice waiting room

LEPER HOUSE, c1220-1244. A leper house. Manuscript illumination from Vincent of Beauvais Speculum Historiale, c1220-1244

POLIO CARTOON, 1957. Wonder Why My Parents Didn t Give Me Salk Shots? : Pulitzer Prize-winning cartoon, 1957, by Tom Little on Dr. Jonas Salks vaccine against poliomyelitis (infantile paralysis)

Four swimmers, two in Bovril teeshirts
Four swimmers pose for their photograph. The two men are wearing Bovril teeshirts, while the two boys wear one-piece swimming costumes

London / Cries / Beggar / Tiny
The deformed beggar often sells pens as begging is not sanctioned in England

London / Cries / Beggar
The beggar with one leg, on a crutch, holds out his hat for money

Politics / Britannia
Germanys view of Britain

Long John Silver

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Crutch: A Symbol of Resilience and Support" Throughout history, the crutch has served as a powerful symbol of resilience and support in various contexts. From literary works to historical events, this simple yet essential aid has left an indelible mark on our collective consciousness. In Long John Silver's adventures, his parrot perched upon his shoulder while he relied on a crutch to navigate the treacherous seas. This iconic image epitomizes strength in the face of adversity. Even renowned author Ernest Hemingway found himself leaning on a crutch during his time at the American Red Cross Hospital in Milan. It serves as a reminder that even great minds require assistance at times. During World War I, German poster campaigns highlighted injured soldiers relying on crutches as they fought to rebuild their lives. These images showcased not only physical but also emotional rehabilitation. Charles Dickens immortalized the spirit of Christmas with "A Christmas Carol, " where Tiny Tim's character exemplifies hope despite using a crutch. His determination inspires us all to overcome obstacles with grace and optimism. John L. Burns, wounded at Gettysburg during the American Civil War, stands tall with his battle-worn body supported by a crutch. At 70 years old, he embodies courage and resilience that transcends age or circumstance. The associates of the Witches of Belvoir are depicted wielding magical staffs resembling enchanted crutches—a testament to their mystical powers and ability to traverse between worlds effortlessly. In Spanish bullfighting series artwork, matadors gracefully wield capes while standing firm on their symbolic red-crutched platforms—showcasing bravery amidst danger within this traditional spectacle. Ancient Greece honored warriors bidding farewell before battle; some leaned upon sturdy wooden supports akin to crutches—an embodiment of camaraderie and unity among those facing uncertain fates together. Artistic depictions reveal Death embracing Pope Pius II as he crowns an Emperor, while a crutch lies nearby.